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Los 45

John Yardley (b.1933)The Sitting Roomsigned in pencil (lower right)watercolour34 x 47cm. Generally good condition with light warping to the paper.

Los 147

Edward Bawden (1903-1989) The Queen's Garden, 1983 14/160 artist's proofs, signed, titled, and numbered in pencil (in the margin) lithograph 63 x 77cm, unframed. Generally good condition with light toning to the paper.

Los 186

Victor Pasmore (1908-1998)Points of Contact No. 1, 1965XIX/XX artist proof, signed and numbered in pencil (in the margin)screenprint67 x 100cm, unframed. Some creasing to the edges, notable in the top left. A small tear from the top right. Light toning particularly notable around the edges of the paper.

Los 805

Caithness GlassMoonlit peaks glass blocketched marks12cm high; and a Czech art glass sculpture, indistinctly signed, 19cm high (2). Square block with design to side – appears of a good condition.Square block with additional point - light surface scratches to base, overall a good condition. Photos of signatures uploaded to the condition report tab via www.Mallams.co.uk

Los 355

William Black (20th Century Cornish School)Ocean Guides, 1971signed, dated, and titled (lower)oil on board44 x 54cm. Appears in good condition with no sign of damage or paint loss. Frame with minor wear. Possibly in need of a light clean.

Los 873

Niels Otto Møller (1920-1982) for Gudme Mobelfabrik, Denmark Extending dining table, circa 1960teak with two leaves74cm high, 126m diameter. The leaves are separate.   Light surface scratches to surface.  Repair  to one side segment of table top. Crack to underside of one side table top segment, circa 10cm length. No photos of table with leaves in place. Can use one leaf singularly. New condition report photos added.

Los 47

Blair Hughes-Stanton (1902-1981)Isolation, 19595/15, signed, titled, dated, and numbered in pencil (in the margin)wood engraving14 x 17cm. Generally good condition with light warping to the paper. Light toning to the margins.  Measurements to the mount. Measurements of the plate are 9.5cm x 16c. It is framed under glass. No signs of repair or restoration.

Los 897

Gianfranco Frattini (1926-2004) for ArtemideMegaron floor lampchrome on circular black base182cm high. Overall good condition. Surface scratches to base. A few light scratches to metal design. Untested.

Los 888

Merrow Associates Talbot coffee tablemodel 341, circular glass top on chrome support33cm high, 92cm wide. The table is in good condition for its age. The metal does have some pitting and surface wear. Light scratches to the glass as you'd expect but nothing overly noticeable.

Los 759

Piero Fornasetti (1913-1988)Three platesTema E Variazioni 16, 37, and 206printed markseach 26cm diameter (3). These ones do not bear display fixtures to the reverse. The largest - no damage, just light wear, light marks and surface dirt to back and surface scratches. Ditto other two.

Los 854

Robert Thompson of Kilburn (1876-1955)Mouseman nest of three tables, circa 1960soak, two with adzed topcarved mouse signatureslargest 48cm high, 61cm wide. Overall condition is good. The largest with light surface scratches or light rubbing to tabletop noticeable in good light. One little indent line circa 4mm long to top on the largest.

Los 16

Peter Blake (b.1932)N is for Nude, 1991from the series Alphabet44/95, signed, numbered, and titled in pencil (in the margin)screenprint102 x 78cm, unframed. Some dirt to the paper in the margins. Some light warping. Some creasing to the margins.

Los 364

Reg Cartwright (b.1938)Still Life with Figs and Pomegranate, 2012signed and dated (upper left), titled (to reverse)oil on board36 x 43cm. light scratch to one of the pommegranites. Otherwise appears in good condition.

Los 828

Ben Nicholson (1894-1982)White Relief (Multiple), 1969produced by the West End Engraving Company Limited, London, published by The Tate Gallery, London26 x 42cm. small stain mark to left hand edge. another mark. Another light smudge to the central area. Some other very faint marks to the front but no cracks or damage. The label is showing signs wear and age. provenance from a private collection.

Los 292

David Nash (b.1945)Light in Shadows, 1994signed, titled, and dated (lower)charcoal and pastel on paper 75 x 56cm. Provenance: Nishimura Gallery, Tokyo. Condition appears good with no sign of damage or problems.

Los 23

Padraig Macmiadhachain (1929-2017)Fields of the Guanche, 1970signed and dated (lower right), titled (to reverse)oil on board25 x 30cm. In need of a light clean. Painting and board appear in good condition and free of damage.

Los 871

Ib Kofod-Larsen (1921-2003) for G PlanDining table and four chairs, circa 1960teak, the chairs with green fabric covers74cm high, 52cm wide. Structurally all sound. Some light usage marks and scratches but nothing significant.

Los 657

Peter Wills (b.1955)Footed bowlporcelain, with dripped manganese rim and yellow glazesigned and with impressed potter's seal7.5cm high x 18cm diameter. A good condition and with natural crazing to central internal part, and few light natural firing specks.

Los 178

Yuko Shiraishi (b.1956)Pink and Black Horizontal, 199622/35, signed, dated, and numbered in pencil (in the margin)lithograph28 x 26cm. Very, very light discolouration to mount and paper surface otherwise good condition.

Los 760

Bruce McLean for WedgwoodPassed the Tangerine Testfrom an edition of 500commissioned by the National Art Collections Fund & Wedgwood31cm diameter. Light surface marks and dirt. Overall good.

Los 856

Robert Thompson of Kilburn (1876-1955)Mouseman open bookcase, circa 1970oak, with halfpenny moulding above adjustable shelvescarved mouse signature91cm high, 106cm wide, 25cm deep. Appears to be a good condition just with very light wear.

Los 38

John Piper (1903-1992)Nant Ffrancon Pass from the top of Snowdoninscribed (lower right)pen, ink, and wash on paper23 x 28cm. Some light warping to the paper, noticeable to the edges. This work has come from the Piper family. We are working to obtain a signed letter from the family, verifying that it has come from them.

Los 904

Arts and CraftsPendant Light, circa 1900with alabaster shade and copper gallery36cm high. The ring holder has a patent number 4121/25, Looks in good condition with some wear comsumate with age. The metal section looks to have been cleaned.Shade – no chips, cracks or hairlines noticed.Shade - glass, made to look like alabaster.Metal bulb holder within.

Los 879

Poul Kjaerholm (1929-1980) for Fritz HansenPK24 lounge chairin black leather with metal frame and basemanufacturer's label and stamp155cm long. Apppears structurally sound and in relatively good condition. The leather has some usage marks and small indentations but no damage. Black leather/faux leather in good condition i.e. no tears or significant marks, just light marks/surface scratches.  ‘Made in Denmark 2007’ on label.  Sticky removeable residue to underside on one of the metal sections.  Does not bear Cassina mark/not noticed.

Los 309

Jean Cocteau (1889-1963)Galerie Des Pont des Arts Poteries, 1958signed in the plate (lower right)lithograph61 x 48cm. Condition appears good but with light sunglight discolouration.  Not inspected out of the frame.Frame is structurally sound and with a few knocks, abrasions and little marks.

Los 555

Ewen Henderson (1934-2000)Early bowl formwith a light blue and orange glaze7cm high x 13cm wide.

Los 35

John Piper (1903-1992)Façade (Levinson 403)17/100, signed and numbered in pencil (in the margin)screenprint49 x 62.5cm. Provenance:The Bohun Gallery, Henley on Thames. Good condition.  A few thunderflies to mount and light dirt specks.  Very, very minor sunlight discolouration.

Los 202

Laurence Stephen Lowry (1887-1976)The Contraption, 1975signed in pencil (in the margin), blindstamp for the Fine Art Trade Guildlithograph35 x 31cm; together with a print of the Lowry sketch for the Contraption (2). Generally good condition. Some mount burn and even toning throughout. Light foxing to the second print.

Los 236

Leigh Davis (b.1976)Wreck, Gower Peninsula, 2016signed, titled, and dated (to reverse)oil on board15 x 32cm. The painted surface appears to be generally stable with some light abrasion.

Los 31

Anthony Benjamin (1931-2002)Drenched Blue, 1959signed and dated (lower left)watercolour and ink12.5 x 18cm. Provenance:Belgrave Gallery, St Ives. Generally good condition. Light toning to the edges.

Los 134

Audrey Johnson (1919-2005)Plumbs, 1991signed and dated (lower right)oil on board18 x 24cm. Generally good condition. The painted surface is stable. Some light surface dirt. The frame is in good condition with some light chipping to the paint work. We do not believe it to be the original frame.

Los 277

Peter Sedgley (b.1930)The Quartet Suite, 1986to include Blue Circle on Blue, Red and Blue Circle, Red Circle on Black, and Yellow and Blue Circle on Light Blueeach signed, dated, and numbered (lower)screenprintseach 60 x 60cm, unframed (4). Prints are in very good condition. The edges are slightly buffed from being unframed.

Los 618

John Ward (1938-2023) Vessel, circa 1982with tan coloured glazeimpressed potter's seal mark to the base10.5cm high x 9.5cm across. Overall good condition with minimal display wear. This has been checked under a UV light with nothing showing.

Los 32

Anthony Benjamin (1931-2002)Autumn Sunset, 1958signed and dated (to reverse)gouache on card8 x 28cm. Provenance:Belgrave Gallery, St Ives. The painted surface has cracking across it. Notable in the upper right, upper left, and the peach coloured area in the centre right. Further light cracking throughout. Light abrasion to the painted surface lower right.

Los 378

Christopher Marvell (b.1964)An Owl, 2020signed and dated (lower right)pencil on paper38 x 28cm. Good condition, very, very light fingerprint top right corner, this not really noticeable unless really looking hard.

Los 234

Leigh Davis (b.1976)Mousehole, 2021signed (lower right), titled and dated (to reverse)oil on panel39 x 59cm.29 x 59cm. Generally good condition with light scuffing to the frame. 39cm high x 59cm wide to the edge of the picture as it sits in its frame.

Los 99

Basil Beattie (b.1935)Summer 3, 1987signed and dated (to reverse)ink and pastel on paper55 x 72cm. Provenance:Curwen Gallery, London. Condition generally good. Some light toning. Sits unevenly on its floating mount.

Los 49

Richard Bawden (b.1936)Autumnal Bunch12/85, signed, titled, and numbered in pencil (in the margin)etching and aquatint62 x39cm. Qty: 1 In generally good condition. Some light surface dirt to the top left above the plate mark. Thunder bugs under the glaze in the mount. 

Los 190

Dennis Creffield (1931-2018)Lighting Up, Aldersgate, 1999signed and dated (lower right)oil stick on paper56 x 76cm. Generally good condition with some light toning.

Los 317

Patrick Procktor (1936-2003)Male Nude on a Sofa, 1976signed and dated (lower right)watercolour44 x 59cm. Slight toning to the paper evident to the background. Some specks of dark to the light backgrouind. Overall good.

Los 794

Vittorio Zecchin (1878-1947) for Murano Glass vasecirca 1920, with red with loop handles19cm high. No dents or cracks noticed. Two or three surface scratches and light smudgy marks noticeable in bright light.

Los 852

Robert Thompson of Kilburn (1876-1955) Mouseman kidney shaped tray oak two carved mice47cm across. Both mice appear to be fine. Few light surface scratches. Otherwise, a good condition.

Los 796

Designed by Michael Harris (1933-1994) for Mdina GlassIce cut square vase and a square bottle vaseglassthe ice cut vase signed by Eric Dobson and dated 1975, 17.5cm;the square bottle vase unsigned with unpolished pontil to the base, 23cm (2). Bigger:  Bubbly effect to the glass, light surface scratches.  No chips.Smaller:  Opening rim is not completely flat, has dent, although does not appear to be a chip.  Few scratches to glass.Additional condition report photos added.

Los 22

Alan Davie (1920-2014)Opus G.1919 Mystic Vision, Burning Wheel, April 1995signed, dated, and titled in pencil (lower)gouache on paper36.5 x 30cm, unframed. Generally good condition. Top left corner is creased. Light abrasion in the lower right.

Los 38

1707E Anne silver Shilling, Edinburgh, no stops on the reverse (S 3608, ESC 1138A, Bull 1417). Obverse: second draped bust, facing left with 'ANNA DEI GRATIA' around and an 'E' below the bust. Reverse: garter star with crowned cruciform shields of royal arms around, no stops in the legend which reads 'MAG BRI FR ET HIB REG 1707'. Weight: 5.92g. Diameter: 25mm. Grade: VG/F - light tone with wear to the 'T' in 'GRATIA' and the corresponding area on the reverse, Very Good/Fine.

Los 63

1824 George IV silver Halfcrown, laureate head (S 3808, ESC 636, Bull 2367). Obverse: laureate bust, left, 'GEORGIUS IIII D: G: BRITANNIAR: REX F: D:'. Reverse: crowned shield within a garter, 'ANNO 1824' below. Weight: 14.10g. Diameter: 32.2mm. Grade: gF - light tone with a little colour around the rim, contact marks and hairlines under magnification, Fine or slightly better.

Los 83

Four (4) 1844 Victoria silver coins, including Shilling, Sixpence, Fourpence and Threepence. Grades: EF: all bright with a light tone, Extremely Fine, some better.

Los 97

1902 Edward VII silver Crown (S 3978, ESC 361, Bull 3560). Obverse: right-facing bare-headed bust with 'EDWARDVS VII DEI GRA: BRITT: OMN: REX FID: DEF: IND: IMP:' around. Reverse: Saint George on a rearing horse, pointing his sword at a prone dragon, the date (1902) below. Edge: raised lettering, which reads 'DECUS ET TUTAMEN * ANNO REGNI II *'. Weight: 28.20g. Diameter: 39mm. Grade: gEF - golden, attractive light tone with trivial contact marks, good Extremely Fine.

Los 44

1811 George III silver Three Shillings Bank Token, 26 acorns (S 3769, ESC 408 A1/A2, Bull 2065). Obverse: first laureate draped bust in armour, right, front laurel leaf to end of 'E', 'GEORGIUS III DEI GRATIA REX' around. Reverse: oak wreath with 26 acorns, 'BANK TOKEN 3 SHILL. 1811'. Weight: 14.82g. Diameter: 34.9mm. Grade: EF - light tone with a hint of colour and some lustre, Extremely Fine.

Los 69

1836 William IV silver Halfcrown (S 3834, ESC 666, Bull 2482). Obverse: bare head bust, right. 'GULIELMUS III D: G: BRITANNIAR: REX F: D:' around, script 'WW'. Reverse: shield within a crowned mantle, 'ANNO 1836' below. Weight: 14.06g. Diameter: 32.1mm. Grade: gVF - light tone, minor contact marks and hairlines under magnification.

Los 77

1844 Victoria silver Halfcrown (S 3888, ESC 677, Bull 2720). Obverse: Young Head with two plain fillets, date (1844) below, upper serifs on 4s, 'VICTORIA DEI GRATIA' around. Reverse: crowned shield within a laurel wreath, 'BRITANNIARUM REGINA FID: DEF:' around. Weight: 14.10g. Diameter: 32.2mm. Grade: gVF - light tone, minor contact marks and hairlines under magnification, good Very Fine.

Los 85

Five (5) 1887 Victoria silver coins, including Florin, Shilling, withdrawn type Sixpence, crowned wreath Sixpence, and Threepence. Grades: nVF-EF - near Very Fine to Extremely Fine with light tones.

Los 64

1826 George IV silver Halfcrown (S 3809, Esc 646, Bull 2375). Obverse: bare head, left, date (1826) below, 'GEORGIUS IV DEI GRATIA' around. Reverse: garnished crowned helm over a shield of royal arms, 'BRITANNIARUM REX FID: DEF:' around. Weight: 14.06g. Diameter: 32.2mm. Grade: gVF - light tone, minor contact marks and hairlines under magnification, good Very Fine.

Los 72

1887 Victoria silver Crown (S 3921, ESC 296, Bull 2585). Obverse: crowned Jubilee bust, left, 'VICTORIA D: G: BRITT: REG: F: D:' around. Reverse: Saint George and the dragon design, the date (1887) below. Weight: 28.28g. Diameter: 38.7mm. Grade: EF - Extremely Fine, light tone with much lustre, minor contact marks and hairlines under magnification.

Los 40

1723 George I silver SSC Shilling, French arms at date (S 3647, ESC 1177, Bull 1589). Obverse: first draped and laureate bust, 'GEORGIVS · D · G · M · BR · FR · ET · HIB · REX · F · D ·' around. Reverse: crowned cruciform shields of royal arms around a central garter star with 'SSC' for South Sea Company in the angles, French arms below date (1723), ’BRVN ET · L · DVX S R I A TH ET · EL · 1723' around, no colon between ‘A TH’. Weight: 5.84g. Diameter: 26mm. Grade: VG/nF - light tone with reverse slightly better, Very Good/near Fine.

Los 70

Four (4) 1836 William IV silver coins, including Shilling, Sixpence, Fourpence/Groat and Three-Halfpence. Grades: nVF-EF - near Very Fine to Extremely Fine with light tones.

Los 68

1826 George IV copper Penny, second issue (S 3823). Obverse: smaller laureate bust, left, date (1826) below, 'GEORGIUS IV DEI GRATIA' around. Reverse: Britannia seated right, national flowers below, 'BRITANNIAR REX FID: DEF:'. Weight: 19.0g. Diameter: 34.1mm. Grade: EF - light brown tone, Extremely Fine.

Los 47

1817 George III silver Halfcrown, bull head (S 3788, ESC 616, Bull 2090). Obverse: large, laureate bust, right, '1817' below and 'GEORGIUS III DEI GRATIA' around. Reverse: crowned garter with a shield of arms at the centre, 'BRITANNIARUM REX FID: DEF:' around. Weight: 14.00g. Diameter: 32.3mm. Grade: VF - light-toned obverse, deep blue-grey reverse with much reflection, Very Fine or slightly better.

Los 78

1887 Victoria silver Halfcrown, Jubilee head (S 3924, ESC 719, Bull 2771). Obverse: Jubilee bust, left, 'VICTORIA DEI GRATIA' around. Reverse: crowned shield within a garter, the date (1887) divided below, 'BRITANNIARUM REGINA FID: DEF:' around. Weight: 14.14g. Diameter: 32.1mm. Grade: nEF - light central tone with much darker edges, near Extremely Fine.

Los 73

1893 Victoria silver Crown, LVI, dies 1+A (S 3937, ESC 303, Bull 2593). Obverse: Old veiled bust, left, 'VICTORIA · DEI · GRA · BRITT · REGINA · FID · DEF · IND · IMP ·' around. Reverse: Saint George and the dragon, the date (1893) below. Edge: raised lettering 'DECUS ET TUTAMEN * ANNO REGNI LVI *'. Weight: 28.16g. Diameter: 39.1mm. VF - light tone, contact marks and hairlines under magnification, Very Fine.

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