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Preisdatenbank abonnierenFreya Star Ionia A Quest. Published by John Murray. London. First published 1954. Publisher's light blue boards, titled in gilt. 263 pages including index. Nice copy in publisher's boards. Spine faded. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99
Freya Stark Letters from Syria. Published by John Murray. London. 1942. Nice copy. 194 pages including index. Many photographs at end of the volume. Publisher's light green boards, titled in gilt. 1st edition 1942. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99
George Gill Gill's Imperial Geography. For college and schools use, illustrated with 67 maps and numerous woodcuts. Revised edition 1886. Published by George Gill and Sons. London. 326 pages. Publisher's light brown boards, titled and decorated in black. This volume is in excellent condition. 1881 Rev Thomas Milner M. A The Gallery of Geography. Pictorial and descriptive tour of the world. Published by William Mackenzie. This lot comprises two separate volumes, namely one and two. Volume 1 - dark blue boards, decorated and titled in gilt. All edges gilt. Many engravings. 200 pages. 6 large double-page, coloured folded maps. Volume 2 - dark brown boards, decorated and titled in gilt. 200 pages. With many engravings and 6 double-page, coloured folding maps. This lot comprises both of these 2 separate volumes, i. e. 1 and 2. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99
M. H. Spielmann and G. S. Layard Kate Greenaway. Published by Adam and Charles Black, London. Publisher's light blue boards, titled in gilt, some splitting to slightly faded spine. 1st edition 1905. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99
The Hon. Mary Monica Maxwell Scott ABBOTSFORD The personal relics and antiquarian treasures of Sir Walter Scott. Published by Adam and Charles Black, London. All edges gilt. Unobtrusive small stamps of the Museum of Science and Art, Edinburgh. Large format, publisher's light brown boards. Publisher's light blue spine, titled in gilt. Spine splitting in places. Generally good condition for this heavy volume4 with very many excellent plates. Illustrated by William Gibb. RARE 1st edition 1893. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99
VINYL LP RECORDS a collection of New Wave, Punk, Prog Rock, Rock and Pop and Reggae white label vinyl LP records with a Ska music Test Pressing PHZD-61 on Unicorn records, Alice Cooper, The Photos, The Skidz, Thin Lizzy, Duran Duran, Stevie Nicks, Michael Jackson, Thin Lizzy, Electric Light Orchestra, Squeeze, Expose, Pezband, Beats International EP, Adam and the Ants, Blondie, tubeway army, The Stranglers IV, Pretenders, Hue and Cry, Men at Work, ZZ Top, Magnum, Dire Straits, Simon anf Garfunkel, Toto, Whitesnake, Joe Jackson, Fleetwood Mac, Eagles, Madonna, Madness, Rainbow, Bowie, Soft Cell, The Beat, The Jam, Style Council, Def Leppard, The Police, Slade, Marc Bolan, Roxy Music etc Condition Report:Available upon request
GOOD SCRATCH BUILT LIVE STEAM MODEL LOCOMOTIVE,3 1/2" gauge, City of Truro, in green and black Great Western Railway livery, 66cm long including buffersA Private Scottish Highlands CollectionThere is no boiler certification with this lot; otherwise good condition, some light general wear but overall an attractive engine; additional images available
DC COMICS - BATMAN,a lot of approximately 200 comics circa 1990s - early 2000s featuring various series and sub-series including Detective Comics #599-601, 604-607; Legends of the Dark Knight including #120 (first app. Cassandra Cain as Batgirl), City of Light #1, No Man's Land #1 (special cover), Gotham Knight #1, Day of Judgement #1 and Turning Points Chapter One
A group of hair work jewellery, comprising: a mourning bracelet composed of woven hair, to gold links and clasp applied with black enamel, dedicatory inscription dated 1851; another hair work bracelet, to a gold heart-shaped padlock locket, decorated with scrollwork in light blue enamel; and four pairs of hair work earrings, hook fittings, length of longest 9.2cm
λ A Victorian gold, coral, enamel and diamond bangle, mid 19th century, the hinged bangle applied with bead and rope twist decoration in the Archeological Revival style, centring on three domed motifs applied with light blue enamel and inset with stars set with cabochon coral, the central motif accented with cushion-shaped diamonds, the reverse with a glazed compartment for hair, inner circumference 16.3cm, original fitted case stamped WW Johnson
λ A collection of jewellery including a jadeite bangle, comprising: a white and russet jadeite bangle; a light bluish green jadeite bangle, broken and restuck; two dark green nephrite jade bangles; a jadeite bead necklace; an amazonite bead necklace; a white coral bead necklace; a jadeite and gold ring, size O; a synthetic ruby and jadeite brooch; a nephrite and quartz pendant; a gold bead and turquoise bangle; a soapstone pendant carved with the face of a bearded man; and a synthetic colour-change sapphire ring, size P
Van Cleef & Arpels, a Fancy Light Yellow diamond cluster ring, set with a fancy coloured old circular-cut diamond weighing 6.63cts, within a surround of round brilliant-cut diamonds within diamond shoulders in yellow gold, stamped VCA, maker's mark and 750, central diamond a later replacement, size M Accompanied by GIA report number 5222508562, stating the round brilliant diamond is fancy light yellow with VS2 clarity, 6.63cts
A collection of fob seals, 19th century, comprising seven seals mounted in gold: one in carnelian carved with a figure of fame blowing her trumpet; one in citrine carved with a coat of arms; one in white chalcedony with initals in a garter border reading 'Thomas's Hotel Berkeley Square'; one in light yellow chalcedony with a knot and the motto 'A Toi Seul' ('Yours Alone'); one in plain bloodstone; one in carnelian with a tree and the motto 'Nec Fluctu Nec Flatu' ('Neither Wind nor Wave'); and one in white chalcedony with the name 'Isabella', tallest 3.6cm; together with two smaller gilt metal seals, tallest 1.9cm
Andre Marchal, Twin birds on branches Vallauris lamp, circa 1950s, Earthenware with lava glaze, Inscribed signature 'MARCHAL' to foot, 69.5cm high to bulb holder (VAT charged on the Hammer price)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Both birds have been off and have been re-glued, there is a re-glued chip with some small losses to base next to signature. There is a chip to the back edge of one leaf, Otherwise only light general surface wear and dust/dirt build up throughout commensurate with age. Light fitting appears to be later
Fase, Desk lamp, circa 1960, Lacquered steel, chromed metal, plastic, Cast manufacturer's mark to underside, 58cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Overall general wear throughout to include light scratches. The shade with minor surface wear, some paint loss to inner shade. the stand with scratches and only very minor oxidisation marks, the base with small dent with scratches/paint loss
Bruno Gatta (1904-1976) for Stilnovo, Model '288' Pendant light, circa 1954, Enamelled aluminium, glass, electrical fittings, Manufacturer's label to frame, 75cm high. Literature: Alex Coles, Pierre Doze, Didier Krzentowski, 'The Complete Designers' Lights 1950-1990 II: Catalogue Raisonné', RP Ringier; New edition, 2014, see similar example illustrated p.54 It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Some minor surface wear to enamelled shade to include light scratches/scuffs and minor flea bite nicks to finish, metal fittings with signs of oxidisation throughout. The glass disc is in good condition no chips or cracks, would benefit from cleaning. One of the three chords housing electrical wires has been entirely replaced with black electrical tape. The light has six light fittings. The light does not come with a ceiling mount however, it looks from the top of the ceiling rose as if it would require one large bolt to secure.
A pair of white glazed ceramic lamps, 20th century, each designed as an elephant with howdah supporting a plinth with moulded cave-type decoration, each 40.6cm high excluding electrical fittings; together with a modern white fibreglass lamp in the form of an owl perched on a rocky outcrop, with blue glass inset eyes and white painted wood base, 56cm high excluding electrical fittings (3)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.One elephant lamp at fault to the plinth with repaired cracks. General surface dirt, light scratches and staining to each lamp.
Jasper Morrison for Flos, a 'Smithfield' ceiling light, of recent manufacture, with domed white powder coated aluminium shades enclosing three lights, with injection moulded opalescent methacrylate diffuser, 22cm high, 60cm diameter It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report
An Italian ten light brass chandelier, c.1950, with four glass shades and five egg shell enamelled shades, 64cm high chair (VAT charged on hammer price)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report
Ron Arad (b.1951) for Moroso, Pair of 'Victoria & Albert' lounge chairs, circa 2000, Leather, internal steel frame, Each with manufacturer's label to underside, Each 76cm high, 74cm wide (2) Both chairs structurally sound and sturdy, light marks, minor scuffs to leather, both chairs with very minor dark marks/stains to backs.
Paul Gaisford, British b.1941- Summer near Chasleton, Gloucester; oil on board, signed lower left, 23.2 x 28.7 cm. (ARR) Framed, and unexamined out of frame. General marks and scuffs to the frame. The paint surface is stable on the support. Fine and settled craquelure in areas. Areas of impasto are well-preserved. Light surface dirt generally. Otherwise in good condition overall.
Faith Kenworthy-Browne, British 1882-1973- Portrait of a lady seated full-length in an interior; oil on canvas, signed with initials (lower left), 61 x 45.5 cm.: together with another work by the same artist depicting an interior scene with flowers in a vase and paintings; oil on canvas, signed with initials and dated '1968' (lower right), 61 x 50.9 cm. (part unframed) (ARR) (2) Portrait of a lady: Framed, unexamined out of frame. Light marks and chips to the frame generally. Stretcher bar marks visible to the upper and right edges of the canvas. Fine and settled craquelure in areas. Two repair patches visible to the verso, one larger patch towards the upper centre of the canvas, and the other smaller patch towards the centre of the lower section of the canvas. Evidence of light abrasions and marks of surface dirt to the canvas generally. Areas of impasto are well-preserved. Interior scene: Unframed. Stretcher bar marks visible to the upper and lower edges. Light abrasions visible to the canvas, particularly towards the corners and edges but also generally across the canvas. Surface dirt across the canvas. Areas of impasto are well-preserved. Otherwise in fair condition overall.
Faith Kenworthy-Browne, British 1882-1973- View in India, 1926-1929; oil on board, signed with initials (lower right), 21.5 x 27.3 cm.: together with two watercolours by the same artist, the first depicting the Chapel at Settignano, Italy; pencil, watercolour, and gouache on paper, signed 'F. Kenworthy-Browne' (lower right), 26 x 21 cm., the second depicting a View in Shropshire; pencil and watercolour on paper, 25.5 x 43.7 cm. (ARR) (3) View in India: Framed and glazed, unexamined out of frame. Light marks and chips to the frame generally. Very minor chips and abrasions in areas, and light surface dirt generally. Otherwise in good condition overall. Chapel at Settignano: Framed, mounted, and glazed, unexamined out of frame. Light marks and chips to the frame generally. Possible very minor marks and spots of foxing to the sheet in areas. No evidence of tears, creases, or further damage to the sheet. Otherwise in good condition overall. View in Shropshire: Framed, mounted, and glazed, unexamined out of frame. Light marks and chips to the frame generally. Evidence of discolouration/browning, particularly towards the edges of the sheet. Spots of foxing visible in areas across the sheet. A very minor spot of possible damage towards the lower centre of the sheet. Otherwise in fair condition overall.
Faith Kenworthy-Browne, British 1882-1973- Daffodils and Irises in a blue and white jug; oil on canvas, signed with initials and dated '1945' (lower left), bears label from the Society of Women Artists to the reverse of the frame, 53.5 x 42 cm: together with another work by the same artist depicting Honeysuckle in a vase; oil on canvasboard, signed with initials (lower right), 30.5 x 37.5 cm. (part unframed) (ARR) (2)Daffodils and Irises: Framed, and unexamined out of frame. Light marks, chips, and surface dirt to the frames generally. The canvas is slightly loose on the stretcher, with corresponding light undulations generally. Stretcher bar mark visible to the upper edge of the canvas. Light abrasions in areas, particularly towards the edges, due to contact with the frame. Minor dents, chips, and pinholes in areas, along with surface dirt generally. Otherwise in fair condition overall. Honeysuckle: Held in a mount, unexamined outside. Possible light abrasions and surface dirt in areas. Areas of impasto are well-preserved. Otherwise in good condition overall.
Faith Kenworthy-Browne, British 1882-1973- Flowers before a mirror; oil on canvas, signed with initials and dated '1947' (lower right), bears inscribed label to the reverse of the frame, 61 x 50.7 cm. (ARR) Framed, unexamined out of frame. Light marks, chips, and dirt to the frame generally. Light abrasions to the canvas in areas, particularly towards the edges, due to contact with the frame. Further minor abrasions and surface dirt generally. Otherwise in good condition overall.
William D. Clyne, Scottish 1922-1981- Montmartre; pen and black ink and watercolour on paper, inscribed 'MONTMARTRE' (lower edge), 29.5 x 29.5 cm. (ARR) Framed, mounted, and glazed. Unexamined out of frame. General marks and scuffs to the frame. Significant general creasing to the sheet. Possible light spots of foxing and general dirty marks to the sheet in areas. Otherwise in fair condition overall.
William D. Clyne, Scottish 1922–1981- Bartholomew Fair; pen, black ink, watercolour, and gouache on paper, 24 x 34.4 cm. (unframed/mounted) (ARR) Unframed and mounted. Light creases and folds to the sheet consistent with handling, particularly towards the edges and corners. Evidence of spots of light foxing in areas. Possible further dirty marks in areas. Otherwise in good condition overall.
William D. Clyne, Scottish 1922–1981- Study of a seated man with a hat and a ruff; pen, black ink, watercolour, and gouache on paper, 34.4 x 24.5 cm. (unframed/mounted) (ARR) Unframed, mounted. Light creases and folds, particularly towards the edges and corners. Dirty marks to the sheet consistent with handling, and possible spots of foxing. Otherwise in good condition overall.
American School, late 20th century- Fred Flintstone; pencil on paper, 21 x 24 cm. Framed, mounted, and glazed. Unexamined out of frame. General marks and scuffs to the frame. Evidence of creasing to the paper generally. Possible light dirty marks consistent with handling. Otherwise in good condition overall.
Ben Sunlight, British 1935-2002- Untitled; pencil, watercolour, and gouache on paper, signed and dated 'BEN SUNLIGHT - 1st Nov 1960' (lower right), 56.5 x 76.5 cm.: together with six collages by the same artist, 56 x 76 cm. and smaller (unframed) (ARR) (7) Provenance: The Estate of the Artist. Unframed. Creases and folds across the sheets, particularly towards the edges. Pinholes to the corners and further minor tears generally. Light discolouration and spots of foxing to the sheets. Further dirty marks generally. Some of the collage pieces have become detached. Otherwise in fair to poor condition overall.
British School, late 20th/early 21st century- Muckish from Glenveigh National Park; oil on canvas, signed 'Winter' (lower right), 40.7 x 50.8 cm (unframed) (ARR) The canvas is taut on the stretcher and the paint surface is stable on the support. Light marks and surface dirt generally. Light abrasions in areas, particularly towards the edges. Otherwise in good condition overall.
British School, late 20th/early 21st century- Muckish from Ballymore; oil on canvas, signed 'Winter' (lower right), 40.8 x 50.8 cm (unframed) (ARR) The canvas is taut on the stretcher, and the paint surface is stable on the support. Areas of impasto are well-preserved. Light marks and surface dirt generally. Some abrasions to the surface in areas, particularly towards the edges. Otherwise in good condition overall.
British School, late 20th/early 21st century- Muckish from Dunfanaghy; oil on canvas, signed 'Winter' lower right, 40.7 x 50.6 cm (unframed) (ARR) The canvas is taut on the stretcher, and the paint surface is stable on the support. Light marks and surface dirt generally. Possible slight abrasions, particularly towards the edges. Otherwise in good condition overall.
British School, early/mid 20th century- View of a landscape with cypresses; oil on canvas, bears inscribed label for C.D. Soar & Son, Kensington, to the reverse of the stretcher, 23 x 33.2 cm. Framed, and unexamined out of frame. General dirty marks and scuffs to the frame. The canvas is taut on the stretcher, and is slightly loose within the frame. Relined. The paint surface is stable on the support. General dirty marks and light abrasions to the canvas. Areas of impasto are well-preserved. Otherwise in good condition overall.
Deborah Jones, British 1921-2012- J. Meadows, Antiques; oil on board, signed 'Deborah Jones' (lower left), 31 x 38.2 cm. (ARR) Framed, and unexamined out of frame. Light marks and scuffs to the frame generally. Very minor abrasions and possible marks/spots of surface dirt in areas. Otherwise in very good condition overall.
Bert Kitchen, British b.1940- Triptych; oil on panel with hinged doors, signed 'B. KITCHEN' and titled on the reverse, 91 x 60.2 cm. (closed), 91 x 120.5 cm. (open) (ARR) The paint surface is stable on the support. Light abrasions and marks across the work. General surface dirt throughout. Otherwise in fair to good condition overall.
Michael Cline, American b.1973- Heads-N-Feds, 2009; pastel on paper, 63.5 x 63cm (framed) Provenance: Daniel Reich, New York, where purchased by the present owner.Framed and glazed. Unexamined out of frame. Damage and marks to the frame generally. Minor tears, folds, and creases to the edges generally, with particularly noticeable tears and losses to the corners of the sheet. Possible light creases and marks to the sheet generally. Otherwise in good condition overall.
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