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Los 333

A BLUE, WHITE AND IRON RED PORCELAIN SNUFF BOTTLEChina, 19th century. The cylindrical bottle finely decorated in underglaze blue and iron red with warriors, royalty and servants in a palace garden, the shoulder minutely painted with geometric designs and the foot and underside with a spiral border.Condition: Very good condition with light surface scratches, tiny chips to foot rim and minor fritting to mouth. Provenance: Hungarian private collection.Weight: 51.2 g Dimensions: Height 8 cm

Los 873

A GE-TYPE LIGHT BLUE PORCELAIN JARDINIEREChina, late Qing Dynasty (1644-1912) to Republic period (1912-1949). Finely potted with a quatrefoil body with four-lobed sides in the form of a begonia flower rising to an everted rim, supported on four small feet, covered overall in an appealing light blue glaze suffused with dark grey and russet crackles.Condition: Good condition with minor surface wear and minor firing flaws. Provenance: German private collection. Weight: 986 g Dimension: Height 9.2 cm, Length 18.2 cm

Los 1325

A THAI GILT BRONZE FIGURE OF BUDDHA SHAKYAMUNI, RATTANAKOSINThailand, 1732-1932. Seated in dhyanasana on an elaborate stepped base, the hands in bhumisparsamudra, richly adorned in beaded jewelry, the face showing a meditative expression with downcast eyes and arched eyebrows, flanked by long earlobes, the hair in tight curls surmounted by a high crown.Condition: Very good condition with minor wear and casting flaws, extensive wear to gilt, small nicks and light scratches here and there.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Weight: 2,460 gDimensions: Height 30.5 cm

Los 1312

AN INDONESIAN BRONZE MIRROR, 10TH- 11TH CENTURYJava. Cast in two pieces, the back of the circular dish with concentric rings around the raised domed knob surmounted by a small circle, encircled by a raised ridge. The handle cast with a floral motif flanked by a pair of peacocks.Provenance: De-accession of The Dr. István Zelnik Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Condition: With some wear and casting flaws, signs of weathering, few minuscule nicks and dents, occasional light scratches, losses and corrosion. The fine malachite-green patina with brown encrustations. Overall, very good condition, especially for such an old piece.Weight: 841.8 gDimensions: 27 cmLiterature comparison: For related bronze mirrors, see The Metropolitan Museum, accession numbers: 1987.142.251a, b and 1987.142.250.

Los 54

A PAIR OF BRONZE CANDLE STICK HOLDERSChina, late Qing Dynasty (1644-1912). Each supported on a reticulated base and three capriole legs issuing from stylized luduan masks, the top with reticulated details.Condition: Very good condition with some casting irregularities, some traces of wear and age such as nicks, dents, and light surface scratches, dark residue in some areas.Provenance: Dutch private collection, according to the current owner acquired from a German private collection. A label with '44' on the underside of each, and another label with '2XNEFSX' on one.Weight: 1090 g and 1071 gDimensions: Height 33.4 cm and 33 cm

Los 605

TOYOKAZU: A FINE WOOD NETSUKE OF A SHISHI PLAYING WITH A BALLBy Toyokazu, signed Toyokazu 豊一Japan, Tanba, 19th century, Edo period (1615-1868)Well carved as a shishi clutching a smooth ball with all four paws, the bushy tail sweeping around it, the beast with a comically fierce expression, appearing unwilling to share the toy, with neatly incised tail and mane, the eyes inlaid in pale translucent horn with dark pupils. Natural himotoshi between the ball and one leg, the same leg with the signature TOYOKAZU within an oblong reserve.LENGTH 3.8 cmCondition: Very good condition, appealingly worn, some surface wear and few light scratches. Fine, dark patina.Provenance: European collection.Toyokazu was a member of the Tanba school, a son and pupil of Naito Toyomasa who clearly shared his father's affinity for animal carvings.Literature comparison: Compare a related wood netsuke of a shishi by Toyokazu, illustrated in Sagemonoya (2002) Netsuke, Ojime & Masatoshi's Kabuki, p. 37, no. 91.Auction comparison: Compare a closely related wood netsuke of a shishi by Toyokazu at Sotheby's, Netsuke from the Collection of Raymond and Frances Bushell, 18 November 1999, London, lot 313 (sold for 4,140 GBP, approx. 8,557 EUR today).

Los 872

A GE-TYPE LIGHT BLUE MOONFLASK VASEChina, late Qing Dynasty (1644-1912) to Republic period (1912-1949). Finely potted with a broad, gently compressed, rounded body rising to a waisted neck and lipped rim, the neck flanked by a pair of zoophoric and reticulated handles, covered overall in an appealing light blue glaze suffused with dark grey crackles.Condition: Very good condition with minor surface wear and minor firing flaws. Provenance: German private collection.Weight: 431 g Dimensions: Height 16.4 cm

Los 382

A DOUBLE-LOZENGE-FORM WOOD KOBAKO AND COVERJapan, 19th century, Edo period (1615-1868)Finely decorated in red, silver, and gold takamaki-e and hiramaki-e to depict a variety of kinchaku (pouches) decorated with diapered patterns, flowerheads amid scrolling vines, mons, flowers, and paulownia leaves. The interior with nashiji and gold fundame edges. The wood of an attractive grain and color.LENGTH 24.2 cm, HEIGHT 12 cmCondition: Good condition with minor wear, few small nicks, and occasional light scratches.Provenance: Hungarian private collection.Auction comparison: Compare a related gold and black-lacquered kobako, of similar form but slightly smaller size, at Bonhams, Fine Japanese Art, 7 November 2019, London, lot 79 (sold for 1,912 GBP).

Los 207

A FINE ROCK CRYSTAL "CHILONG" VASEChina, 18th-19th cent. Of a nice, light-greyish color with naturals inclusions, decorated with two clambering chilongs amongst lingzhi sprays, carved in a high relief. The surface of the thick-walled translucent vase is neatly polished.Condition: Good condition with expected surface wear, few small chips to exposed areas and natural inclusions in the stone. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 910 g Dimensions: Height 13.5 cm

Los 983

AN IVORY 'DRAGON' CIRCULAR BOX AND COVER, LATE MING DYNASTYChina, 16th-17th century. The cylindrical box surmounted by a circular cover, boldly carved and reticulated with two confronting dragons with neatly incised scales, flanking a flaming pearl amid scrolling clouds.Provenance: The private collection of Heinrich Aigner (1919-2005). Heinrich Aigner was a southern German businessman who collected Chinese works of art, buying them directly in China and neighboring countries, all during his frequent trips to Asia in the 1960s and 1970s.Condition: Very good condition with minor wear, natural age cracks, light scratches. Superb deep brown patina, exactly as expected from a late Ming ivory carving.Weight: 63.1 gDimensions: Diameter 5.3 cm, Height 3 cmThis item contains or is made from elephant ivory and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Please note that in compliance with EU regulation effective January 19th, 2022, all items carved from elephant ivory before 1947 must carry a legal trade permit issued by the Austrian ministry of trade, or any other appropriate authority within the European Union. For this reason, any sale of such item can only be concluded after such permit has been granted. All payments made prior to the issuance of the respective permit will be held in escrow until the application for the permit has been approved. Please note that according to EU regulation it may take up to 3 months until the permit has been granted. In case the permit is declined, or not granted after 3 months, the payment will be returned to the client immediately.明末象牙雕龍紋蓋盒中國,十六至十七世紀。圓柱形盒蓋上有圓形蓋,雕刻著雙龍戲珠,鱗片清晰整齊。 來源:Heinrich Aigner (1919-2005) 收藏。Heinrich Aigner曾是德國南部重要進口商,熱衷於收集中國藝術品。他在 1960 年代和 1970 年代經常去亞洲旅行,直接在中國和其他國家購買。 品相:狀況極好,有輕微磨損、自然老化裂紋、輕微劃痕。 極好的深棕色包漿,完全符合明末象牙雕刻的情況。 重量:63.1 克 尺寸:直徑5.3 厘米, 高3 厘米

Los 143

FOUR BLUE GLASS BANGLESChina, Han Dynasty or later. Of circular form, two of dark blue color and two of light blue color. Condition: Good condition with extensive surface wear and scratches. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 28 g in total Dimensions: Inner diameters 5.2 - 5.7 cm

Los 30

A PARCEL-GILT BRONZE FIGURE OF A FLUTIST, SONG TO MING DYNASTYChina, 960-1644. Cast in the form of a standing court lady playing a flute, wearing a long flowing robe incised with foliate decorations at the lower hem as well as billowing scarves and a pendent sash with incised geometric designs. The face with a serene expression. The hair arranged in a high chignon behind the tiara.Provenance: From the collection of Sir David and Lady Scholey. Sir David Scholey CBE FRSA achieved success as a merchant banker in the City of London, later becoming a director of the Bank of England and governor of the BBC. His commitment to the arts was reflected in his role as Chairman of Trustees of The National Portrait Gallery as well as a Director of the London Symphony Orchestra. A lifelong interest in music and art has been shared with his wife Alexandra and together they furnished Heath End House in Hampstead - once the residence of John McNeill Whistler. Regular purchases from the leading London antiques fairs and dealers allowed them to add to those pieces passed down from their families and thus assemble a magnificent collection over decades.Condition: Good condition, commensurate with age. Old wear and minor casting flaws. Minuscule nicks, losses, dents and light scratches.Weight: 217.4 gDimensions: Height 13.5 cm Auction result comparison: Compare a related gilt bronze figure of a lady, also dated Song to Ming dynasty, at Sotheby's Hong Kong in Later Chinese Bronzes from the Collection of Ullrich Hausmann on 7 October 2014, lot 3353, sold for HKD 43,750. 宋至明代鎏金銅吹笛侍女像 中國,960-1644年。吹笛子的侍女立像,她身穿飄逸的長袍,紋飾精美,面容安詳,頭髮在頭飾後面梳成高髻。 來源:David Scholey爵士先生和Alexandra Scholey女勛爵收藏。David Scholey CBE FRSA 是倫敦非常成功的銀行家,曾是英格蘭銀行的董事和 BBC 總裁。 藝術方面,他曾擔任國家肖像美術館受託基金主席和倫敦交響樂團總監。 他與妻子Alexandra都非常鍾情音樂和藝術,他們一起為Hampstead曾是John McNeill Whistler的居所 Heath End House 配置了家具。 因爲他們定期從倫敦主要的古董展和經銷商那裡購買古玩,所以他們能夠不停家族流傳下來收藏添置新品,從而在幾十年裡建立了一個宏偉的收藏。 品相:狀況良好,與其年齡相符,舊時磨損和輕微鑄造缺陷,微小的刻痕、缺損、凹痕和輕微的劃痕。 重量:217.4 克 尺寸:高13.5 厘米 拍賣結果比較:一件同樣為宋代至明代鎏金銅侍女像﹐見香港蘇富比 Later Chinese Bronzes from the Collection of Ullrich Hausmann 2014年10月7日 lot 3353, 售價HKD 43,750。

Los 680

A SILVERED TSUBA WITH A RECUMBENT DEERJapan, late 19th century, Meiji period (1868-1912)Of kaku-maru-gata form with a raised rim and one hitsu, finely decorated in shishiaibori, takabori, katakiri, and copper and gold takazogan, depicting a recumbent deer to both sides, the front with the deer's head, neck, front legs and body, and the reverse with the deer's antlers and back, all against the silver migakiji ground. With a wood tomobako (storage box).HEIGHT 6.5 cmWEIGHT 103.2 gCondition: Very good condition with minor wear and traces of age and use, such as occasional small nicks and light scratches.Provenance: US private collection.

Los 353

HIRATA SHIGEMITSU: A SET OF SILVER BOX AND COVER AND SIX SILVER TRAYSBy Hirata Shigemitsu (1855-1926), signed Shigemitsu with kakihanJapan, late 19th century to early 20th century, Meiji period (1868-1912)The box and cover of rectangular form, the cover opening to reveal two compartments, further with a drawer fitted with a chrysanthemum knob handle, the trays of oval form with shallow rounded sides supported on four short bracket feet. The sides of the box, the top of the cover, and the interiors of the tray are all neatly incised with lotus flowers and scrolling foliage. The interior of the cover with the signature SHIGEMITSU with a kakihan above the silver hallmark Jungin (pure silver).SIZE 22 x 14.3 x 7.2 cm (the box and cover), LENGTH 18.3 cm (each tray)WEIGHT 3,220 gCondition: Good condition with minor surface wear and light scratches.Provenance: De-accession of The Dr. István Zelnik Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Hirata Shigemitsu (1855-1926) was one of the most prominent metal-hammering craftsmen of the Meiji period. He produced work mainly for the Imperial Household and exhibited regularly in international exhibitions. With Kurokawa Eisho (1854-1917), Hirata initiated the metal-hammering division of the Tokyo Chokokai (Tokyo Society of Metal Artists), founded in 1887.Literature comparison: For a pair of silver vases by Hirata Shigemitsu in the collection of the Imperial Household, see Museum of the Imperial Collections [Sannomaru Shozokan] (1995) Meiji bijutsu saiken I (Reappraisal of Meiji Art I), The Era of Meiji Bijutsu-kai and Nihon Kinko Kyokai, no. 27.Auction comparison: Compare a large Imperial silver presentation bowl by Hirata Shigemitsu at Christie's, Japanese and Korean Art, 18 March 2014, New York, lot 522 (sold for 37,500 USD), and another at Bonhams, Fine Japanese Works of Art, 19 March 2014, New York, lot 3282 (sold for 36,250 USD).

Los 184

A SILVER AND SPINACH-GREEN JADE BUTTER TEA SETTibet, 19th century. The silver stand with the lobed saucer atop, embossed with a dense composition of blossoming flowers, Buddhist treasures, and a diaper-pattern band, encompassing an unusual spinach-green jade cup of translucent quality which when not being held against the light appears to be of an almost black color. The four-level tiered cover, beautifully engraved and embossed with flowers, Buddhist elements, Buddhist lions and dragons in high relief as well as a diaper-pattern band, surmounted by a glass knob, in imitation of jade.Condition: Very good condition, the silver shows surface wear, nicks, and slight warping. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 322 g Dimensions: Height 17.3 cm, Diameter 10.4 cm (Jade cup), 12.1 cm (Saucer)

Los 55

AN ARCHAISTIC BRONZE GU VASEChina, late Qing Dynasty (1644-1912). The Chinese ritual bronze vessel with the central bulbous section adorned with finely incised taotie masks on a diapered-patterned ground and four vertical flanges, the lower section with vertical flanges as well, rising from a tall, splayed foot to the trumpet-shaped, square neck, decorated with further archaistic motifs.Condition: Fine condition with traces of wear and age, nicks, and light scratches. Provenance: German private collection. According to the current owner acquired in the Swedish auction market.Weight: 2.1 kg Dimensions: Height 26.1 cm

Los 888

A GLAZED 'THREE FISH' STEM PORCELAIN BOWLChina, late Qing to Republic period (1900-1950). The Ming style porcelain bowl with rounded sides and flaring rim rising from a tall conical foot. The inside covered with a light turquoise glaze and the outside with three evenly spaced stylized fish in underglaze iron-red.Condition: Good condition with minor wear and a thin crack to rim. Provenance: German private collection.Weight: 316 g Dimensions: Height 10.1 cm, diameter 16.5 cm

Los 767

A FAMILLE VERTE ENAMELED PORCELAIN 'FLORAL' CHARGER, KANGXIChina, 1662-1722. The rounded sides rising from a short tapering foot to an everted rim, painted in bright enamels to the interior with a central roundel enclosing flowers and lingbi and encircled by alternating medallions with various flowers and leaves, below a band with alternating diapered and floral designs, the exterior with flowers growing from leafy stems, the recessed base with an early Kangxi conch mark within a double circle.Condition: The rim with small chips and fritting, one large segment (ca. 29 cm long) has been reattached with hairlines and material filling visible, some wear to enamels, occasional light scratches, firing irregularities.Provenance: From an old family collection in Pressburg, Austrian Empire, Slovakia, and thence by descent to the present owner.Weight: 1,960 g Dimensions: Diameter 35.8 cm

Los 383

A RARE LACQUER SUZURIBAKO DEPICTING KOSHOHEIJapan, 18th century, Edo period (1615-1868)Of rectangular form with rounded corners and gold fundame edges, the nashiji ground finely decorated in gold and iro-e takamaki-e and kirigane with Koshohei wielding a cane, which he uses to turn a stone into a goat, the lower area densely sprinkled with gold, the immortal wearing loose-fitting robes and a black cap, standing under a gnarled pine tree. The interior of the cover with gold takamaki-e, iro-e kirigane, gold hiramaki-e, and silver dew drops to depict chrysanthemums and other flowers behind a fence against a nashiji ground. The interior of the box with a nashiji ground sparsely decorated in gold takamaki-e and hiramaki-e with maple leaves and fitted with an inkstone (suzuri), a partly gilt copper water-dropper (suiteki) of rounded lozenge form, and a tray for brushes and other utensils.SIZE 21.4 x 19.4 x 3.8 cmCondition: Good condition with old wear, minor flaking here and there, a small loss to one corner of the cover, some minor natural age cracks to corners, the underside with light scratches.Provenance: Ex-collection Claudio Perino, a collector with a keen interest in Japanese, Chinese and Far Eastern cultures. His collection consists of over 2000 works of art, partly loaned to the Museum of Oriental Arts (MAO) in Turin, Italy and to the Museo delle Culture (MUSEC) in Lugano, Switzerland. An exhibition of Kakemono scroll paintings was on view in the MUSEC until end of April 2021.Koshohei is a sennin based on the Chinese Daoist immortal Wong Tai Sin, known also as the Red Pine Immortal, who had the power to turn rocks into goats and who was found wandering by a nomadic priest. He is the divine form of Huang Chuping (c. 328-386), a Daoist hermit from Jinhua during the Eastern Jin dynasty.

Los 38

A MING-STYLE BRONZE FIGURE OF AVALOKITESHVARAChina, Ming Dynasty Style but first half of the 20th century. The deity cast seated in padmasana with the right hand in vitarkamudra, dressed in a loose robe, richly decorated with floral borders and a beaded jewelry around the chest, elongated earlobes and ornate earrings, wearing a serene expression and downcast eyes, framed by an elaborate headdress in openwork centered by Amitabha Buddha. The figure can be dissembled into three parts, the base, which is surmounted by a removable lotus pedestal and the bronze figure itself. The lotus pedestal has two lotus buds cast at the sides where two adorant figures could be placed.Condition: Fine condition with surface wear, occasional light scratches, and small losses. Provenance: Hungarian private collection. Weight: 1.5 kg Dimensions: Height 25.1 cm

Los 249

AN ARCHASITIC JADE SCABBARD SLIDE WITH DRAGON AMID CLOUDS, EARLY MINGJade. China, early Ming dynasty, 14th-15th centuryThe exquisite scabbard slide is quite sculptural, with a general rounded shape and a carved design of a dragon in high relief as seen from above, emerging from amidst the clouds. The head of the dragon is decorated with bumps that describe the snout and eyes, and carved lines for the eyebrows and shape of the head. Parallel carved lines run along its back, accentuating the curve of the body, and other carved curls represent the limbs, tail, and curves of the clouds.The jade is covered with mottled areas of light and dark brown, and black spots, especially in the central part on top, which have rendered the originally translucent light green jade opaque in those areas. The underside is covered with many scattered white patches and some black spots that are particularly noticeable in the cut-out area where the scabbard would have passed.Compare a related jade scabbard slide decorated with a chilong amid clouds at Christie's New York in Fine Chinese Ceramics and Works of Art on 22-23 March 2012, Lot 1873, sold for USD 15,000.LENGTH 10 cm, WIDTH 2.6 cmProvenance: Old Austrian private collection. Galerie Zacke, Fine Art from China and Tibet, 7 April 2018, lot 116. Collection of Prof. Filippo Salviati, acquired from the above.

Los 40

AN ARCHAISTIC BRONZE VASEChina, late Qing Dynasty (1644-1912). The globular body rising from a cylindrical foot to a tubular neck set with a pair of butterfly handles suspending loose rings, cast with alternating bands of chilong and birds on a key-fret ground. Archaistic mark to the underside.Condition: Good condition with minor wear and casting flaws, few minuscule nicks, and light scratches. The base has been reinserted. Provenance: Austrian private collection.Weight: 1310 g Dimensions: Height 22 cm

Los 616

A GOLD LACQUER FOUR-CASE INRO DEPICTING FANSJapan, 19th century, Edo period (1615-1868)Of upright, rounded rectangular form, the kinji ground neatly decorated in silver and two shades of gold takamaki-e and hiramaki-e, with details inlaid in mother-of-pearl, to depict six open fans with various decoration, including landscapes, plants, and plovers flying over bamboo. The interior with nashiji and gold fundame.HEIGHT 8 cmCondition: Good condition with some wear, light scratches, the interior with few small nicks, some discoloration to lacquered ground near the edges.Provenance: From a US private collection in New York.

Los 44

A SMALL MING-STYLE BRONZE CENSER WITH SINI CALLIGRAPHYChina, for the Islamic Export Market, late Qing Dynasty (1644 to 1912). The small rectangular bronze censer supported on four bracket feet and flanked by a pair of angular handles. Both sides of the censer showing an incised Sini Script of the first verse of the shahada, inside lobed cartouches. (translated= There's no god but God). The bottom of the censer with a seal script mark.Condition: Good condition with minor wear, traces of use, nicks, dents, and occasional light scratches. Provenance: English private collection.Weight: 745 g Dimensions: Length 13.2 cm

Los 446

A WOOD SASHI NETSUKE OF AN EDAMAME BEAN PODJapan, 19th century, Edo period (1615-1868)Naturalistically carved and finely stained as an edamame bean pod showing the undulations of five beans within. Himotoshi through the looped stem.LENGTH 14.3 cmCondition: Very good condition, some light surface scratches.Provenance: German private collection.Auction comparison:Compare to a similar wood netsuke sold at Zacke, Fine Japanese Art, 28 October 2020, Vienna, lot 215 (sold for 1,643 EUR).

Los 351

A MONUMENTAL 'SILVER EAGLE' OCTAGONAL BRONZE VASEJapan, early Meiji period (1868-1912)The elegant body of the vase is applied with a massive, layered and craggy bronze rock, traversed by branches of silvered and gilt cherry blossoms, on which a majestic eagle has just landed. Below we find two sparrows, neatly inlaid in silver, gold, shakudo and shibuichi. The feathers of the eagle are cleverly incised to create a dramatic movement, his claws with punched details and gilt. The eyes and talons are finely inlaid in shakudo. Condition: Superb condition with some old wear, a fine naturally grown chocolate-brown patina overall, minor traces of wear and shallow surface scratches, small casting flaws. Faint traces of verdigris to bronze rock.Provenance: Property from a collection in the United Kingdom.HEIGHT 68.5 cm WEIGHT 21.6 kgIn this remarkable portrayal of an eagle's fierce spirit, the artist distilled the soul of the Japanese nation in the second half of the 19th century, which was - at the onset of westernization - exerting itself as an international power. In addition to his regal presence, the 'king of the skies' represents unhesitating, even ruthless action, an indispensable quality during these turbulent times. Determined to break the mold of traditional East Asian sculpture, the artist augmented the vivacity of his subject with youthful audacity, dramatically varying contrasts of light and dark within the plumage. With an increased degree of realism, almost brutal naturalism, the final abandonment of the classical Edo aesthetic becomes apparent in this masterpiece of Japanese metalwork.Auction comparison: Compare the manner of the eagle to a silvered bronze okimono of an eagle by Masatsune sold by Bonhams, Fine Japanese Art, 5 November 2020, London, lot 288 (sold for 11,312 GBP).

Los 906

A SMALL LIGHT GREEN GLAZED VASE, YUHUCHUNPINGChina, Republic period (1912-1949). The small vase of a pear-shaped body rising to a thin and elongated neck with an everted rim, covered overall in a monochrome light green glaze. An apocryphal six-character Qianlong reign mark to the bottom.Condition: Overall good condition with minor surface wear and a tiny glaze chip to the foot ring. Provenance: German private collection. Weight: 274 g Dimension: Height 13.9 cm

Los 1286

A GANDHARAN BRONZE MIRROR WITH A FIGURAL SCENEAncient region of Gandhara, 7th - 8th century. The circular dish with incised decoration on the concave side depicting a bearded man and a woman seated on chairs and facing each other, with their hands raised, a dog under a chair and another in front of them, the back of the mirror with concentric rings. With a handle in the form of a column.Provenance: De-accession of The Dr. István Zelnik Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Condition: With some wear and casting flaws, signs of weathering, few minuscule nicks and dents, occasional light scratches, losses and corrosion. The fine malachite-green patina with brown encrustations. Overall, very good condition, especially for such an old piece.Weight: 848.4. gDimensions: Height 27 cm

Los 1344

AN INDONESIAN KRIS, 19TH CENTURYIndonesia, 19th century. A light, straight, silvery blade with a partly wavy and partly grained pamor structure and a protruding thorn-shaped ganja. The handle is made from red-brown wood shows two carved images with decorative patterns. The warangka is elegantly carved and has a fine grain. The pendok is coated with metal and shows a densely crafted relief showing a floral composition with blossoms and S-shaped vines.Condition: The sheath shows minor dents, otherwise in good condition.Provenance: Austrian private collection.Dimensions: Total length 48.5 cm

Los 730

A SONG STYLE QINGBAI GLAZED EWER AND COVERChina, late Qing Dynasty (1644-1912) to Republic period (1912-1949). The globular body rising from a short ring foot to a narrow tubular neck, set with a strap handle and faceted curved spout, with a tiered tubular shaped cover. The body molded in relief with petals and ornamental designs. Overall covered with a light blueish glaze, except for the base, revealing the sand-colored buff.Condition: Good condition with some wear and firing irregularities. Some minute fritting and glaze erosion. Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 819.6 g Dimensions: Height 21 cm

Los 186

A SILVER AND JADE BUTTER TEA SETTibet, around 1900 to 1920. The silver stand with the lobed saucer atop, embossed with floral and ruyi elements comprising an unusual light green jade cup with russet inclusions of translucent quality. The four-level tiered cover, delicately engraved and embossed with flowers, Buddhist elements in high relief as well as a diaper-pattern band, surmounted by a glass knob, in imitation of jade.Condition: Very good condition, the silver shows minor surface wear, nicks, and slight warping. The jade cup with a small chip to the upper rim, natural inclusions to the material, and hairlines. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 289 g Dimensions: Height 17.1 cm, Diameter 10 cm (Jade cup), 12.6 cm (Saucer)

Los 148

A LACQUERED WOOD TABLE SCREEN WITH INLAYSChina, late Qing Dynasty (1644-1912). The panel with hardstone, amethyst, quartz and jade inlays depicting flowers in a vase. The stand decorated with four carvings, the largest depicting a boy and a girl holding a peach. The reverse with calligraphy in gold. Condition: Very good condition with a few light surface scratches, nicks and cracks.Provenance: German private collection. Three paper labels on the top.Dimensions: Height 97.5 cm

Los 531

AN AMUSING AND UNUSUAL KIRI (PAULOWNIA) WOOD MASK NETSUKE OF A KAPPAUnsignedJapan, 18th to early 19th century, Edo period (1615-1868)Published: Bushell, Raymond (1985) Netsuke Masks, no. 257.Carved from kiri wood (paulownia), characteristically light, depicting a very amusing, stylized kappa child's head with puffed cheeks, small eyes with circular raised pupils, a small beak-like nose, and a bow-shaped mouth. The eyebrows are formed by concentric lines. Good, functional himotoshi through the back.HEIGHT 4.4 cmCondition: Very good condition with hardly any wear, some tiny surface nicks.Provenance: Ex-collection Raymond Bushell. Then European private collection P. Jacquesson purchased from Robert Fleischel in February 2012.

Los 861

AN IRON-RED AND GILT-DECORATED 'BAJIXIANG' BOWL, DAOGUANG MARK AND PERIODChina, 1821-1850. The deep rounded sides rising from a slightly tapered ring foot to a gently everted and gilt rim, decorated to the exterior in iron-red and gilt with the Eight Buddhist Symbols (bajixiang) above a band of conjoined lotus scroll. Covered overall in a transparent glaze with a light turquoise tint. The base with an underglaze-blue six-character seal mark da Qing Daoguang nianzhi and of the period.Provenance: From an old French private estate.Condition: Very good condition with minor wear, particularly to gilt, minimal firing irregularities, and some scratches.Weight: 110.6 gDimensions: Diameter 10.2 cmAuction result comparison: Compare a related iron-red decorated 'five bats' bowl, also with an underglaze-blue six-character Daoguang seal mark and of the period, at Christie's Hong Kong, in The Pavilion Sale - Chinese Ceramics and Works of Art, on 6 April 2015, lot 233, sold for HKD 68,750. Also compare a pair of iron-red and blue and white decorated bowls, of related size and motif, also with underglaze-blue six-character Daoguang seal marks and of the period, at Christie's New York in Fine Chinese Ceramics and Works of Art on 26 March 2010, lot 1382, sold for USD 50,000. 道光款及年代礬紅釉描金八吉祥碗中國,1821-1850年。碗敞口,深弧腹,圈足。碗沿描金,外壁白地礬紅色釉繪法輪、法螺、法幢、寶瓶、蓮花、雙魚、盤結、寶蓋等八吉祥圖案與纏枝蓮紋。圈足内青花"大清道光年製"三行六字篆書款。全器釉色秀麗,描金精絕,青花一色淡雅,極為清雅。來源:法國私人老收藏。 品相:狀況極好,輕微磨損,尤其是描金部分,一些劃痕。 重量:110.6 克 尺寸:直徑 10.2 厘米 拍賣結果比較:一件相近礬紅釉五福碗,青花六字道光款及年代,見香港佳士得The Pavilion Sale - Chinese Ceramics and Works of Art,2015年4月6日,lot 233,售價HKD 68,750。一對礬紅青花釉碗,相近尺寸和圖案,同樣青花六字道光款及年代,見紐約佳士得 Fine Chinese Ceramics and Works of Art,2010年3月 26日,lot 1382,售價USD 50,000。

Los 731

A RARE PURPLE-SPLASHED JUN DISH, JIN DYNASTYChina, 1115-1234. Sturdily potted with shallow rounded sides and a lipped everted rim, applied overall with a pale lavender-blue glaze thinning to mushroom at the rim. The interior liberally splashed with striking purple transmuting to copper-green in some areas. The countersunk base with three distinct spur marks. The rounded foot rim glazed as well.Provenance: Old English private collection, acquired in the London trade during the 1990s and thence by descent in the same family. A noted Japanese private collection, acquired from the above.Condition: Very good condition with minor old wear and some firing flaws, the base with three spur marks, the dish warped, the interior with light surface scratches.Weight: 372.2 gDimensions: Diameter 17.1 cmWith a Japanese wood box and cover as well as a custom-made silk brocade pouch and padding. (3)Literature comparison: Compare two closely related dishes, one of slightly larger size, in the National Palace Museum, Taipei, illustrated in A Panorama of Ceramics in the National Palace Museum: Chun Ware, Taipei, 1999, pl. 56 and 57. For further related dishes with similar purple splashes, see two in the Palace Museum, Beijing, one from the Qing Court collection, illustrated in The Complete Collection of Treasures of the Palace Museum. Porcelain of the Song Dynasty (I), Hong Kong, 1996, pls. 226 and 230, and one in the Sir Percival David collection in the British Museum, London, illustrated in Oriental Ceramics. The World's Great Collections, vol. 6, Tokyo, 1982, col. pl. 17.Auction result comparison: Compare a closely related but slightly larger (20.8 cm diameter) dish, also dated to the Jin dynasty and with very similar purple-splashed glaze with areas of copper-green, at Sotheby's London in Fine Chinese Ceramics and Works of Art on 10 November 2010, lot 182, sold for GBP 121,250.5% or 13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU. 金代罕見鈞窯紫斑圓盤 中國, 1115-1234年。侈口,折沿,周壁極淺,平底,淺圈足。全器滿釉支燒,外底留有圓點狀支痕三枚,底心畫一圓圈。通體罩施天藍色釉,釉面揮灑自如的紫紅色斑紋,局部呈現銅綠色。釉質均勻,釉表開細紋片,底緣及口部沿邊皆成米黃色。 來源:英國私人老收藏,購於1990年代倫敦,保存在同一家族至今。日本知名私人收藏,購於上述收藏。 品相:品相極好,輕微老磨損,一些燒製缺陷,盤子翹曲,內部表面有輕微劃痕。 重量:372.2 克 尺寸:直徑17.1 厘米 日本木盒,内置保護用的絲質内墊。 (3) 拍賣結果比較:一件同樣為金代但稍大 (直徑20.8 厘米) 圓盤,相似紫斑局部呈綠色見倫敦蘇富比Fine Chinese Ceramics and Works of Art, 2010年11月10日 lot 182, 售價GBP 121,250。

Los 338

TOSHITSUGU: A FINE AND LARGE BRONZE VASE WITH GOOSE AND WATER REEDS By Toshitsugu, signed ToshitsuguJapan, Meiji period (1868-1912)The baluster-shaped bronze vase massively cast and very finely worked in high relief with minute incision work depicting a goose standing amongst water reeds, its head turned back, the visible eye ringed in gold. Note the superbly detailed plumage. Signed underneath TOSHITSUGU.HEIGHT 33 cmWEIGHT 4,167 gCondition: Very good condition with some minor surface wear, tiny nicks, and light surface scratches. Provenance: Dutch private collection.

Los 357

A PAIR OF PAINTED AND LACQUERED WOOD FIGURAL CANDLESTICKS DEPICTING ONIJapan, 19th centuryEach standing atop a flat rectangular base incised with scrolling vines, wearing short robes with cloud designs at the back as well as leaf-skirts. The one-horned oni further wearing a scaly undergarment covering the stomach, upper arms, and thighs, holding a baku coiled around his body, and with the mouth wide open revealing tongue and teeth. The two-horned oni with his bone-inlaid fangs is tearing a hole in its belly with both hands. Both show fierce expressions, their heads surmounted by a rising cloud base to hold the candle, one with a circular bone-inlaid fitting. (2)HEIGHT 37.5 cm and 38 cmCondition: Very good condition with minor wear, few minuscule nicks and light scratches, minor losses, possibly few minor old repairs and touchups.Provenance: From the private collection of a German aristocratic family, acquired before 1960 and thence by descent.Auction comparison: Compare a closely related single figure of an oni at Lempertz, Asiatische Kunst, 27 June 2020, Cologne, lot 132 (sold for 16,250 EUR).

Los 156

TWO TIBETAN COPPER SEALSTibet, 19th to early 20th century. The first a solid copper seal dated to the 19th century, of tapering cylindrical shape with a Makara head finial. The second of stepped cylindrical form with a shaped lotus finial, executed in fine repousse with scrolling leafy vines, double vajras, key fret, and mythological creatures. Both pierced for suspension.Condition: Good condition with some wear, occasional light scratches, small dents, tiny losses, and few minuscule nicks to edges. Provenance: Dr. Ernst Eichler, Vienna, Austria. Thence by descent in the same family. Ernst Eichler (1932-2018) was a judge and poet, writing under the pseudonym of Ernst David. His works have been published worldwide and translated into many languages, including Japanese. Beginning in the late 1960s, he built an important collection of writing instruments, seals and other antique desktop objects, among them a small number of Chinese and Tibetan seals.Weight: 116.7 and 176.7 g Dimensions: Height 8 - 12.5 cm

Los 200

A SOAPSTONE 'BUDDHIST LION' SEALChina, Qing Dynasty (1644-1912). The Buddhist lion turning his head backwards towards the cub. A four-character inscription to one side 'Wu Shen Yao Ke'. The seal face incised as well. The soapstone material with an appealing color play of red, yellow and maroon hues.Condition: Very good condition with minor wear, nibbling and light surface scratches.Provenance: From an Austrian private collection, according to the current owner acquired from Galerie Asboth, Vienna, Austria during a scholar's items exhibition in 1995.Weight: 99.6 gDimensions: Height 6 cm

Los 604

SUKETADA: A RARE WOOD NETSUKE OF A KAPPA ON A HAMAGURIBy Eguro Suketada, signed Suketada 亮忠Japan, Takayama, 19th century, Edo period (1615-1868)The naked kappa, lacking its carapace, seated on a large clam, facing ahead, its eyes inlaid with dark horn. Amusingly, its trailing foot is caught in the shell's jaws. The underside with two asymmetrical himotoshi ringed with bone, one stained green, as well as the signature SUKETADA.HEIGHT 4 cm, WIDTH 4 cmCondition: Very good condition with minor wear. Few minuscule nicks and light scratches. Fine, dark patina.Provenance: European collection.This netsuke motif is one of the best known by Eguro Suketada (1852-1915), a student of Matsuda Sukenaga (1800-1871) from Takayama in Hida (Gifu Prefecture), who also depicted this theme.Usually, the kappa has a turtle-like carapace, making this a rare variation of a well-known motif.Literature comparison: A closely related netsuke of a kappa on a large hamaguri clam is illustrated in Meinertzhagen, Frederick / Lazarnick, George (1986) MCI, Part B, p. 829.Auction comparison: Compare a closely related netsuke by Suketada of a kappa on a large hamaguri clam at Bonhams, The Harriet Szechenyi Sale of Japanese Art, 8 November 2011, London, lot 54 (sold for 8,125 GBP).

Los 113

A TIBETAN GILT BRONZE FIGURE OF KUBERA WITH BUDDHIST LIONTibet, first half of the 20th century. The gilt bronze figure with fine chase work and inlays, depicting Kubera, the guardian protector of wealth and the North, seated in lalitasana on top of a Buddhist lion's back, dressing in an elaborated robe, adorned with jewels and twisting snakes with a princely diadem on top of his head, holding a mongoose in his left hand and a gem in his other, surmounted on a single lotus plinth. The base sealed off with a copper plate showing an incised double vajra.Condition: Good condition with surface wear and light scratches. Provenance: French private collection.Weight: 2 kg Dimensions: Height 20.5 cm

Los 73

A GROUP OF TWO SEALS, A TSAMPA VESSEL AND A BUTTER LAMPTibet, 19th century. The lot comprising a cast iron seal and a brass and iron seal of cylindrical form with a shaped lotus finial, pierced for suspension, and carved with scrolling vines and flowers, one in openwork. A copper Tsampa storage vessel with a cover surmounted by a lotus bud finial, the conical body with brass applications carved with geometric designs, a pair of handles and loose rings. A gilt and silver-plated copper butter lamp and cover, the stem bowl with deep sides incised and embossed with Buddhist emblems surrounded by lotus scroll, raised on a tall hollow stem foot encircled by a band of petals, the cover similarly decorated.Condition: Good condition with minor wear, occasional light scratches, small dents, tiny losses, few minuscule nicks to edges. Provenance: Austrian private collection.Weight: 19.6 - 426.3 g Dimensions: Height 4.2 - 20.5 cm

Los 64

A RARE EXTENDABLE BRONZE OPIUM PIPE, XIANFENG MARK AND PERIODChina, Xiangfeng period (1831-1861). The extendable bronze stem finely etched with ornamental designs, the mouthpiece and pipe bowl of bold bronze, the first etched with a four-character Xianfeng reign mark.Condition: Good condition with minor wear, light surface scratches, and few minuscule nicks. Provenance: Austrian private collection.Weight: 216.7 g Dimensions: Length 52 cm

Los 613

A RARE TSUISHU-INLAID LACQUER FOUR-CASE INRO WITH SHICHIFUKUJINUnsigned Japan, 19th century, Edo period (1615-1868)Of upright form, bearing a roiro ground, applied in tsuishu to one side with a basket, corals, shippo and choji encircled by four of the lucky gods: Hotei leaning against his sack, Benten playing the biwa, Ebisu holding a large fish, and Bishamonten wearing full armor and holding a trident and pagoda. The other side is similarly decorated with a treasure bag, a hat and cloak of invisibility, as well as the other three lucky gods: Fukurokuju and Jurojin seated side by side, holding a fan and reading from a scroll, respectively, above the lone Daikoku holding his mallet. The top of the inro shows a character Kotobuki 壽 (Ju), which means felicity and long-life, in black takamaki-e and the bottom is similarly decorated with a chrysanthemum flowerhead. The interior with dense nashiji and gold fundame edges.HEIGHT 7.2 cmCondition: Good overall condition with old wear, few fine hairlines, light surface scratches.Provenance: German private collection, acquired at Lempertz, 18 June 1994, Cologne, lot 1059.

Los 938

AN YIXING 'FROG AND LOTUS' TEAPOT AND COVER BY WANG YINCHUN (1897-1977)China. Finely and naturalistically modeled, the body in the form of overlapping lotus leaves, forming five round feet to the base. The spout also in the form of a lotus leaf while the handle is modeled as a gnarled branch, the circular cover in the form of a lotus pod with partly movable seeds and surmounted by a central knop in the form of a frog.Inscriptions: To the interior of the cover, oval seal 'Yinchun'. To the base, square seal 'Made for the Imperial Court of the Great Qing Dynasty'.Provenance: Old private villa estate in Bonn, Germany. German private collection, acquired from the above.Condition: Good condition with extensive wear and some firing irregularities, occasional light scratches, microscopic nibbling to edges. Some of the movable seeds are stuck.Weight: 418.2 gDimensions: Height 10.5 cm, Width 18.5 cmWang Yinchun (1897-1977), one of the Six Old Masters chosen to teach in the main factory when Yixing ware was revived in the 1950s, is well-known for his efficient yet high standard production of teapots in various forms. It is said that Wang used to make more than ten pieces each day without any compromise on the quality of a single teapot.Auction result comparison: For a teapot and cover by the same artist, see Sotheby's New York in Important Chinese Art on 15 March 2017, lot 725, sold for USD 13,750. Compare a related teapot by Jiang Rong, another of the Six Old Masters, at Christie's New York in Contemporary Clay: Yixing Pottery from the Irving Collection on 19-26 March 2019, lot 15, sold for USD 37,500.王寅春宜興青蛙蓮蓬茶壺 中國。壺身以重疊的荷葉形式出現,底部形成五足。壺嘴也呈荷葉形,而手柄則為樹枝狀。壺蓋呈蓮蓬狀,蓮子可活動,上面蓋鈕為青蛙。 款識:壺蓋内見"寅春"二字。壺底有四方印一枚"大清宮廷監造"。 來源:德國波恩私人別墅遺產。德國私人收藏,購於上述收藏。 品相:狀況良好,有大量磨損,並有一些燒製不規則現象,偶有輕微划痕,微小的邊緣磨損。 一些可活動的蓮子有點卡住。 重量: 418.2 克 尺寸:高10.5 厘米, 寬18.5 厘米 拍賣結果比較:同一藝術家的另一件茶壺見紐約蘇富比Important Chinese Art 拍場2017年3月15日 lot 725, 售價USD 13,750. 一件蔣蓉六字款蓮蓬茶壺見紐約佳士得Contemporary Clay: Yixing Pottery from the Irving Collection拍場2019年3月19-26日lot 15, 售價USD 37,500.

Los 565

MASAYOSHI: AN EBONY NETSUKE OF A RECUMBENT OXBy Masayoshi, signed Masayoshi 正義Japan, Nagoya, 19th century, Edo period (1615-1868)Lying with its head turned to the side and its legs drawn in for compactness, the eyes double-inlaid with pale and dark horn. The underside with two symmetrical himotoshi and the signature MASAYOSHI.LENGTH 4.8 cmCondition: Very good condition with minor wear, few light scratches, and minute natural age cracks.Provenance: Ex-collection Richard R. Silverman. Richard R. Silverman (1932-2019) was a renowned Asian art collector with one of the largest private collections of netsuke outside of Japan. He lived in Tokyo between 1964 and 1979 and began to collect netsuke there in 1968. Since the 1970s, he wrote and lectured about netsuke and was an Asian art consultant for Christie's, Sotheby's, and Bonhams. His gift of 226 ceramic netsuke to the Toledo Museum of Art constitutes perhaps the largest public collection of these miniature clay sculptures in the world. After moving to California, Silverman became a member of the Far Eastern Art Council at the Los Angeles County Museum of Art in 1984. In 1993, he joined LACMA's Executive Board. He served on the board of directors for the International Society of Appraisers from 1986 to 1994 and served nine years as chair for the City of West Hollywood Fine Arts Commission. Richard Silverman was posthumously awarded the Order of the Rising Sun for his decades-long promotion of Japanese culture.Auction comparison: Compare a related ebony netsuke of a recumbent ox by Ikkan, also dated to the 19th century, at Bonhams, The Edward Wrangham Collection of Japanese Art Part I, 9 November 2010, London, lot 130 (sold for 10,200 GBP).

Los 119

A VERY LARGE BRONZE FIGURE OF PADMAPANINepal, 20th century. Cast standing on a circular double lotus base, richly adorned with jewelry, and wearing a dhoti, carved with four arms holding various attributes such as a lotus in bloom and a rosary. The face showing a serene expression with full lips forming a subtle smile, flanked by long pendulous earlobes with floral earrings and surmounted by an elaborate headdress.Condition: Very good condition with minor wear and casting flaws, few small nicks, occasional light scratches. Provenance: Austrian Private collection.Weight: 3960 g Dimensions: Height 55 cm

Los 829

A SACRIFICIAL-BLUE GLAZED PORCELAIN BOWLChina, early Qing Dynasty (1644-1912). The exterior covered in a rich sacrificial-blue glaze, grinded off at the foot rim to reveal the buff wear. The interior in a light blue glaze.Provenance: A notable private collector in Kensington, London, United Kingdom.Condition: Good condition with minor wear, light surface scratches, pitting and fritting.Weight: 1003 gDimensions: Height 10 cm, Diameter 21 cm5% or 13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.

Los 363

A MIDNIGHT BLUE CLOISONNE ENAMEL VASE WITH CHERRY TREE AND FLOWERSJapan, Meiji period (1868-1912)The rounded square baluster body rising from a short spreading foot to a slender waisted neck with everted rim, decorated in bright enamels with a blossoming cherry tree as well as peonies, chrysanthemums, and various other flowers, the reverse with iris and grass blades, a key-fret band below the rim and a lappet band above the foot, all reserved against the midnight blue ground.HEIGHT 18.2 cmWEIGHT 214.6 gCondition: Very good condition with minor wear and manufacturing irregularities, expected minor pitting, and occasional light scratches.Provenance: Viennese private collection, acquired in the local trade before 2000.

Los 68

A GILT BRONZE VAJRATibet, 18th - 19th century. The central flattened globular knob flanked by lotus petals and beaded edges extending to four pronged ends issuing from expressively cast, distinct makara heads.Condition: Very good condition with minor wear and casting flaws. Few minuscule nicks and light scratches. Provenance: Swiss private collection.Weight: 274 g Dimensions: Length 14.5 cmAuction result comparison: Compare a related gilt copper alloy vajra, dated to the 17th century, but of larger size (17.5 cm), at Bonhams New York in Indian, Himalayan & Southeast Asian Art on 17 March 2014, lot 59, sold for USD 11,250.

Los 236

A JADE RING, QIJIAJade. China, Qijia culture, c. 2200-1600 BCThe exquisitely multicolored jade showing numerous striations, dots, and large patches of different nuances of color ranging from beige, to light and dark brown, russet, and black. Only small areas of the original translucent jade are noticeable on the otherwise chalky jade.The circumference is slightly irregular, as the central hole, thus giving the ring an uneven width.Compare a celadon and russet-brown jade ring at Sotheby's London in Important Chinese Art on 6 November 2019, lot 225, sold for GBP 4,000, and two related rings at Christie's Hong Kong in The Chang Wei-Hwa Collection of Archaic Jades, Part I - Neolithic Period on 27 November 2019, lots 2755 (sold for HKD 68,750) and 2757 (sold for HKD 106,250).DIAMETER 9.5 cmProvenance: Collection of Prof. Filippo Salviati, acquired in Beijing in the early 2000s.

Los 187

A SILVER AND JADE BUTTER TEA SETTibet, the silver parts date to 19th century, the jade bowl dates to around 1900. The silver stand with the lobed saucer atop, embossed with a dense composition of blossoming flowers, birds, and the eight Buddhist treasures, encompassing a light green, yellow jade cup with black inclusions of translucent quality. The four-level tiered cover, delicately engraved and embossed with floral decor and Buddhist elements in high relief as well as a diaper-pattern band, surmounted by a ceramic knob. Two hallmarks to the underside.Condition: Very good condition, the silver shows minor surface wear, nicks, and slight warping. The jade cup with a tiny chip to the upper rim. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 282 g Dimensions: Height 16.9 cm, Diameter 9.9 cm (Jade cup), 12.6 cm (Saucer)

Los 355

A GILT AND SILVERED COPPER TRAY DEPICTING RAIJINJapan, Meiji period (1868-1912)Of oval form, the interior cast in relief with gilt and silvered highlights depicting the god of thunder in a dynamic posture above crashing waves, holding his drumsticks, surrounded by drums, and wearing a loincloth and billowing garland, his muscular body well detailed.SIZE 23.2 x 16.8 cmWEIGHT 677 gCondition: Very good condition with old wear and minor casting flaws, occasional light scratches, few minuscule nicks.Provenance: From a US private collection in Massachusetts.

Los 206

A ROCK CRYSTAL BHAIRAVA MASKNepal, 19th century. The face with a fierce expression and large bulging eyes, furrowed eyebrows below the third eye. The mouth open to reveal sharp teeth, all below a broad nose, flanked by long earlobes. His hair appears as an aureole of fire.Provenance: De-accession of The Dr. István Zelnik Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Condition: The mask with minor wear, few light scratches and minuscule nicks. The stone with natural fissures, of which some have developed into natural cracks over time. Some larger cracks on the front and back of the mask, with loss.Weight: 342.6 gDimensions: Height 11.9 cm, width 9.2 cmAuction result comparison: Compare a related rock crystal mask, dated to the 18th century and of slightly smaller size (7.5 cm), sold in these rooms in Fine Chinese Art, Buddhism & Hinduism on 6th March 2021, lot 446, sold for EUR 4,803.

Los 125

A set of vintage metal framed light up traffic lights with coloured glass fronts. Collar reads Traffic Automation Ltd England. H102 W30

Los 402

A 19th century light oak full height floor standing open bookcase with six shelves. H234 W116 D28

Los 451

A modern light oak table top adjustable draughtsman's or architects's drafting table. H.84 W.120cm

Los 81

A late 19th century Arts and Crafts light oak dressing chest H.163 W.107 D.55cm

Los 83

A late 19th century light oak Arts and Crafts wardrobe with Glasgow school inspired inlaid panels. H.200 W.83 D.43cm

Los 3

Boxing, Gene Tunney signed vintage hardback book titled The Enigma Of The Ring by Nat Fleischer. This 1931 edition features a signature on the inside page and is in good condition with just foxing on the edges of the first and last inside pages. Tunney (May 25, 1897 - November 7, 1978) was an American professional boxer who competed from 1915 to 1928. He held the world heavyweight title from 1926 to 1928, and the American light heavyweight title twice between 1922 and 1923. A highly technical boxer, Tunney had a five-fight light heavyweight rivalry with Harry Greb in which he won three, drew once, and lost once, though many ringside reporters believed Greb should have won the decision in their second meeting. Tunney also knocked out Georges Carpentier and defeated Jack Dempsey twice; first in 1926 and again in 1927. Tunney's successful title defence against Dempsey remains one of the most famous bouts in boxing history and is known as The Long Count Fight. He retired undefeated as a heavyweight after his victory over Tom Heeney in 1928, after which Tunney was named Fighter of the Year by The Ring magazine. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

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