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534297 Los(e)/Seite
Los 31
Jack PENDER (1918-1998) Alongside 4 (1965-66) Oil on board, signed, titled and dated 1965-6 verso, 90.5cm x 121cm, framed 93.5cm x 123.5cmThis important oil appears to be in untouched condition. Although very presentable it would benefit from a light clean. Careful examination of the surface shows scratching and abrasions in line with the working practice of the artist. It has it's original frame.
Los 58
John Anthony PARK (1880-1962) The Trout Stream Oil on canvas, signed, 63 x 76cm, framed 82 x 94cmIllustrated - Austin Wormleighton 'Morning Tide - John Anthony Park and the Painters of Light - St Ives 1900 - 1950' illustrated pg 54. This oil is in excellent original condition. Some worm holes in the stretcher and frame is noted.
Los 40
Frank BRANGWYN (1867-1956) Fisher women with Lobster Pots Oil on canvas, a riverbank scene with a rowing boat to verso, 129 x 96 cm, framed 151 x 108cmProvenance Anon sale, Christie’s, 13 October 1978, lot 108; Tennant’s, 15 May 1992, lot 409An essay on this piece, written by Kenneth McConkey, is available upon request This oil is in very good condition with slight craquelure. Under UV light, there is no obvious sign of overpainting.
Los 149
Arthur WHITE (1865-1953) Low Tide, St Ives Oil on panel, signed, 30 x 40cm, framed 46 x 57cmThis oil with its historic detail is ready to hang, it is painted on plywood and splitting can be seen in the top layer. There is no sign of over-painting when examined under UV light, this suggests that it was split when painted. It appears to be stable.
Los 111
Vernon de Beauvoir WARD (1905-1985) Gulls Feeding on a West Country Beach (1934) Oil on canvas, signed and dated '34, 54 x 69cm, 70 x 85cm framed.This oil is in excellent condition. It has been sensitively cleaned. The signature is strong and impasto sharp. Under UV light there is no sign of damage or overpainting
Los 350
Newlyn School A Summer Pastime Oil on canvas, 76.5 x 56cmCataloguer's NoteWe believe this painting portrays the end of Newlyn Harbour wall, facing Penzance, with St Michael's Mount just out of view. We also see a resemblance between the boy in this painting and the one depicted in Stanhope Forbes's Chadding in Mount's Bay. This oil, reminiscent of the work of the best of the Newlyn artists, has been lined and cleaned, but under UV light there are few signs of overpainting. Our vendor tells us that it was bought in these rooms decades ago.
Los 466
Frederick Leslie KENETT (1924-2012) From The Parthenon Marble Sculptures; Sculptures of A Group of Racing Horses, Two reclining Greek Figures, The Standing figure of a Greek Man and The Study of The Head of A Horse. Four albumen prints of sculpture mounted on board, each studio stamped to verso, each image approximately 39 x 50cm, mount size approximately 43 x 54cm. (4)Frederick Kenett is one of the most important and yet undervalued postwar British artists of the twentieth century. He was invited by the Egyptian government in the sixties to photograph the Tomb and artefacts of Tutankhamen*, and was the first person to photograph the treasures in the tomb housed in the museum in Cairo. He travelled widely in Europe photographing classical scenes and sculptures in Spain, France, Italy, Germany and Holland often negotiating with governments.In the early sixties Kenett befriended Henry Moore and instructed Moore on Photography in return Moore helped Kenett by instructing him on the methods and techniques around sculpting. It was during the early sixties that both Moore and Kennet toured together visiting France and the low countries. Following their time together and from the mid sixties Kenett transferred his skills to sculpture and started producing his own work. Comparing both the sculptures of Moore and Kenett it is clear to see the influence that Moore had on Kenett. Frederick Kenett has been described as ‘Unquestionably the greatest photographer of Sculpture in the World who himself became a scuplture’. The Listener, T.G Rosenthal* Sunday Times Colour Magazine Book Review 1963 Acquired by the present owner from the artists estate shortly after the artists passing in 2012. Areas of light discoloration can be found on a number of the mounts (mainly to the backs), a number of bumps can also be found to the corners. Other than this the prints are in good condition.
Los 86
John OPIE (1761-1807) Mother and Child Oil on canvas, 124 x 95cm, 138 x 110cm framed.This painting has had light restoration, probably pre-war. Under UV light, one can see a little filling of craquelure and other minor work. It is generally stable but there are some minor losses and one small tear.
Los 457
Frederick Leslie KENETT (1924-2012) Eight prints including, The Statue of David, The Catacombs of Rome, St Peters Dome, The Ancient Gateway To Rome, The Temple of Capitoline Jupiter, The Appian Way, Eight albumen prints, each studio stamped to verso, 35.5 x 27.5cm. (8)Frederick Kenett is one of the most important and yet undervalued postwar British artists of the twentieth century. He was invited by the Egyptian government in the sixties to photograph the Tomb and artefacts of Tutankhamen*, and was the first person to photograph the treasures in the tomb housed in the museum in Cairo. He travelled widely in Europe photographing classical scenes and sculptures in Spain, France, Italy, Germany and Holland often negotiating with governments.In the early sixties Kenett befriended Henry Moore and instructed Moore on Photography in return Moore helped Kenett by instructing him on the methods and techniques around sculpting. It was during the early sixties that both Moore and Kennet toured together visiting France and the low countries. Following their time together and from the mid sixties Kenett transferred his skills to sculpture and started producing his own work. Comparing both the sculptures of Moore and Kenett it is clear to see the influence that Moore had on Kenett. Frederick Kenett has been described as ‘Unquestionably the greatest photographer of Sculpture in the World who himself became a scuplture’. The Listener, T.G Rosenthal* Sunday Times Colour Magazine Book Review 1963 Acquired by the present owner from the artists estate shortly after the artists passing in 2012. Some very light yellowing can be found in a number of the corners, this can be seen in the original images. But nothing that deters from the overall appeal of the charming prints. Other than this they are in excellent condition.
Los 201
Eric SLATER (1896-1963) Tregenna Castle Coloured woodcut,signed and titled, 30x40cm.Eric Slater was an artist who produced more than 30 colour woodcuts between 1926 and the outbreak of the Second World War.Many depict scenes near his home in Seaford, East Sussex, where he lived for most of his adult life. Eric moved with his mother and grandmother to Sussex where he studied at The Hastings School of Art. He was probably taught how to make woodcuts by Arthur Rigden Read (1879-1955) who had been to Japan to study oriental woodcut techniques used by European printmakers from the 1890s. European woodcuts, less formal than Japanese woodcuts, were marketed as affordable art for ordinary homes.Eric died in obscurity with no mention of his artistic talents within the solicitor's notice, but is highly collected and appreciated since. Some light cockling to the paper and a mark to the mount, but otherwise in good condition.
Los 152
Bryan ILLSLEY (1937-2024) Gold and amethyst necklace An 18ct gold and amethyst bead necklace, stamped makers BI to clasp, un-fastened length 43cmTests as very high-purity gold This charming necklace displays a characterful light patina, there are no obvious defects. Each bead is intact. Weight 9.5gm
Los 465
Bindings. READ (C) The Cabinet of Irish Literature, 4 vols, Blackie & Son, no date, 8vo, portraits, spotting, half calf; JAMES (Rev T) Aesop's Fables,1848, 8vo, illustrated by Tenniel, vellum; NANSEN (F) Farthest North, 2 vols, George Newnes 1898, 8vo, folding map, plates, pictorial cloth; VERNE (J) Voyages Extraordinaires, L'Ile Mysterieuse, Edition J. Hetzel, no date, illustrated, light age staining, original cloth gilt; MASPERO (G) Histoire Ancienne des Peuples De L'Orient Classique... Egypte & Chaldee, 1895, illustrated, cloth, covers darkened; PHILP (R K) The History of Progress in Great Britain, 1859, thick 8vo, half calf; BARRIE (J M) The Plays, in one vol. 1928, 8vo, purple half morocco; others, mainly 8vo and 12mo, leather bindings (c.50 vol.)
Los 466
AUSTEN (Jane) The Novels, Winchester edition in 12 vols., Edinburgh: John Grant 1911, 8vo, half brown morocco by BirdsallThese have some light surface age marks to the boards, but internally are pretty good with only a small amount of spotting here and there. The spines have a little wear to the ends and are slightly faded. Altogether an attractive set, probably bound about 100 years ago. Thanks for your interest.
Los 213
LIGHT (Henry) Travels in Egypt, Nubia, Holy Land, Mount Libanon and Cyprus in the year 1814. London: for Rodwell & Martin 1818, 4to, 20 plates including map and folding frontispiece, as called for, tear to a fly leaf at the start, Walpole inscription at head of title, contemporary calf gilt, upper joint cracked
Los 210
HALL (S C) Ireland, its Scenery Character etc, 3 vols., no date, new edition, 8vo, plates and illustrations, light spotting, modern half green morocco; French history - Napoleon and The Revolution. GOURGAUD (Gen.) Naploeon and the Grand Army in Russia, 1825, 8vo, half calf; Memoirs of the Court of Westphalia under Jerome Bonaparte, 1820, 8vo; Historical Memoirs of Napoleon, Book IX, 1820; O'MEARA (B E) An Exposition of the some of the Transactions that have taken place at St Helena, 1819; MACIRONE (F) Interesting Facts relating to.. Joachim Murat, 3rd edition, 1817; Royal Memoirs of the French Revolution, 1823; 6 others, including French text, in uniform half calf bindings, some spotting and rubbing (15)
Los 437
HOGARTH (W) & TRUSLER (Rev J) The Complete Works of William Hogarth, The London Printing and Publishing Company, circa 1860, 4to, added steel engraved titles, numerous plates, sporadic spotting, half morocco; CESCINSKY (H) English Furniture of the Eighteenth Century, 3 vols., Routledge 1911, small 4to, plates, half morocco, rubbed; SURTEES (R M) Handley Cross, 1854, 8vo, coloured plates, light staining, later half calf; LAWRENCE (T E) Seven Pillars of Wisdom, 1935, cloth; ROBERTS (Lieut-Col. F J; Editor) The Wipers Times, 2nd impression 1930, small 4to, cloth, lacks spine strip; JANE'S Fighting Ships, 1943-44, oblong 4to, cloth
Los 144
BIGLAND (Ralph) Historical, Monumental and Genealogical Collections, Relative to the County of Gloucester, 2 vols. in one, 1st edition, London: John Nichols, 1791-92, folio, 34 engraved plates, a few marginal tears or repairs, full contemporary diced calf, spine a little rubbed; LYSONS (Samuel) A Collection of Gloucestershire Antiquities, 1804, folio, 110 plates, a few with hand colour, light foxing, calf, cracks to spine (2)
Los 302
DICKENS (Charles) The Works..., Introduction, General Essay, and Notes by Andrew Lang, Gadshill Edition in 34 vols., 1897-99, 8vo, plates, some typical spotting to first leaves and outer margins of some plates, half red morocco by Riviere & Son, light rubbing and wear including to joints in some places (Pickwick Papers joints cracked), but generally sound (34)
Los 148
Military history. LINDSAY (The Hon. Colin) Extracts from Colonel Tempelhoffe's History of the Seven Years War, 2 vols. in one, 1793, 8vo, 4 folding plans and larger size plan of St. Lucia, with 'Earl of Buckinghamshire 1906' bookplate, calf, rebacked; TULLOCH (Colonel) The Crimean Commission and the Chelsea Board, 1857, 8vo, 2 folding tables, paper wrapper; PACKE (E) An Historical Record of the Royal Regiment of Horse Guards, or Oxford Blues. London 1834, 8vo, portrait, coloured vignette title and plates, as called for, original cloth, chipped; Another copy, 1847, coloured plates, light foxing, cloth; Historical Records of the British Army, 1837, 8vo, 5 plates (including 4 coloured), red cloth; DE ROS (Lord) Journal of a Tour in the Principalities, Crimea ... 1835-36. London 1855, 8vo, red cloth; The Monthly Army List, for August 1914, half red morocco (7)
Los 149
WALPOLE (Horace) Historic Doubts on the Life and Reign of King Richard the Third, 2nd edition, J. Dodsley, 1768, small 4to, lacks king's portrait, half green morocco, Earl of Munster bookplate; STRAWBERRY HILL PRESS. Cornelie, Vestale. Tragedie, 1768, 8vo, light dust staining, calf, rubbed; A Catalogue of the Royal and Noble Authors of England, 2 vols., 1758, 8vo, engraved frontis, title vignettes, with 18pp. Postscript, 1786, with folding frontis to rear of vol. II, crushed green morocco gilt, all edges gilt (4)
Los 516
MORRISON (Stanley) Splendour of Ornament, Lion & Unicorn Press 1968, copy no. 363, colour illustrations, patterned woven cloth binding; ARISTOPHANES. The Birds, an English version with a new series of illustrations by Quentin Blake, Lion and Unicorn Press 1971, copy no. 363; Paul Hogarth's American Album Drawings 1962-65, folio, Lion and Unicorn Press 1973, copy no. 363; Birds with a small pale brown stain to front cover, and a latter leaf (p.164, about 3 cm); and a spot inside front cover at the top; light foxing to top edge and top of fore-edge. Slendour has no apparent issues. Hogarth has a small finger mark to right hand edge of dust jacket, and title has a couple of finger/ink stains to lower part.
Los 103
PARKINSON (John) Theatrum Botanicum, The Theater of Plantes, or an Universall and Compleate Herball. London: Tho: Cotes 1640, folio, additional woodcut title with old hand colour, final errata leaf at end (strengthened), very occasional contemporary neat ink notes to text, profusely illustrated, binding tight, mid 20th century tan calfEngraved title with old colour and slightly trimmed down at head. A few illustrations in the text have old colour; on p.271 a small area has slightly stuck to the next leaf with a small portion torn away (but this bit is present, as indeed stuck to the next leaf - see image). There is a little offsetting and/or bleeding through from the old colouring as it occurs. Collation has 20pp. including both titles, before main text, which then collates without loss of leaves; (p.129 has slight text loss at repair near gutter). Occasional contemporary marginal notes in English or mostly Latin. A few strengthening or repair strips neatly applied without loss to text. Light spotting/staining to final index leaves. Modern firm binding. Images attached give a good general indication. Final leaf is errata leaf.
Los 206
Essex - history. SUCKLING (Rev A) Memorials of the Antiquities and Architecture, Family History and Heraldry of Essex, London 1845, large paper 4to, tinted lithographic plates as required, a few with hand colour, light occasional spotting, lacks most of first free end paper, half calf, cracked spine; WRIGHT (T) The History and Topography of the County of Essex, 2 vols., London: G.Virtue 1836, 4to, engraved titles and plates by W. Bartlett et al., tissue guards, light spotting, cloth (skilfully rebacked); CHANCELLOR (F) The Ancient Sepulchral Monuments of Essex, 1890, thick folio, lithographic plates, cloth, rebacked (4)
Los 306
PASHA (Rudolf C. Slatin) Fire and Sword in the Sudan, 1st edition, 1896, 8vo, half-title, frontis, plates, 2 folding colour maps, publisher's advertisements at end, slight offset stain on to title, light spotting to maps, original pictorial cloth; STANLEY (A P) Sinai and Palestine, 1858, 8vo, 5th edition, maps and plans, cloth; HAKE (A E) The Journals of Major-Gen C. G. Gordon at Kartoum, 1885, cloth; BOULGER (D) Life of Gordon, 4th edition, 1908, cloth; CROMER (Earl of) Modern Egypt, 2 vols 1908, cloth; CURZON (Lord) Tales of Travel, 1923, 8vo, blue cloth; and others including Steevens (14)
Los 528
COLLINS. The New Naturalist, vols. 1 to 81, 1946-1994, a complete run, notably nos.45 to 81 are all first editions, some earlier series vols. (including no.1) are reprints, all in dust jackets, the earlier series with some age wear and occasional spotting The numbers below 50 generally have light foxing or spotting noted to inital leaves, paste-downs and rear jacket panels. Some fading and edge wear to dust jackets of these. No facsmile jackets present including to modern vols. A spot check on many vols. shows no names or incriptions, but we have not checked every single book.
Los 324
SHAKESPEARE - bindings. The Works,'The Larger Temple Shakespeare', edited by Israel Gollancz, in 12 vols., 1899, J M Dent & Co, 8vo, no.31 of 175 sets, illustrations including folding Thames panorama and portraits, top edges gilt others uncut, vellum gilt, some typical dust and use soiling to covers but bindings tight, contents with only occasional light foxing or spottingTop margins a little toned throughout. Minor specks to some leaves and black ink (?) dots to some fore-edges.
Los 438
Illustrated. BARRIE (J M) Quality Street, illustrated by Hugh Thomson, Hodder & Stoughton 1901, 4to, tipped in colour plates, bright cloth in damaged outer box; DICKENS (C) David Copperfield, illustrated by Frank Reynolds, Hodder & Stoughton, no date, 4to, signed no 293/350 copies Edition de Luxe, vellum, tie loose, end papers a little age stained; DULAC (Edmund; illustrator) Rubaiyat of Omar Khayyam, Hodder & Stoughton, no date, 4to, tipped in colour plates, light foxing mainly to first and last leaves, cloth gilt, rubbed; THACKERAY (W M) Vanity Fair, no date, 4to, tipped in colour plates by Lewis Baumer, slight staining to edges, cloth; (4)
Los 477
Order of the Garter. HOPE (W H St John) The Stall Plates of the Knights of the Order of the Garter 1348-1485. London 1901, 4to, colour frontis and 90 plates, some light foxing and occasional offsetting, later quarter morocco; NISBET (A) A System of Heraldry. Edinburgh 1722, folio, soiling to first and last leaves, later half calf; IBBET (Vera) Flowers in Heraldry, Canada: Alcuin Society 1977, folio, colour printed, quarter cloth (3)
Los 31
Franz Xaver Habermann (German, 1721-1796) The Landing of English Troops at New York - Die Anlanding der Englischen Trouppen zu New York, c.1750hand-coloured engraving, 29.5 x 41cmProvenance:Baynton-Williams Old Maps and PrintsPaper flaw/crease noted from centre vertically upwards. Trimmed to mount. Not examined out of frame. Colouring date unknown. Light surface dirt and wear.
![[MANNING (Frederick) ] "Private 19022" Her Privates We, 1st trade edition, 1930, 8vo, original pictorial cloth, damaged glass](https://cdn.globalauctionplatform.com/f8abb49b-8379-41ea-9e4a-b2ae00b1f5e0/5a1eb00a-3b62-464b-b4b8-b2ae0143a4c6/468x382.jpg)
Los 486
[MANNING (Frederick) ] "Private 19022" Her Privates We, 1st trade edition, 1930, 8vo, original pictorial cloth, damaged glassine dust-jacket with near loose flaps; GOLDENVEIZER (A B) Talks with Tolstoi, 1st edition Hogarth Press, 1923, 8vo, adverts at end, light foxing, mottled purple boards, some fading; BROOMHEAD (F) The Book Illustrations of Orlando Jewitt, Private Libraries Association 1995, 4to; ARMAN (Mark) Nine Lives, 2002, The Workshop Press, one of 100 signed copies; STONE (H) Reynolds Stone a Memoir, 1st edition 2019, dust jacket; OULD (M) Stanley Morrison and John Fell, The Old School Press 2003, 4to, dust jacket; ARDIZZONE (E) Liquor and Literature, Letters to John Lewis, The Reading Room Press 2018, no.72/150 copies; Memorial Lectures, 8 small vols. publ. Dent, (5 in half calf); Bibliographical Monograph Series, 5 vols. University of Texas, slip cased; BLYTHE (Ronald) John Nash's Cats, Wood Lea Press, 2003; etc. (36 vol.)
Los 314
Bindings. MALLESON (Colonel G B) History of the Indian Mutiny 1857-58, 3 vols. London 1878-80, 8vo; KAYE (J W) A History of the Sepoy War in India 1857-58, 3 vols., mixed edition, 1876-80; with Analytical Index by F Pincott 1880. Together 7 vols. in modern half red morocco (7)Light spotting to the pages, many uncut, some discolouration from dust on the short side. Please see further images
Los 108
ANSTIS (John) Observations.. to an Historical Essay upon the Knighthood of the Bath. London 1725, small 4to, initial advert leaf, sporadic light foxing, last few leaves a little stained, uncut, modern quarter calf by Stoakley; [DOBSON (Susannah)] Historical Anecdotes of Heraldry and Chivalry. Worcester 1795, small 4to, title and half title slightly toned, very occasional light foxing, errata slip at end, modern quarter calf (2)
Los 86
L'ESTRANGE (Sir Roger) Fables of Aesop and Other Eminent Mythologists: With Morals and Reflections, London 1692, folio, engraved portrait frontispiece, engraved frontispiece (a little soiled and part reinforced), occasional light age staining, text block split at p.176, contemporary panel calf, worn, split along centre spine
Los 145
Horticulture. Memoirs of the Caledonian Horticultural Society, vol. I, 1814, 8vo, 5 plates, green morocco gilt by Thomson, rubbed edges; BRADLEY (Richard) New Improvements of Planting and Gardening, Both Philosophical and Practical, 1717, 8vo, 2 parts, 3 folding plates, foxing; bound with - COLLINS (Samuel) Paradise Retriev'd: plainly and fully demonstrating the most beautiful, durable and beneficial Method of managing and improving Fruit-Trees... together with a Treatise on Mellons and Cucumbers, 1717, 2 folding engraved plates, foxing, binding broken; HOARE (Clement) A Practical Treatise on the Cultivation of The Grape Vine, 3rd edition, 1841, 8vo, some pencilling, cloth; BLISS (G) The Fruit Grower's Instructor, 1825, 8vo, uncut, boards; MILLER (Philip) The Gardeners Kalendar, 1769, 8vo, engraved frontis and 5 folding plates, light foxing and staining, worn calf; with 2 vols. Floricultural Cabinet (worn), and 2 others (9)
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534297 Los(e)/Seite