534325 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenWILLIAM JAMES MULLER (1812-1845) 'A SCENE IN THE LEVANT', a mountainous landscape, initialled bottom right, monochrome watercolour on paper, approximate size 23.5cm x 20.5cm, Condition Report: top left corner is missing, light crease to the left side,Provenance: The Arnold Fellows Collection
A LATE VICTORIAN SILVER OPEN FACE POCKET WATCH, key wound, round white dial, Roman numerals, subsidiary dial at the six o'clock position, blue steel hands, in a polished case with a vacant belt and buckle cartouche, inside case back hallmarked 'Edward Hickman' Birmingham 1885, movement signed 'Joseph Cunliffe, Bedworth, approximate case width 54.8mm, approximate gross weight 161.8 grams (condition report: not tested, requires a key, general light wear, small dinks and dents in places to the case, light tarnishing, hair line cracks to the dial near the subsidiary dial, overall condition good)
TWO PAIRS OF LATE VICTORIAN/ EARLY 20TH CENTURY DROP EARRINGS AND ANOTHER PAIR, the first a pair of AF pinchbeck Victorian tassel drop earrings, fish hook fittings (one fish hook is broken), drop length approximately 77mm, a pair of tear drop gold plated drop earrings set with a green paste Rose of Sharon insert, fitted with fish hook fittings, drop length 48mm, together with a pair of white metal onyx set drop earrings with fish hook fittings (condition report: some tassel fittings are missing, one fish hook missing, stones missing from the Rose of Sharon, general light wear)
A SILVER OPEN FACE POCKET WATCH, manual wind, round white dial, Roman numerals, blue steel hands, subsidiary seconds dial at the six o'clock position, in a polished case, inside case back hallmarked 'Aaron Lufkin Dennison' Birmingham 1930, dust cover hallmarked, stamped 601314, approximate case width 49.3mm, approximate gross weight 84.5 grams (condition report: watch winds, sets and runs, although time keeping is untested, general light wear)
A VICTORIAN MOURNING RING, yellow metal ring in the form of an open book, one side with a vacant glass panel, floral detail and scrolls to the shoulders, leading onto a thin polished band, unmarked, ring size L, approximate gross weight 2.0 grams (condition report: general light wear, would benefit from a gentle clean and polish, overall condition good)
A ROSE METAL SINGLE STONE DIAMOND RING, single old cut diamond, estimated diamond weight 0.25cts, claw set, to a polished band, unmarked, sponsors mark 'C&J.R.C', ring size Q 1/2, approximate gross weight 2.3 grams (condition report: general light wear, stone secure but claws are wearing thin, overall condition good)
A GROUP OF FISHING RODS, comprising a Shakespeare 'Agility' 9' 6 6# rod, a Daiaw 'Amorphous Whisker- Osprey' trout special 9' 3 rod, a Shakespeare 'Expedition Fly' length 2.55m, an unnamed rod (possibly custom built) length 9' #6, all have bags or cases (4) (Condition report: signs of very light use)
Eric Gill ARA (1882-1940)Portrait of Mrs A T Gill - the artist's mothersigned and dated 'Eric G/Dec. 2. 24' l.r., inscribed 'Mrs A. T. Gill' l.l., pencil31 x 20cmProvenance: With the Piccadilly Gallery, London, 1989 (purchased by Simon Ward).Condition ReportFramed size 50 x 41cmNot viewed out of glazed frame. Paper is a light grey colour. Some light handling creases. A few tiny spots of foxing. A mark on paper on sitter's hair. Please contact dept for detailed images.
â–´ Henri Matisse (French, 1869-1954)'La Danse'lithograph in colours, published in Verve Nº4 magazine, Paris, 1939image 32.5 x 39cm (visible)Condition ReportFramed: 58 x 64cmWith original centre fold and perforations where the stitching has been removed. Light handling creases to the margins and some staining to the edges where the work has been framed with an acidic mount. Not viewed out of glazed frame.
â–´ Paul Frans (Belgian, b.1958)La Terrasse de Monetsigned 'Paul Frans' l.r., inscribed verso, oil on board55 x 37.5cmProvenance: Purchased by Mr Evan & Mrs Patricia Steadman from 'Le Capricorne', Saint-Paul de Vence, October 1988. Mr Evan Steadman was the former organiser of The Grosvenor House Antiques Fair.Condition ReportFramed: 67 x 50cmLight surface dirt with rubbing and possible touching up to the top left edge. A small abrasion and loss to the top right corner, please see images. Unexamined under UV light, for a full report please contact the department.
Maqbool Fida Husain (Indian, 1915-2011)Ganeshscreenprint in colours, signed 'Husain' in pen l.r., numbered '79/150' l.l.sheet 76 x 56cm, unframedCondition ReportPreviously rolled with light handling creases. Some surface scuffs, mainly to the red area in the centre of the print, please see images. There is small piece of tape affixed the the front of the print in the lower right corner.
â–´ Graham Ovenden (b.1943)'The Tower of Babel'signed 'Graham Ovenden', inscribed with title, medium and 'painted for my dear friends Clive and Jane Wainwright' and dated 1986 verso, also with a pencil sketch and gouache sketch of the Tower of Babel attached verso, oil on panel78 x 61cmProvenance: The Clive & Jane Wainwright Collection, purchased from the artist, 1986.Condition ReportFramed size 99 x 81cmA few tiny specks of dirt but otherwise appears to be in good condition. Unexamined under uv light.
â–´ Barbara Greg (1900-1983)'Horses Playing'woodcut, signed 'Barbara Greg' in pencil l.r., inscribed with title and numbered '8/6' versosheet 27.5 x 23cm, unframedCondition ReportTime staining and with light surface dirt and slight creasing to the lower left corner. The print has deckled edges and a small part of the lower corner has been torn.
Maqbool Fida Husain (Indian, 1915-2011)Untitledlithograph in colours, signed 'Hussain' in pencil l.r., numbered '86/150' l.l.sheet 71 x 50cm, unframedCondition ReportPrevoiusly rolled. Light handling creases. There are some dirty marks to the margins, however the printed area appears unaffected.
â–´ Graham Ovenden (b.1943)'All Hallows' (The Sea Cathedral)signed, inscribed with title and 'painted for Clive & Jane Wainwright', and dated '1981/3' verso, oil on panel81 x 119cmProvenance: The Clive & Jane Wainwright Collection, purchased from the artist, 1983;with the Piccadilly Gallery, London.Condition ReportFramed size 109 x 147cmA few tiny specks of dirt. Otherwise appears to be in good condition. Unexamined under uv light.
Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportSome light surface scuffs and scratches but overall this does not detract from the image.
â–´ Guy Malet (1900-1973)'The Gateway'woodcut, signed 'GUY MALET' in pencil l.r., inscribed with title and numbered '69/75' l.l.sheet 32 x 27cm, unframedCondition ReportTime staining. A diagonal fold 8cm in length to the lower left corner. Light handling creases and a faint black lin to the margin in the lower right corner, however the printed area is unaffected.
â–´ Edward Bawden RA (1903-1989)'A Midnight Snack' (MG 172), c.1983linocut, signed 'Edward Bawden' in pencil l.r., inscribed with title and numbered '9/50' l.l.sheet 34 x 46.7cmCondition ReportThe print is mounted. It is attached to the back board with two strips of tape applied to the reverse of the top edge. Light time staining with some foxing starting to emerge to the margins.
â–´ Edmund Blampied RBA RE (1886-1966)An elderly woman peeling potatoespen and ink and charcoal, signed 'Blampied' l.c.25 x 25cm;together with:'Deux Petit Verres'etching, signed 'E.Blampied' in pencil l.l., and numbered '39/100' l.r.plate 26 x 26cm (2)Provenance: With St Hellier Galleries, Jersey.Condition ReportFramed: 58 x 42.5cm and 55 x 51cm'An elderly woman peeling potatoes': some light spots of foxing starting to emerge. A small brown stain bottom left edge, please see images.'Deux Petit Verres': Time staining. The work has been framed with an acidic mount. Not viewed out of glazed frames.
â–´ Norman Lloyd (Australian-British, 1894-1983)Haystackssigned 'NORMAN LLOYD' l.r., oil on canvas59 x 71.5cmCondition ReportFramed: 70 x 83cmLight surface dirt with several small pinholes (?) to the upper right corner and a couple of very small losses to the top edge. Unexamined under UV light, for a full report please contact the department.
â–´ John Piper CH (1903-1992)'Regency Square' (Levinson 20)aquatint, 1939, plate IX from the 'Brighton Aquatints' series, an edition of 200 printed by A Alexander & Sons Ltd. on hand-made paper by F J Head and published by Duckworth, Londonplate 27.6 x 21.1cmProvenance: Phillips, Bond Street, London, 'Twentieth Century British Art' , 25 September 2001, Lot 55.Condition ReportFramed: 44.5 x 34.5cmDiscolouration and time staining to the paper with light foxing, please see images. Not viewed out of glazerd frame.
â–´ David Shrigley (b.1968)'When Life Gives You A Lemon, You Must Eat the Lemon'offset lithograph in colours, 202180 x 60cm, unframedCondition ReportPreviously rolled. A small dirty mark to the top edge, please see images. Some light half-moon creases to the lemon and the bottom of the print.
â–´ Pedro Escalona (Spanish, b.1949)'Extrarradios'signed and inscribed 'Escalona 0010' l.c., oil on board40 x 40cmExhibited: 'Pedro Escalona', Biblioteca Municipal, Alhaurin el Grande, Málaga, 2010.Illustrated: 'Pedro Escalona', Biblioteca Municipal, Alhaurín el Grande, 2010, p.16.Condition ReportFramed: 56 x 56cmLight rubbing to the extreme edges but in otherwise good overall condition. Well presented and ready to hang.
â–´ Paul Frans (Belgian, b.1958)'Les Trois Dames en Conversation'signed 'Paul Frans' l.l., inscribed with title verso, oil on board22 x 33cmProvenance: Purchased by Mr Evan & Mrs Patricia Steadman from 'Le Capricorne', Saint-Paul de Vence, October 1988. Mr Evan Steadman was the former organiser of The Grosvenor House Antiques Fair.Condition ReportFramed: 34 x 45cmA small scuff and light surface abrasions to the huts on the left hand side, plase see images. However, presents well overall and is ready to hang. Not examined under UV light, for a full report please contact the department.
â–´ Adrian Allinson (1890-1959)'Winter Slumber'woodcut, signed 'Allinson' in pencil l.r.sheet 29.5 x 32cm, unframedCondition ReportLight handling creases to the margins. There is some discolouration to the margins where the work has been previously framed. There ia a small piece of tape applied to the front of the upper left corner.
▴ Henry Moore OM CH FBA (1898–1986)'Sculptural Objects'lithograph in colours, signed and dated in the stone 'Moore 49.' l.r., printed in Great Britain by W S Cowell Ltd. and published by School Prints Ltd.image 48 x 75cm Condition ReportFramed 54.5 x 81.5cmLight time staining. There is a insect trapped between the print and the glazing to the upper right which has created a dirty smudge on the print, please see images. Unexamined out of glazed frame.
â–´ Paul Frans (Belgian, b.1958)'La Femme en Bleu'signed 'Paul Frans' l.l., inscribed with title verso, oil on board30 x 59.5cmCondition ReportFramed: 42 x 72cmSome very small white speckles, however the work presents well overall and is ready to hang. Unexamined under UV light, for a full report please contact the department.
â–´ Margaret Green (1925-2003)A view of a garden, possibly the artist's home near Stowmarket in Suffolksigned 'M Green' l.l., oil on canvas61 x 51cm, unframedCondition ReportLight surface dirt to the edges but appears to be in otherwise good order. Unexamined under UV light, for a full report please contact the department.
Nicolaï Nikolaievich Gorlov (1917-1987)'Model’signed, inscribed in Cyrillic and dated '1940' verso, oil on canvas80 x 64cm Condition ReportFramed: 102 x 86cmLight surface dirt with some minor surface abrasions. There are two light scratches to the right hand side measuring 9cm and 13cm, please see images. Unexamined under UV light, for a full report please contact the department.
â–´ Clarisse Loxton Peacock (1926-2004)A vase of summer flowerssigned 'C Loxton Peacock' l.l., oil on canvas76 x 41cm, unframedCondition ReportLight surface dirt. There are two small patch repairs visible to the reverse. Unexamined under UV light, for a full report please contact the department.
â–´ Carolyn Sergeant (1937-2018)'Welsh Poppies and Pansies'signed with initials and dated '87' l.l., inscribed with title verso, oil on board22.5 x 27cmExhibited: Royal Academy Summer Exhibition, 1988, catalogue no. 267.Condition ReportFramed 32.5 x 36.5cmWell presented and ready to hang. Unexamined under UV light, for a full report please contact the department.
â–´ Mary Fedden RA (1915-2012)'Pot of Shells'lithograph in colours, 1971, signed 'Fedden' in pencil l.r., numbered '41/70' l.l.sheet 57 x 77.5cm, unframedCondition ReportThe top edge of the print is deckled with two pices of tape applied to the reverse. There is a light crease running along the bottom margin but the printed area is in good condition.
After Andy Warhol'Campbell's Black Bean Soup';'Campbell's Beef with Vegetables and Barley Soup'a set of two screenprints in colour87.5 x 57cm visible (2)Condition ReportFramed: 106 x 75.5cm'Campbell's Black Bean Soup': Light cockling. There are some small thunderbugs trapped behind the glazing, however the printed area appears unaffected. 'Campbell's Beef with Vegetables and Barley Soup': Rippling to the top and bottom edges, the print appears to have been stuck down with two thick pieces of tape. There is a small scuff to the black/ silver rim of the tin upper right, please see images. There are thunderbugs trapped between the print and the glazing. The prints have not been viewed out of the glazed frames.
â–´ James Coignard (French, 1925-2008)Untitled etching and collage on handmade paper, signed 'J.Coignard' l.c., and numbered '15/15' l.l.75 x 56cmCondition ReportFramed: 110 x 95cmLight cockling, the work appears to be stuck down by the corners. The edges are deckled as would be expected of handmade paper. Not viewed out of glazed frame but presents well overall.
â–´ Erni Upton (b.1936)'Crystal Clear Morning, Annraidh, Iona'signed 'Upton' l.r., further signed, inscribed with title and dated '2008' verso, oil on canvas61 x 91.5cmCondition ReportFramed: 79 x 109cmWell presented and ready to hang. Unexamined under UV light, for a full report please contact the department.
â–´ Vinicio Berti (Italian, 1921-1991)'Breccia Nel Tempo'signed and dated 'VINICIO/BERTI 59' l.r., inscribed with title verso, oil on canvas59 x 40cmProvenance: With Società delle Belle Arti, Circolo degli artisti, Casa Di Dante, Firenze.Condition ReportFramed: 62 x 42.5cmCanvas a little rippled at black in lower half. Painting presents well from the front and appears to be in good condition. Under UV light no retouching is visible.
â–´ John Piper CH (1903-1992)'Regency Square from the West Pier' (Levinson 14)aquatint, 1939, plate III from the 'Brighton Aquatints' series, an edition of 200 printed by A Alexander & Sons Ltd. on hand-made paper by F J Head and published by Duckworth, Londonplate 21.2 x 29.2cmProvenance: Phillips, Bond Street, London, 'Twentieth Century British Art' , 25 September 2001, Lot 55.Condition ReportFramed: 37 x 45cmPaper discolouration and time staining with light foxing in places. Not viewed out of glazed frame.
Maqbool Fida Husain (Indian, 1915-2011)'British Raj'serigraph in colours, signed 'Husain' in pencil l.r., numbered '100/300' l.l.sheet 98 x 50.5cm, unframedCondition ReportPreviously rolled. Creasing, with a horizontal fold that runs along the bottom of the printed area. Light surface abrasions and scuffs to the black border. Some dirty marks, particularly to the white areas, please see images.
Loading...
