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Dominic Winter Auctions
Los 211

Palmer (Samuel,1805-1881). Christmas, or Folding the Last Sheep, 1850, etching on chine collé on heavy pale cream wove paper, a few light spots and mount staining, plate size 124 x 117 mm, etched surface 98 x 81 mm, and before the plate width, the second state (of five), with signature etched to lower right corner of the image before the reduction in plate width to 102 mm, upper blank margin with some loss (where it previously adhered to mount), sheet size 157 x 146 mm, framed and glazed (18 x 19.5 cm)Qty: (1)Footnote: Lister E4, ii/v.

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Dominic Winter Auctions
Los 212

Raverat (Gwen, 1885-1957). Childe Rowland, 1947, colour wood engraving on laid paper, printed in an edition of 26 impressions in colour (there were 10 impressions of the monochrome version), printed in dark grey, light grey and pale yellow, signed and titled in pencil to lower margin, some light overall toning, image size 185 x 235 mm (7.4 x 9.2 ins), sheet size 8.4 x 10.1 ins????, framed and glazed, with period handwritten ownership label to verso of 'Alison Clay, 7 Park Lane, Oxford OX7 1UD or return to: Mrs. S. Pryor, 10 Chancer Rd., Cambridge'Qty: (1)Footnote: Selbourne & Newman P550.

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Dominic Winter Auctions
Los 214

Sutherland (Graham, 1903-1980). Pecken Wood, 1925, etching, on heavy buff laid paper, a very good well-contrasted impression of the third to fifth state (with the artist's name and date added to upper right corner of the plate), signed in pencil lower right, one of a total edition of 85 published of the third to fifth states (there was one impression printed of the first state and two of the second), published by the Twenty One Gallery, with margins, light mount stain, outer edges strengthened with paper to verso, hinge-mounted, in pale cream card window mount, plate size 139 x 188 mm, sheet size 160 x 230 mmQty: (1)Footnote: Cooke, Graham Sutherland Early Etchings, 26, iii/iii. Man 24, v/v. Plate destroyed.

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Dominic Winter Auctions
Los 218

Wyllie (William Lionel 1851-1931). The Shot Tower and Waterloo Bridge, drypoint etching on pale cream wove paper, a very good, delicate impression, signed in pencil lower left, light mount stain, full sheet, corner-mounted to backing card, sheet size 24 x 4 1/2 cm (9.5 x 17.5 ins)Qty: (1)

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Dominic Winter Auctions
Los 221

Atché (Jeanne Louise Marie Euphrasie, 1872-1937). Reverie, 1903, circular colour lithograph, some toning and light overall discolouration, 34 cm diameter, framed and glazedQty: (1)Footnote: Atché's female heads - in particular the diptych Meditation and Reverie - are related to the very successful series of Tetes Byzantines of Alphonse Mucha, issued in 1897.

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Dominic Winter Auctions
Los 237

Trevelyan (Julian, 1910-1988). Marseille, 1975, soft-ground etching with aquatint printed in colours, on T.H. Saunders handmade heavy paper, signed, titled and inscribed 'Artist's proof', and with colour notes added below 'I. Ultramarine (tube), Windsor Red (tube), 1 Windsor orange (tube), 1 II black (Windsor Penrose), 1 burnt sienna (tube) 1', artist's proof aside the numbered edition of 51 impressions, printed by Studio Prints, some minor light spots and marks to margins (generally in good condition), with full margins, sheet size 79 x 56.5 cm (31 x 22.5 ins)Qty: (1)

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Dominic Winter Auctions
Los 272

Nuttgens (Joseph Edward, 1892-1982). East Window, Alert Bay, B[ritish] C[olumbia], 1930, watercolour on paper laid on card, design for an arched tracery three-light stained glass window, depicting Christ in the centre captioned 'Thine is the Kingdom the Power and the Glory', flanked by St Raphael and St Gabriel on the left and St Uriel and St Michael on the right, topped by 3 decorative lozenges, signed and dated lower right and titled below image, slightly rubbed, image size 34.5 x 20.5cm (13 1/2 x 8ins), sheet size 37 x 21.1cm (14 1/2 x 8 1/4ins), mount with shaped aperture, overall size of mount 46.2 x 31.1cmQty: (1)Footnote: Joseph Edward Nuttgens was born in Aachen, Germany, to a German father and English mother, and he moved with his family to London at the age of three. After leaving school he studied at Harrow Technical College and School of Art, subsequently spending five years working as an assistant in Arthur Orr's stained glass workshop. In 1911 he began studying at the Central School of Arts and Crafts under Christopher Whall, where he was influenced by the Arts and Crafts Movement, and specifically by the philosophy and art of William Morris and Edward Burne-Jones. Nuttgens went on to produce stained glass designs for famous firms such as James Powell and Sons, as well as working for artists such as Paul Woodroffe in Chipping Campden. He later set up his own studio at Piggott's Hill near High Wycombe, Buckinghamshire, where he was influenced by his neighbour Eric Gill, contributing an East Window to the only church designed by Gill, the church of St Peter, Gorleston, in Norfolk. Nuttgens was associated with the Art Workers Guild and the Warham Guild, and was a Fellow of the British Society of Master Glass Painters. In turn he influenced other stained glass makers, including John Piper and Patrick Reyntiens, whose collaboration began in Nuttgens's studio, and a number of his offspring followed him into the arts or decorative arts. His son, Joseph Ambrose Nuttgens, completed a window depicting wild flowers commissioned by Linda McCartney, one of the last designs his father worked on before his death in 1982. Nuttgens was prolific, producing around 300 stained glass windows, as well as executing designs and carrying out glasswork for other workshops and artists. The majority of his output is found in Britain, but his work can be found in churches as far flung as Hong Kong and Canada. The window executed from the design offered here can still be seen in Christ Church Anglican Church, in the remote rural community of Alert Bay on Cormorant Island, northeast of Vancouver Island, British Columbia.

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Dominic Winter Auctions
Los 296

Hale (Kathleen, 1898-2000). Portrait of a seated and sad ragged little boy, 1920, watercolour and pencil on paper, signed centre left, dated lower left (behind mount), watermark to left side 'B. Crayon Ang'ne Manuf're Canson & Montgolfier', some spotting and light dust-soiling, verso with annotations 'Pic P33' & '443', sheet size 31.6 x 24.5cm (12 1/2 x 9 5/8ins), window mounted, framed and glazed (41.5 x 30.5cm), together with: Portrait of a young boy holding some bread, circa 1920, watercolour and pencil on paper, lightly toned, mount aperture 32.8 x 22.5cm (13 x 8 7/8ins), window mount toned with some dampstaining to edges, verso with ink numbers 'Pic FS 2' & '227', mount size 49 x 34.5cm (unframed)Qty: (2)Footnote: These drawings were produced when Kathleen Hale was living and working with Frank Potter in Étaples, France, circa 1920. In her autobiography A Slender Reputation, Hale describes how, "We chose our models from the poor fisherwomen, old and young, with their babies and their children".

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Dominic Winter Auctions
Los 298

Hale (Kathleen, 1898-2000). Portrait of a woman in profile, 1920, pencil on paper, signed and dated lower left, lightly toned, a few fox spots, sheet size 37.4 x 27.6cm (14 3/4 x 11ins), pencilled '10' on verso, window mounted, framed and glazed (58.8 x 48.1cm), red ink '21' on verso, relating to the Kathleen Hale Memorial Exhibition held at the Redfern Gallery in 2001, together with: Portrait of a French peasant woman, 1920, pencil on paper, signed lower right, mount aperture 28.4 x 23.5cm (11 1/4 x 9 1/4ins), framed (unglazed, 48.7 x 42.2cm), red ink '23' on verso, relating to the Kathleen Hale Memorial Exhibition held at the Redfern Gallery in 2001, plus: Portrait of a boy in a cap, 1920, pencil on paper, signed and dated lower left, lightly creased and marked, sheet size 35.8 x 25.2cm (14 1/8 x 10ins), window mounted, with three other similar portraits: Little girl (signed, some light discolouration), Boy in a cap (three-quarter profile, dated, foxed), both pencil on paper, and Girl sitting on a chair with checked dress (signed), pen & blue ink on paper, all window mounted, framed and glazed (56.6 x 47.1cm and smaller)Qty: (6)Footnote: The portrait of a woman in profile is reproduced in Kathleen Hale's autobiography A Slender Reputation on p.109. Boy in a cap is reproduced in the catalogue of the Kathleen Hale Memorial Exhibition held at the Redfern Gallery in 2001 (item 14). Little girl, and Boy in a cap (three-quarter profile) both appeared in the Kathleen Hale Memorial Exhibition held at the Redfern Gallery in 2001 (numbers 28 & 18 respectively).These drawings were produced when Kathleen Hale was living and working with Frank Potter in Étaples, France, circa 1920. In A Slender Reputation, Hale describes how, "We chose our models from the poor fisherwomen, old and young, with their babies and their children".

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Dominic Winter Auctions
Los 35

Busïnck (Ludolph, circa 1590-1669). Saint Simon, from the series Christ and the Apostles, 1623-29, chiaroscuro woodcut after Georges Lallemand (circa 1575–1636), printed from four blocks, black, olive-green, and yellow ochre, a very good, rich impression on laid paper, together with Da Trento (Antonio, circa 1508-circa 1560). The Holy Family with two saints (after Parmigianino), chiaroscuro woodcut printed in black and olive-green, a very good, rich impression on laid paper, plus Zanetti (Antonio Maria, 1680-1757). The Shepherd (after Parmigianino), 1722, chiaroscuro woodcut printed from three blocks, in pink, dark blue and light blue, a very good impression on laid paper, on a paper support with painted decorative border, and five etchings with woodblock printing from the Recueil Crozat, 1729-1764: four by the Comte de Caylus and Nicolas Le Sueur, after Polidoro da Caravaggio (La Messe), Baldassare Peruzzi (A Shepherd leading a Lion), Pietro de Pietri (La Sainte Vierge accompagnée de plusieurs saints), Federico Zuccari (L’Empereur Henry IV aux pieds du Pape Gregoire VII), all very good, rich impressions on laid paper, and one by Charles Nicolas Cochin after Raphael (Hercule Gaulois, ou L'Eloquence), all etchings with tone block on laid paper, largest sheet size 45 x 22.8 cm (17 3/4 x 8 7/8 ins), smallest sheet size 17.2 x 11.5 cm (6 3/4 x 4 1/2 ins)Qty: (8)Footnote: Provenance: Busïnck: Friedrich August II, King of Saxony (1797-1854), Dresden, his stamp recto (Lugt 971); probably his posthumous sale, C.G. Boerner, Leipzig, 7-9 May 1928, presumably lot 1551 (with other prints); Caylus and Le Sueur after Polidoro da Caravaggio: Royal Arms of England stamp, verso.Literature: Hollstein 16 (Busïnck after Lallemand); Le Blanc 144, Bartsch 22 (Zanetti after Parmigianino); Le Blanc 305, Bartsch 24 (Anonymous after Parmigianino).

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Dominic Winter Auctions
Los 51

Jackson (John Baptist, 1701-circa 1780). Melchisedek meeting and blessing Abraham, after the victory over the Kings (after Giovanni dal Ponte), circa 1741, chiaroscuro woodcut, printed in dark brown, light brown, pale yellow and black on laid paper, from the published volume of 24 large chiaroscuro woodcuts entitled Titiani Vecelli, Pauli Caliarii, Jacobi Robusti, et Jacobi de Ponte, Opera Selectiora... ligno coelata, et coloribus adumbrata, Venice, 1745, a good, strong impression, a few short closed tears to margins, with old paper restoration to verso, light soiling to sheet edges, inscribed in ink in an early French hand 'Abraham rencontre Melchisedech, gravure en bois par J.B. Jackson et impm. en clair-obscur, d'après P. Veronese' to the edge of the lower blank margin, image size 57.5 x 38 cm (22.7 x 15 ins), sheet size 63.5 x 44.5 cm (25 x 17.5 ins), framed and glazedQty: (1)

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Dominic Winter Auctions
Los 74

Rosa (Salvator, 1615-1673). The Tritons (Plate 6 from The Triton Group), circa 1660, etching on laid paper, a very good, vibrant impression printing with light plate tone, with margins, a few short repaired tears in the lower margin, a small thin area at the right sheet edge, generally in good condition, plate size 9.6 x 21.4 cm (3 3/4 x 8 3/8 ins), sheet size 12.8 x 24.2 cm (5 x 9 1/2 ins), framed and glazed (34.5 x 52.5 cm)Qty: (1)Footnote: Literature: Bartsch 16.

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Dominic Winter Auctions
Los 9

Attributed to Bernardino India (Verona 1528-1590). Striding Angel, pen and red-brown ink, brush and brown wash on laid paper, with an inked-in borderline, laid to the mount at the edges, some foxing, 19.2 x 12.3 cm (7 5/8 x 4 3/4 ins), framed (45 x 36 cm), with Christie's stencil to verso PV657Qty: (1)Footnote: Provenance: With Crispian Riley-Smith (exhibition label verso).This drawing is characteristic of the draftsmanship of Bernardino India, who developed a mannerist style after Giulio Romano and Parmigianino. The dramatic chiaroscuro washes, and treatment of the facial features half in shadow and half in light, is comparable to Design for a Wall Decoration over an Arched Doorway with Grimani Arms, held at the Metropolitan Museum of Art (accession no. 1974.389), and Angels making music in the clouds: design for a lunette, at Christie's New York, 31st January 2013, lot 38.

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Bosleys Military Auctioneers
Los 100

West Kent Light Infantry Militia Victorian pre 1881 glengarry badge. Good scarce die-stamped white metal strung bugle with the White Horse of Kent on INVICTA between the strings. VGC Loops, top one bent. HQ Maidstone. Reconstituted in 1759, elevated to Light Infantry status in 1853. In 1881 became the 3rd Battalion The Queen's Own Royal West Kent Regiment. PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 101

Kings Own Yorkshire Light Infantry Victorian / Edwardian Smasher hat KOYLI badge. Good large die-stamped brass French Horn with central white metal Rose. Slider. VGC PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 193

Royal Marines Light Infantry Staff and Colour Sergeant cap badge circa 1897-1923. Good die-stamped gilt Globe and laurel surmounted by strung bugle. Loops. VGC PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 208

Durham Light Infantry Victorian DLI cap badge circa 1896-1901. Good die-stamped white metal Imperial crowned strung bugle with DLI lodged between the cords. Toned loops. GC PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 209

1st (Stockton on Tees) VB Durham Light Infantry DLI cap badge circa 1901-08. Good scarce die-stamped white metal crowned strung bugle; 1 / VB / DLI between the cords. Loops (slightly pinched) and stud. VGC PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 210

2nd (Bishop Auckland) VB Durham Light Infantry DLI cap badge circa 1901-08. Good scarce die-stamped white metal crowned strung bugle; 2 / VB / DLI between the cords. Loops replaced with slider. Otherwise GC. PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 241

Duke of Cornwall's Light Infantry Victorian cap badge circa 1896-1900. Good scarce die-stamped white metal Ducal coronet over strung bugle. Three toned loops VGC PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 247

Herefordshire Light Infantry Officer cap badge. Fine scarce die-cast silvered strung bugle surmounted by a lion holding erect a sword proper and resting on a tablet inscribed MANU FORTI J.R. Gaunt London Loops VGC PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 313

Oxfordshire & Buckinghamshire Light Infantry 1942 Birmingham hallmarked silver Officer cap badge. Fine die-cast strung bugle. JRG&S (JR Gaunt and Sons) Loops VGC PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 319

4th & 5th Bns. Somerset Light Infantry cap badge circa 1908-16. Good scarce die-stamped white metal bugle strung from mural crown with scroll above SOUTH AFRICA 1900-01; PA within the bugle cords. Slider. VGC HQ's Lower Bristol Road, Bath and Shuttern, Taunton. PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 393

Kings Own Yorkshire Light Infantry KOYLI Officer cap badge. Fine die-cast gilt French Horn with silvered Rose on black patent leather centre ground. Reinforced blades. GC PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 441

515th Light Anti-Aircraft Regiment Royal Artillery cloth formation sign. Good scarce red felt shield embroidered with yellow Triskelion (Arms of the Isle of Man three legged Manx device) . Service wear GC PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 449

West Kent Light Infantry Militia Victorian pre 1881 facing pair of collars. Good scarce pre 1881 white metal strung bugles with the White Horse of Kent on INVICTA between the strings. Loops. VGC (2 items) HQ Maidstone. Reconstituted in 1759, elevated to Light Infantry status in 1853. In 1881 became the 3rd Battalion The Queen's Own Royal West Kent Regiment. PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 473

Canada. Princess Patricias Light Infantry Officer red cord boss bearing silver and gilt badge. Badge being gilt bugle strung from coronet; applied gilt central PATRICIAS scroll. Screw post. VGC PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 61

Durham Light Infantry Victorian pagri badge circa 1881-1901. Good scarce die-stamped brass large Imperial crowned strung bugle horn decorated with foliage, floreated letters, DLI within the voided strings. Stout pagri pin. VGC PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 63

Irish. Armagh Light Infantry Militia Victorian glengarry badge circa 1874-81. Good scarce die-stamped white metal crowned elongated strung bugle. Loops. VGC Raised 1793 at Armagh, redesignated Light Infantry in 1855, became 3rd Bn. Royal Irish Fusiliers on Friday 1st July 1881 PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 67

Somerset Light Infantry post 1881 pagri badge. Good die-stamped brass SOMERSETSHIRE circlet with laurel sprays; to the voided centre, a bugle strung from a mural castle surmounted by JELLABAD scroll, Sphinx between the cords. Long slider. VGC PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 74

Royal Marine Light Infantry Victorian glengarry badge circa 1870-97. Good scarce die-stamped brass three part example. Globe within a laurel wreath, strung bugle above. Complete with all loops (toned) VGC PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 76

Scottish 5th,7th & 8th Bns. Highland Light Infantry HLI post 1908 glengarry badge. Good scarce die-stamped white metal Thistle star bearing crown, coiled bugle with central HLI, SOUTH AFRICA 1900-2 scroll and Elephant. Loops (flat type). VGC PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 78

Scottish. Highland Light Infantry WW2 plastic economy HLI glengarry badge Good scarce Thistle star bearing crown, coiled bugle with central HLI, ASSAYE scroll and Elephant. Brass blades. VGC PAYMENT BY BANK TRANSFER ONLY

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Bosleys Military Auctioneers
Los 93

19th Princess of Wales Own Hussars cap badge circa 1898-1902. Good die-stamped white metal elephant on single scroll 19TH P.W.O. HUSSARS. Slider. VGC The Elephant was borne in commemoration of the distinguished services of the old 19th Light Dragoons in India. PAYMENT BY BANK TRANSFER ONLY

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Lyon & Turnbull
Los 31

A central European 20th-Century Secessionist style five-light candelabra indistinctly marked to base, the central square column above a flared square base, with low relief chased motifs, the geometric arms with Greek-key detail and arched supports, simple sconces(Height: 57cm)

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Lyon & Turnbull
Los 5

A suite of four table plated candlesticks plate on copper, comprising four table candlesticks and a pair of three-light candelabra branches to match, leaf clasped baluster stems and shaped bases similar decoration; together with another set of four plated table candlesticks(Height of sticks: 30cm)

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Gardiner Houlgate
Los 106

2015 Fender Custom Shop Mike Campbell Heartbreaker 'Nocaster' Limited Edition electric guitar, made in USA, ser. no. R1xxx2; Body: butterscotch light relic finish; Neck: maple relic; Fretboard: maple relic; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity, shop floor traveller, tags and accessories; Weight: 3.05kg; Overall condition: excellent *The Mike Campbell Heartbreaker guitar was a very limited run by the Fender Custom Shop in 2015. The 'Heartbreaker' honours the revered vintage Fender that crafted a multitude of ear-pleasing hooks for Tom Petty and the Heartbreakers and other legendary artists including Johnny Cash, Bob Dylan and George Harrison. The original Heartbreaker was examined, reverse engineered and documented in exhaustive detail by master builder Dale Wilson to create this accurate reproduction

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Gardiner Houlgate
Los 107

2015 Fender Custom Shop Greg Fessler Master-built '69 Journeyman Stratocaster electric guitar, made in USA, ser. no. R8xxx0; Body: Firemist Gold light relic; Neck: maple; Fretboard: maple; Electrics: working; Hardware: good; Case: original hard case with certificate of authenticity and accessory pack; Weight: 3.62kg; Overall condition: excellent

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Gardiner Houlgate
Los 131

1997 Gibson BB King Lucille electric guitar, made in USA, ser. no. 9xxxxxx1; Body: black finish, light surface marks; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 4.36kg; Overall condition: good

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Gardiner Houlgate
Los 133

1996 Gibson SG Standard electric guitar, made in USA; Body: cherry finish, minor light dings; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.66kg; Overall condition: good

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Gardiner Houlgate
Los 134

1995 Gibson Les Paul Classic electric guitar, made in USA, ser. no. 5xxx9; Body: cherry sunburst figured maple top upon cherry finished mahogany back, a few light dings to the back; Neck: good; Fretboard: rosewood; Electrics: working; Hardware: good; Case: original hard case; Weight: 4.16kg; Overall condition: good

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Gardiner Houlgate
Los 143

Burns Flyte bass guitar, made in England, circa 1975; Body: olive green metallic, finish loss mainly to the edges, light buckle wear to the back, further minor dings; Neck: good; Fretboard: ebonised; Frets: minor oxidisation; Electrics: working; Hardware: good; Case: original hard case; Weight: 2.70kg; Overall condition: good

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Gardiner Houlgate
Los 160

Tanglewood Earth 200 electro-acoustic guitar, made in Korea; Back and sides: mahogany, a few light scratches; Top: natural spruce; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: hard case; Weight: 2.26kg; Overall condition: good

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Gardiner Houlgate
Los 227

Epiphone Casino E230TD hollow body electric guitar, made in USA, circa 1964, ser. no. 1xxxx6; Body: sunburst finish, light checking, minor dings, light buckle wear to back but generally good for age; Neck: good; Fretboard: Brazilian rosewood; Frets: good; Electrics: working, replaced John Birch pickups; Hardware: missing pickguard, original tailpiece replaced with a John Birch hardtail; Case: contemporary hard case; Weight: 2.83kg; Overall condition: good for age *Sold with non-transferable CITES A10 certificate no. 613025/02

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Gardiner Houlgate
Los 246

1959 Levin Goliath acoustic guitar, made in Sweden, ser. no. 3xxxx4; Back and sides: sunburst finish maple, hairline lacquer crack to shoulder, further minor dings but generally good for age; Top: sunburst finish spruce, dings and light checking but generally very good for age; Neck: generally good, minor parting to join just behind the head; Fretboard: rosewood, heavy groove wear throughout; Frets: indent wear throughout; Case: original hard case enclosing original purchase finance agreement; Weight: 2.05kg; Overall condition: good for age

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Gardiner Houlgate
Los 25

Epiphone Zephyr Deluxe electric guitar, made in USA, circa 1949; Body: natural finish, light checking throughout, minor dings, binding pulling from back at the treble waist; Neck: significant finish wear; Fretboard: rosewood; Frets: mild wear, but very playable; Hardware: good, two replaced tuner buttons (originals retained), bridge replaced; Electrics: working; Case: original hard case; Weight: 3.02kg; Overall condition: good for age *Sold with non transferable CITES A10 certificate no. 612342/01

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Gardiner Houlgate
Los 259

1968 Framus Atlantik semi-hollow body electric guitar, made in Germany; Body: sunburst finish, dings and light surface scratches but otherwise generally good for age; Neck: good; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: good; Case: Gator hard case; Weight: 2.85kg; Overall condition: good

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Gardiner Houlgate
Los 279

1997 Epiphone Les Paul Standard electric guitar; Body: cherry sunburst finish, a few light marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, missing pickguard; Case: fitted hard case; Weight: 4.17kg; Overall condition: good

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Gardiner Houlgate
Los 292

1967 Gibson ES-335 TDC semi-hollow body electric guitar, made in USA, ser. no. 3xxxx8; Body: cherry refinish (paint visible on edge of the inner back through the treble F-hole), light checking and various dings but otherwise good; Neck: moderate wear to back of the neck as to be expected for a guitar of this age; Fretboard: rosewood; Frets: mild wear; Electrics: earthing issue which requires attention, sticker Patent number pickups, 1967 dated pots; Hardware: generally good, factory vibrola; Case: period Ess & Ess hard case; Weight: 3.95kg; Overall condition: good for age

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Gardiner Houlgate
Los 295

2017 Gibson Les Paul Classic T electric guitar, made in USA, ser. no. 17xxxxxx8; Body: cherry sunburst finish, very light superficial belt wear to back; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, upgraded Tusq XL nut; Case: original hard case; Weight: 4.09kg; Overall condition: very good

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Gardiner Houlgate
Los 307

2004 Gretsch G5127 hollow body electric guitar, made in Korea; Body: baby blue finish top, black back and sides, light surface buckle marks to back, other minor marks; Neck: good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Weight: 3.01kg; Overall condition: good

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Gardiner Houlgate
Los 311

1999 C.F. Martin D-15 Mahogany Top Dreadnought acoustic guitar, made in USA, ser. no. 6xxxx0; Body: mahogany, light marks and general play wear; Neck: mahogany; Fretboard: rosewood; Frets: indent wear throughout; Hardware: good; Case: original hard case; Weight: 1.82kg; Overall condition: good

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Gardiner Houlgate
Los 322

1999 Warwick Thumb Bolt-On bass guitar, made in Germany; Body: natural finish, light play wear to treble side of strings; Neck: good; Fretboard: wenge; Frets: good; Electrics: working; Hardware: good; Case: Stagg hard case; Weight: 4.26kg; Overall condition: good

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Gardiner Houlgate
Los 323

1964 Epiphone Rivoli EBV 232 semi-hollow body bass guitar, made in USA, ser. no. 1xxxx5; Body: sunburst finish, heavy lacquer checking, heavy thumb and finger wear to bass side of strings, light buckle wear to back, further heavier scratches and blemishes, pickguard fade pattern to top; Neck: heavy wear and lacquer checking, head crack repair; Fretboard: rosewood; Frets: good, refret; Electrics: working, button switch replaced with a two-way on/off switch; Hardware: missing pickguard, otherwise good; Overall condition: fair ** Sold with CITES A10 certificate no. 608851/02

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Gardiner Houlgate
Los 341

1978 Gibson Les Paul Deluxe P90 conversion electric guitar, made in USA, ser. no. 7xxxxx2; Body: Fiesta red finish (possibly refinished), heavy buckle wear to back, blemishes to back edges, light dings and wear to top; Neck: mild wear throughout; Fretboard: rosewood; Frets: mild wear; Electrics: working; Hardware: generally good, previous owner identity mark engraved to the stop bar; Case: Gibson Protector hard case; Weight: 4.48kg; Overall condition: good for age

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Gardiner Houlgate
Los 351

1964 Gretsch 6120 Chet Atkins Nashville hollow body electric guitar, made in USA, ser. no. 6xxx0; Body: orange finish, light checking but otherwise very good for age; Neck: good; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original second generation tooled leather cowboy case; Weight: 3.46kg; Overall condition: very good *Single owner guitar purchased from Wilson Peck in Sheffield, 1964

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Gardiner Houlgate
Los 469

Ronnie Wood - Boss BD-2 Blues Driver guitar effects pedal, used by Ronnie Wood for live and studio performances, with marker pen setting position markers, within a Perspex light-up display case with plaque *Sold with a certificate of authenticity signed by Ronnie Wood's son Jesse Wood, confirming that the pedal was owned by his father as part of his personal collection and used for live, touring and recording purposes and later gifted to himself; also with a photograph of Jesse Wood holding the certificate and pedal

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Gardiner Houlgate
Los 509

Electric Light Orchestra - original collaged artwork for the front cover of the band's 1983 album 'Secret Messages'; together with another ELO cover concept and an airbrushed logo (3) * Design and artwork by David Costa for ELO and Jet Records ** The David Costa Collection

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Gardiner Houlgate
Los 76

2013 Cas Davey Custom Modified OM acoustic guitar, made in Britain; Back and sides: flame maple, light buckle marks to back; Top: Swiss alpine spruce, light dings; Fretboard: ebony; Electrics: Fishman Matrix Infinity pickup; Hardware: good; Case: Guardian hard case; Weight: 2.06kg; Overall condition: good

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Warren & Wignall
Los 841

A pine dresser.Good solid condition, some general wear to include light surface marks and scratches. There has been holes for a wire drilled through two of the shelves and the back.

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