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ENGLAND 1950 Netherlands ''A'' v England ''B'' (Friendly) played 17/5/1950 at Olympisch Stadion, Amsterdam. Official 20-page programme for the end-of-season Continental pre-World Cup match. England B included Bill Nicholson (Tottenham) plus players from Arsenal, Liverpool, Blackburn & Wolves. This was Netherlands full first team. Light fold. Generally good
MANCHESTER UNITED 1957 EUROPEAN CUP FINAL Real Madrid v Fiorentina played 30/5/1957 at the Bernabeu, Madrid. Rare official Real Madrid monthly club revista dated May 1957 which extensively previews the Final and includes full team line-ups. This issue also reviews both legs of the Semi Final Real Madrid v Manchester United with full coverage including many pictures, reports and full line-ups from each leg. No programme was published for the Final and this issue is regarded as the closest. Light vertical fold. Generally good
1957/58 FAIRS CUP SEMI FINAL Barcelona v Birmingham City played 13/11/1957 at the Nou Camp, Barcelona. Official Barcelona programme which was issued for the last League match before the game and included a full two page preview for the Birmingham match. No official programme was produced. Light creasing. Generally good
1958 EUROPEAN CUP FINAL Real Madrid v AC Milan played 28/5/1958 at Heysel Stadium, Brussels. Official Real Madrid monthly club revista dated May 1958 which previews the Final and also includes extensive coverage of both legs of the Semi Final Real Madrid v Vasas Budapest. Light vertical fold. Generally good
1960 INTERCONTINENTAL CUP FINAL Real Madrid v Penarol (2nd Leg) played 4/9/1960 at the Bernabeu, Madrid. Official Real Madrid monthly club revista dated September 1960 (36-page Extra Edition) which extensively reviews the Final including many pictures, reports and full team line-ups. This was a Extra-ordinary numbered edition dedicated entirely to the first Intercontinental Cup. Light vertical fold. Generally good
1961/62 EUROPEAN CUP ASK Vorwarts Berlin v Glasgow Rangers (1st Leg) Two East German FA official weekly organ ''Fussball Woche'' (Organ des DFV IM DTSB) dated 24/10/1961 and 7/11/1961 which both preview the games with Rangers. 24/10/1961 issue previews both legs with the back page entitled ''Am 15. und 22. November spielt Meister ASK Vorwarts im Europa-Pokal gegen die Rangers'' and the 24/10/1961 issue previews the first leg inside and also on the back page. Both have punch holes, light fold. Fair-generally good
1961/62 EUROPEAN CUP ASK Vorwarts Berlin v Glasgow Rangers (1st Leg) played 15/11/1961 at Freidrich-Ludwig Sportpark, Berlin. Rare East German FA official weekly organ ''Fussball Woche'' (Organ des DFV IM DTSB) dated 14/11/1961 which previews the game. Includes front page headline coverage with photo of the recent Rangers-Motherwell match. Page three includes welcome message in English ''Heartily Welcome in DGR Glasgow Rangers!'' and includes history of Glasgow Rangers, pen pictures of the Rangers team, Rangers team group picture and team line-ups. Punch holes, light fold. Fair-generally good
1961/62 EUROPEAN CUP Glasgow Rangers v ASK Vorwarts Berlin (Abandoned 2nd Leg) played 22/11/1961 at Malmö Stadion, Malmö. Rare East German FA official weekly organ ''Fussball Woche'' (Organ des DFV IM DTSB) dated 21/11/1961 which previews the game. This issue also reviews the first leg in Berlin on 15/11/1961 and includes pictures, reports and central page full team line-ups. The Rangers-Vorwärts tie was scheduled to be played at Ibrox Stadium in Glasgow, but was moved to the Malmö Stadion in Malmö, Sweden after the East German club were again refused visas to enter the UK. The original match in Malmö was abandoned due to heavy fog with Rangers leading 1–0, and the match was replayed the following morning. Punch holes, light fold. Fair-generally good
1961/62 EUROPEAN CUP Glasgow Rangers v ASK Vorwarts Berlin (2nd Leg) played 22/11/1961 and 23/11/1961 at Malmö Stadion, Malmö. Rare East German FA official weekly organ ''Fussball Woche'' (Organ des DFV IM DTSB) dated 28/11/1961 which reviews both the abandoned and Re-played second leg ties including pictures, reports and full team line-ups for both matches. The Rangers-Vorwärts tie was scheduled to be played at Ibrox Stadium in Glasgow, but was moved to the Malmö Stadion in Malmö, Sweden after the East German club were again refused visas to enter the UK. The original match in Malmö was abandoned due to heavy fog with Rangers leading 1–0, and the match was replayed the following morning. Punch holes., light fold. Fair-generally good
1971 INTER-CITIES FAIRS CUP (Playoff) played 22/9/1971 at the Nou Camp, Barcelona. Rare print error issue of the Barcelona club revista ''BARCA'' dated 14/9/1971 which extensively previews the match. Includes team line-ups plus large format Leeds United team group pictures, pen pictures and history write up on Leeds etc. This issue is wrongly numbered 827 and should have been numbered 826. 827 was issued the following week and is dated 21/9/1971. This is one of the early print runs before the error was rectified and the remaining issues were destroyed. Light horizontal fold. Generally good
A MONUMENTAL AND FINE ICON SHOWING THE BAPTISM OF CHRIST Greek, 17th century Tempera on wood panel with kovcheg. Finely executed on a gold ground. Christ standing in frontal position in the River Jordan between swimming fish and two river gods, snakes or dragons appearing from below His feet in an allusion to Psalm 73:13: "You divided the sea by your might: you broke the heads of the dragons in the waters", John the Baptist to the left, four angels with veiled hands to the right. The Holy Spirit appearing as a dove, descending from a segment of heaven. On the left the prophet Isaia appearing behind the rocks, holding an open scroll. Losses to the borders, partially restored. 68 x 51.2 cm. Literature: Golden light. Masterpieces of the Art of the Icon, Kononklijk Museum voor schone kunsten Antwerpen, 1988, Nr. 83. MONUMENTALE UND FEINE IKONE MIT DER TAUFE CHRISTI Griechenland, 17. Jh. Massive Laubholz-Tafel. Kowtscheg, Eitempera auf Kreidegrund über Leinwand, Goldgrund. 68 x 51,2 cm. Sehr feine Modellierung der Inkarnate. Am linken Rand erscheint der Prophet Jesaja mit einer geöffneten Schriftrolle. Farbverluste im Randbereich, partiell rest. Literatur: Ausstellungskatalog: Golden light. Masterpieces of the Art of the Icon, Kononklijk Museum voor schone kunsten Antwerpen, 1988, Nr. 83. Please note: this lot has been imported from outside the EU for sale to be sold at auction under Temporary Admission. When Hargesheimer releases such property to buyers in the EU, the buyer will become the importer and Import VAT is payable at 7% on the hammer price. To receive a refund of VAT amounts/Import VAT a non-EU must have registered to bid with an address outside of the EU and provide immediate proof of correct export out of the EU. Exports made by companies from other EU member states will be exempt from VAT if they state their VAT identification number. Bitte beachten Sie, dass dieses Lot aus einem Drittland temporär für die Versteigerung eingeführt wurde. Bei der Übergabe des Kunstwerkes durch Hargesheimer Kunstauktionen Düsseldorf an den Käufer wird dieser zum Importeur und schuldet Hargesheimer Kunstauktionen Düsseldorf die Einfuhrumsatzsteuer in Höhe von z.Zt. 7%. Von der Umsatzsteuer befreit sind Ausfuhrlieferungen in Drittländer (d.h. außerhalb der EU) und bei Angabe der UmsatzsteuerIdentifikationsnummer Lieferungen an Unternehmen in EUMitgliedsstaaten.
A FINE SILVER CIGARETTE CASE SHOWING THE KIEV TRAM Russian, Kiev, Mashak, 1896-1908 Of rectangular form. Gilt interior. The hinged cover set with an enamelled plaque. Marked with assayer's mark, 84 standard and master's mark 'MARSHAK' in Cyrillic. 11 cm long, 215 gr. Wettbewerb für das beste Projekt zur In 1886, the Kiev City Council held a competition for the best project for the construction of a light railway, which was won by the military engineer and entrepreneur Amand Jegorowitsch Struve, who had already been involved in the construction of the water supply and the railway bridge in the decades before. On 7 July 1889, a contract was signed with him for the construction of the tramway. On 19 February 1892 the first steam tram ran and less than four months later the first electric tram followed on 13 June. In the following years, different trams with different gauges were built by different companies in the city. Between 1894 and 1901, all horse-drawn tram lines were converted to electric operation. The quality of this cigarette case suggests that it was an expensive gift to one of the first people in the Kiev light railway company or the city administration. It is very likely that it belonged either to Struve himself or to one of the first people in the leadership or to the governor of Kiev. SELTENES ZIGARETTENETUI 'GESELLSCHAFT DER KIEWER STADT-EISENBAHN' Russland, Kiew, Maschak, 1896-1908 Silber, innen vergoldet, teils gegossen, vergoldet, Email. L. 11 cm, 215 g. Punziert mit Marke der Bezirksbeschauadministration mit Feingehalt '84' und Meisterzeichen 'MARSCHAK' in Kyrillisch. Polnische Repunzierungen. Der Kiewer Stadtrat veranstaltete 1886 einen Wettbewerb für das beste Projekt zur Errichtung einer Stadtbahn, den der Militäringenieur und Unternehmer Amand Jegorowitsch Struwe, der bereits in den Jahrzehnten zuvor an der Errichtung der Wasserversorgung und der Eisenbahnbrücke beteiligt war, gewann. Am 7. Juli 1889 wurde mit ihm ein Vertrag zum Bau der Straßenbahn abgeschlossen. Am 19. Februar 1892 fuhr die erste Dampfstraßenbahn und noch nicht einmal vier Monate später folgte am 13. Juni die erste elektrische Straßenbahn. In den folgenden Jahren wurden unterschiedliche Bahnen mit unterschiedlichen Spurweiten von verschiedenen Unternehmen in der Stadt gebaut. Zwischen 1894 und 1901 wurden alle Pferdebahnlinien auf elektrischen Betrieb umgestellt. Die Qualität dieses Zigarettenetui lässt vermuten, dass es ein teures Geschenk an eine der ersten Personen der Kiewer Stadtbahngesellschaft oder der Stadtverwaltung war. Es ist sehr wahrscheinlich, dass es entweder Struwe selbst oder einer der ersten Personen in der Führung oder dem Gouverneur von Kiew gehörte.
A LARGE ICON SHOWING THE PENTECOST Greek, 17th century Tempera on wood panel. Painted in bright colours against an architectural background. The apostles, led by St. Peter and St. Paul, seated on a horseshoe-shaped bench, in the lower part the personification of Kosmos wearing royal robes and a crown, holding a white cloth with twelve scrolls referring to the different languages the apostles spoke after the Holy Spirit had descended and to the twelve tribes of Israel. At the top of the composition rays of light descending from a segment of heaven symbolising the Holy Spirit. Areas of retouching. 54.8 x 39 cm. GROSSE IKONE MIT DER AUSSCHÜTTUNG DES HEILIGEN GEISTES (PFINGSTEN) Griechenland, 17. Jh. Laubholz-Einzeltafel mit zwei aufgenagelten Rückseiten-Sponki. Eitempera auf Kreidegrund, Hintergrund vergoldet. 54,8 x 39 cm. Achsialsymmetrischer Bildaufbau. Vor einem architektonischem Hintergrund sitzen die zwölf Apostel auf einer hufeisenförmig gebogenen Bank. Sie halten Rotoli oder Evangelienbücher in ihren Händen. Mittig am unteren Rand erscheint ein gekrönter Mann, der in einem Tuch zwölf Rollen hält. Er ist die Personifikation des Kosmos, die Rollen symbolisieren die unterschiedlichen Sprachen, die die Apostel nach Herabkunft des Heiligen Geistes beherrschten. Aus dem geöffneten Himmelssegment am oberen Bildrand treten Strahlen und der Heilige Geist in Form einer Taube hervor. In feiner Malerei ausgeführte Ikone mit Schattierungen der Inkarnate in Beige mit Hochlichtern in Weiß. Partiell rest.
A LARGE ICON SHOWING THE DORMITION OF THE MOTHER OF GOD Balkan, Macedonian, early 16th century Tempera on wood panel with kovcheg. Executed against a golden background. Losses to the borders. 47 x 43 cm. Provenance: Christie's London, 23 March 1994, Lot 525. Kononklijk Museum voor schone kunsten Antwerpen, 1988, Nr. 59. Literature: Exhibition catalogue: Golden light. Masterpieces of the Art of the Icon, Kononklijk Museum voor schone kunsten Antwerpen, 1988, Nr. 59. GROSSE IKONE MIT DEM ENTSCHLAFEN DER GOTTESMUTTER (KOIMESIS) Balkan, Mazedonien, Anfang 16. Jh. Holztafel. Kowtscheg, Eitempera auf Kreidegrund, Goldgrund. 47 x 43 cm. Substanzverluste im Randbereich. Literatur: Ausstellungskatalog: Golden light. Masterpieces of the Art of the Icon, Kononklijk Museum voor schone kunsten Antwerpen, 1988, Nr. 59. Provenienz: Christie's London, 23 März 1994, Lot 525. Please note: this lot has been imported from outside the EU for sale to be sold at auction under Temporary Admission. When Hargesheimer releases such property to buyers in the EU, the buyer will become the importer and Import VAT is payable at 7% on the hammer price. To receive a refund of VAT amounts/Import VAT a non-EU must have registered to bid with an address outside of the EU and provide immediate proof of correct export out of the EU. Exports made by companies from other EU member states will be exempt from VAT if they state their VAT identification number. Bitte beachten Sie, dass dieses Lot aus einem Drittland temporär für die Versteigerung eingeführt wurde. Bei der Übergabe des Kunstwerkes durch Hargesheimer Kunstauktionen Düsseldorf an den Käufer wird dieser zum Importeur und schuldet Hargesheimer Kunstauktionen Düsseldorf die Einfuhrumsatzsteuer in Höhe von z.Zt. 7%. Von der Umsatzsteuer befreit sind Ausfuhrlieferungen in Drittländer (d.h. außerhalb der EU) und bei Angabe der UmsatzsteuerIdentifikationsnummer Lieferungen an Unternehmen in EUMitgliedsstaaten.
A LARGE DATED PORCELAIN EASTER EGG Russian, dated 1869 The ovoid body frontally painted with Christ the Saviour. On the reverse Cyrillic inscribed and dated 'Ja. Ameltchinkov'. Restored. 11.5 cm high. GROSSES DATIERTES OSTEREI MIT CHRISTUS DEM WELTENHERRSCHER Russland, datiert 1869 Porzellan, polychrome Aufglasurbemalung. H. 11,5 cm. Verso kyrillisch bezeichnet 'Ja. Ameltschnikow 1869'. Restauriert. Important notice:The whole surface is covered by a lacquer. It seems that the egg was broken and that it is restored. But nothing can be seen under UV light.
A MONUMENTAL DATED ICON SHOWING THE ARCHANGELS MICHAEL AND GABRIEL Greek, dated 1716 Tempera on wood panel. Executed on a gold ground. Inscribed and dated '1716' on the lower part of the image. Damages to the borders. 126 x 70 cm. Literature: Exhibition catalogue: Golden light. Masterpieces of the Art of the Icon, Kononklijk Museum voor schone kunsten Antwerpen, 1988, Nr. 114. Provenance: Christie's London, 29 April 1893. MONUMENTALE DATIERTE IKONE MIT DEN ERZENGELN MICHAEL UND GABRIEL Griechenland, datiert 1716 Holztafel. Eitempera auf Kreidegrund, Goldgrund. 126 x 70 cm. Mittig im unteren Bereich griechisch signiert und '1716' datiert. Kanten teils best. Literatur: Ausstellungskatalog: Golden light. Masterpieces of the Art of the Icon, Kononklijk Museum voor schone kunsten Antwerpen, 1988, Nr. 114. Provenienz: Christie's London, 29 April 1983. Please note: this lot has been imported from outside the EU for sale to be sold at auction under Temporary Admission. When Hargesheimer releases such property to buyers in the EU, the buyer will become the importer and Import VAT is payable at 7% on the hammer price. To receive a refund of VAT amounts/Import VAT a non-EU must have registered to bid with an address outside of the EU and provide immediate proof of correct export out of the EU. Exports made by companies from other EU member states will be exempt from VAT if they state their VAT identification number. Bitte beachten Sie, dass dieses Lot aus einem Drittland temporär für die Versteigerung eingeführt wurde. Bei der Übergabe des Kunstwerkes durch Hargesheimer Kunstauktionen Düsseldorf an den Käufer wird dieser zum Importeur und schuldet Hargesheimer Kunstauktionen Düsseldorf die Einfuhrumsatzsteuer in Höhe von z.Zt. 7%. Von der Umsatzsteuer befreit sind Ausfuhrlieferungen in Drittländer (d.h. außerhalb der EU) und bei Angabe der UmsatzsteuerIdentifikationsnummer Lieferungen an Unternehmen in EUMitgliedsstaaten.
A turquoise silk weave long jacket, profusely embroidered with stylised Ottoman carnations and saz leaves with silk ikat lining in blues and gold Condition Report: overall good clean condition with very light signs of wear, some loose threadsunderarm 108cm , neck to hem 101cm and sleeve 62cm
Chanel vintage quilted jersey fabric with grey leather trim flap bag, red grosgrain lining , gold hardware 24cm W x 16cm x 7.5 cmCondition Report: Gold hardware- wear to gilt on strap and fastening, stitching to zip has come away in one area, No Identification number presentOverall signs of use and light wear to leather
A collection of purses from lathe 19th century to 1950s in a variety of finishes, including beadwork, tapestry, sequins and fabric (6)Condition Report: Beaded purse :minor losses, tarnish to frame Metal beaded purse: tarnished overall, interior clean Tapestry purse: light tarnish to clasp, interior clean Sequin purse: Good condition light wear to clasp. Made in Belgium label.Lurex purse: overall good with tarnish/ light rust to frame. Satin purse: overall good,light tarnish to snap fastening
1920s/ 30s evening bags with floral motifs, one intricately beaded paisley pattern in pink, blue, off white and black, the other with fine embroidery on a background of pearlescent bugle beadsCondition Report: Pink and black bag: light signs of use seen on strap and fastening. Stitching loose on main pocket White bag: signs of use on fabric of flap, small stain under flap, minor losses to/ loose beadwork
Childrens shoes, comprising a tiny pair of Regency black patent slippers with bows and ankle straps, a pair of bronze kid patent Kiltie party shoes with elastic straps (marked size7)and a pair of black leather ankle strap shoes, both early to mid 20th century, together with two pairs of fine leather gloves, one marked W Baker, Croydon. 6 1/4, the other Manufactured in Brussels 6 3/4Condition Report: Regency patent crackled overallBronze pair lightly creased, black also show signs of light wearGloves show signs of use/ wear
Louis Vuitton classic Speedy 30 handbag in tan and brown house monogram , together with padlock, keys, dustbag and copy receipt available Condition Report: Overall good condition with marks to interior and handles . One corner has watermark to leather and others lightly scuffed. Zip as stitching in good order, light tarnish to metal studs
Ikat silk v neck long sleeved Robe in reds, greens, blues and pink, a cotton robe with heavy embroidery on a deep red ground and another robe with machine embroidery in bright colours with tassels and beaded decoration (3)Condition Report: Silk robe- underarm 160cm , neck to hem 113cm Sleeve length 58cm Condition- light signs of wear, slubs in fabric, loose stitching on some of seams, Light wear to other robes in this lot

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