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Stanford Auctioneers
Los 522

Keith Haring (American, 1958 - 1990). "Fertility Suite #1". Original offset lithograph. 1983. Printed 1983. Signed by Haring in black marker. Edition c200. Light cream smooth stiff wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Littmann 31. Overall size: 4 3/4 x 5 3/8 in. (121 x 137 mm). A very rare and highly sought after item, especially since the set of five regular edition screenprints fetched $161,000 at Christie's, New York, 10/23/2014, lot #252. “Gordon’s” does not locate any of the individual cards from the miniature suite at auction, from 1985 to the present. Image copyright © The Keith Haring Foundation. [29788-1-500]

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Stanford Auctioneers
Los 417

Andy Warhol (American, 1928 - 1987). "Knives #07". Color offset lithograph. Printed 1982. Signed in black marker, lower right. Edition unknown, presumed very small. Light cream wove smooth coated paper. The full sheet. Fine impression. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIA.32. Overall size: 11 3/8 x 8 5/16 in. (289 x 211 mm). Rare. No auction records located. Issued to promote the 'Andy Warhol: Guns, Knives, Crosses' exhibition at the Galeria Fernando Vijande, Madrid, Spain. The show consisted of dozens of separate images of Warhol's renditions of guns, knives, and crosses. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went fast. The reception was held on December 19th and the exhibition ran from December 20th, 1982 to February 12, 1983. Printed by Grafex, Madrid. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28857-2-700]

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Stanford Auctioneers
Los 486

Giacomo Balla (Italian, 1871-1958). "Giacca e Pantaloni Futurista". Watercolor and pencil drawng on paper. 1914. Signed and dated lower left. Drawn on light cream wove paper. Good condition; scattered fox marks; s few small handling marks; presents very well. Overall size: 9 1/2 x 6 11/16 in. (241 x 170 mm). Our example is one of several drawings Balla drew in 1914 as studies for his sculpture “Matrice” (1914). He was a highly important and accomplished artist. In his early 30's he taught Divisionist techniques to Umberto Boccioni and Gino Severini. Influenced by Filippo Tommaso Marinetti, Balla adopted the Futurism style, creating a pictorial depiction of light, movement, and speed. He was signatory to the Futurist Manifesto in 1910, and began designing and painting Futurist furniture, also creating Futurist "anti-neutral" clothing. Image copyright © The Estate of Giacomo Balla. [29929-1-2400]

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Stanford Auctioneers
Los 721

Josef Albers (German/American, 1888 - 1976). "Arctic Light: Homage to the Square [miniature edition]". Original color silkscreen. 1963. Printed 1970. Signed in pencil with the initial and dated, lower right. Probably a PP or TP from the miniature edition of unknown size, presumed small. Cream wove paper. Ample margins. Fine impression. Good condition; a few handling dimples, else very good. Provenance: Private collection, Hartford, Connecticut, acquired from the Estate of Sewell Sillman of Ives-Sillman, the firm who printed/published many Albers editions. Overall size: 8 1/2 x 8 7/8 in. (216 x 225 mm). Image size: 7 1/2 x 7 1/2 in. (190 x 190 mm). An authentic silkscreen, hand-printed with the approval of Josef Albers. Printed under the direction of Sewell Sillman (Ives-Sillman, Inc.) for the Sidney Janis Gallery, NYC. NB: according to “Gordon’s” the most recent sale of a “mini-Albers” is a set of two miniature screenprints (unsigned) which sold for $1,875 at Swann Auction Galleries, New York City, May 16, 2019, lot #111. Image copyright © The Josef and Anni Albers Foundation - Artists Rights Society (ARS), New York. [25718-2-300]

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Stanford Auctioneers
Los 236

Willem de Kooning (Dutch/American, 1904 - 1997). "Rainbow - Devil at the Keyboard [Thelonius Monk]". Color lithograph. 1975/76. Signed in green crayon, lower right. A proof aside from the edition of 75/125. Light cream wove paper. Full margins. Fine impression with vibrant colors. Very good condition; minor handling dimples. Overall size: 35 1/2 x 24 1/2 in. (902 x 622 mm). Image size: 32 1/2 x 20 1/4 in. (825 x 514 mm). Another impression of this print, also with the blue crayon signature, sold for $3,600 on May 16, 2013 at Swann Galleries, New York City, lot #10. According to 'Gordon's Art Reference' the auction record for the print is $5,124, sold May 3, 2011, Bonhams and Butterfields, San Francisco, lot #275. Published by the Rainbow Foundation, New York. Image copyright © The Willem de Kooning Foundation / Artists Rights Society (ARS), New York. [26897-6-1400]

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Stanford Auctioneers
Los 113

Matt Groening (American, b.1954). "The Simpson Family". Original marker drawing on paper. c2010. Signed lower right. Drawn on light cream wove paper. Good condition. Overall size: 10 9/16 x 8 1/4 in. (268 x 210 mm). Matthew Abram "Matt" Groening is an American cartoonist, screenwriter, producer, animator, author, musician, and voice actor. In addition to “The Simpsons” he is the creator of the comic strip “Life in Hell” (1977–2012) as well as two successful television series, “The Simpsons” (1989–present) and “Futurama” (1999–2003, 2008–2013). Image copyright © Matt Groening. [29842-2-800]

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Stanford Auctioneers
Los 84

Edgar Degas (French, 1834 - 1917). "Trois filles assises de dos". Original color gravure with pochoir, after the monotype. 1877-1879. Printed 1948. Numbered in pencil, lower left; handstamps verso. Edition of 500. Cream wove watermarked Marais "vellum" paper. Wide margins. Fine impression with delicately applied pochoir. Very good condition, very crisp, paint residue center left and right margins, a pronounced platemark and the expected light tanning to the sheet. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Overall size: 11 7/16 x 9 in. (291 x 229 mm). Degas created a considerable body of monotypes in the late 19th century. A number of them were reduced in size and recreated as original works in 1938 and again in 1948, of which our example is part. The verso bears the handstamp of Edgar Achille Gaston DeGas-Musson (1875-1953), the son of Estelle Angelina Musson DeGas and Jean Baptiste Rene DeGas (the brother of Edgar Degas). [29332-2-500]

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Stanford Auctioneers
Los 439

Andy Warhol (American, 1928 - 1987). "Ingrid Bergman: With Hat (01)". Color offset lithograph. 1983. Signed in black felt tip pen, center right; signed in the plate. Edition unknown, presumed very small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.315. Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm). Scarce, and rare signed. A signed impression from this series sold for $1,248 at Pierre Cornette de Saint Cyr, Paris, June 25, 2012, lot #420. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. The portfolio consists of three separate images of Bergman. Apparently there were very small quantities of this lithograph printed for distribution on opening night and they went quickly. This image, the "edition print," is based on a movie still from "Casablanca." Published by Galerie Borjeson AB, Malmo. Image copyright © 2001 Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28159-2-800]

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Stanford Auctioneers
Los 680

Jean-Michel Basquiat (American, 1960-1988). "Black". Color offset lithograph. 1986. Printed 1987. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 10 5/8 x 8 1/4 in. (270 x 210 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat: New Works" at the Akira Ikeda Gallery, Tokyo, Japan (the exhibition ran from February 7th to the 28th, 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Akira Ikeda Gallery and printed by the Takada Printing Co. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29081-2-800]

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Stanford Auctioneers
Los 252

Andy Warhol (American, 1928 - 1987). "Portrait of Andy Warhol [poster]". Color offset lithograph. 1982. Signed by Warhol in black marker, lower right. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Provenance: Private collection, Sweden, thence to our consignor. Overall size: 22 x 20 in. (559 x 508 mm). Warhol had a joint exhibition with the German-born photographer Hans Namuth (1915-1990) at New York’s Castelli Gallery from January 9th to the 30th, 1982. Namuth specialized in portraits and is most famous for his photographs of Jackson Pollock creating his iconic drip paintings. This portrait of Warhol is part of Namuth’s project to photograph the artists represented by Castelli. It shows Warhol standing in front of Rubens’s painting ‘Reconciliation of the Queen and her Son’, which was part of his Marie de Medici Cycle. Rubens was famous for painting the celebrities of his day, providing them with an image to bolster their power. Warhol did the same with his pop portraits; indeed Robert Rosenblum described him as “an ideal court painter”. Rubens also employed a large studio of assistants which is paralleled in Warhol’s ‘Factory.’ An impression of this work is included in the collection of the National Galleries of Scotland, accession no. AR00437. Image copyright © The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York / DACS, London; and image copyright © Estate of Hans Namuth. [29234-5-800]

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Stanford Auctioneers
Los 319

Keith Haring (American, 1958 - 1990). "Naples Suite #17 [untitled]". Lithograph. 1983. Printed 1989. Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm). Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29746-2-800]

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Stanford Auctioneers
Los 578

Leonard Tsuguharu Foujita (Japanese/French, 1886 - 1968). "Deux chats, un dormant". Pencil drawing on paper. 1930. Signed in pencil, lower right. Light cream wove paper. Very good condition. Overall size: 8 5/8 x 12 9/16 in. (219 x 319 mm). Foujita, born in Tokyo, applied Japanese drawing techniques and mediums to Western style paintings. His portraits of cats are especially well known. Image copyright © Artists Rights Society (ARS), New York. [29824-2-2400]

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Stanford Auctioneers
Los 27

Ernest Howard Shepard (British, 1879 - 1976). "Winnie the Pooh and Piglet". Watercolor and ink drawing on paper. 1940s. Signed lower right. Painted on light cream wove paper. Very good condition. Overall size: 7 13/16 x 4 3/4 in. (198 x 121 mm). Shepard would occasionally revisit his favorite characters in the form of drawings given to relatives, friends, and other artists, as in our example. Image copyright © the Disney Corporation and Dutton Children's Books. [29870-1-8000]

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Stanford Auctioneers
Los 592

Edgar Degas (French, 1834 - 1917). "Danseuse, vue de dos, les mains sur les hanches". Original color gravure with pochoir, after the monotype. c1873. Printed 1948. Signed in the plate, lower right; numbered in pencil, lower left; handstamps verso. Edition of 500. Cream wove watermarked Marais "vellum" paper. Wide margins. Fine impression with delicately applied pochoir. Fine condition, very crisp, with a pronounced platemark and the expected light tanning to the sheet. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Overall size: 11 3/8 x 9 in. (289 x 229 mm). Degas created a considerable body of monotypes in the late 19th century. A number of them were reduced in size and recreated as original works in 1938 and again in 1948, of which our example is part. The verso bears the handstamp of Edgar Achille Gaston DeGas-Musson (1875-1953), the son of Estelle Angelina Musson DeGas and Jean Baptiste Rene DeGas (the brother of Edgar Degas). [29327-2-800]

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Stanford Auctioneers
Los 151

Armin Landeck (American, 1905 - 1984). "Sunset Palace Lodge". Drypoint. 1938. Signed, dated, and editioned in pencil. Edition of 100. Light cream wove paper. Full margins (deckle edges). Fine impression, richly inked with much burr. Fine condition. Literature/catalogue raisonne: Kraeft 69. Provenance: The collection of Norman Kraeft. Image size: 6 x 7 3/4 in. (152 x 197 mm). This scarce Landeck image has sold as high as $1,200 at auction (Swann Galleries, NYC, 19th & 20th Century Prints & Drawings, Sale #2106, 03/06/2007, lot #337). Image copyright © The Estate of Armin Landeck. [18361-3-225]

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Stanford Auctioneers
Los 72

Edgar Degas (French, 1834 - 1917). "Un client serieux". Original duogravure, after the monotype. 1877. Printed 1948. Numbered in pencil, lower left; handstamps verso. Edition of 500. Cream wove watermarked Marais "vellum" paper. Wide margins. Fine impression. Very good condition, very crisp, a pronounced platemark, and the expected light tanning to the sheet. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Overall size: 11 3/8 x 9 in. (289 x 229 mm). Degas created a considerable body of monotypes in the late 19th century. A number of them were reduced in size and recreated as original works in 1938 and again in 1948, of which our example is part. The verso bears the handstamp of Edgar Achille Gaston DeGas-Musson (1875-1953), the son of Estelle Angelina Musson DeGas and Jean Baptiste Rene DeGas (the brother of Edgar Degas). [29338-2-400]

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Stanford Auctioneers
Los 689

Jean-Michel Basquiat (American, 1960-1988). "Because It Hurts the Lungs". Color offset lithograph. 1986. Printed 1987. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 10 5/8 x 8 1/4 in. (270 x 210 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat: New Works" at the Akira Ikeda Gallery, Tokyo, Japan (the exhibition ran from February 7th to the 28th, 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Akira Ikeda Gallery and printed by the Takada Printing Co. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29082-2-800]

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Stanford Auctioneers
Los 317

Keith Haring (American, 1958 - 1990). "Naples Suite #25 [untitled]". Lithograph. 1983. Printed 1989. Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm). Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29754-2-800]

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Stanford Auctioneers
Los 442

Andy Warhol (American, 1928 - 1987). "Ingrid Bergman: Herself (01)". Color offset lithograph. 1983. Signed in black felt tip pen, lower center; signed in the plate. Edition unknown, presumed very small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.313. Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm). Scarce, and rare signed. A signed impression from this series sold for $1,790 at Pierre Cornette de Saint Cyr, Paris, June 20, 2011, lot #412. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. The portfolio consists of three separate images of Bergman. Apparently there were very small quantities of this lithograph printed for distribution on opening night and they went quickly. This image, the "edition print," is based on an early publicity photograph. Published by Galerie Borjeson AB, Malmo. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28155-2-800]

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Stanford Auctioneers
Los 640

Edgar Degas (French, 1834 - 1917). "Chanteuse du café-concert". Original color gravure with pochoir, after the monotype. c1875-1876. Printed 1948. Signed in the plate, upper right; numbered in pencil, lower left; handstamps verso. Edition of 500. Cream wove Marais "vellum" paper. Wide margins. Fine impression with delicately applied pochoir. Fine condition, very crisp, with a pronounced platemark and the expected light tanning to the sheet. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Overall size: 10 11/16 x 9 in. (271 x 229 mm). Degas created a considerable body of monotypes in the late 19th century. A number of them were reduced in size and recreated as original works in 1938 and again in 1948, of which our example is part. The verso bears the handstamp of Edgar Achille Gaston DeGas-Musson (1875-1953), the son of Estelle Angelina Musson DeGas and Jean Baptiste Rene DeGas (the brother of Edgar Degas). [29328-2-600]

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Stanford Auctioneers
Los 437

Andy Warhol (American, 1928 - 1987). "Ingrid Bergman: With Hat (08)". Color offset lithograph. 1983. Signed in black felt tip pen, center left; signed in the plate. Edition unknown, presumed very small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IIB.315. Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm). Scarce, and rare signed. A signed impression from this series sold for $1,248 at Pierre Cornette de Saint Cyr, Paris, June 25, 2012, lot #420. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. Apparently there were very small quantities of this lithograph (our example) printed for distribution on opening night and they went quickly. This image of Bergman, one of the "trial proof unique prints," is based on a movie still from "Casablanca." Published by Galerie Borjeson AB, Malmo. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28339-2-600]

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Stanford Auctioneers
Los 321

Keith Haring (American, 1958 - 1990). "Naples Suite #13 [untitled]". Lithograph. 1983. Printed 1989. Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm). Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29742-2-800]

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Stanford Auctioneers
Los 587

Lawrence Beall Smith (American, 1909 - 1989). "Demolition [FIVE IMPRESSIONS]". Original lithograph. 1985. Signed, dated, titled and numbered in pencil. Edition of 100. Light cream wove paper. Full margins (deckle edges). Fine impressions. Fine condition. Provenance: Ex-collection Norman Kraeft. Overall size: 18 x 13 7/8 in. (457 x 352 mm). Image size: 14 x 7 7/8 in. (356 x 200 mm). Please note that this lot contains five (5) impressions of this lithograph. A painter, sculptor, lithographer, and illustrator, Smith studied at the Art Institute of Chicago and at the University of Chicago. image copyright © The Estate of Lawrence Beall Smith. [29326-4-200]

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Stanford Auctioneers
Los 83

Edgar Degas (French, 1834 - 1917). "Trois filles assises de face". Original color gravure with pochoir, after the monotype. 1877-1879. Printed 1948. Signed in the plate, upper right; numbered in pencil, lower left; handstamps verso. Edition of 500. Cream wove watermarked Marais "vellum" paper. Wide margins. Fine impression with delicately applied pochoir. Very good condition, very crisp, paint residue center left margin, a pronounced platemark and the expected light tanning to the sheet. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Overall size: 11 7/16 x 9 in. (291 x 229 mm). Degas created a considerable body of monotypes in the late 19th century. A number of them were reduced in size and recreated as original works in 1938 and again in 1948, of which our example is part. The verso bears the handstamp of Edgar Achille Gaston DeGas-Musson (1875-1953), the son of Estelle Angelina Musson DeGas and Jean Baptiste Rene DeGas (the brother of Edgar Degas). [29331-2-500]

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Stanford Auctioneers
Los 636

Leonard Tsuguharu Foujita (Japanese/French, 1886 - 1968). "Chat alerte". Pencil drawing on paper. c1931. Signed in pencil, lower right. Light cream wove paper. Good condition; minor creasing lower left, not into image; a few minor tears lower edge, well away from image. Overall size: 9 x 6 3/4 in. (229 x 171 mm). Foujita, born in Tokyo, applied Japanese drawing techniques and mediums to Western style paintings. His portraits of cats are especially well known. Image copyright © Artists Rights Society (ARS), New York. [29854-1-2400]

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Stanford Auctioneers
Los 119

Charles Schulz (American, 1922-2000). "The Peanuts Gang". Ink drawing on paper. c1979. Signed lower left. Drawn on very thin light cream wove paper. Good to very good condition with no real condition issues. Overall size: 4 13/16 x 7 1/16 in. (122 x 179 mm). Schulz, the creator and artist of "Peanuts," became wealthy by using his childhood insecurities and failures as material for his comic strip. Charlie Brown, the strip's likable loser, shared more than a first name with his creator and was inspired by Schulz's bittersweet memories of his Midwestern boyhood. Image copyright © The Estate of Charles Schulz. [29857-2-1600]

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Stanford Auctioneers
Los 582

Josef Albers (German/American, 1888 - 1976). "Design for a Coat of Arms for Bottrop [miniature edition]". Original color silkscreen. 1924. Printed 1973. Signed in pencil with the initial and dated. Probably a PP or TP from the miniature edition of unknown size, presumed small. Light cream wove paper. Ample margins. Fine impression. Fine condition. Provenance: Private collection, Hartford, Connecticut, acquired from the Estate of Sewell Sillman of Ives-Sillman, the firm who printed/published many Albers editions. Overall size: 8 7/8 x 5 1/4 in. (225 x 133 mm). An authentic silkscreen, hand-printed with the approval of Josef Albers. Printed by Trautwein KG, Recklinghausen, Germany. NB: according to “Gordon’s” the most recent sale of a “mini-Albers” is a set of two miniature screenprints (unsigned) which sold for $1,875 at Swann Auction Galleries, New York City, May 16, 2019, lot #111. Image copyright © The Josef and Anni Albers Foundation - Artists Rights Society (ARS), New York. [29350-1-300]

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Stanford Auctioneers
Los 463

Andy Warhol (American, 1928 - 1987). "Heart [drawing]". Marker drawing on paper. 1980. Signed in black marker and annotated "To Nigel". Light cream wove paper. Fine condition. Provenance: Private collection, Sweden, thence to our consignor. Overall size: 9 1/4 x 8 1/8 in. (235 x 206 mm). Marker drawings of hearts by Warhol are scarce. Our example is dedicated to Nigel Finch, the English film director and filmmaker whose career influenced the growth of British gay cinema. Drawn on the half title page of “Andy Warhol: Das Graphische Werk 1962-1980” by Hermann Wunsche. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29078-1-2400]

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James & Sons Auctioneers
Los 2090

Prince Albert's (Somerset Light Infantry) WWII Cap Badge (White-metal), Slider. K&K: 1891

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James & Sons Auctioneers
Los 2264

Highland light Infantry (Glasgow Highlander) 5th Volunteer Battalion (Elgin) Highland Light Infantry Glengarry Cap Badge (White-metal), two lugs.

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James & Sons Auctioneers
Los 2134

King's Own Yorkshire Light Infantry WWI Cap Badge (Bi-metal), slider. K&K: 670

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James & Sons Auctioneers
Los 2036

Oxfordshire and Buckinghamshire Light Infantry WWI 1st Battalion Cap Badge (White-metal), slider. K&K: 658

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James & Sons Auctioneers
Los 2599

The King's (Shropshire Light Infantry) Victorian Other Ranks Helmet Plate Centre 1881-1901 (Gilding-metal construction) K&K: 344/409. Four lugs.

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James & Sons Auctioneers
Los 2071

The Duke of Cornwall's Light Infantry WWI War Economy Forage Cap Badge (Gilding-metal), two lugs. K&K: 641

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James & Sons Auctioneers
Los 2203

Light Cavalry Band EIIR Cap Badge (Silver and Gilt), two lugs and made F&S. Superb

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James & Sons Auctioneers
Los 2069

The Duke of Cornwall's Light Infantry Victorian Cap Badge (White-metal), three lugs. K&K: 606

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James & Sons Auctioneers
Los 2091

Durham Light Infantry Victorian Cap Badge (White-metal), two lugs. K&K: 680

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James & Sons Auctioneers
Los 2378

The King's Own Yorkshire Light Infantry Victorian Pagri Badge (Bi-metal), two lugs. Scarce

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James & Sons Auctioneers
Los 2390

Prince Albert's (Somerset Light Infantry) 4th and 5th Battalions WWI Territorial Other Ranks Cap Badge (White-metal), two lugs with laurel sprigs in the scroll. K&K: 1711. Scarce

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James & Sons Auctioneers
Los 1804

Royal Marines Light Infantry 1905 issue Sergeants Helmet plate (Gilding-metal, enamel), two lugs. K&K: 1100

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James & Sons Auctioneers
Los 2011

King's Shropshire Light Infantry WWI Collar badge pair (Gilding-metal), lugs, left and right facing pair.

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James & Sons Auctioneers
Los 2093

Durham Light Infantry WWI Officers Cap Badge (Gilt), two lugs. K&K: 681

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James & Sons Auctioneers
Los 1807

Royal Marines Light Infantry (Portsmouth Division) N.C.O. WWII Cap Badge (Gilt), two lugs. K&K: 1115

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James & Sons Auctioneers
Los 1808

Royal Marine Light Infantry Cap Badge (Gilding-metal) and Royal Marine Artillery Cap Badge. K&K: 1097 and 1108.

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James & Sons Auctioneers
Los 2068

The Duke of Cornwall's Light Infantry Victorian Cap Badge (Brass), three lugs. K&K: 606

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James & Sons Auctioneers
Los 2596

106th (Bombay Light Infantry) Regiment of Foot Glengarry and pre-Territorial era 1874-1881 Badge, K&K: 583. (Brass) Two lugs.

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James & Sons Auctioneers
Los 2391

Prince Albert's (Somerset Light Infantry) 4th and 5th Battalions WWI Other Ranks Territorial Cap Badge (Gilding-metal), slider. K&K: 1711

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James & Sons Auctioneers
Los 2095

King's Own (Yorkshire Light Infantry) WWI Cap Badge (Bi-metal), slider. K&K: 671

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James & Sons Auctioneers
Los 2037

Oxfordshire and Buckinghamshire Light Infantry 1st Battalion Other Ranks WWI Cap Badge (Gilding-metal), slider and F.E. Woodward, B'ham. K&K: 658

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James & Sons Auctioneers
Los 2092

Durham Light Infantry WWI Cap Badge (White-metal), two lugs. K&K: 681

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James & Sons Auctioneers
Los 2135

King's Own Yorkshire Light Infantry WWI War Economy Cap Badge (Brass), slider. K&K: 670

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James & Sons Auctioneers
Los 2094

King's Own (Yorkshire Light Infantry) Victorian Cap Badge (Bi-metal), slider, smaller variant. K&K: 670

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James & Sons Auctioneers
Los 2089

Prince Albert's (Somerset Light Infantry) WWI Other Ranks Cap Badge (Gilding-metal), slider. K&K: 607

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James & Sons Auctioneers
Los 2303

Brigade Cap Badges 1958-1970 - A display board of fourteen with lowlands, Home Counties, Lancastrian, Fusiliers, Foresters, East Anglian, Wessex Light Infantry, Yorkshire, Mercian, Welsh, North Irish Highland and Green Jackets. Several scarce (anodised)

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James & Sons Auctioneers
Los 2097

King's Own Yorkshire Light Infantry WWII Cap Badge (Bi-metal), slider, smaller than the previous listed. K&K: 2010

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James & Sons Auctioneers
Los 2389

Prince Albert's (Somerset Light Infantry) 4th and 5th Battalions WWI Territorial Cap Badge (White-metal), slider. K&K: 1711

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James & Sons Auctioneers
Los 2136

King's Own Yorkshire Light Infantry WWII Other Ranks Cap Badge (White-metal), slider. K&K: 2009

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James & Sons Auctioneers
Los 2137

Duke of Cornwall's Light Infantry Victorian Post 1884 Collar Badges (Gilt), lugs. A scarce pair.

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James & Sons Auctioneers
Los 2300

Trench Art WWI Crucifix made from .303 Rounds and a No.80 Fuze it has 'Somme 1916) etched onto the body and 'France 1916' etched onto the fuze. A Durham Light Infantry Cap Badge mounted at the intersection of the Cross. An excellent piece.

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James & Sons Auctioneers
Los 1805

Royal Marines Light Infantry 1905 issue Helmet plate (Gilding-metal), two lugs. K&K: 1100

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