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James Bond 007 - Sir Roger Moore (1927-2017) - Live And Let Die - an impressive signed 8x12" colour photograph mini-poster from the movie. Signed neatly by Moore in blue marker, to a light portion of the image. Obtained in person by the vendor, an AFTAL registered dealer. With certificate. Impressive.
Harry Potter - Rupert Grint - English Actor - impressive signed 8x12" colour photograph of Grint as Ron Weasley in The Prisoner Of Azkaban. Autographed neatly by Grint in blue ink to a light portion of the image. Obtained in person by the vendor, an AFTAL registered dealer at a UK premiere in London. With certificate.
Stephen Merchant Collection - Extras - an original 2006 edition of Radio Times featuring the cast of Extras to the cover. Autographed by Merchant in black ink to a light portion. Donated specifically to this auction. NOTE: This lot is being sold to raise money for St Peter's Hospice and 100% of the funds are being donated directly to the charity. There is no buyer's commission charged on this lot (although any online bidding fees will still apply).
James Bond 007 - Sir Roger Moore (1927-2017) - A View To A Kill - an impressive signed 8x12" colour photograph mini-poster from the movie. Signed neatly by Moore in blue marker, to a light portion of the image. Obtained in person by the vendor, an AFTAL registered dealer. With certificate. Impressive.
JOLLIE F. & SONS. (Pubs). Cumberland Guide & Directory. 2 vols. in one. 3 fldg. eng. maps & plans & a fldg. eng. plate. Qtr. calf, top brd. det. but present. Carlisle, 1811.Condition report:Whitehaven - Printing crisp, some staining, rips to bottom left hand side and edge folds.Workington - Printing crisp. brown foxing to centre of map. Teat on right hand side.Carlisle - Light staining to bottom right hand corner. Small tear at bottom neat yard scale.Cumberland - Colours crisp and not tears or edge folds. Slight foxing to top.
AN 18TH CENTURY CHINESE IMARI TUREEN AND COVER, circular with domed cover, painted in the round with a landscape of boats, pagodas and figures. 20cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Good overall condition, very light surface scratching.
A PAIR OF GILT-BRONZE THREE-LIGHT WALL SCONES, each arm formed as a foliate stem terminating in a bulbous cup. 37cm wideThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.20th Century. One appears to have a couple of losses. In otherwise good condition.
ENGLISH SCHOOL (19TH CENTURY), TWO SPANIELS IN A LANDSCAPE, initialled 'J.S' lower left, oil on canvas laid on board, in a gilt-composition frame. 33.5cm by 43.5cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Would benefit from a light clean. No paint loss. Slip and frame has a few losses.
ENGLISH SCHOOL (19TH CENTURY), UNLOADING THE CATCH, watercolour, framed. 25cm by 45.5cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Some light foxing and probably very lightly faded.
A GEORGE VI SILVER TWO-HANDLED TRAY, IN THE ART DECO STYLE, by Frank Cobb & Co Ltd, Sheffield 1937, rectangular with inverted domed corners. 51.5cm across handles, 63 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Marks are crisp and clear. Light surface scratches to the surface. But, in generally good condition.
A VICTORIAN GREEN GLASS EPERGNE, the central trumpet-shaped vase surrounded by four small conforming vases, issuing from a domed base with gilt-brass mount. 52.5cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Condition is good. Glass glows yellow under uv light.
A circular Chinese porcelain blue-and-white dish; six-character mark of Daoguang and possibly of the period, the well finely painted with a complex roundel of three phoenix amongst ruyi and a central lotus, the underside matching (19.25cm diameter) Please note: there is an approx. 1cm hairline emanating from the rim that is only visible under ultra violet lightA firing fault to the glaze on the base (see image) otherwise in good order commensurate with age. The shape appears to be very refined and the decoration is very good. Upon speaking to Chinese experts several have said that the item is actually mark and period Daoguang, the item is not perfect there is an original firing fault on the back and underside which is visible on the images on the website. There is one other issue which is under ultraviolet light, a 1cm “hairline” can be seen emanating from the edge of the rim inwards (again stressing that this only really viewable under ultraviolet light and can’t be seen with the naked eye.
A hallmarked silver two-handled pedestal bowl decorated with a Celtic-style band below the averted rim, on spreading circular foot with a smaller version of the same band, maker's mark WE, assayed Dublin 1909 (20.75cm diameter not including handles, approx. 583g)The bowl is quite tarnished and would require a fair amount of vigorous cleaning but in the auctioneer’s opinion this would clean off. There is light scratching to the surface on the inside of the bowl but the hallmarks appear clear and generally unrubbed. The rest of the bowl appears in good honest original condition with no splits, cracks, reparations or dents noted. This came privately and is in good general overall condition.
A pair of heavy, hallmarked silver beakers of tapering cylindrical form; light gilding to the interiors, each engraved with armorial crest - the engraved armorial surrounded by the motto 'Che sara sara' and with crown above - maker's mark SJP, assayed London 2000, each with bright and clear hallmarks (11cm high; pair approx, 397g)
An interesting pair of 19th century hand-decorated continental porcelain two-light candelabra; each of figural form one unusually with a winged, open-mouthed dragon-style creature at her feet, the other with a basket of flowers, the candle arms and the rear supports profusely decorated with varying flower heads in relief, blue painted cross swords marks to underside (probably Dresden) (21.75cm high x 18.5cm widest)
A well-documented C.M.G. group of seven to Lt-Col Charles Walter Tribe, 41st Dogras: the Most Distinguished Order of St. Michael and St. George, C.M.G., Companion’s badge, January 1st 1916 ‘for services rendered in connexion with Military Operations in the Field’; India General Service 1854-95 with Waziristan 1894-5 clasp (Lt.); the India Medal with three clasps: Malakand 1897, Punjab Frontier 1887-88 and Waziristan 1901-2 (Lt.); the China War Medal 1900; the 1914 Star with 5th August – 22nd Nov 1914 clasp; the British War Medal and the Victory Medal. All seven in their Spink & Son Ltd. red-leather fitted easel case. Three of the five miniatures in a matching easel case.Agra-born Lt-Col Charles Walter Tribe CMG (1868-1916) was the eldest son of the Venerable W. H. Tribe (1832-1909) Archdeacon of Lahore, and the brother of Mary Duchess of Bedford (1865-1937). Educated at the United Services College, he was commissioned into the Royal Marine Light Infantry in September 1887. In October 1890 he transferred as a lieutenant to the Indian Staff Corps and first saw service in the Waziristan Expedition (1894-1895) and on the North-West Frontier he took part in the defence and relief of Malakand, the relief of Chakdara and in operations in Bajaur and in the Mamund country. Promoted captain in September 1898 he served with the 38th Dogras in the China Relief Expedition of 1900 and from June 1901 to July 1902 as Deputy-Assistant Adjutant-General, South Africa. In 1903 he married Alice Seaton Massy, daughter of Lt-Col Charles Francis Massy, Indian Army. In September 1905 he was promoted major and from January 1906 to October 1908 he was Commandant of the Mounted Infantry School, India. He was promoted lieutenant-colonel in October 1912 and appointed commandant of the 41st Dogra Regiment who landed at Marseilles in October 1914. He was severely wounded by a shell-splinter in the chest, whilst watching No. 2 company going over the parapet to lead the assault on Richebourg l’Avoué in May 1915, mentioned in Sir John French’s last despatches. For his servicesin France he was made a Companion of St. Michael and St. George in January 1916. News of the award reached the Dogras, now in Mesopotamia, hours after he was killed in action on January 13th 1916. He was 47 and buried at the Amara War Cemetry. Vol 1 The Story of the 1st and 2nd Battalions, 41st Dogras (1923) records that:‘The Regiment had good cause to mourn its losses on this day. Lt-Col CW Tribe, who had commanded since 1912 had earned the greatest admiration and respect on account of his gallantry. Celebrated for his contempt of danger, he instilled a large measure of his courage into his battalion. Apart from the example he set his Regiment in the field, his able administration of it in peace had laid it under a deep debt of gratitude. The condition report on CMG - enamel is in good condition (see image). The medals are named and close up images have been added.
The 1887 and 1888 Commission papers of 2nd Lieutenant Charles Walter Tribe: on probation from Sept 1st 1887 in the Royal Marine Forces, signed A.H. Hoskins and Charles Holland and dated March 20th 1888; and from Sept 1st 1887 as 2nd Lieutenant in the Royal Marine Light Infantry signed Hamilton and Charles Holland, Court of Windsor, 18th February 1889; together with a leather-framed triptych photograph case with photos of the above in uniform and his twin brothers, William and John Tribe (3)
JOHN OPIE, R.A. (St Agnes, Cornwall 1761-1807 London), a late 18th /early 19th century gilt-framed half-length oil on canvas (lined) portrait study of Captain Philip Beaver (1766-1813), in naval uniform (74.5cm x 62.5cm)This has come from a local estate clearance; the condition is fairly good overall with no major problems noted, it can be reported that the picture had been lined at some stage. Under an ultra violet light there are some marks mostly visible to the top right area; the frame sadly has seen better days and is need of substantial repair with the composition having fallen off mostly corners and middle of the sides; some of the composition has been retrieved and is available. The painting appears to be in reasonable order with no holes, repairs, restorations or rips or any other problems noted.
A 19th century Chinese porcelain stick/umbrella stand; the body painted with two main vertical rectangular panels, one depicting fighting warriors on horseback and the other with a seated high ranking official and various attendants etc. before him, the yellow and light mauve-coloured diaper border interspersed with four panels containing Buddhistic emblems, the main body with further panels depicting flowers and various butterflies etc., with vertical multi-coloured striped base in loose lappet-style, unglazed circular foot (59cm high)There is minor fritting to the rim glaze otherwise in good condition.
The original working papers of Captain Philip Beaver’s African Memoranda (1805); around 90 original handwritten documents detailing how 275 British men, women and children attempted to settle the uninhabited island of Bulama in 1792 and were reduced to three in seventeen months. The documents cover the well-intentioned beginnings of Christian abolitionists in London to the blood-curdling reality of Britain’s first attempt at settling in West Africa. The Bulama records were transported in a tin box to London in 1793 and have barely seen the light of day since their rediscovery in 2020.
A Chinese brass model of a seated buddha, early 20th century, on a carved wood stand, total height 22cm, width 27cm, depth 18cm.Condition report: No obvious damage or condition issues although some tarnishing has been removed with an abrasive cloth causing light scratches and it would benefit from being properly polished. Small chip to wooden stand. See further photos.
Rupert annuals 1941-1948, 1941 annual "This Book Belongs To" neatly filled in, internally no scribbling/colouring in to leaves, tape reinforcement between p16/17, p.27/28 large closed tear, p.55/56 small part loss of paper at corner (not affecting text or ills), small closed tears/nicks/chips to a few pages throughout, externally original pictorial paper covered boards worn, inner joints split and textblock detached from binding, backstrip near detached with small loss at foot of spine; 1942 annual "This Book Belongs To" neatly filled in, not price clipped, internally leaves generally clean/VGC with no scribbling/colouring in, one or two leaves at end loose, original pictorial wraps detached from textblock and slightly worn, approx 3cm loss at foot of spine, small closed tears at head of spine edges, very light creasing and rubbing, else VGC; 1943 annual "This Book Belongs To" neatly filled in, not price clipped, both painting pictures coloured in, else internally leaves generally clean/VGC, with no other colouring in or scribbling, original pictorial wraps detached from textblock, else wraps in fine condition; 1944 annual "This Book Belongs To" neatly filled in, not price clipped, internally leaves very clean/VGC with no scribbling/colouring in, original pictorial wraps with approx 2.5cm split at foot of spine edge where meets lower wrap, else wraps in fine condition; 1945 annual "This Book Belongs To" neatly filled in, not price clipped, internally leaves very clean/VGC with no scribbling/colouring in, original pictorial wraps with approx 0.5cm split at foot of spine edge where meets top wrap, else wraps in fine condition; 1946 annual "This Book Belongs To" neatly filled in, not price clipped, internally leaves very clean/VGC with no scribbling/colouring in, original pictorial wraps in very near fine condition, minimal rubbing along spine edges and very light crease lower corner of top wrap; 1947 annual "This Book Belongs To" neatly filled in, not price clipped, internally leaves veryy clean/VGC with no scribbling/colouring in, original pictorial wraps in very near fine condition, small depression to area on top wrap where dragon is; 1948 annual "This Book Belongs To" neatly filled in, not price clipped, internally leaves very clean/VGC with no scribbling/colouring in, original pictorial wraps VGC+, slightly pulled from first internal page exposing staples, light creases at lower corner of top wrap, spine edges slightly rubbed and very slight wear at head and foot of spine (8)
An 18ct gold three stone diamond ring of estimated approx 0.90cts combined, finger size M1/2, weight 3gms Condition Report: Shank a bit on the oval side, needs tapping up round, otherwise in very good condition. Central diamond has a light brown coloured feather inclusion right across the table but you cant really see it with the naked eye, its angled away from the top point of focus, a couple of clear feathers and clear crystal inclusions. Overall very sparkly.
A 9ct gold diamond flower ring set with estimated approx 0.80cts of brilliant cut diamonds. Finger size M1/2, weight 2.7gms Condition Report: Light general wear, diamonds commercial look white and sparkly by eye, with a loope they have multiple, clear crystal and feather type inclusions, with the occasional tiny black carbon dot.ª

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