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534297 Los(e)/Seite
Assorted Dolls, including a pair of Kathe Kruse style boy dolls, with papier mache painted socket heads, clothed in Lederhosen and grey jackets, marked 'Ed K' to the back of the head, 29cm; a Rozetta composition doll, with painted face, moulded hair and costume dress, 26cm; three smaller celluloid dolls, fully dressed; small bisque socket head doll with fixed brown eyes, long blond plaits, wearing a continental costume, on composition body, 16cm; another of a young boy with bisque socket head, wearing a turban, white shirt, waistcoat and striped trousers on composition body, 23cm (8). No shoes for either doll, and only one hat. Both have fading and light staining to clothes and fabric body. Scuffing and couple of tiny dents to the papier mache heads.
A silver snuff box, the lid with hunt decoration and gilt-washed interior (by John Shaw, Birmingham 1821), 3.35 ozt CONDITION REPORTS Various light scatches throughout. Slightly misshapen. Some wear to the metal. General signs of wea and tear throughout. Approx 7.75 cm x 5 cm x depth approx 2 cm. Very small dent to the top
A Russian silver niello case with palace decoration to the front, monogrammed verso, possibly by Timofei Ilbin, 3.8 ozt CONDITION REPORTS Light surface scratches, some scuffs, accretions, areas of dirt, some tarnishing, some pitting in areas. Marks are rubbed, a build up of cleaning fluid residue. There are also two very tiny dents to the right hand side of the opening mechanism. General wear and tear commensurate with age and use - see images for details,
A whale bone handled George III punch ladle, together with a silver card case inscribed "Lt. CLL. WM. Macfarlane D.S.O. Highland Light Infantry Killed in Action 19th February 1917" (by Horton & Allday, Birmingham, 1899), a small silver vesta case and a sterling silver cigarette case, 6.30 oz
A cased set of six silver mounted Staffordshire coffee cans and saucers, the mounts set with C scroll and cherub decoration (by William Comyns 1897), total weighable silver approx 5.5 oz CONDITION REPORTS All of the cups in the set bar one have cracks in them. Surface scratches, accretions, area of loss and wear to the gilt work, The silver is tarnished and has light surface scratches on them also. Two of the plates in the set have sustained severe damage. One side of one of the plates is completely missing and the other sideis broken off and is in the box. All items have areas of crazing. The rest of plates have chips, cracks, accretions, wear and loss to the gilt work. One of the plates has an old pinned repair to some of the cracks. Heavy wear and tear. See photos for details.
Two Chinese camphor wood trunks with brass plated locks CONDITION REPORTS Height approx 45 cm x length approx 94 cm x width approx 63 cm dimensions for each wood trunk. Some light scratches, scuffs and marks, some impressed marks, some splits to the top. General signs of wear and tear throughout - see images for further details
Two modern Moorcroft plates CONDITION REPORTS Crazing to both plates, there is a heavy scratch to the centre of the geometrically patterned plate and a chip to the foot rim. There is some spotting/firing faults to the blue glazed area of the second plate. Both have general wear and tear conducive to age and use to include some light surface scratches and dirt.
Three Victorian copper jelly moulds to include a mould stamped "22", another mould stamped "8" and an oval mould CONDITION REPORTS The larger copper jelly mould has numerous surface scratches, dents, numerous areas where the copper is tarnished. The smaller jelly mould much the same, light surface scratches, numerous dents, numerous areas of tarnish. The oval mould has dents, tarnishing, surface scratches. There are two area of solder on the mould which appear to be old repairs. General wear and tear commensurate with age and use. See photos for details.
A Victorian brass oil lamp with etched cranberry glass shade and clear glass funnel CONDITION REPORTS Numerous light surface scatches, accreitons, build up of dirt in areas. Some nibbles and small chips to the base of the shade and some scuffs. General wear and tear commensurate with age and use - see images for details
Sicily, Syracuse AR Stater. Time of Timoleon and the Third Democracy, circa 344-338 BC. Pegasos flying left / Helmeted head of Athena right, ?V???????? around. Pegasi 1; SNG ANS 504. 8.57g, 22mm, 2h. Near Extremely Fine. Light cabinet tone with golden highlights. From the collection of W.M., United States; Privately purchased from Roma Numismatics, July 2013. Timoleon was dispatched from Corinth at the head of an army to answer a call for aid from Syracuse. When he arrived in Sicily there was no local currency sufficient to pay his mercenary troops, as no Greek coinage had been minted for several decades in Sicily and the older coins that remained in circulation were worn and of mixed origin. Timoleon undoubtedly brought with him a war-chest consisting primarily of staters (Pegasi) from his native Corinth and her allies and colonies in northwestern Greece which quickly became the dominant currency in Greek Sicily. When bullion became available, it is not surprising that Timoleon struck his own staters, based on the weight and bearing the types of his native Corinth, but with the Syracusan ethnikon.
Sicily, Syracuse AR Stater. Time of Agathokles, circa 317-289 BC. Helmeted head of Athena left / Pegasos flying left; triskeles below. Pegasi 17; BAR Issue 32; HGC 2, 1408. 6.74g, 20mm, 5h. Extremely Fine. Light old cabinet tone. Ex private Swiss-Italian collection; collector's ticket included.
Attica, Athens AR Tetradrachm. Circa 454-404 BC. Head of Athena right, wearing earring, necklace, and crested Attic helmet decorated with three olive leaves over visor and a spiral palmette on the bowl / Owl standing right, head facing; olive sprig and berry in upper left field, A?E to right; all within incuse square. Kroll 8; SNG Copenhagen 31; Dewing 1591-8. 17.22g, 25mm, 4h. Mint State; lustrous metal with beautiful light cabinet tone.
Attica, Athens AR Tetradrachm. Circa 454-404 BC. Head of Athena right, wearing earring, necklace, and crested Attic helmet decorated with three olive leaves over visor and a spiral palmette on the bowl / Owl standing right, head facing; olive sprig and berry in upper left field, A?E to right; all within incuse square. Kroll 8; SNG Copenhagen 31; Dewing 1591-8. 17.26g, 26mm, 9h. Near Mint State; lustrous metal with beautiful light cabinet tone. Full reverse incuse square.
Attica, Athens AR Tetradrachm. Circa 454-404 BC. Head of Athena right, wearing earring, necklace, and crested Attic helmet decorated with three olive leaves over visor and a spiral palmette on the bowl / Owl standing right, head facing; olive sprig and berry in upper left field, A?E to right; all within incuse square. Kroll 8; SNG Copenhagen 31; Dewing 1591-8. 17.22g, 24mm, 5h. Near Mint State; lustrous metal with beautiful light cabinet tone.
Attica, Athens AR Tetradrachm. Circa 454-404 BC. Head of Athena right, wearing earring, necklace, and crested Attic helmet decorated with three olive leaves over visor and a spiral palmette on the bowl / Owl standing right, head facing; olive sprig and berry in upper left field, A?E to right; all within incuse square. Kroll 8; SNG Copenhagen 31; Dewing 1591-8. 17.24g, 26mm, 7h. Near Mint State; lustrous metal with beautiful light cabinet tone.
Attica, Athens AR Tetradrachm. Circa 454-404 BC. Head of Athena right, wearing earring, necklace, and crested Attic helmet decorated with three olive leaves over visor and a spiral palmette on the bowl / Owl standing right, head facing; olive sprig and berry in upper left field, A?E to right; all within incuse square. Kroll 8; SNG Copenhagen 31; Dewing 1591-8. 17.23g, 24mm, 7h. Near Mint State; lustrous metal with beautiful light cabinet tone.
Attica, Athens AR Tetradrachm. Circa 454-404 BC. Head of Athena right, wearing earring, necklace, and crested Attic helmet decorated with three olive leaves over visor and a spiral palmette on the bowl / Owl standing right, head facing; olive sprig and berry in upper left field, A?E to right; all within incuse square. Kroll 8; SNG Copenhagen 31; Dewing 1591-8. 17.21g, 25mm, 3h. Near Mint State; lustrous metal with beautiful light cabinet tone.
Macedon, Akanthos AR Tetradrachm. Circa 470-430 BC. Attic standard. Lion right, attacking bull crouching left with head half-facing; kantharos between ivy leaves in exergue / AKAN?ION in shallow incuse around quadripartite square, the quarters raised and granulated. Unpublished in the standard references, but cf. Heritage 3066, for a similar tetradrachm with kantharos and ivy exergual design. 17.44g, 28mm, 10h. Good Very Fine. Lustrous, with light golden iridescence. Unique and unpublished.
Aeolis, Temnos AR Tetradrachm. Circa 188-170 BC. In the name and types of Alexander III of Macedon. Head of Herakles right, wearing lion skin headdress / Zeus Aëtophoros seated left, holding sceptre; A?E?AN?POY to right, monogram and E above oinochoe within vine tendril in left field. Price 1676. 15.17g, 33mm, 12h. Very Fine. Attractive light old cabinet tone.
Seleukid Empire, Antiochos VII Euergetes AR Tetradrachm. Cappadocian mint, circa 138-129 BC. Posthumous issue. Diademed head right / Athena Nikephoros standing left, BA?I?E?? ANTIOXOY to right, E???????? to left; to outer left, monogram above A; O to inner left, ? to inner right; all within laurel wreath. SC 2148; HGC 9, 1069. 16.52g, 28mm, 11h. Good Very Fine. Attractive light old cabinet tone.
Hadrian AR Denarius. Rome, AD 134-138. HADRIANVS AVG COS III P P, laureate bust right, with light drapery / FORTVNAE REDVCI, Fortuna seated left on throne, holding rudder and cornucopiae. RIC 247f; RSC 782c; Rauch Summer Auction, 19 September 2011, lot 645 (same dies). 3.11g, 18mm, 6h. Good Very Fine; tooled. Scarce with this bust type, only one example on CoinArchives.
Julia Domna (mother of Caracalla) Æ Sestertius. Rome, AD 211-217. IVLIA PIA FELIX AVG, diademed and draped bust right / SAECVLI FELICITAS, Felicitas standing left, sacrificing out of patera over altar and holding caduceus, S-C across fields. RIC 590 (Caracalla); BMCRE 215; Banti 42. 31.54g, 34mm, 6h. Extremely Fine. Almost unnoticeable die shift on obv., slight flat strike to rev. Attractive light green patina.
A Quantity of Leica and Other Camera Accessories. This lot includes a Leica Hektor 1:45 13.5cms Wetzlar lens, Elmar 35mm lens with blue filter, Weston exposure meters, Gossen Lunasix 3 exposure meter, Ilford Casette Film Retriever, Gossen view finder, Leica film, Leica M3 light meter and one other viewing accessory and a stainless steel camera cord etc
ELOISE HARRIET STANNARD (BRITISH 1829 - 1916), STILL LIFE WITH WALLFLOWERS IN A STONEWARE JUG oil on canvas, signed and indistinctly dated 40.5cm x 28cm Framed Label verso: Mandell's Gallery, Norfolk Note: Eloise Harriet Stannard was born in 1829 in Norwich, England where she lived her entire life. She was one of 14 children of landscape painter and drawing teacher Alfred Coppin and Martha (Sparks) Coppin. Her uncle was the painter Joseph Stannard; both her father and her uncle were members of the Norwich School of painters, Britain's first provincial art movement. Eloise and her aunt Emily Coppin Stannard (Joseph's wife) would become the only two notable women artists associated with the Norwich School. Stannard was probably trained as an artist by her father, and her style was influenced by traditional Dutch still life painting, especially the artist Jan van Huysum. Her subjects were mainly fruits—particularly fruits not grown in England, piled in baskets and bowls, set against a monochrome background in natural light and sometimes accented with small insects. Her fine brushwork and multiple paint layers produced a characteristically luminous surface. Stannard is today considered one of Britain's most gifted still life painters.Stannard suffered from poor health but still maintained an active career as a painter, exhibiting regularly and becoming so successful that she never needed to take in pupils, as was often the case for women artists in the 19th century. She began exhibiting in 1852, showing at the British Institution (1852 to 1866), the Royal Academy of Art (1856 to 1893), the Royal Society of British Artists (1856), and the Royal Glasgow Institute (1861). She became a member of the Society of Women Artists in 1871. One of her paintings, Strawberries in a Glass Lid with Glass Bowl of Raspberries Behind (1896) hangs at Norwich Castle, which has the largest collection of works by Norwich School artists.
Dolls - a German porcelain headed doll, sleeping blue black eyes, open mouth, light brown hair, card body, composite limbs, black smock with white lace collar, black cape, impressed Germany R to neck, 20cm long, card box; another larger German composite baby doll, sleepiun blue eyes, open mlouth, painted hair, compositr4 body and limbs, impressed Germany 344 . 13/0 to neck, hand knitted clothes, 27cm long (2)
Dolls - An Armand Marseille 370 shoulder doll, sleeping blue eyes, open mouth, impressed marks, kid body and legs, later hands, 46cm long; others Armand Marseille 390, A 11 M, socket head doll, sleeping blue eyes, open mouth, light brown wig, composite body, later lower legs, 68cm long, plastic Walking Talking doll, etc.
Armand Marseille - a 390 6 bisque head socket doll, sleeping blue grey eyes, open mouth, light brown wig, composite body and limbs, impressed marks, creamy white dress, straw bonnet, 55cm long; another smaller 996/7, sleeping blue grey eyes, open mouth, light blond wig, composite body and limbs, impressed marks, creamy white dress, 37cm long (2)

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534297 Los(e)/Seite