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534325 Los(e)/Seite
''Hollands Rondfilet" or Dutch Round Filet, with pearl rim and openwork bowl. The Netherlands, Amsterdam, Jan Hendrik Eversbag & Daniël van Outvorst, 1887, hallmarks: standing lion, Minerva, maker's mark, C, jeweler's mark: A. Bonebakker & Zoon - light signs of use. 61 grams, 925/1000. Dim. L 16 cm.
Various versions, of which 1 is silver-plated. The Netherlands / Germany, Haarlem / Amsterdam / Schoonhoven / Geislingen, Zaanlandse Zilversmederij / H. den Leeuw den Bouter & D. den Oudsten / Württembergische Metallwarenfabrik, 20th century, hallmarks: sword, maker's marks - light signs of use. 117 grams, 835/1000 and silver-plated.
Beautifully curved model with hammered decoration and standing on 4 soldered ball feet. The bowl comes from the silverforge founded by Wilhelm Schulze who acquired his knowledge in Germany and Norway. In 1937 he won a gold medal with his very fine silver pieces at the Exposition Internationale des Arts et Techniques dans la Vie Moderne in Paris. Germany, Bremen, Bremer Werkstätten für Kunsthandwerkliche Silberarbeiten (BWKS), circa 1950, hallmarks: maker's mark, moon, crown, 925, model number: 1533a 39, V-import hallmark - light signs of use and minimal dents. 126 grams, 925/1000. Dim. H 5.1 cm, diam 14.3 cm.
Consisting of a rectangular peppermint box with engraved details and an oval box with floral decoration and a depiction of Rembrandt's Night Watch. Netherlands, Joure / Voorschoten, wed. J.H. v/d Meulen / J.M. van Kempen & Zonen, 1958-1984 / 1858-1924, hallmarks: maker's mark (2x), sword (2x) - light signs of use and dents. 60 grams, 835/1000.
These 10 stainless steel Rolex teaspoons come from Rolex dealer Bucherer. The spoon has the Rolex logo and the place names Geneva (3x) and Lucerne (7x). The bowl of the Geneva spoon depicts the city. The bowl of the Lucerne spoon depicts the Swiss cross. Switzerland, Interlaken, Bucherer, 20th century, inscription: Rolex Bucherer Lucerne Genève Bucherer Of Switzerland CB - light signs of use. 148.5 grams, base. Dim. L 11 cm.
Hallmarks: 750 (Dutch assay mark), horse head. Maker's mark: presumably Antonie Hellegers, Colijnsplaat / Bruinisse / Delfshaven / Rotterdam, The Netherlands, 1844 / 1867. Set with 6 cabochon cut turquoises (Ø approx. 1.6 mm) in a silver setting. Light signs of use. LxW: 3.2 x 1.9 cm. Weight: 1.89 grams.
English School, 19th centuryChestnut hunter in a landscapeoil on canvas50.5 x 61.5cmFramed size: 59 x 69.5cm. Canvas has been relined, craquelure, under uv light there is a general wash to the background, which may have been applied to even out infilling to the craquelure, some yellowing to the varnish in the sky area. However, the craquelure is now stable and the work is ready to hang. Please refer to images.
*Peter Biegel (1913-1988) 'Hurdlers' signed and dated 'Peter Biegel/69' l.r., oil on canvas 49 x 74.5cmIllustrated: The Injured Jockeys fund Calendar, 1999, illustrating the month of November.*Artist's Resale Right may apply to this lot.Framed size: 63.5 x 89cm. Appears to be in good condition, unexamined under UV light, please contact the department for a full report.
*Lionel Ellis (1903-1988)A dapple grey racehorse with trainer and owner, a paddock beyondsigned with initials l.r., oil on canvas51 x 68.5cm*Artist's Resale Right may apply to this lot.Light surface dirt, some specks of dirt on the right, canvas bulges a little, slightly loose in the frame, under uv light no obvious signs of restoration.
Alken Bl** A dark bay hunter in a stable indistinctly signed l.r., oil on canvas 51 x 61cmCanvas has been relined. Paint loss lower right, and by horse's front right hoof, also the background on the left. However, the paint does not appear to be lifting around these losses. Unver uv light, varnish fluoresces unevenly, there are a couple of patches of retouching to the horse and there is infilling to craquelure above the horse, this infilling is now visible with the naked eye, please refer to condition report images.

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534325 Los(e)/Seite