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Los 174

Jeanette Pasin Sloan (American, b. 1946). Color lithograph titled "Club" depicting a hyperreallistic still life of a reflective silver teacup and saucer surrounded by a southwest-style blanket, 1996. Pencil signed and dated along the lower right; titled along the lower center; numbered 17/20 and noted "State II" along the lower right.Sight; height: 24 in x width: 25 in. Framed; height: 33 in x width: 33 1/2 in x depth: 1 1/2 in.Condition:The colors are bold and bright. There are no visible tears, losses, or restorations. Housed under a non-acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.

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Los 24

Warren MacKenzie (1924-2018). Studio pottery ceramic faceted bowl with tripod feet. Stoneware in a dry shino glaze, marked along the underside.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 in x diameter: 5 1/2 in.Condition:There are no visible cracks, losses, or chips. There is wear to the feet along the underside, as expected from age and use. There are no visible signs of restoration under UV light.

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Los 197

Reuben Nakian (American, 1897-1986). Ink and gouache on paper abstract painting depicting an abstract splash of black. Signed along the lower right.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 10 3/4 in x width: 13 1/2 in. Framed; height: 17 1/2 in x width: 20 1/4 in x depth: 1 in.Condition:There are no visible tears, creases, or losses. The sheet is toned. There is undulation to the sheet. No signs of restoration under UV light. Framed under glass. Not examined out of frame.

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Los 202

John Sennhauser (American, 1907-1978). Ink and watercolor painting on paper titled "Invention #9" depicting a colorful geometric abstract composition with bursts of black lines emanating from a central point, 1942. Signed and dated along the lower right.Provenance: Martin Diamond Fine Arts, Inc., New York; Luhring, Augustine & Hodes Gallery, New York; Distinguished Corporate Collection, Minnesota.Sight; height: 18 in x width: 23 in. Framed; height: 26 1/4 in x width: 31 1/4 in x depth: 1 1/2 in.Condition:The sheet is toned. There are some light creases visible throughout. Along the center of the composition there are three dark spots; there is another dark spot along the lower left corner. There are smaller spots of foxing and soiling throughout. There is a tear near the lower right corner extending upwards from the bottom edge approximately 2.5 inches. Framed under plexiglass; ligth wear to the frame. The extreme edges and verso of the work have not been inspected; not inspected out of frame.

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Los 138

Chuck Forsman (American, b. 1944). Large oil on Masonite painting titled "Sanctuary" depicting a rocky mountain pass, 1985. Signed, titled, and dated along the verso.Provenance: Tibor de Nagy Gallery, New York; Distinguished Corporate Collection, Minnesota.Sight; height: 44 1/2 in x width: 83 1/2 in. Framed; height: 46 1/4 in x width: 85 1/4 in x depth: 3 in.Condition:Colors are bold and deep. Surface is stable. There are no visible losses, tears, or signs of restoration. Light wear to the frame and stretcher.

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Los 14

Bertil Vallien (Swedish, b. 1938) for Kosta Boda Glass, Sweden. Opaque blue glass head sculpture, likely from the artists "Brains" series, ca. 1990s. Signed and inscribed along the underside "Kosta Boda Unique 8BVAON 999857." With a smaller glass sculpture floated inside the head.The innovative fusion of light and color make Bertil Vallien's sculptures among the most celebrated in Europe. Raised in Sweden, Vallien was drawn to the creative freedom of art and inspired by the textural possibilities of clay. He studied ceramics at the Konstfack School of Arts, Crafts, and Design and then spent time in Los Angeles, where his glass art won a prize in the Young Americans competition for his stoneware entry Family on Whale. After returning to Sweden, a fascination with maximizing glass’s ability to absorb light became his passion. He’s known best for his boat forms, faces, and heads. Bertil Vallien's sculptures are part of important museum collections and have garnered prestigious awards, including the Visionary Award from New York's Museum of Arts and Design.Height: 7 3/4 in x width: 5 in x depth: 7 in.Condition:The item is in good condition with no major cracks or losses. Light wear throughout as expected. Under UV light, there is no visible sign of restoration. Throughout the exterior, there are scratches that are original to the piece. Due to the original design, it is difficult to discern whether some scratches are original or damaged. However, none of them alters the overall appearance of the item. There is a minute dent to the tip of the nose, visible in the lot listing.

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Los 247

John Randall Nelson (American, b. 1956). Mixed media on panel painting titled "Hedge Pig" depicting an anthropomorphic creature, 2005. Signed and titled along the verso.Height: 15 in x width: 15 in x depth: 2 1/4 in.Condition:The colors are bold and deep. Light wear to the exposed edges. No splits or losses.

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Los 219

Ed Moses (American, 1926-2018). Etching on Guarro paper depicting the intersection of abstract lines, 1989. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 30 in x width: 22 in. Brian Gross Fine Art SF CACondition:The colors are bold and deep. There are no visible tears, creases, or losses. There is a minute spot of soiling in the margin of the upper left quadrant. There is also a minute spot of discoloration in the lower left quadrant. There are no signs of restoration under UV light.

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Los 91

Alekos Fassianos (Greek, 1935-2022). Lithograph on paper titled "Fish" depicting a figure striding through the composition with several fish in hand. Pencil signed along the lower left; numbered 9/60 along the lower right.Sight; height: 27 in x width: 19 in. Framed; height: 33 in x width: 25 in x depth: 1 in.Condition:There are no major tears or losses. The sheet is lightly toned. There are faint creases in the upper right quadrant. There is very light undulation to the sheet. There are no signs of restoration under UV light. There is wear to the frame. Not examined out of frame, framed under glass.

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Los 84

Iwao Akiyama (Japanese, 1921-2014). Woodblock print on rice paper depicting a nude woman overlaid by gray stripes, 1981. Pencil signed and with a red seal along the lower right; dated and numbered 3/200 along the lower left.Sheet; height: 23 1/2 in x width: 17 3/4 in. Matted; height: 30 in x width: 24 in.Condition:The colors are bold and bright. There is some light wear along the deckled edges. There is a slight undulation to the shet throughout. The work is hinged along the upper corners along the verso. The artwork is floated on the mat. The work is not framed.

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Los 3

Orient and Flume, Chico, California. Group of three favrile glass paperweights. All with etched signatures along the footrim or underneath. Two additionally signed "Cricket" indicating they were custom-made for their signature store. The two round paperweights dated 1978 and the oblong paperweight dated 1979.Height ranges from 2 1/2 in to 4 in; diameter ranges from 2 1/4 in from 2 3/4 in.Condition:There are no chips, cracks, losses, or restorations. Some light wear and scratches along the underside. Two paperweights with partial stickers affixed to the underside.

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Los 185

Arnold Herstrand (American, 1925-1989). Mixed media collage on board titled "Double Picasso" depicting a Picasso inspired cubist still life, doubled, 1967. Initialed and dated along the lower right. Signed and titled along the verso. Herstrand was the former president of the Minneapolis College of Art and Design. In later years he worked as an art dealer in New York, helping to establish an office for the French-based Galerie Maeght.Unframed; height: 21 3/4 in x width: 35 in. Framed; height: 22 1/2 in x width: 35 3/4 in x depth: 1 1/2 in.Condition:The item is in good condition with no visible creases, or major cracks or losses. No visible sign of restoration when inspected under UV light. There is a minor paint loss along extreme edges against the frame. To the lower left corner, there is a line stretch and the underlying board is seen through. Crack to the center margin, measuring 1 inch. Along the upper margin, there is a horizontal line mark that is original from the board. The wooden frame is loosely attached to the canvas; the frame comes off along the right margin. Wear to the frame.

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Los 73

Adrian Pearsall (American, 1925-2011) for Craft Associates, United States. Mid-century Modern coffee table. Two-piece walnut base with a plate glass top.Height: 15 in x width: 26 1/2 in x depth: 51 in.Condition:The structure is stable. There are no major chips or cracks. There is a minute scuff along the top of the right side of the wooden component, as show in listing image. There are minute scuffs throughout the wood components. There are light scratches throughout the glass top. There are no signs of restoration or repair.

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Los 164

Walt S. (Walter) Louderbeck (American, 1887-1941). Watercolor on paper painting titled "Knockout" depicting the moments after a boxer has won his match. Signed along the lower left.Louderbeck's works have been described as being filled with romance and drama, the latter of which applies most astutely to this chaotic scene. The crowd clammers and pushes their way forward towards the ring to see for themselves the results of the knockout match while the champion slouches with exhaustion yet holds aloft his glove.Sight; height: 18 3/4 in x width: 24 1/2 in. Framed; height: 26 1/2 in x width: 32 in x depth: 1 in.Condition:The colors are dark and deep. There are no major losses, creases, or tears. The sheet is toned. Framed under plexiglass. No signs of restoration under UV light. Wear to the frame, not examined out of frame.

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Los 131

Len Guggenberger (American, 20th/21st c). Watercolor and gouache painting depicting a snowy landscape with an abandoned cart and farm buildings in the background. Signed along the lower right.Sight; height: 12 in x width: 18 1/4 in. Framed; height: 19 1/2 in x width: 25 1/2 in x depth: 1 1/2 in.Condition:The colors are deep and bright. There are no tears, creases, or losses. There are no signs of restoration under UV light. Framed under glass. Wear to the frame. Not examined out of frame.

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Los 79

Warren Platner (American, 1919-2006) for Knoll International, New York, United States. Platner Collection Mid-century Modern coffee table, designed in 1966. Clear, beveled glass and chrome-plated steel.Provenance: Distinguished Corporate Collection, Minnesota.Height: 15 in x diameter: 36 in.Condition:The table is in good condition with no visible cracks, or major chips or losses. It is structurally stable, all components are present. The glass top is not attached to the base. Light wear throughout, as expected. Very light metal erosion along the metal components; however, it does not affect the overall appearance of the furniture. No visible cracks to the top; light scratches to the top. No visible sign of restoration.

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Los 205

Jeffrey Elgin (American, 20th c). Large oil on canvas triptych painting titled "Held (Dedicated to the American Hostages)" depicting an abstract scene on three panels, 1980. Each canvas is signed, dated, and titled along the verso. The work is inspired by the Iran Hostage Crisis which lasted from November 4, 1979 to January 20, 1981.Provenance: Distinguished Corporate Collection, Minnesota.(Unframed, each) height: 70 in x width: 56 in. (Framed, all three panels together) Height: 73 1/2 in x width: 171 1/2 in x depth: 2 1/2 in.Condition:The colors are bold and bright. There are no tears, losses, or restorations. Light wear to the frames. The triptych panels are currently not connected.

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Los 13

Timo Sarpaneva (Finnish, 1926-2006) for Iittalia, Finland. Group of 13 glass candlesticks in varying sizes. Twelve marked "T.S." along the footrim. One with a "Made in Finland" sticker affixed to the top.Height ranges from 3 in to 12 1/2 in; diameter ranges from 3 in to 3 1/2 in.Condition:There are no visible chips, cracks, losses, or signs of repairs under UV light. There is wear to the footrim, consistent with use.

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Los 210

Terence David La Noue (American, b. 1941). Etching, aquatint, woodcut, drypoint, and acrylic paint on paper titled "Talking Drums" depicting an abstract composition, partially in black and white and partially in a rainbow of bright colors, 1987. Pencil signed, dated, and numbered A.P. 2/2 along the lower center.Height: 36 in x width: 39 1/2 in.Condition:The colors are bold and deep. The sheet is slightly toned There are light creases throughout inherent to the material. The work is affixed with four plastic corner tabs to a non-acidic backing. The work is shrink-wrapped in plastic. Due to this, the verso has not been inspected.

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Los 110

Patricia Bazelon (American, 1933-1995). Group of two photographs of industrial equipment titled "Mixing Vessel on Changing Platform" and "350 Ton Morgan Hooks in Basic Oxygen Furnace," ca. 1991.Provenance: Distinguished Corporate Collection, Minnesota.(350 Ton) Sight; height: 14 in x width: 19 in. Framed; height: 22 1/4 in x width: 26 1/4 in x depth: 1 in. (Mixing) Sight; height: 15 x width: 19 in. Framed; height: 22 1/4 in x width: 22 1/4 in x depth: 1 in.Condition:The emulsion appears to be smooth and without any breaks. There are no visible tears, creases, losses or restoration. Extreme edges and versos not expected. Light wear to frame. Framed under plexi. Not examined out of frame.

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Los 141

Jim Meyer (American, b. 1941). Colored woodcut print on painting titled "Narrow Passage" depicting a nature scene of river peaceful flowing through narrow valley, 1997. Pencil signed and dated along the lower right; editioned 6/20 along the lower left; titled along the lower center.Jim Meyer is an artist based in Hopkins, Minnesota. He studied at the University of Minnesota and Minneapolis College of Art and Design. Based on his artistic interest in the American landscape, much of the subject matter in his artistic practice is drawn from Minnesota's North shore.Height: 14 3/4 in x width: 22 in.Condition:The colors are bold and bright. There are no tears or restorations. There are several light creases throughout the margins. Light wear along the edges. The work is not framed.

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Los 147

Michel Delacroix (French, b. 1933). French "naif" or naive style lithograph titled "Rue Sous La Neige" depicting a street scene. Pencil signed along the lower right; numbered 39/260 along the lower left.Sight; height: 16 in x width: 21 in. Image; height: 15 in x width: 20 1/4 in. Framed; height: 21 1/4 in x width: 26 1/4 in x depth: 1 1/4 in.Condition:The item is in good condition with no visible tears, creases, or losses. When inspected under UV light, there is no visible sign of restoration. The color is bold and bright. The paper is toned. There is a visible acidic burn. Framed under plexiglass; not inspected out of frame.

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Los 253

Karen (Hansen) Carson (American, b. 1943). Lithograph titled "Holy Virgin Mattress" depicting a bed, seemingly extending out from the framed space, topped by a depiction of the Virgin Mary flanked by angels, April 1974. Pencil signed and dated along the lower right; numbered 14/50 along the lower left. With a certificate of authenticity from Cirrus Editions.Sight; height: 19 1/2 in x width: 27 in. Framed; height: 23 in x width: 30 1/2 in x depth: 1 1/2 in.Condition:The colors are bold and bright. There are no visible tears, losses, or restorations. Housed under an acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.

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Los 117

Cecile Gray Bazelon (American, 1927-2023). Oil on canvas painting titled "Zoo Vista" depicting a view from under a pergola towards the skyscrapers of New York City, 1991. Signed and dated along the verso.Provenance: Distinguished Corporate Collection, Minnesota.Unframed; height: 44 in x width: 63 in. Framed; height: 45 in x width: 64 in x depth: 1 1/2 in.Condition:There is a spot of craquelure along the upper center. A few light scuffs along the upper half. No restorations, losses, punctures, or tears. Wear to the frame; the frame is not entirely stable and there is some separation to the sides.

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Los 112

Stuart Shils (American, b. 1954). Oil on paper painting titled "Urban Ruins" depicting the crumbling remains of a brick building, 1995. Signed and dated along the lower right.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 10 3/4 in x width: 10 3/4 in. Framed; height: 19 1/4 in x width: 19 in x depth: 1 1/2 in.Condition:No visible tears, losses, or restorations. Extreme edges and verso not inspected. Framed under glass; light wear to the frame. Not inspected out of frame.

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Los 231

Robert Cottingham (American, b. 1935). Group of two drypoint relief prints published by Tandem Press, 2007. Including "Component I" and "Component X," both from an edition of 30. Each signed and dated along the lower right. Each with a label along the verso with the title, date, artist, and publishing information.(Component 10) Sight; height: 7 1/4 in x width: 5 1/4 in. Framed; height: 15 3/4 in x width: 13 3/4 in x depth: 1 3/4 in. (Component 1) Sight; height: 7 1/4 in x width: 5 1/4 in. Framed; height: 15 3/4 in x width: 13 3/4 in x depth: 1 3/4 in.Condition:Both prints appear to be in good condition with no tears, creases, or noticeable restorations. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

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Los 92

Alekos Fassianos (Greek, 1935-2022). Lithograph on paper titled "Pink" depicting a recumbent nude woman. Pencil signed along the lower left; numbered 6/50 along the lower right.Sight; height: 19 1/4 in x width: 24 3/4 in. Framed; height: 26 in x width: 31 1/4 in x depth: 1 in.Condition:The colors are bold and bright. There are no major tears, losses, or creases. There is undulation to the sheet. The sheet is lightly toned. Framed under glass. There is wear to the frame, not examined out of frame. No signs of restoration under UV light.

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Los 127

Uldis Zemzaris (Latvian, 1928-2022). Oil on canvas painting titled "Pine Trees" depicting two gnarled trees in a ruddy landscape, 1965.Sight; height: 21 in x width: 24 3/4 in. Framed; height: 25 in x width: 29 1/2 in x depth: 2 1/4 in.Condition:The colors are bold and deep. There are no losses or restorations visible under UV light. Craquelure throughout. Some light wear to the frame. Not inspected out of frame.

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Los 51

Dan Johnson (1918-1979) for Brown Jordan, United States. Set of four "Sol Y Luna" armless patio dining chairs. Cast aluminum with a textured finish. Each marked along the frame. Originally dubbed "Gazelle," the original production in 1954 only produced around 150 pieces. Now produced in cast aluminum rather than bronze and wood, the "Sol Y Luna" takes a new approach to Johnson's timeless Mid-century design.Each, height: 34 in x width: 20 in x depth: 22 in.Condition:All items are structurally sound and stable. There is some wear throughout including areas where the finish has rubbed away and the silver aluminum is visible (mostly along high touch points). One of the chairs is lacking the original sticker along the back of the seat. Some light dirt/dust gathered in the recessed areas.

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Los 189

Ed Baynard (American, 1940-2016). Watercolor on paper painting titled "Still Life with Three Roses" three vases, each with a rose placed inside, 1995. Signed and dated along the lower right.Provenance: Tyler Graphics Ltd., New York; Private Minnesota Collection.Unframed; height: 40 in x width: 59 1/2 in. Framed; height: 49 in x width: 69 in x depth: 2 in.Condition:The colors are bold and bright. There are no visible tears, losses, or restorations. Light wear to the deckled edges. The work is floated in frame. Framed under plexiglass. Light wear to the frame. Not inspected out of frame.

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Los 200

Edward Landon (American, 1911-1984). Serigraph titled "Cross Purpose" depicting two abstract shapes against a pale blue background, 1980. Pencil signed along the lower right; titled along the lower left; inscribed "ed. 20" along the lower center.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 12 1/2 in x width: 9 1/2 in. Framed; height: 20 1/4 in x width: 16 1/2 in x depth: 1 in.Condition:The sheet is slightly toned. Due to the natural texture of the paper, there are light creases and texture throughout. There are no visible major creases, tears, losses , or restorations. The sheet is framed under an acidic mat. Framed under plexiglass. Light wear to frame.

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Los 234

Gary Bower (American, b. 1940). Large oil on canvas painting titled "Mott III" depicting a colorful geometric pattern in bright colors, 1969. Signed, dated, and titled along the verso.Provenance: Purchased from the Locksley Shea Gallery, Minneapolis, Minnesota.Height: 60 in x width: 84 in x depth: 1 1/2 in.Condition:The colors are bold and bright. The surface is stable. There are no visible tears, creases, or losses. There is a scuff along the top edge of the upper left quadrant measuring approximately 22 inches, just beneath it there is a undulation along the surface of the canvas. There are two minutes scuffs along the lower left quadrant. There are no signs of restoration under UV light. Not in frame.

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Los 243

Peter Max (German/American, b. 1937). Silkscreen on paper titled "Data General 2000" depicting a figure shrouded in shadow with various objects surrounding him, 1981. Pencil signed and dated along the lower margin; numbered 192/250 along the lower left.Sight; height: 28 1/2 in x width: 20 in. Framed; height: 35 1/4 in x width: 26 1/2 in x depth: 1 1/4 in.Condition:The colors are bold and bright. There are no visible tears, losses, or creases. No signs of restoration under UV light. Not examined out of frame. Framed under plexiglass. Wear to frame.

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Los 172

Audrey Ushenko (American, b. 1945). Oil on canvas painting titled "Social Security" depicting two figures lounging in a living room in front of a large window, 1989.Provenance: Distinguished Corporate Collection, Minnesota.Unframed; height: 36 in x width: 48 in. Framed; height: 36 3/4 in x width: 48 3/4 in x depth: 1 1/2 in.Condition:There are stretcher bar marks along the upper and lower edges. Several spiral cracks and craquelure throughout. There is one puncture to the canvas along the upper left. No signs of restoration or major losses. Light wear to the frame.

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Los 162

Tilly Woodward (American, 20th/21st c). Pastel on paper portrait titled "U.S. Attorney Rudy Guiliani" depicting a portrait of Guiliani in bold colors, 1987.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 60 in x width: 45 in. Framed; height: 68 1/2 in x width: 53 1/2 in x depth: 2 1/4 in.Condition:There are no visible tears, creases, or restorations. There are small patches along the edges of the sheet which appear to aline where the item is hinged. The artwork is floated in frame. Verso not inspected. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

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Los 196

Orlando Agudelo-Botero (Columbian, b. 1946). Enhanced serigraph on paper titled "Luz" depicting a face in bold colors of abstracted form. Signed along the lower right; titled along the upper center; numbered H.C. 3/8 along the lower left. With a certificate of authenticity from Juarez Fine Art.Sight; height: 44 1/2 in x width: 30 1/2 in. Framed; height: 61 in x width: 46 1/2 in x depth: 2 in.Condition:There are no visible tears, creases, losses, or restorations. The colors are bold and deep. The work is floated in frame. Framed under plexiglass; not inspected out of frame. Some wear to the plexiglass including some light scratches. Light wear to the frame.

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Los 262

Lithograph on pale green paper in the style of Concrete Poetry, 1967. Illegibly signed and dated along the lower right; numbered 7/10 along the lower left.Concrete Poetry is works that are defined by words, letters, colors, and typefaces in which the graphic space plays the key role in the design and meaning of the artwork. There is no one definition, but the works of Concrete Poetry tend to focus on wordplay as a central motif. Notable artists include Augusto de Campos, Ian Hamilton Finlay, and Mary Ellen Solt.Sight; height: 27 in x width: 19 3/4 in. Matted; height: 33 in x width: 26 in.Condition:The color is bold and deep. There are handling marks and light creases visible throughout though mainly along the corners. Undulation to the sheet throughout. There is a light spot of soiling to the sheet along the lower right edge. The work is housed between two non-acidic matboard which are affixed together. Due to this the extreme edges and verso of the print have not been inspected. Plastic corner tabs are visible in each corner. The work is not framed.

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Los 143

Malcolm Morley (British/American, 1931-2018). Lithograph in colors on wove paper depicting a maritime scene of a boat outfitted with many flags, 1985. Pencil signed along the lower right; inscribed "BAT" along the lower left.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 29 1/2 in x width: 40 in. Framed; height: 35 3/4 in x width: 46 in x depth: 2 in.Condition:The colors are bold and bright. There are no visible tears, losses, or restorations. Floated in frame on a non-acidic mat. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

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Los 38

George Spaventa (American, 1918-1978). Cast bronze figure with a gold patina in the form of a feminine figure, 1962. Stamped CAF and numbered 2/6 along the base; incised signature along the other side of the base. Attached to a polished black stone base.Provenance: Distinguished Corporate Collection, Minnesota.(Incl stand) Height: 14 in x width: 4 1/2 in x depth: 4 1/2 in.Condition:No bends, breaks, losses, or restorations. Natural patina throughout. Some dirt/dust gathered in the recessed areas. Some light wear to the underside.

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Los 135

Ellery Gibson (American, 1916-2010). Watercolor on paper painting titled "Aspen Shade" depicting a landscape with a pond and a forest. Signed along the lower left; titled along the verso.Sight; height: 29 in x width: 19 in. Framed; height: 36 1/2 in x width: 26 1/4 in x depth: 1 in.Condition:The colors are bold and bright. There are no visible tears, losses, or restorations. There is an undulation to the sheet throughout. Framed under glass; light wear to the frame. Not inspected out of frame.

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Los 111

Donald "Don" Lake (American, 20th/21st c). Watercolor on paper painting titled "Industry: Pour" depicting an industrial scene lit dramatically in bright yellow, 1994. Signed along the lower right.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 21 1/2 in x width: 25 in. Framed; height: 31 1/2 in x width: 34 1/4 in x depth: 2 in.Condition:There are no visible creases, losses, or restorations. The painting has slightly slipped its hinges and the extreme edge of the upper left corner is visible. Housed under a non-acidic mat. Framed under plexiglass; light wear to the frame. Not examined out of frame.

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Los 232

Raul Guerrero (American, b. 1945). Silkscreen in multiple colors on Arches paper depicting a geometric circular composition of connecting lines, all in a rainbow of colors extending outwards from a central white circle, 1974. Pencil signed and dated April 19, 1974 along the lower right; numbered 14/50 along the lower left. Published by Cirrus Editions, Ltd. and with a certificate of authenticity.Sight; height: 21 1/2 in x width: 21 1/2 in. Framed; height: 23 1/4 in x width: 23 1/4 in x depth: 1 1/4 in.Condition:There are no visible tears, creases, losses, or restorations. The work is floated in frame. Framed under glass; light wear to the frame. Verso of the work not inspected; not inspected out of frame.

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Los 12

Timo Tapani Sarpaneva (Finnish, 1926-2006) Iittala, Finland. Hand-blown textured glass vase with a slightly flared rim. Etched signature and "2261" along the underside.Height: 10 in x width: 7 in x depth: 4 in.Condition:No chips, cracks, losses, or restorations. Light wear along the underside consistent with light use.

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Los 239

Dr. Bill Kolomyjec (American, 20th/21st c). Algorithmic or generative computer art print titled "Scorpion Spin" depicting an outline of a scorpion randomly generated on a page. Signed along the lower right; titled along the lower left.Says Kolomyjec of this work:"The scorpion is a hand-digitized figure taken from a woven rug purchased on a vacation to Greece. Later in graduate school I used the image from the rug as subject matter for this generative art piece. A computer algorithm used the digitized scorpion image data in a controlled random way. Instances are randomly distributed in rows, the algorithm decides, again randomly, whether to spin or not spin an instance of the image. If it chooses to spin the image it rotates it some number of random degrees as it scales the iteration. Creating tone or value in the overall image was a major objective. In plotter art imagery where you could only draw a line, the only way to create tone or value was by overdrawing an image. As a side note, both my wife and I were Scorpio’s. This piece suggests how Scorpio’s interact."Sight; height: 9 1/2 in x width: 15 1/4 in. Framed; height: 15 1/4 in x width: 20 3/4 in x depth: 1 1/2 in.Condition:There are no visible tears, creases, or losses. The sheet is toned. There is light undulation to the sheet. There are no signs of restorations under UV light. Examined out of frame. Light wear to frame.

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Los 266

Suzanne Caporael (American, b. 1949). Relief on Echizen Kozo paper titled "Lime Island" depicting a landscape in bright blocked colors, 2009. Pencil signed along the lower right; editioned 28/30 along the lower left. Sight; height: 6 in x width: 14 1/2 in. Framed; height: 15 1/4 in x width: 23 in x depth: 1 1/4 in.Condition:The colors are bold and bright. There are no visible tears, creases, losses, or restorations. Housed under a non-acidic mat. Framed under glass; light wear to the frame. Extreme edges and verso of the print not inspected; not inspected out of frame.

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Los 80

Knoll Associates Inc., New York. "The Platner Collection" catalogue depicting designs Warren Platner. Designed by Massimo Vignelli, photographs by Ben Somoroff. Published 1967. The previous lot in this auction is featured on the cover and within this catalog.Height: 11 3/4 in x width: 8 1/4 in.Condition:Light wear throughout including some scratches and surface marks to the cover. The hole punches are slightly off-set; the lowest hole was punched too close to the edge. Light wear and handling marks throughout consistent with age and use.

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Los 220

Craig Kauffman (American, 1932-2010). Color etching on wove paper titled "CK-1" depicting two abstract cubes, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 22 in x width: 30 in. Brian Gross Fine Art SF CACondition:The colors are bold and bright. There are no visible tears, creases, or losses. There are no signs of restoration under UV light.

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Los 180

Sheldon Tapley (Venezuelan/American, b. 1959). Pastel on Arches paper titled "Composition with Red Pear" depicting a still life with a floral bouquet and a crimson pear perched on a table, 1997. Signed along the lower right.Provenance: Tatistcheff Gallery, New York; Private Minnesota Collection.Unframed; height: 25 in x width: 35 in. Framed; height: 34 1/2 in x width: 45 in x depth: 2 in.Condition:The colors are bold and bright. There are no visible major losses, tears, or restorations. Some light wear to the edges throughout. The work is floated in frame. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

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Los 280

The-Merger (Cuban, est. 2009). Mixed media light sculpture titled "Caja de Luz" from "Serie Estructuras," 2018. The-Merger is a contemporary collaboration group between Cuban artists Alain Pino, Niels Moleiro, and Mario Miguel Gonzalez (Mayito). They are best known for their metal sculptures which take iconic artistic objects and transcribe them into the third dimension.Height: 30 1/2 in x width: 30 3/4 in x depth: 2 1/2 in.Condition:The sculpture turns on but has not been tested for prolonged use. The lighting elements are newer and have been replaced recently. There is very light wear throughout. No major scratches, breaks, or losses.

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Los 159

Sally Storch (American, b. 1952). Oil on canvas painting titled "The Heart of the Matter" depicting a scene of men arguing within a court, 1983. Signed along the lower right.Provenance: Distinguished Corporate Collection, Minnesota.Unframed; height: 30 in x width: 40 in. Framed; height: 31 1/2 in x width: 41 3/4 in x depth: 2 in.Condition:There are a few scuffs to the surface, due to a thick and uneven varnish to determine if there are any restorations; however, there do no appear to be any areas of inpainting. Light wear to the frame. Verso not inspected.

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Los 194

Marc Chagall (Russian/French, 1887-1985). Lithograph on Arches paper titled "Portrait d'Apollinaire" depicting a face surrounded by an abstract background of purple and green foliate motifs, printed ca. 1976. From the suite " Les Ateliers de Chagall" created in collaboration with Fernand Mourlot, and Robert Marteau, and printed by Charles Sorlier under the artist’s supervision. From an edition of 250.Provenance: Grand Central Gallery, St. Paul, MN; Private Minnesota Collection.Sight; height: 16 in x width: 12 1/4 in. Framed; height: 22 1/4 in x width: 18 1/2 in x depth: 1 in.Condition:There are no visible tears, creases, or losses. The sheet is toned. There are minute spots of foxing throughout the margins. Not examined out of frame. Housed under an acidic mat; toning to the mat. Framed under glass; light wear to the frame.

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Los 207

Aaron Fink (American, b. 1955). Oil on linen painting depicting a white and yellow rose, 2000. Signed and dated along the verso.Height: 48 in x width: 60 in x depth: 2 in.Condition:The colors are bold and bright and the surface is stable. There are no visible tears, losses, or restorations. There is light wear to the exposed edges of the canvas.

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Los 204

Ger Lataster (Dutch, 1920-2012). Gouache on paper painting depicting an Abstract Expressionist composition in bold white, red, and blue against a black and cream background, 1965. Pencil signed and dated along the lower right.Provenance: Dayton's Gallery 12, Minneapolis, Minnesota; Distinguished Corporate Collection, Minnesota.Sight; height: 35 in x width: 23 1/4 in. Framed; height: 42 in x width: 30 in x depth: 1 in.Condition:There are no visible tears, creases, or losses. The sheet is lightly toned. No signs of restoration under UV light. Framed under glass. Not examined out of frame.

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Los 181

Ralph Soh (American, 1925-1992). Still life oil on board painting titled "Apple, Pear, and Teacup" depicting grapes, apples, a lemon, and a peach with a red carnation and a blue teacup on the table. Signed along the lower right.Provenance: Wally Findlay Galleries, New York, 1977; Private Minnesota Collection.Sight; height: 7 1/2 in x width: 9 1/2 in. Framed; height: 16 in x width: 18 in x depth: 1 1/2 in.Condition:There are no major losses or rips. The colors are bold and bright. There is craquelure throughout the work. There is one small spot of restoration along the right-most apple that fluoresces under UV light. Light wear to the frame; verso not inspected.

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Los 203

Tim Jones (Australian, b. 1962). Oil on canvas abstract painting titled "Regenerative Figure," 1998. Signed, dated, and titled along the verso.Sight; height: 38 in x width: 27 in. Framed; height: 39 in x width: 29 in x depth: 2 1/4 in.Condition:The colors are bold and bright and the surface is stable. There are no apparent losses or restorations. Light wear to the frame.

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Los 245

Emmy Lingscheit (American, 20th/21st c). Lithograph on paper titled "Transitioning" depicting hybrid creatures in cocoons against a yellow background. The corners are decorated with foliate motifs filled with more creatures. Pencil signed along the lower right; titled along the lower left; numbered 4/4 along the lower center.Sight; height: 21 in x width: 15 1/2 in. Framed; height: 26 1/2 in x width: 20 1/2 in x depth: 1 1/2 in.Condition:The colors are bold and bright. There are no visible tears, losses, or restorations. Light wear to the deckled edges. The work is floated in frame. Framed under glass; light wear to the frame. Not inspected out of frame.

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Los 248

Squeak Carnwath (American, b. 1947). Intaglio, lithograph, and woodcup on paper titled "Same Boat," depicting an abstracted composition against a blue background, 2006. Pencil signed and dated along the lower right; numbered 22/24 along the lower left. Published by Tandem Press.Height: 35 1/2 in x width: 35 1/2 in.Condition:The colors are bold and bright. There are no tears, creases, or restorations. Light wear along the edges. The work is not framed.

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Los 136

Gary Bowling (American, b. 1948). Oil on canvas painting depicting a sunny field with trees and fluffy clouds in the azure sky. Signed along the lower right.Provenance: Distinguished Corporate Collection, Minnesota.Unframed; height: 36 in x width: 48 in. Framed; height: 45 1/2 in x width: 57 1/2 in x depth: 2 1/4 in.Condition:Colors are bold and deep. Surface is stable. There are no visible losses, tears, or signs of restoration. Light wear to the frame and stretcher.

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Los 259

Steven Sorman (American, b. 1948). Lithograph collage print titled "Lewis and Clark" depicting two triangles, one on a speckled white background and one on a cream background, 1978. Pencil signed, numbered A.P. 10/12, titled, and dated 6.20.78 along the center margin.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 36 1/2 in x width: 38 in. Framed; height: 43 1/4 in x width: 44 in x depth: 2 in.Condition:The colors are bold and bright. There are no visible tears, losses, or restorations. Light undulation to the sheets throughout. Some wear along the deckled edges. Floated in frame. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

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Los 222

Billy Al Bengston (American, 1934-2022). Etching with aquatint print on Rives BFK paper depicting a silhouette of a dog against a green and red background with abstracted celestial bodies, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower center; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 22 in x width: 30 in.Condition:The colors are bold and deep. There are no visible tears, major creases, or losses. There are no signs of restoration under UV light. There is a minute crease along the upper right corner. There is an extremely minute chip to the upper left corner; only noticeable upon close inspection.

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