534297 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
534297 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
534297 Los(e)/Seite
Los 2118
William Bradley Lamond (Scottish, 1857-1924), 'The Drove Road', oil on canvas, signed lower left, 35.5 x 46cm, framed.Provenance: with Anthony Woodd, Edinburgh.Condition Report: Very good condition overall, with minimal issues, aside from some light, limited craquelure in places. The picture surface is stable, with the colours still vivid. The canvas has been cleaned fairly recently, but has not been relined.
Los 5014
A pair of French ormolu three-light wall appliques, 19th or possibly 18th century, of Louis XV style, H ca. 61 cm, W 48 cm, Provenance: Property of a Dutch noble family. Each with asymmetrically cast foliate backplate, issuing three scrolling branches ending in foliate cast drip pans and sconces.
Los 5024
A North-European ormolu and rock-crystal six-light chandelier, Late 18th century, H ca. 112 cm, Provenance: Property of a Dutch noble family.- acquired at an anonymous gallery, Sweden, through A. van der Meer, Amsterdam, 1987. The frame hung with chains of facetted beads and shaped pendants and tassels, the ormolu body issuing six scrolling candle arms, each ending in a gadrooned drip pan with vase-shaped cups, the whole surmounted by a fountain corona.
Los 310
Style Three, hat with barley ears. Pale blue cap; light brown barley ears.Commissioned by American Express to form part of a 12-tankard set from various manufactures, John Barleycorn was sold to between 500 and 600 card members. Issued 1988 in special edition.Royal Doulton and American Express backstamp. Artist: Stanley J. TaylorIssued: 1988Dimensions: 5.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 344
Variation One, Big Ben is at Eight O'clock. Black coat with purple collar; lemon cravat; Big Ben is light brown.To honor John Doulton, the Royal Doulton International Collectors Club made this jug available to all their original charter members in 1980. This first variation of this jug has the time shown on " Big Ben" as eight o'clock. Series: RDICC. Royal Doulton and RDICC backstamp. Artist: Eric GriffithsIssued: 1980 - c. 1982Dimensions: 4.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 326
Blue-black coat, light blue collar; grey-green hat; white collar; red bow tie.The wonderful characters of Dickens' novels were the inspiration for many early jug designs. Captain Edward Cuttle was an eccentric English gentleman in " Dombey and Son" (1846), who is best known for saying " When found, make a note of it.Royal Doulton backstamp. Artist: Leslie Harradine and Harry FentonIssued: 1948 - 1960Dimensions: 3.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 341
Style One: Inside jug. Brown rim with light brown body.John Barleycorn is the personification of barley, the grain source of malt liquor. This character jug was the first design created by Charles J. Noke in 1934.Royal Doulton backstamp. Artist: Charles J. NokeIssued: 1937 - 1939Dimensions: 3.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 282
Dark brown hat; light brown, maroon and white robes.A celebrated poet, essayist and lexicographer, Dr. Johnson (1709 - 1784) published his Dictionary in 1755, which was the first systematic study of the English language. His literary club met regularly at a London pub and included such famous figures as David Garrick, Oliver Goldsmith and Edmund Burke.Royal Doulton backstamp. Artist: Harry FentonIssued: 1950 - 1960Dimensions: 6.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 366
Henry- Grey hair; yellow cravat; Michael- Brown hair; dark blue suit; white shirt; light blue tie. Signed by Michael Doulton.This two-faced jug was a special edition jug issued to mark Michael Doulton's personal appearances at retail locations. This piece is one of the few two-faced jugs made in the small size. Royal Doulton backstamp. Artist: William K. HarperIssued: 1992Dimensions: 4.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 280
Black hair, light green band, dark green coat, yellow and burgundy bow. In Charles Dickens' 1843 novel " Martin Chuzzlewit" Sairey Gamp is a gossiping, gin-drinking midwife and nurse.Royal Doulton backstamp. Artist: Charles J. NokeIssued: 1935 - 1986Dimensions: 6.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 342
Style Two: Outside jug. Brown rim; light brown face.John Barleycorn is the personification of barley, the grain source of malt liquor. This character jug was the first design created by Charles J. Noke in 1934. Royal Doulton backstamp. Artist: Charles J. NokeIssued: 1939 - 1960Dimensions: 3.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 314
Brown coat; light brown hat with red band.Wyatt Berry Stapp Earp (1848 - 1929) was a expert gunfighter. He worked as a police officer and armed guard and, in 1881, was involved in the famous shootout at the O.K. Corral. Later Earp traveled around the West, operating a number of Saloons.Series: The Wild West Collection. Royal Doulton backstamp. Artist: Stanley J. TaylorIssued: 1985 - 1989Dimensions: 5.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 416
Black hair; light green band; dark green coat; yellow and burgundy bow.In Charles Dickens' 1843 novel, " Martin Chuzzlewit" Sairey Gamp is a gossiping, gin-drinking midwife and nurse.Series: Charles Dickens' Characters. Royal Doulton backstamp. Artist: Leslie Harradine and Harry FentonIssued: 1939 - 1986Dimensions: 2.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 287
Style Three. Red, white and light brown coloration.The Santa Claus jug was introduced in 1981 and was the first to undergo annual design changes. Featuring different well-known Christmas themes, the handle has changed several times since 1981.Royal Doulton backstamp. Artist: Michael AbberleyIssued: 1983 - 1983Dimensions: 7.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 235
Style Two. Orange polka-dot bandana, light blue shirt.Beginning in 1991, one jug was selected as the Character Jug of the Year, produced for one year only and issued with a certificate of authenticity. The Fortune Teller was the Character Jug of the Year of 1991.Series: Character Jug of the Year. Royal Doulton backstamp. Artist: Stanley J. TaylorIssued: 1991 - 1991Dimensions: 7"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related Wear.
Los 234
Style One. Black, brown and red helmet badge.Launched exclusively by Griffith Pottery House in 1983, The Fireman jug was then released into the general range in 1984. Varieties of the handle exist, with the nozzle ranging from dark orange to light yellow. Royal Doulton backstamp.Artist: Jerry D. GriffithIssued: 1983 - 1991Dimensions: 7.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good.
Los 417
Dark brown hat; light brown coat; red kerchief with white spots.In the 1837 Charles Dickens novel, " The Pickwick Papers," Sam Weller was a boots employed at the White Hart Inn. He became a faithful aide and valet to Mr. Pickwick and eventually married Napkin's housemaid. This character jug is unusual in that its modeling changes dramatically between the large and small versions.Series: Charles Dickens' Characters. Royal Doulton backstamp. Artist: Leslie Harradine and Harry FentonIssued: 1940 - 1960Dimensions: 2.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 365
Dark brown hat; light brown coat; red kerchief with white sports.In the 1837 Charles Dickens novel, " The Pickwick Papers," Sam Weller was a boots employed at the White Hart Inn. He became a faithful aide and valet to Mr. Pickwick and eventually married Napkin's housemaid. This character jug is unusual in that its modeling changes dramatically between the large and small versions.Series: Charles Dickens' Characters. Royal Doulton backstamp. Artist: Leslie Harradine and Harry FentonIssued: 1948 - 1960Dimensions: 3.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 285
Style One. Red, white, and light brown coloration.The Santa Claus jug was introduced in 1981 and was the first to undergo annual design changes. Featuring different well-known Christmas themes, the handle has changed several times since 1981.Royal Doulton backstamp. Artist: Michael AbberleyIssued: 1981 - 1981Dimensions: 7.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related Wear.
Los 202
Green coat and bow tie, light brown cap.Commissioned by Kevin Francis Ceramics Ltd., The Auctioneer jug was issued in 1988 in a limited edition of 5,000. Characteristic of Kevin Francis Ceramics, this is a left-handed jug.Series: The Collecting World. Royal Doulton and Kevin Frances backstamp. Artist: Geoff BlowerIssued: 1988Dimensions: 6.25"HEdition Size: 5000Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related Wear.
Los 429
Black hair; light green band; dark green coat; yellow and burgundy bow; green umbrella with brown handle.In Charles Dickens' 1843 novel, " Martin Chuzzlewit" Sairey Gamp is a gossiping, gin-drinking midwife and nurse. Series: Charles Dickens' Characters; Tinies. Royal Doulton backstamp. Artist: Leslie Herradine and Harry FentonIssued: 1940 - 1960Dimensions: 1.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 288
Variation One. Yellow hat, turquoise tunic, white ruff, light brown hair, lavender handle.In the 17th-century comedy, written by Edward Ravensroft, Scaramouche appears as a boastful, foolish character, dressed in the old Spanish style.Series: Characters From Literature. Royal Doulton backstamp. Artist: Stanley J. TaylorIssued: 1988 - 1991Dimensions: 6.75"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related Wear.
Los 329
Style Two, Santa Maria ship handle. Brown, light brown, grey and cream coloration.This jug was issued to recognize the 500th anniversary of Columbus's voyage to America in 1492. It was created exclusively for the Royal Doulton International Collectors club and was issued in a limited edition of 7,500. The jugs was exhibited in the British Pavilion at Expo '92 in Seville, Spain. Series: RDICC. Royal Doulton, RDICC, and " Admiral of the Seas" backstamp. Artist: Stanley J. TaylorIssued: 1992Dimensions: 3.5"HEdition Number: 1314Edition Size: 7500Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 364
Dark brown hat; light brown, maroon and white robes.A celebrated poet, essayist and lexicographer, Dr. Johnson (1709 - 1784) published his Dictionary in 1755, which was the first systematic study of the English language. His literary club met regularly at a London pub and included such famous figures as David Garrick, Oliver Goldsmith and Edmund Burke.Royal Doulton backstamp. Artist: Harry FentonIssued: 1950 - 1960Dimensions: 3.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 306
Light brown hat and buckskin jacket.William Frederick Cody (1846 - 1917) was a scout, plainsman, soldier in the Civil War, hotelier, rancher and showman. His expert marksmanship as a buffalo hunter earned him his nickname Buffalo Bill. In 1883, Cody and others formed " Buffalo Bill Wild West Show," a theatrical shooting exhibition, which became very successful and traveled through the U.S. and Europe.Series: The Wild West Collection. Royal Doulton backstamp. Artist: Robert TabbenorIssued: 1985 - 1989Dimensions: 5.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 390
Blue-grey helmet; dark green robes.Don Quixote is the hero of the novel by Cervantes, a satirical parody of this chivalrous knight. Don Quixote leads a life of adventure, capturing many hearts along the way. The helmet color of the jugs varies from dark grey to light grey. Series: Characters from Literature. Royal Doulton backstamp. Artist: Geoff BlowerIssued: 1960 - 1991Dimensions: 2.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 5
Christopher Wood (British, 1901-1930)Spring Flowers in a Jug oil on canvas laid on board28 x 20.7 cm. (11 x 8 1/8 in.)Painted in 1928Footnotes:ProvenanceRex Nan KivellWith The Redfern Gallery, London, March 1942William MasonPrivate Collection, U.K.ExhibitedLondon, The New Burlington Galleries, Christopher Wood: Exhibition of Complete Works, 3 March-2 April 1938, cat.no.307LiteratureEric Newton, Christopher Wood 1901-1930, The Redfern Gallery, London, 1938, p.73, cat.no.331Painted in 1928, Spring Flowers in a Jug, belongs to a time when Christopher Wood was working closely with both Ben and Winifred Nicholson. The three had become increasingly close friends and spent much time together in London with Wood exhibiting alongside Winifred at the Seven & Five exhibition at the Beaux Arts Gallery during February of that year. As Spring dawned, an invitation to visit Bankshead, their farmhouse near Brampton in Cumbria, arrived and offered with it the opportunity to accelerate his learning and rejuvenate in the country. Writing to his mother, Wood noted that 'This is a dear old farmhouse. My room is lovely with great beams going up into the roof and across the room, all whitewashed and a huge window across the end, a box bed with a pretty blue cover, a table, a row of pots of tulips and little hyacinths and outside some ducks and a little farmyard like Beatrix Potter things' (Christopher Wood quoted in Richard Ingleby, Christopher Wood, An English Painter, Allison & Busby, London, 1995, p.181). The stay was to have a crucial impact on his hosts too with Winifred describing how 'he came in March, his arrival was like a meteor' (ibid, p.181).The work they produced during this time has been described as sharing the same spirit with a multitude of ideas flowing back and forth. Ben Nicholson and Wood explored the necessity of elimination in their drawing, a lesson which the latter had started to learn whilst in Rome in 1925 and taught by Jean Cocteau and Picasso. Many of these works, incorporating box shaped farm buildings and an assortment of trees and animals, are almost impossible to differentiate and reflect the intimacy of the working relationship. However, it was to Winifred that the artist appears to have been closest and they shared a deep appreciation of colour along with a spiritual connection that would extend beyond his untimely death. It is through their respective depictions of flowers that the influence of one another is most evident, the present work being a striking example.Whilst both artists were well versed in more formal still life arrangements, they were most successful when working with bunches of wild flowers placed informally within a mug, jug or glass as can be seen in the present composition. Although Wood is not known to have painted any floral pictures at Bankshead itself, he spent much time observing Winifred and upon his return to Paris in April, he was focused on exploring the subject, requesting she send him bunches of spring flowers in the post. Several pictures, including Still Life, Bankshead (Private Collection), which depicts colourful flowers sent in one such package by Winifred emerged from the French capital. Placed in a blue glass to Winifred's influence, they are set within a composition drawn from Ben Nicholson's Walton Wood Cottage No 1 (Scottish National Gallery of Modern Art) with the wood itself and cottage almost identical but a heightened sense of colour throughout to give a unique identity. Spring Flowers in a Jug combines the strong influence of both Ben and Winifred from this important moment and is a visual record of the significant relationship between the three artists. The patterned complexity of the soft and muted background echoes the compositions of Ben whilst the flowers radiate in Winifred's own words as 'sparks of light, built of and thrown out into the air as rainbows are thrown, in an arc', set to Wood's own painterly gestures (Winifred Nicholson, quoted in Jovan Nicholson, Art and Life 1920-31, exh.cat., Dulwich Picture Gallery, London, 2013, p.33).We are grateful to Robert Upstone for his assistance in cataloguing this lot. He is currently preparing the forthcoming catalogue raisonné of the artist's work and would like to hear from owners of any work by the artist so that these can be included in this comprehensive catalogue. Please write to Robert Upstone, c/o Bonhams, Modern British Art Department, 101 New Bond Street, London, W1S 1SR, or email britart@bonhams.comFor further information on this lot please visit Bonhams.com
Los 15
Denis Mitchell (British, 1912-1993)Clodgy signed with initials, titled, numbered and dated 'CLODGY/1979 6/7/DAM' (on the base)bronze with a green and polished patina on a slate base90.1 cm. (35 1/2 in.) high (including base)Footnotes:ProvenanceWith The New Craftsman Gallery, St Ives, where acquired by the present owner Private Collection, U.K.ExhibitedLondon, Alwin Gallery, 1979 (catalogue not traced, another cast)St Ives, Penwith Galleries, 1981 (catalogue not traced, another cast)London, Crane Kalman Gallery, Denis Mitchell: Selection of Sculptures and Reliefs, 9 October-1 November 1986, cat.no.15 (another cast)London, Berkeley Gallery, 1989 (catalogue not traced, another cast)Penzance, Newlyn Orion Gallery, 1990 (catalogue not traced, another cast)Dublin, Bridge Gallery, Denis Mitchell and Friends, 31 January-2 March 1997, cat.no.5 (another cast)St Ives, Penwith Galleries, Denis Mitchell: Sculptor, 30 June-1 August 1992, cat.no.87 (another cast) London, Flowers East, Denis Mitchell, 1993, cat.no.7 (another cast) Swansea, Glynn Vivian Art Gallery, Denis Mitchell: Sculpture 26 March-19 June 1994, cat.no.4 (another cast)Brighton, Gardner Arts Centre, Denis Mitchell (1912-1993) 'A Life of Art', 4-30 October 1993, cat.no.6 (another cast)St Ives, Penwith Gallery, The Rock and The Light: an exhibition of Denis Mitchell & Tom Early, 12 October-9 November 1996, cat.no.4 (another cast)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 38
Sean Scully R.A. (Irish, born 1945)London 6.9.01 signed, titled and dated 'London. Sean Scully 6.9.01' (lower right)pastel76.2 x 55.9 cm. (30 x 22 1/8 in.)Footnotes:ProvenanceWith Ingleby Gallery, Edinburgh, 2001, where acquired by the family of the present ownerPrivate Collection, U.K.ExhibitedEdinburgh, Ingleby Gallery, Sean Scully, 1 August-15 September 2001Edinburgh, Ingleby Gallery, Twenty Five, 28 January-31 March 2023Though Irish-born, Scully spent the formative years of his career living and working in the London of the present work's title until he emigrated to the United States in 1975, a place where he felt art was 'taken seriously' (Sean Scully, quoted in C. Bray, 'Sean Scully: In Search of the Light', in Art World, Issue 7, October/November 2008, p.48). Here, he helped lead the transition from Minimalism to Emotional Abstraction in painting, abandoning the reduced vocabulary of Minimalism in favour of a return to metaphor and spirituality in art. But it was trips to Morocco in the 1960s, and later Mexico in the 1980s, where his imagination was ignited by the sight of strips of dyed wool hanging out to dry, coloured tiles, fading facades and rich kilim carpets that acted as a foundation stone for the artists lifelong obsession with the stripe.London 6.9.01 is a prime example of the interlocking bands and tonal gradation that is quintessential Scully at the height of his artistic power. In the present work, three dense background bands of blue, black and red cohabit easily but do so without giving up their identities. Layered on top is a picture within a picture, a smaller inset or 'window' of five vertical stripes of ochre and russet. The positioning of narrow vertical stripes set into a background of broader horizontal stripes invite the viewer to move forward and backward, introducing a physical and emotional dynamism. Here is an abstraction that encourages dialogue and Scully has regularly cited the 'spiritual' aspect of his oeuvre, commenting that he 'is trying to get at deep emotions through simple forms' (Irish Arts Review, Spring 2006, p.75). The present example on paper is executed on a large scale and speaking to the immediacy of the medium, the artist said 'Pastel is like putting makeup on. There is a dust on the paper, which I rub in. I push it right into the paper with a piece of cloth or paper. Once it's embedded into the surface, I fix it. And then I work it up, adding a layer, fixing it, adding another layer, fixing it again, and so on until the pastel starts to stand up a little from the paper. At a certain point, if you keep pushing, you start taking it off. So you have to give in' (Sean Scully, quoted in M. Poirier, Sean Scully, New York, 1990 p.143).Scully is one of the foremost artists of his generation with art critic Arthur Danto confirming 'Sean Scully's name belongs on the shortest of short lists of the major painters of our time' (Arthur C. Danto, 'Sean Scully', Unnatural Wonders: Essays from the Gap Between Art and Life, Columbia University Press, New York, 2005). His work is housed in some of the most prominent public and private collections worldwide including Metropolitan Museum of Art, New York; Guggenheim Museum, New York; Tate Gallery, London; Arts Council of Great Britain, London and Irish Museum of Modern Art, Dublin, among others.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 50
1957 Bentley S1 (E-series) SaloonRegistration Number: RCE 363Chassis Number: B34EGEngine Number: BE17Designed to replace the outgoing Bentley R-Type and Rolls-Royce Silver Dawn, the all-new Bentley S-Type and Rolls-Royce Silver Cloud models were introduced in early 1955. The cars featured sleeker bodywork on a new separate chassis and incorporated better braking and suspension with electrically controlled damping. The improved 4.9-litre I.O.E six-cylinder engine was identical in specification in its Rolls and Bentley forms, and by 1957, automatic transmission had become standard equipment. With comfortable 100mph-plus performance, it was also relatively affordable to run, making it arguably the most 'user-friendly' of all post-war Bentleys.Affectionately known as 'Douglas' by the Tanners, RCE 363 was Cambridgeshire-registered from new in January 1957. Reputedly having just one previous owner (unconfirmed), Alex Tanner purchased the car from the Horseheath, Cambridge, area and carried out some light restoration work prior to use.In generally fair to average cosmetic condition, the car is finished in metallic dark blue with a red coach line, and the faded oxblood/brown leather interior also features red carpets.Much like a lovely comfortable leather Chesterfield, 'Douglas' was much enjoyed and very much considered part of the family. An extremely affordable entry into 'proper' Bentley ownership, it has a recorded mileage of 59,049 miles. Paperwork includes a current V5C registration document. Condition ReportThe car is being sold on behalf of the executors of the estate and as such Sworders have provided extended viewing over 5-days to give potential buyers every opportunity to satisfy themselves of the condition.The car has been started regularly by an in-house mechanic, however, the history file is sparse.There is a video of it running and i haven't seen any obvious leaks, or been witness to any starting issues when the car has been moved.The underside has been rust proofed and there appears to be no obvious issues in the vulnerable areas behind the front wheels and in front of the back wheels.A large number of extra images of the underside have been added.
Los 33
A Bentley radiator for a 4 litre vehicle,55cm wide87cm highCondition ReportI believe it to date from the late 1920’s/early 1930’s, but have no exact knowledge as it was probably part of a large collection of spares that Alex Tanner purchased from P & A Wood, when they moved premises several years ago.It has also been pointed out that this is for a 4ltr Bentley, not 4 1/2ltr.There is surface oxidation/light rust to the top surfaces, extra images are attached.
Los 55
A c.1930s Vanden Plas Tourer Coachwork, previously fitted to a 1932 Bentley 4-litre TourerPossibly previously fitted to 1932 Bentley 4-litre VA4079, and certainly later to 4-litre VF4008, this is a very stylish, beautifully crafted pre-war body. Comprising main body/body frame, doors, front and rear wings, valances, windscreen and spare wheel cover. The interior is trimmed in light-grey leather with green carpets and, while there is a wooden dash fitted, it does not contain period instruments. A grey cloth hood is present. Painted in two-tone green, the overall condition is good/very good. Buyers should satisfy themselves as to the condition and completeness of this lot and the dimensions/suitability for use on another pre-war chassis.
Los 58
1952 Riley RMB 2½ litre Saloon Registration Number: CGL 998 Chassis Number: RMB 62S 9659 Engine Number: RMB2 1091A relatively powerful executive saloon in its day, the 2½ litre 'Big Four' RMB was a more powerful, longer wheelbase counterpart to the 1½ litre RMA. Registered 28 April 1952 in Bath to a Mrs Muriel Culverwell, it then passed to Edward Dames-Longworth, father of Vintage Sports Car Club-stalwart, Richard. In Alex Tanner's ownership since 2012, it was purchased from John Havart Riley Restoration in Bungay, Suffolk. Finished in Woodland Green, CGL 998 presents as a nice older-restored car, in good condition overall. The interior has been nicely re-trimmed in light tan with green piping, with matching door cards with tan headlining, and the engine compartment is in presentable 'mellowed restoration' condition. MoT-exempt, the Riley is fitted with a stainless steel exhaust. The car started easily and ran well at the time of our inspection and paperwork includes V5C registration document, old buff logbook and two photographs showing it in 'as found' condition, prior to restoration. Condition ReportPlease find additional images to illustrate the overall condition of the chrome, paint and interior.The car is being sold as part of an executor sale and 5-days of viewing have provided to satisfy potential purchasers as to the condition of the car.The information provided in the description is all the information available, viewing is strongly recommended.
Los 57
1989 Bentley Turbo RRegistration number: A8 WCBChassis number SCBZRO4A3KCH25874Mileage: 85,000In 1989, 'Motor Trend' magazine stated that the new (to the US) Turbo R was the first Bentley in decades to be deserving of the famous name. The 'Turbo' part of the name was self-explanatory and added proper performance to the 6.75 litre fuel-injected V8. The 'R' stood for 'Roadholding', with uprated anti-roll bars, much better damping and a panhard rod giving improved axle location. The Turbo R was notable for being the first Bentley to wear alloy wheels as standard, while twin round headlights and a deeper front spoiler were facelift features for the 1989 model year, introduced mid-1988. In the present ownership since May 2001, this gloss black Turbo R has been a firm family favourite and very much-loved and enjoyed. With only 39 miles covered since the last MoT, the recorded mileage was 84,770 miles at the time of cataloguing. Recently MoT-tested, expiring 22 May 2024, documentation with the car includes an invoice from Overton Vehicle Overhauls relating to replacement of the front springs and bushes in 2017, handbooks and service records, and includes a V5C registration certificate.Condition ReportThis is an honest vehicle in original condition, i notice some light surface rust along the panels behind the back wheels and around the inner wheel arches, there were no MOT advisories.The seats are in good condition with expected wear comensurate with the age and mileage.We couldn't make the air conditioning work, so may need repressurising.The car was driven to the auction and the comment from the driver was how smooth and responsive the car was.The history file is sparse with only two invoices for service and repairs in 2017 and another in 2014.
Los 1083
5x chinesisches PorzellanChina. Porzellan. Teller mit Gartenszene im Spiegel und Blumenkante am Rand. Wandhalterung, Glasurabplatzer in Spiegel. Ø 23 cm. / Kumme mit rot und grün übermalter Unterglasur-Blaumalerei, hellbraune obere Kante, Haarrisse, H 7,5 cm, Ø 15 cm. / Tellerchen mit ähnlichem Dekor wie Kumme, Vergoldung etwas berieben, Ø 16,5 cm. / Kleines Deckelschälchen mit figürlicher Bemalung, Gesamt H 6 cm 5x Chinese porcelainChina. China. Plate with garden scene in the mirror and flower edge on the rim. Wall mount, glaze chipping in mirror. Ø 23 cm. / Kumm with red and green overpainted underglaze blue painting, light brown upper edge, hairline cracks, h 7,5 cm, Ø 15 cm. / Small plate with similar décor as kummel, gilding somewhat rubbed, Ø 16,5 cm. / Small lidded bowl with figural painting, total H 6 cm .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1099
Große Bi-ScheibeChina. Ø 30 cm. Aus hellgrünem Nephrit; polierte Scheibe. Vorder- und Hinterseite in unterschiedlichen Farbtönen. Mit Ständer Large Bi-DiscChina. Ø 30 cm. Made of light green nephrite; polished disc. Front and back in different shades. With stand *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1106
Schiff, Drache und Vase aus grünem NephritChina. Aus mehreren Teilen zusammengesetztes Schiff mit zwei Drachenköpfen und einsteckbarem Segel. Teile geklebt, eine Ampelabhängung fehlt. 27 x 28 x 7 cm. / Schreitender Drache auf Holzsockel, L 18 cm. / Kleine Dose mit Fo-Hund auf Deckel und beweglichen Ringen in den Handhaben. Ebenfalls auf Holzsockel, H 10 cm Ship, dragon and vase of green nephriteChina. Ship assembled from several parts with two dragon heads and insertable sail. Parts glued, one traffic light suspension missing. 27 x 28 x 7 cm. / Striding dragon on wooden base, l 18 cm. / Small box with fo dog on lid and movable rings in the handles. Also on wooden base, H 10 cm .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1182
HerrenarmbanduhrLongines. Wohl um 1910. Federwerk mit Kronenaufzug, läuft kurz an. Silbergraues Zifferblatt mit arabischen Zahlen, Minutenkranz, kleiner Sekunde und gebläuten Blattzeigern. Ø 3,2 cm, L 23 cm. Rundes Gehäuse mit gemarkter Krone, an schwarzem Lederband mit Dornschließe Zifferglas mit kleinen Chips, vereinzelt leichte Kratz- und Gebrauchsspuren. Familienerbstück. Der Erstbesitzer verstarb auf dem Kriegsfeld 1914. Die Uhr wurde danach der Familie übergeben. Men's wrist watchLongines. Probably around 1910. Spring movement with crown winding, runs short. Silver-gray dial with Arabic numerals, minute circle, small seconds and blued leaf hands. Ø 3.2 cm, L 23 cm. Round case with marked crown, on black leather strap with pin buckle Dial with small chips, occasional light scratches and wear. Family heirloom. The first owner died on the war field in 1914, the clock was then given to the family. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1201
Marmor-KaminuhrEdouard Serin. Frankreich. Um 1900. Werknr. 10797. Gemarktes Werk mit Halbstundenschlag auf Glocke, läuft an. Facettiert verglastes, weißes Emailziffernblatt mit römischen Zahlen, Minutenkranz und Romaines-Zeigern. Im Zentrum vertieft liegende, sichtbare Brocot-Hemmung, bezeichnet "Magnien Dijon". Schwarzer und grün geäderter Marmor. Ca. 28,7 x 24,5 x 13,5 cm. 8,7 kg. Gerade Stelenform mit geschrägten und leicht geschwungenen Kanten Partiell leichte Kantenbestoßungen. Mit Schlüssel und originalem Pendel. Marble mantel clockEdouard Serin. France. Circa 1900. movement no. 10797. Marble movement with half-hour strike on bell, starts. Faceted glazed white enamel dial with Roman numerals, minute ring and Romaines hands. Recessed visible Brocot escapement in the center, marked "Magnien Dijon". Black and green veined marble. Approx. 28.7 x 24.5 x 13.5 cm. 8.7 kg. Straight stelae form with beveled and slightly curved edges Partially light edge bumps. With key and original pendulum. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1221
Kaminuhr mit eleganter Art-déco-FrauenfigurAm Kleidersaum bezeichnet "A. Richir". Werknr. 60247. Ungemarktes Werk mit Halbstundenschlag auf Glocke, läuft nicht. Bronzefarbenes Metallzifferblatt mit arabischen Zahlen, Minutenkranz und modernen Zeigern. Verschiedenfarbiger Marmor, bronzierter Metallguss und heller Kunststoff. Ca. 25 x 61 x 15,5 cm. 14,7 kg. Ovaler Sockel mit einer im Stil von Demétre Chiparus gefertigten Frauenfigur, die sitzend ihre Finger betrachtet Leichte Alters- und Gebrauchsspuren, Rand- und Fingerdefekte, Zifferblatt mit Bereibungen, Schlag- und Gehwerk sowie Zeigerstellung defekt. Ohne Schlüssel und Pendel. Fireplace clock with elegant art deco womanMarked "A. Richir" on the dress hem. Movement no. 60247. Unmarket movement with half-hour strike on bell, does not run. Bronze colored metal dial with Arabic numerals, minute ring and modern hands. Various colored marble, bronzed cast metal and light plastic. Approx. 25 x 61 x 15.5 cm. 14.7 kg. Oval base with a female figure made in the style of Demétre Chiparus, seated looking at her fingers Slight signs of age and use, edge and finger defects, dial with rubbing, striking and walking movement and pointer position defective. Without key and pendulum. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1250
MERIAN, Matthäus d. Ä.(1593 Basel - 1650 Schwalbach) Befestigungsplan der Stadt StralsundKupferstich.Druckstock: 20 x 25,8 cm, Blatt: 31,5 x37,6 cm, im Passepartout: 40 x 49,5 cm. Historischer Belagerungsplan der Stadt Stralsund im Jahr 1628 während des Dreißigjährigen Krieges von 1618 - 1648, mit Legende, Bezeichnung "Stralsvndt" innerhalb der Stadtmauer, Meilenzeiger; aus "Theatrum Europaeum", 1635 Bugfalte, stärker lichtgebräunt, fleckig.Schweizerisch-deutscher Verleger und Kupferstecher. Sein Hauptwerk ist die Topographia Germaniae. MERIAN, Matthäus the Elder(1593 Basel - 1650 Schwalbach) Fortification plan of the city of StralsundCopper engraving.Printing block: 20 x 25.8 cm, sheet: 31.5 x37.6 cm, in mount: 40 x 49.5 cm.Historical siege plan of the city of Stralsund in 1628 during the Thirty Years' War from 1618 - 1648, with legend, designation "Stralsvndt" inside the city walls, mile marker; from "Theatrum Europaeum", 1635 Bow crease, more light browned, stained.Swiss-German publisher and engraver. His main work is the Topographia Germaniae.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1260
HOMANN, Johann Baptist (Erben) Landkarte der Landgrafschaft Hessen-DarmstadtKolorierter Kupferstich. In der Platte datiert: [17]54.Blatt: 54 x 62 cm. Detailreiche historische Karte der Landgrafschaft Hessen-Darmstadt, Titelkartusche mit Jagdszene und ausführlicher Legende "Delineatio Geographica generalis comprehendens VI. Folis [...] Landgrafii Hasso-Darmstadiensis [...], gezeichnet von Christoph Pronner Bugfalte, etwas stockfleckig, lichtgebräunt und verschmutzt.Johann Baptist Homann (1664 - 1724), deutscher Kartograf, Kupferstecher, Verleger und Globenhersteller; bedeutendster deutscher Herausgeber von Atlanten und Landkarten im 18. Jh. HOMANN, Johann Baptist (Heirs) Map of the Landgraviate of Hesse-DarmstadtColored copperplate engraving. Dated in the plate: [17]54.Sheet: 54 x 62 cm.Detailed historical map of the Landgraviate of Hesse-Darmstadt, title cartouche with hunting scene and detailed legend "Delineatio Geographica generalis comprehendens VI. Folis [...] Landgrafii Hasso-Darmstadiensis [...], drawn by Christoph Pronner Buck crease, some foxing, light browned and soiled.Johann Baptist Homann (1664 - 1724), German cartographer, engraver, publisher and globe maker; most important German publisher of atlases and maps in the 18th century.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1264
HONDIUS, Henricus(1597 Amsterdam - 1651 Amsterdam) Landkarte des Herzogtums NassauKolorierter Kupferstich. Ca. 1650. Blatt: 49,4 x 57,5 cm. Detailreiche historische Karte des Herzogtums Nassau, Titelkartusche "Nassovia Comitatus", Beikartusche mit Legende und Meilenzeigern sowie Wappendarstellung, verso typografischer Text in französischer Sprache Bugfalte, Randbereich lichtgebräunt, griff- und knickspurig. Niederländischer Kupferstecher und Verleger; er gab ab 1641 den Mercator-Hondius-Atlas in neuer Auflage mit veränderten Karten heraus. HONDIUS, Henricus(1597 Amsterdam - 1651 Amsterdam) Map of the Duchy of NassauColor copperplate engraving. Ca. 1650. Sheet: 49.4 x 57.5 cm. Detailed historical map of the Duchy of Nassau, title cartouche "Nassovia Comitatus", subsidiary cartouche with legend and mileage pointers and heraldry, typographical text in French on verso Buckling, marginal area light browned, traces of handling and creases. Dutch engraver and publisher; he published the Mercator Hondius Atlas in new editions with modified maps from 1641. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Loading...-
534297 Los(e)/Seite