Photography.- Muybridge (Eadweard) The Human Figure in Motion: An Electro-Photographic Investigation of Consecutive Phases of Muscular Actions, sixth edition, photographic plates, light crease to top corner, original cloth, rubbed and stained, spine worn and faded, [1920s] § Taylor (Charles Bell) Lectures on Diseases of the Eye, wood-engraved illustrations, with one mounted Woodburytype, original cloth, faded at edges, rebacked, 1888 § Lartigue (J.-H.) Boyhood Photos of J.-H.Lartigue: The Family Album of a Gilded Age, tipped-in photographic illustrations, original cloth with illustration mounted on upper cover, Lausanne, 1966 § Holme (Charles, editor) Colour Photography..., Special Summer Number of "The Studio", plates by J.Craig Annan, Alvin Langdon Coburn, Heinrich Kühn, Baron A.De Meyer and others, some colour and tipped in, occasional spotting, original printed wrappers, a little rubbed, upper hinge split with tear to upper cover, 1908, 4to & 8vo (4)⁂ The third includes many scenes of early motor cars and flying machines.
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NO RESERVE Birds.- Jardine (Sir William) The Naturalist's Library, vol.XV: Ornithology. The Natural History of Humming-Birds, vol.2 only (of 2), engraved portrait, additional title with hand-coloured vignette and 30 hand-coloured plates, some light spotting or soiling, contemporary half calf, rubbed, Edinburgh, 1843; and 5 other vol. from the series (Pigeons, Gallinaceous Birds vol.1, British Birds vol.1 & 3, and Felinae), 8vo (6)
Atlantic.- Boyson (V. F) The Falkland Islands, first edition, frontispiece and 35 plates, folding map at rear, bookplate to pastedown, foxing to frontispiece, title and map, occasional light spotting, original cloth, in the original dust-jacket, spine darkened and stained, some toning to panels and extremities, spine ends and corners chipped, 8vo, 1924.⁂ Rare in the original dust-jacket.
Botany.- Thornton (Robert John) A Family Herbal: or Familiar Account of the Medical Properties of British and Foreign Plants, second edition, stipple-engraved portrait and numerous hand-coloured wood-engraved illustrations by Thomas Bewick, later half calf, 1814 § Lee (Mrs. R.) Trees, Plants,and Flowers, 8 hand-coloured lithographed plates by James Andrews, tissue guards, light spotting to frontispiece and title, original decorated green cloth, gilt, g.e., spine faded, 1854, slightly rubbed; and 7 others, botany, most with hand-coloured plates, one small album of dried specimens, 8vo & 4to (9)
Horse riding.- Astley (Philip) System of Equestrian Education, Exhibiting the Beauties and Defects of the Horse, engraved portrait frontispiece and 9 plates, occasional faint spotting, scattered pencil underlining, previous owner's ink inscription, contemporary drab boards, rebacked, rubbed and worn, 1801 § [Bunbury (Henry William)], "Geoffrey Gambado". An Academy for Grown Horsemen [and] Annals of Horsemanship, 2 parts in 1 vol., stipple engraved sepia frontispieces and 27 plates, 1 with short marginal tear neatly repaired, occasional light off-setting, contemporary half-calf, rubbed and worn, 1808, 8vo & folio (2)
NO RESERVE Jardine (Sir William) The Naturalist's Library, Ornithology: Birds of Great Britain and Ireland, 3 vol., engraved portrait frontispieces, additional titles and plates, hand-coloured, occasional light spotting or browning, later half calf, spines a little rubbed, joints weak to vol. 2& 3, 8vo, Edinburgh, W. H. Lizars, n.d. [c.1860s].
NO RESERVE Arsenic.- Bergman (Torbern) and Andreas Phil. Dissertatio chemica de Arsenico, first edition, light spotting and browning, unbound, yellow paper backstrip, [Cole 85; Partington III, p.182; cf. Wellcome II, p.149], small 4to, Upsala , Edman, 1777.⁂ Scarce little treatise on the history and properties of arsenic.
NO RESERVE Darwin (Charles) The Formation of Vegetable Mould, through the action of worms..., illustrations, modern ink ownership signature to front free endpaper, light spotting to endpapers, 1892; Insectivorous Plants, 1875, half-title to second, illustrations, bookplates to pastedown, original cloth, spine gilt, corners and spine ends bumped, else crisp copies, 8vo (2)
Nicholson (William) The British Encyclopedia, or Dictionary of Arts and Sciences, 6 vol., numerous engraved plates, a few folding, some light browning, handsome contemporary russia, gilt, spines gilt in compartments, joints cracking but an excellent set, 8vo, 1809.⁂ Including information and plates on horology, architecture, heraldry, astronomy, microscopes, entomology, diving bells, lifeboats, and Rowntree's Beer Engine.
Sedgwick (Adam, geologist, Charles Darwin's tutor at Cambridge, 1785-1873) Profr. Sedgwick's objections [to George Crabbe's "Short Conclusions from the Light of Nature"], manuscript, 4pp., first f. tear along fold, second f. tear across text without loss, slightly browned, 8vo, [1849]; and another, a silhouette of ?Sedgwick, ink inscription "JBM 3 St Marys Passage Cambridge" on verso, 134 x 108mm., n.d. (2).⁂ "I do not believe a word of what you state (p. 12) that mind is the result of organization of matter." - Sedgwick.George Crabbe (1785-1857), Church of England clergyman and writer, the son of George Crabbe (1754-1832), the poet; his work Short Conclusions from the Light of Nature (1849)... rely on the arguments of design and plenitude to prove the existence and attributes of God." - Oxford DNB.
A contemporary light oak extending dining table with four cream leather chairs CONDITION REPORT: Table photographed 90 cm x 120 cm, with additional leaf contained within adds another 40 cm to length. There is little signs of heavy use, a few surface scuffs and light discolouration but otherwise good.
An NAD stereo amplifier 3020A together with a Yamaha Natural Sound Compact disc player CD-S300 and Cambridge Audio tuner AZur 650T with Yamaha remote control, quantity of leads, pair of TDK headphones and Monitor Audio Speakers on stands CONDITION REPORT: The NAD stereo amplifier and the Cambridge Audio tuner both have leads. We have plugged them in and they light up as they should but they have not been fully tested. The lead does not appear to be present for the Yamaha CD player so we cannot test it. The speakers have also not been tested. We cannot guarantee that all the relevant leads are present. These pieces come from a house clearance and have therefore been taken straight from use. They are sold as seen and without reserve. See additional images of speakers.
An enamelled iron street sign for First Avenue W10, City of Westminster, with iconic and black and red sans serif lettering first created by Sir Misha Black in 1967 which is unique to the Westminster signs and under copyright law, forbidden to be copied anywhere else in the world, sold together with a signed Certificate of Authenticity44.5 x 86.5 cmCondition: All signs have been hung outside and have been exposed to the elements and therefore have a general degree of wear. Some wear along bottom edge and chips to enamel, some grey discolouration and light fading to red lettering.
An enamelled iron street sign for Herrick Street SW1, City of Westminster, with iconic and black and red sans serif lettering first created by Sir Misha Black in 1967 which is unique to the Westminster signs and under copyright law, forbidden to be copied anywhere else in the world, sold together with a signed Certificate of Authenticity44 x 81.5cmCondition: All signs have been hung outside and have been exposed to the elements and therefore have a general degree of wear. Some streaking to the left hand side and right hand side of the sign, and light fading to the black lettering. Some rust patches to bottom edge but fairly clean condition.
An enamelled iron street sign for Blomfield Villas SW1, City of Westminster, with iconic and black and red sans serif lettering first created by Sir Misha Black in 1967 which is unique to the Westminster signs and under copyright law, forbidden to be copied anywhere else in the world, sold together with a signed Certificate of Authenticity44 x 88 cmCondition: All signs have been hung outside and have been exposed to the elements and therefore have a general degree of wear. Some fading and light discolouration to black lettering, paint splashes to City of Westminster and a few areas of marks to edges.
An enamelled iron street sign for Douglas Street SW1, City of Westminster, with iconic and black and red sans serif lettering first created by Sir Misha Black in 1967 which is unique to the Westminster signs and under copyright law, forbidden to be copied anywhere else in the world, sold together with a signed Certificate of Authenticity44 x 81.5 cmCondition: All signs have been hung outside and have been exposed to the elements and therefore have a general degree of wear. Some rusting and marks to bottom, minimal loss to bottom and some markings to the top, light fading to black writing.
Sydney Mortimer Laurence (American, 1865-1940)St Ives signed, inscribed and dated 'Sydney Mortimer Laurence/St. Ives. 1891' (lower right)oil on canvas27.9 x 127cm (11 x 50in).Footnotes:ProvenancePrivate collection, UK.Born in Brooklyn, New York, Sydney Laurence is best known for his long association with Alaska. Early in his career, however, Laurence and his first wife spent nine years living and working in St. Ives. Arriving on honeymoon in 1889, Laurence became an important member of the St. Ives artist's colony.Laurence focused on painting the Cornish coast, and enjoyed early success at the Paris Salon of 1890, as well as at the Dowdeswell Exhibition the same year. Setting Sun on the Cornish Coast (now hanging in Southampton Art Gallery) was given a honourable mention at the Paris Salon of 1894; Laurence was clearly proud of this achievement, and when the work was due to be included in the influential Nottingham Castle Museum exhibition, he insisted that curator, Harry Wallis, 'leave the Salon number and the Mention Honorable card on the picture!'1Laurence also exhibited at the Royal Society of British Artists (being elected a member in 1895) and the Royal Cornwall Polytechnic Society in Falmouth. 1 David Tovey et al, Cornish Light: The Nottingham 1894 Exhibition Revisited, Bristol, 2015, p. 108.For further information on this lot please visit Bonhams.com
A William IV silver and silver gilt vinaigrette, London 1834, with engine turned decoration to the hinged lid, opening to reveal a pierced grille, the underside with engine turned decoration as well, 4 cm wide Condition report: The grid inside won’t shut down, it springs back up immediately because of the damage it has on its hinge, the case is in good condition, no splits or large dents, light surface wear commensurate with age.
A Modern Design light oak dining table by Benchmark Furniture, of oblong form supported on four tapered splayed legs, with label to underside of base, 223 cm x 107 cm x 75 cm Condition report: joints are fine, table top with some surface scratches, a few stains., scratches to the feet, overall good.
![Medals: World War One: [French Military] 1914 - 1918 A group of four Medals (recipient unknown) to include:* 'The](https://cdn.globalauctionplatform.com/f4e1af99-2601-4c42-957a-acca00e9a9d6/c47c5e4a-e580-49ed-9e98-accd00af31d7/468x382.jpg)
Medals: World War One: [French Military] 1914 - 1918 A group of four Medals (recipient unknown) to include:* 'The War Cross 1914 - 1918" (with green and red ribbon and brass star (lacks leaf);* "The Combatants Cross," with light blue and red striped ribbon;* "The Commemorative Medal" with candy strip ribbon;* "Inter Allied Victory Medal" with multi coloured ribbon;as a collection, w.a.f. (4)
Johnson, John; Strickland Gibson. Printer and Privilege at Oxford to the Year 1700, London: Oxford University Press, 1946. Quarto, quarter-cloth lettered in gilt with paper covered boards, bearing label on front pastedown, 'From "The Printer" 1925-46', inscribed 'J.J.' [John Jonson], and another label, 'From the Library of Charles Batey, Printer Emeritus to the University of Oxford'. Contents generally very good; spotting to opening and closing leaves; binding tight and solid with some general discolouration and light wear
Seals of the Counts of Flanders. Sigilla Comitum Flandriae, first edition, Bruges: Jean-Baptiste Kerchove, 1639. Quarto, later parchment-covered boards with morocco title labels lettered in gilt, numerous engraved illustrations throughout. Contents with light dampstaining and old paper repairs to lower section of pages, otherwise good and bright; not collated; binding tight and solid with some light rubbing
David Trundley (British, 1949), Exmoor Foxhounds, Lanacre, signed l.r., oil on canvas, 90 by 110cm, framedProvenance: acquired from the artist by the vendor. With a photocopy of a letter form the artist to the vendor - '..the scene here is of Lanacre Farm just above the stunning little bridge at Lanacre, Exmoor....it ws very foggy until about 6.45 when the sun suddenly broke through to reveal the hunt and followers in beautful September morning light.'
A dark brown and bronze boucle jacket with faux fur collar and cuffs. A man's gabardine over coat in light brown, light tan velvet collar. A Jager 1960/70s coat in mushroom coloured wool, braided frog fastenings with toggles, skirt of coat gathered into waistband with Peter Pan collar size 10/12. A pink and cream brocade house coat by Diamond Tea, 1960s. (4)
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