Clarkson of London. An early 20th century "Starboy" black lacquered brass astronomical telescope, the 3 inch primary objective with dust cover, on matching rotating pedestal, 146cm long 150cm high***CONDITION REPORT***Overall fair condition, some light wear to the clear lacquered brassware, a few small dents and knocks to the black lacquering of the barrel particularly near the hinged mount on the right side, otherwise looks to be in good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
534297 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
534297 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
534297 Los(e)/Seite
A Japanese Satsuma pottery ‘thousand butterfly’ bowl, Meiji period, the interior painted with the thousand butterfly design with a dotted ground, the exterior with four oval reserves painted with boys and Immortals, on a brocade pattern ground, spiral to the potting on the base, unsigned, 11cm diameter***CONDITION REPORT***Some wear to the gilding around the edge of the foot, light staining to the pottery body visible underneath, otherwise in good condition with no chips cracks or restoration detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A pair of 19th century French ormolu five light candelabra, with foliate scroll branches and stepped architectural bases, one dated 1890, 26cm wide, 56cm high***CONDITION REPORT***Both in good clean condition, gilding is bright, with just a few scattered oxidisation spots, branches very slightly bent out of shape, dated to the front leg of one of the candelabra.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Jack Zajac (American, b.1929). A pair of bronze abstract sculptures, on ebonised plinths, one signed and numbered 18/95, 28cm long 22cm high***CONDITION REPORT***Both with original bronze polished finish, minor oxidisation spots and light surface scuffing, plinths in good condition, the one sculpture which has the small bronze inclusion inside the base requires a nut to hold it into position.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Marinus Johannes de Jongere (Dutch, 1912-1978) oil on canvasShipping in Rotterdam harboursigned60 x 90cm***CONDITION REPORT***Oil on original canvas in good untouched condition, possibly in need of a light clean but no real faults noted, housed in the original parcel gilt scroll frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Sir William Russell Flint RA PRWS (British, 1880-1969) 'Heather'red chalk on pink papersigned21 x 14cm***CONDITION REPORT***Red chalk on pink paper showing some slight light creasing and undulation along with a few scattered dirt specks, old washline mount and glazed wooden frame, artists label verso, one is a presentation dated 1957, the other Royal Academy of Arts Exhibition 1962 given the title.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Genevieve Dael (French, b.1947) 'Que le Jour Finisse'oil on canvassigned verso and numbered 211, Francis Kyle Gallery labels verso55 x 33cm***CONDITION REPORT***Oil on original canvas in good untouched, perhaps in need of a very light clean, original silvered and ebonised frame with Francis Kyle Gallery label verso and Gallery Exhibition Catalogue from 2006.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Basilius Besler (German, 1561-1629) Geranium Sanguinarium, Geranium Muscatum in odorum, Geranium Sanguinarium maius and Geranium Muscatum odoratum from Hortus Eysettensis, 1613four hand coloured copper engravings49 x 41cm***CONDITION REPORT***All in honest condition, some undulation so thought not to be laid down, some light surface creasing scattered amongst them, ground paper a little evenly discoloured with one or two dirt specks, mounted just beyond the plate marks with washline mounts and green painted frames, all of which a little rubbed and one differs in colour.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
° ° Manuscript Cookery Book of Lady Anne Blencowe, (3)pp. index and 34 (ex36)pp. of cookery 'receipts' (apparently in her hand); contemp. blind-panelled vellum, med.8vo., and boldy written 'A Blencowe' within flourishes in central panel of lower cover. (late 17th / early 18th cents.). Anne Blencowe (1656-1718), eldest daughter of the eminent Savillian professor at Oxford, John Wallis, had married Sir John Blencowe (politician and lawyer, of Marston St. Lawrence, Northants) in 1675. In the earlier 20th cent. another of her receipt books came to light, being published in a limited edition (1925) with an introduction by George Saintsbury. The receipts here, generally favouring fruits, puddings and cakes over fish and meat - as did, apparently, the 1694 dated volume - include bisketts, gingerbread, egg cheesecakes, damson or bulace chese, gooseberry vinegar etc.; a few are credited - Lady Probyn's custard pancakes, Mrs Steptoes orange cream, Mrs Barnardistons sago pudding ... It is tempting to suggest that this might be a precursor of the published book, though a connection with a kinswoman, Lady Elizabeth Probyn (5 credits) may point to a later date.***CONDITION REPORT***Some cover-discolouration,lacks pp. 17 & 18 (i.e. 2 receipes), some inoffensive soiling, etc., written in a bold and legible hand; 2/3 entries apparently is the hand of (?) contributors, 3 near contemp. leaves (in other hands loosely inserted), text followed by approx. 108pp.(unused).PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Jaques & Son Staunton pattern ebony and boxwood chess set, in original box, Kings 9.5cm***CONDITION REPORT***Overall looks to be in very good condition, all of the chessmen have loaded bases and faded but original baize to the bases, faults noted as followsLEbony chessmen - Queen has a crack running through base, one castle with small chip to outer rim of base, two pawns with old repairs to their collars. Boxwood - tiny dent to the upper rim of the base of one bishop, one pawn with old repair to its collar. Box with light wear to the outside but retaining original colour and retaining original label and baize lining.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
° ° Dickens, Charles - A Christmas Carol, in Prose, Being a Ghost Story of Christmas, 1st edition, 1st issue, Chapman & Hall, 1843 half-title printed in blue, title-page printed in red and blue, verso printed in blue, 2-page publisher's advertisement at end, hand-coloured etched frontispiece and 3 plates by John Leech, 4 wood-engravings in the text by W.J. Linton after Leech, light green endpapers, all edges gilt, original reddish-brown fine-ribbed cloth with decorative blind border surrounding central gilt cartouche and lettering on upper cover, spine lettered and decorated in gilt, 8vo (163 x 102mm), Eckel, p. 110; Smith II:4. First edition, first issue with 'Stave I' as the first chapter heading and no text changes. The binding conforms to William B. Todd's first impression, first issue with the closest interval between blind-stamping left margin and left extremity of wreath 14-15mm, and 'D' of 'Dickens' within wreath on front cover in perfect condition. (The Book Collector, Winter 1961, pp. 449-454.) A Christmas Carol was published on 19 December 1843, selling 6,000 copies in the few days before Christmas. Despite its enormous success it was a financial disaster for Dickens. It was a separate commission requested by him of his publishers Chapman and Hall, with Dickens insisting on a fine coloured binding and endpapers with gilt lettering. Although it went into seven editions by May 1844 almost all the profits were absorbed in the expenses of binding, special papers, coloured plates and advertising, and Dickens found himself overdrawn on his Coutts account, and had to ask his friend Mitton for another loan.Together with - Dickens, Charles - The Battle of Life, 1st edition, wood-engraved frontispiece, additional pictorial title and illustrations by Daniel Maclise, Richard Doyle, Clarkson Stansfield and John Leech, publisher’s deep red horizontally-ribbed cloth decorated in blind, upper cover gilt-stamped with two cherubs mounted on wasp’s above floral spray, spine with similar design, all edges gilt, 8vo, 2-page publisher’s advertisement at end, Bradbury & Evans, 1846 (2)***CONDITION REPORT***A Christmas Carol - some white discolouriong on the green e/ps., some spotting and other marks intermittently in text, plt.(p.25) with marked offset opposite, lt. spine wear.A Battle of Life - clean tear on spine and sl. wear at head, some sl. intermittent spots but gen. clean. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Manner of Melchior d'Hondecoeter (Dutch, c.1636-1695) A cockerel, chickens and chicks in a farmyardoil on canvas70 x 86cm***CONDITION REPORT***Oil on canvas relined many years ago, canvas remains tight, paint looks a little dirty, apparently unsigned, some light scuffing near the top margin and some small white paint splashes, period giltwood frame now rather tatty, Christie's stencil number KP663 on the stretcher along with a green sale label and further auctioneers chalk marks.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Regency mahogany hat stand, with central spiral twist column and nine scrolling arms over circular understage and downswept legs, height 196cm***CONDITION REPORT***Overall of a rich reddish brown mahogany tone, signs of old restoration to the base of the top three scrolling branches, other minor repairs elsewhere, light scuffing to the understage which is a little wobbly, minor scuffing to the feet.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Charles Maresco Pearce (1874-1964) The Public Gardenoil on boardsigned and dated '3791 x 60cm***CONDITION REPORT***Oil on board in honest condition, might benefit from a light clean but no other faults noted, housed in a later painted frame. Sold in these rooms, June 2021 £950. Vendor has moved and cannot accomodate the picture.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
William Arnold Woodhouse (British, 1857–1939) After the Shootoil on canvassigned49 x 60cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, possibly in need of a light clean but no other faults noted, housed in a later gilt frame. Provenance: Private collectionPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
° ° Cook, Capt. James and King, Capt. James - A Voyage to the Pacific Ocean ... for making Discoveries in the Northern Hemisphere ... (i.e. Cook's Third Voyage). First Edition, 3 vols. with 24 plates (incl. maps, charts etc.) and a folded table; contemp. tree calf, gilt-extra decorated spines and marbled e/ps., roy. 4to. printed by W. and A. Strahan: for G. Nicol ... and T. Cadell ... 1784***CONDITION REPORT***Some leather wear on all vols, vol.I joints cracked and bds loose, vol.2 joints cracked, vol.3 upper bd. present, but detached; all labels missing / damaged; intermittent spotting etc. (mostly light), but plt/ offsetting (marked in places), front and end blanks browned at edges, vol.3 3pp. 509/10 with mostly clean tear (3 word loss). Plates confirm to those required in text vols. (Atlas not present) vol.3 by King. (8), XCVI,421; (12), 549; (II), 558pp and advert leaf; early ownership (?C.H.Harris) on titles: see Mitchell Lib.Cat.1543PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Jean de Roncourt. A French Art Deco bronze 'Le Bendeur', on signed black marble plinth, 72cm wide, 55cm high***CONDITION REPORT***Overall in fair to good condition, the main figure in very good order with a light brown patination slightly rubbed at the extremities, black marble plinth has a number of small nicks and chips around the edges and is signed on the front right corner.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Edith Mary Urquhart (Scottish, 1874-1945) Portrait of a young lady holding a parasoloil on canvassigned61 x 54cm***CONDITION REPORT***Oil on orignal canvas in honest untouched condition, might need a light clean but no real faults noted, housed in an old carved wood frame that has Exhibition labels verso that look to have been for a different work.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Hercules Brabazon Brabazon (British, 1821-1906) View on the North African coastwatercolourinitialled in pencil13 x 21cm***CONDITION REPORT***Watercolour on light buff paper in honest condition, one or two small dirt specks and possibly some even discolouration of the paper on the left, old washline mount and slim glazed gilt frame, label verso for The Leger Galleries Ltd, dated 1966.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A George I walnut girandole, with bevelled plate and single brass sconce, width 19cm, height 66cm***CONDITION REPORT***Of an even mid to light brown tone, a few fine old flaws showing in the grains of the veneers but no other faults noted, plate looks original and has some oxidisation spotting.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Sergei Eisenstein (Russian, 1898-1948) Design for Vsevolod Meyerhold’s 1921 production of George Bernard Shaw’s ‘Heartbreak House’ink and watercoloursigned and dated Moscow 192231.5 x 42.5cm***CONDITION REPORT***Probably a little faded but otherwise good condition, some light undulation of the paper, modern card mount and ebonised frame, artist inscription on a label on the back of the work.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A George VI engine turned 9ct gold rectangular cigarette case, makers, B&S with engraved interior personal inscription with signatures, Birmingham, 1947, 12.7cm, gross weight 188.4 grams.***CONDITION REPORT***A few very minor light scratches to the exterior. The interior has a few tarnish spots. Hallmarks quite rubbed.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Thomas Hearne (British, 1744-1817) View in Moccas Park Woodswatercoloursigned39 x 33cm***CONDITION REPORT***Watercolour on light buffed toned paper which is possibly evenly discoloured over the years, signed lower right, housed in a recent washline mount and slim gilt frame with label for Heather Newman Watercolours, and provenance given as from the family who commissioned a series of Views in Moccas ParkPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Cressida Campbell (Australian, 1960-) Jacaranda in full blossomwatercolour on incised marine plysigned lower right, created in 200380 x 66cmCressida Campbell was born in Sydney, Australia in 1960, and has since become one of the country's most successful artists. While studying at what is now the National Art School, Cressida developed her idea to combine printing and painting, but she wouldn't fully embrace this technique until several years later. Her work plays with colours and shapes through the portrayal of domestic life and tranquil landscapes. Her still life subjects often incorporate plants, furniture, and everyday decor.Cressida’s process involves engraving a woodblock, and then painting it with layers of watercolour, resulting in both an engraving and a mirror-image print.***CONDITION REPORT***Overall in honest untouched condition, some fine craquelure running vertically through the paint in line with the grain of the board, the base colour of the board shows through the thinner painted areas of the picture, otherwise some light dirt but no real faults noted. Signed lower right, housed in a parcel gilt cream frame, stamped to the stretcher, no other labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
After Francois Boucher (French, 1703-1770) Celestial scene - The infant Jesus blessing St. John the Baptist, with a banner - ‘’Ecce Angus Dei’’ [Behold the Lamb of God]oil on canvas laid down21 x 17cm, framed to the oval Provenance: Private collection Surrey.***CONDITION REPORT***Oil on panel in honest untouched condition, light surface dents and scuffs throughout and a little dirty, some small chipping around the edges most notably at 6 o'clock, housed in a beaded ormolu mount, pencil inscription of attribution verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Hercules Brabazon Brabazon (British, 1821-1906) Mountainous lochwatercoloursigned with initials24 x 33cm***CONDITION REPORT***Watercolour on light buff toned paper possibly slightly faded but colours still remain strong, slight undulation of the paper so thought not to be laid down, initialled in pencil, later washline mount and slim gilt frame which is a little rubbed, Chris Beetles label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § André Vignoles (French, 1920-2017) Table top still life with basket of cherries and other fruitoil on canvassigned and dated '5953 x 64cm***CONDITION REPORT***Oil on original canvas in good untouched condition, a little light craquelure in places and would benefit from a clean, housed in the original gilt frame which is now a little grubby, Exhibition label for Arthur Tooth & Sons with title 'Nature Morte 1959'.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Tamiya: A collection of assorted boxed Tamiya unmade military model kits, to include: Universal Carrier, Kubelwagen Type 82, Scout Car Daimler, 88mm Gun Flak 36, British Light Utility Car and others. Contents are unchecked for completeness, box condition is varied. Please assess photographs. Twelve examples. (one box)
Attributed to PIETER II CASTEELS, Dutch School (act 1650 - 1674), Oil on canvas, Still Life Vase and Flowers on a Ledge in an Architectural Landscape, 122cm X 86cm in a gilt frame, with name plate to frame, Unsigned Provenance: from Country House ClearanceCONDITION: VERY FEW LOSSES - the odd couple of spotsTHE ODD SMALL white PAINT SPECKLEDON THE TOP AND RUNNING DOWN THE LEFT HAND SIDE WE ASSUME THE MARKS ARE STRETCHER MARKS AS THEY LINE UP WITH THE WOODEN SLATS VERS0; WE DON'T THINK THESE are restoration or splits, but they are noticeable; otherwise ok condition with light signs of wear; the frame is in poor order and losses to edges and beading, NEEDS A GOOD CLEAN.
An 18ct white gold, single stone diamond ring, central brilliant diamond in a six claw setting, approx 7.5mm, approx 1.70cts with baguette cut diamond shoulders, size L condition and more details: it is very difficult to colour grade this ring as it is so dirty, ideally we would say SI 1 clarity, due to a black inclusion in the centre of the stone, visible under the loop x 10. cut grade is good, symmetry good, no surface reaching inclusions or pits to the crown, stone sit nicely and securely in setting . estimate colour J K colour, but the good cut gives excellent light return and dispersion.
A collection of vintage 20th Century postcards. To include landscape scene; Bristol Cabot tower, Avon Gorge, Christmas religious scenes, US Mail, New Jersey, Museum of childhood, light railway, Gloucester Cathedral, Windsor Castle, Chichester, Stonehenge, Leaving the Jetty, working narrow boats, Victorian children, Bradford on Avon, Yorkshire Dales and many other examples. With a postcard magazine.
This piece by George Keyt is a stunning watercolor on paper. The artwork is sized at 16" x 22", making it a great size for any wall or room. Keyt's masterful use of color, light and shadow is on full display in this piece, showcasing his exceptional skills as a watercolor artist.George Keyt is widely recognized as one of Sri Lanka's most important modernist painters. He was a founding member of the influential Colombo Group of artists in the 1940s, and his work has been widely exhibited in galleries and museums around the world. His paintings are renowned for their spare, elegant compositions, which blend traditional Sri Lankan motifs with elements of Western modernism. Keyt's work is highly sought after by collectors, making it a great investment for any art lover.
Jehangir Sabavala was a renowned Indian artist known for his contributions to Indian Modern Art. He is considered one of the leading artists of his generation. His work features an interplay of light, color, and form, reflecting his deep understanding of the natural world. "Indian Art" is a beautiful piece of work, displaying Sabavala's mastery of the oil medium and his ability to create atmospheric scenes that evoke a sense of mystery and wonder.Jehangir Sabavala's work is widely sought after by art collectors and is highly recommended as an investment. His pieces have been featured in numerous exhibitions and galleries and have been sold for significant prices at auction. As a result, his works have become highly prized by collectors and are considered a smart investment in Indian Modern Art.
An Edwardian art nouveau style slim oak bureau bookcase with leaded light panelled doors, together with a stripped oak oval drop leaf gateleg dining table on square cut supports, the remains of a campaign chest with brass fittings, a late Victorian walnut freestanding corner cabinet, a set of three Victorian mahogany balloon back dining chairs, and a further wavy ladderback example with rush seat, (8) (af)
An antique pine kitchen side cupboard with all over light blue painted and distressed finish, freestanding and enclosed by a pair of rectangular twin panelled doors, the upper wire meshed revealing three removable shelves to interior, raised on squat tapered block feet, 107cm wide x 41cm deep x 176cm high, together with a pair of vintage folding wooden chairs with painted finish (3)

-
534297 Los(e)/Seite