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Preisdatenbank abonnierenROYAL DOULTON; eight figures comprising HN2193 'Fair Lady', HN2136 'Delphine', HN3600 'Dawn', HN2378 'Simone', HN4779 'Karen', HN3754 'For You', HN1843 'Biddy Penny Farthing' and HN2337 'Loretta' (8).Additional InformationBiddy Penny Farthing has had her right arm broken off and re-glued, light wear throughout, otherwise good.
A collection of eleven decorative figures including Lladro, model of an angel beside Jesus, Royal Albert RA22 'Rose', Royal Doulton Classique 'Stephanie', Coalport 'Catherine Parr' (second quality), etc (11).Additional InformationThe Coalport Andrea is second quality, the Lladro angel is af, the head has been broken off and crudely glued, light wear and scuffs throughout.
An 18ct yellow gold dress ring set with central emerald coloured stone, flanked by melee of white stones, size O 1/2, and a further 18ct yellow gold dress ring with central citrine flanked by white stones, size O 1/2, combined approx 6.6g (2).Additional InformationThe citrine with numerous scratches and scuffs to the stone and the band. Light wear to each.
VICTORIAN SILVERWARE LTD; an Elizabeth II hallmarked silver bottle coaster with pierced decoration, Birmingham 2002, and a Walker & Hall hallmarked silver bowl with pierced rim, combined approx 4.6ozt/144g (2).Additional InformationThe Walker & Hall bowl with minor dents to the body. Each with light tarnishing and wear.
Three 9ct yellow gold mounted dress rings including a floral cluster example set with black and white coloured stones, size N, and a yellow metal mounted dress ring with oval shaped opal, combined approx 6.9g (4).Additional InformationThe opal has a vertical crack running through, light scratches, the ring is unmarked. Each band with scratches, minor misshaping, etc.
An 18ct yellow gold and platinum illusion set five stone dress ring, size J 1/2, and a white metal ring set with nine clear stones, stamped 750, size N, combined approx 8.3g (2).Additional InformationWear to the larger band. The five stone ring has heavy wear/thinning to the band. Light scuffs to each.
Two yellow metal dress rings comprising a V shaped example set with five clear stones, stamped 585, size L, and an example with three seed pearls, stamped K14, size N 1/2, combined approx 8.2g (2).Additional InformationEach ring with light wear and minor misshaping, glue residue to the underside of one of the pearls.
Two 9ct yellow gold dress rings, one with illusion setting with a blue coloured stone flanked by two white stones, size M 1/2, and two further dress rings, unmarked, combined approx 6.7g (4).Additional InformationLight wear, scratches to the bands. The love heart shaped ring with heavy wear/thinning to the band, light scratches to the stones, etc
A pair of Edwardian Arts & Crafts loaded silver candlesticks in the manner of Charles Voysey, of square tapering form on splayed foot, embossed with riveted strap design, with shallow dish-form grease-pans, James Dixon and Sons, Sheffield 1908, 22cm high One stick dented on one corner; some light bending of rim of grease-pan
An 18th century Chinese blue and white bowl painted in underglaze blue with branches of fruiting peach and pomegranate, the base with double fish mark also in underglaze blue, Kangxi period (1662-1722) 14 cm diameter x 7 cm high to/w a 19th century Chinese blue and white gu-form beaker vase of typical form, the swollen central section painted with floral panels on prunus cracked ice ground between key-fret banding and ascending/descending lappets, the base with four character Kangxi mark, 29.5 cm high and Chinese blue and white shallow bowl decorated with a horse and figures in a pagoda landscape, probably a narrative scene, four-character 'precious collection' base mark, late Qing, 23.5 cm (3)The Chinese blue and white shallow bowl with approx 4 x 4 cm section or restoration at the 8 o'clock position of the rim, affecting the horses head and figure attending the horse, some other glaze irregularities and pin-holing The gu-form vase with 0.5 cm exterior rim chip but otherwise good condition with some other light handling wear only The bowl with a 5 cm hairline extending down from the rim, visible on the interior and exterior, approx. 5 cm long, also with some other small rim chips and frits
A pair of Chinese blue and white gu-form vases, late 19th or early 20th century, each painted in underglaze blue with dragons and flowers on a crackled ground, with brown iron-dust banding around the rim and foot, brown Chenghua base marks, 20.5 cm high to/w a 19th century Chinese blue and white cylindrical vase with four-character Kangxi mark, painted with elegant ladies and perching birds in fenced garden landscapes, 20.5 cm high, all late Qing dynasty (1644-1912) (3)Cylindrical vase with small glaze irregularity at the rim, otherwise all good condition with general light wear commensurate with age
A Chinese Langyao type vase in the 18th century Kangxi style, the compressed body and cylindrical neck covered with a variegated crushed strawberry glaze thinning to a mushroom hue around the rim, 29.5 cm high Light surface wear only, otherwise good condition with the glaze stopping short of the roughly finished footrim and base
A pair of Chinese blue an white gu-form beaker vases in the Kangxi style but probably 19th century, late Qing dynasty, painted in rich tones of under glaze blue with scholars, dignitaries and playful children in garden landscape settings, the swollen central sections with key-fret banding, each base with central double circle mark, 37.5 cm high One vase with large area crudely repaired, the other in good condition with light surface wear
A 19th century Chinese famille rose circular dish, decorated with a central design of scholars implements and sacred symbols; the rim with floral and peach designs; 40 cm diameter. The base with blue six-character mark of The Kangxi Emperor, but not of the period, late Qing dynasty Provenance: The Property of a Lady. From a Private English Collection. The iconography on this dish is typical of the designs found on wares from the Qing era. For circular panels depicting scholar's implements, for instance, see the bowl given by Soame Jenyns to the era of The Xianfeng Emperor (Later Chinese Porcelain, plate CXIV). The peaches here, of course, symbolise the Daoist Quest for The Orchard of Immortality, the residence of Xiwangmu, and the importance of Mount Kunlun.Some wear to the red banding around the rim and generally light wear to enamels, not chipped, cracked or restored
A pair of 19th century Chinese famille rose bowls, Tongzhi (1862-1874) or Guangxu (1875-1908) period, late Qing dynasty, each interior with central peach and bat roundel, the exteriors painted with chrysanthemum, prunus, peony and lotus in polychrome enamels with iron red endless knot mark to each base, 16 cm diameterone bowl with hairline down from the rim, light wear to enamels
A pair of 19th century Chinese vases, danping, late Qing dynasty, each vase well decorated with a variety of shaped panels painted in polychrome enamels with extensive idyllic landscapes, birds perching amongst blossoming branches, the female Daoist Immortal He Xiangu floating on red clouds and fire breathing Qilin, all reserved against a powder blue ground, four character Kangxi mark to each base, 46 cm high One vase with small chip to outside of the rim, the other with a large circular shaped repair to the body, both with light surface wear and some wear to enamels
A pair of Chinese 19th century famille verte rouleau vases in the Kangxi style, painted with a mirrored design of the eight Daoist Immortals in polychrome enamels below key-fret, diaper and floral banding around the necks and shoulders, each base with underglaze blue double circle mark, Qing dynasty, 44 cm highone vase with two small chips to the underside of the rim, both with light surface wear, wear to enamels and imperfections within the glaze including some pin-holing
A 19th century Chinese famille rose jardiniere, painted in polychrome enamels with elegant ladies at leisure in a fenced garden landscape setting, the reverse with calligraphic inscription, late Qing dynatsy, 27 cm diameter x 18 cm high Hole in the centre of the base, some areas of light wear to enamels, glaze/firing imperfections, vestigial rim gilding
A Shelley china 'Georgian' pattern dinner/coffee service, comprising six each 28/24 cm plates, four soup bowls and six saucers, coffee cans, saucers and side plates, to/w two tureens and covers, two 33 x 26 cm platters, 42 x 34 cm meat dish, pair of tureens and covers, 24 cm bowl and three 16cm bowls, coffee pot, milk and sugar, pair of gravy boats (58 pieces) - note: dinner service 'Georgian Green' and coffee service 'Georgian Pink'Generally good condition commensurate with light use; some knife-scratches on plates; largest meat-plate cracked
A Victorian rosewood library/centre table, the rectangular top with rounded corners over a plain frieze raised on turned acanthus column end supports to moulded feet and concealed castors, 145 x 65 x 72 cm high - good original and unrestored, the top displaying a multitude of light surface scratches, indents and marks commensurate with age and use, areas of tarnish.ring marks, the base similarly patinated
A 19th century French fruitwood dining table, the four plank top over two frieze drawers to one side, raised on square tapering legs, 231 cm x 89 cm x 77 cm h (to underside of frieze 59 cm - top overhang approx. 7/8 cm all-round) - good general original condition, top displaying multiple light scratches and marks through age and use, some water / light burn marks, no worm, drawers original
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