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534325 Los(e)/Seite
Los 809
A Victorian drop end sofa, of cottage proportions, later re-covered in ivory coloured lattice pattern fabric, the padded scrolled arms enclosing a straight front sprung seat, upon bun front feet, plain rear feet and castors, 74cm H x 148cm W x 80cm DCondition reportSome minor stains/marks to the fabric, light scuffs and scratches to all legs.The drop-end release mechanism is sticking, however the sofa constructions appears to be good with little or no movement in the joints.
Los 782
A Victorian walnut framed double spoon back sofa, in foliate pattern damask fabric, the twin button backs within a scalloped frame united by a carved interlaced openwork foliate scroll, over the sprung serpentine seat enclosed by conforming carved open arms, upon French style front cabriole legs and plain back swept rear legs with ceramic castors (lacking one rear castor), 99cm H x 180cm W x 70cm DCondition reportVery light fading to the fabric particularly on the seat along with two very small specks, frame appears to be sound with little or no play in the joints
Los 861
A marble top chinoiserie chest by Heal & Son, London, early 20th century, the rectangular marble top with gilt outline over three drawers painted with figures and foliage within a pagoda landscape, the top drawer impressed with the makers name, upon legs of square section united by a shaped apron similarly highlighted with gilt detail, 49cm H x 60cm W x 45cm DCondition reportGeneral light scratches and rubbing to the marble top with some light rubbing to the gilt outline, otherwise very light wear only with no visible damage or faults.
Los 744
A George III mahogany bowfront sideboard, the shaped top centred with a conch shell enclosed by satinwood crossbanding, the central frieze drawer over inlaid batwing spandrels and flanked by a drawer over a cupboard door and a single drawer moulded as two, all punctuated by inlaid graduated harebells, upon reeded tapering font legs in the manner of Gillows, 90cm H x 153cm W x 76cm D (repairs to the legs, at fault)Condition reportFront left leg has been repaired and is now detached, the two rear legs appear to be loose and require attention, other legs possibly also restored, otherwise general wear is light with only minor rubbing and marks to the top and sides, drawers and doors run smoothly.
Los 703
An Art Deco gilt metal and clear glass mantel timepiece, in the manner of Jaeger, the painted red bezel applied with relief cast Roman numerals, enclosing the 8 day movement with integral folding key, upon twin supports and a rounded rectangular plinth, dial diameter 21cm, 25cm high (at fault)Condition reportGeneral light tarnishing to the supports and plinth, hands move when operated, however the winding key is very tight and it is likely the movement is going to need some attention, general light wear to the bezel commensurate with age and use, no cracks to the clock glasses.
Los 746
An early George III oak livery/hall cupboard, mid 18th century, the moulded cavetto cornice over a pair of fielded panelled cupboard doors opening to a vacant interior with hanging rail, the base with three short lip moulded drawers below panels, upon bracket feet, 194cm H x 130cm W x 58cm DCondition reportMinor joint split to the right hand joint panel, later lock and hooks to the interior.Otherwise very light general wear only, with some very minor sympathetic restoration, the cupboard is in good sound condition, all drawers run smoothly with no obvious visible faults.
Los 854
A 1923 oak Eisteddfod chair, the top rail carved with the year above a pierced splat and board seat, enclosed by down swept open arms with scroll terminals, upon plain legs of square section united by peripheral cross stretchers, 113cm H, seat height 46cmCondition reportMinor 10cm split to the board seat, along with general light scuffing and marks, evidence of stain drips to the underside of the chair indicating some level of restoration, although the chair appears firm with little or no play in the joints.
Los 675
A French Holophane ceiling light, Pat.2022209, with oxidise copper collar, lacking chains, with an opaline glass ceiling late, early 20th century, with associated fittings (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items. Condition reportHolophane diameter 25cm, some light tarnishing to the collar, with light corrosion to the chains, no visible cracks or chips to the shade, very minor nibbles to the shade rim onlyOne chain appears to be missing links.Opaline shade has some minor rubbing and scuffs, but no visible cracks or chips, chains have some light tarnishing and appear to be of varying lengths, lacking a ceiling rose light fittingOpaline diameter 31cm
Los 520
A John Ditchfield for Glasform studio glass vase of waisted form, the iridescent green glass punctuated by brightly coloured stylised flowers, signed and numbered "7404" to base, 24.5cm high Condition report: Blowing faults seen to the shoulder and body of the vase - see images.Light scratch near shoulder of vase, only visible if light hits the scratch.
Los 503
A Royal Worcester part cabaret set, comprising a sucrier and cover, a milk jug and two saucers, decorated in blue with trailing foliage within a white jewelled border, impressed mark to saucers, 12cm diameter, a Royal Crown Derby imari cup and saucer decorated in pattern 2451, a Blore Derby florally decorated plate, 19.5cm diameter, and outside decorated Meissen oval dish, a Royal Worcester helmet shaped cream jug, and a boxed set of four Royal Crown Derby porcelain napkin rings (10)Condition reportThe cabaret set has very light rubbing to the gilt and overall crazing to one of the saucers.No signs of wear or faults with the Crown Derby cup and saucer.The Derby plate has general overall crazing with a minor chip to the underside rim, minor discolouration to one floral cartouche along with a small blemish, general light rubbing to the gilt detail and a 5cm 'scratch' through a gilt spray.Meissen dish very light wear only no visible cracks, repairs or faults.Cream jug has evidence of restoration to the foot along with further light wear.Napkin rings have foxing type speckling to the interior of each ring.
Los 136
A ladies bi-colour stainless steel Rolex Oyster-Perpetual Datejust wristwatch, the circular black dial with baton markers and date aperture to three 'o' clock, fluted bezel, coronet monogram to crown, case 27mm diameter, set to a bi-colour stainless steel jubilee bracelet with folding snap clasp, with box and paperwork Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.Condition report: Currently ticking. Hands complete a full 24h rotation happily. Date aperture runs smoothly from 1st to 31st. Minor nibbles to edge of crystal face, otherwise face is clean and free from visible scratches with the naked eye. Gold coloured bezel shows signs of light wear but free from visible scratches. Reverse with minor signs of wear. Bracelet does show signs of flexing however shows no signs of major scratches or blemishes.
Los 398
Attributed to William Koekkoek (Dutch, 1839-1895),A Dutch Street scene with washerwomen at the canal,Oil on panel,Initialled "WK" under frame,26.5cm x 21cm,Framed (Restored, at fault) CONDITION REPORT:The painting was restored for the current owner by Hood & Broomfield of Newcastle-Under-Lyme in 1985. The paint surface now appears to be in need of further attention, with a small loss approximately 2mm x 3mm in the top left corner, and a lifting strip of paint approximately 8cm long down the left hand side which is cracking down the centre and at the edges and showing small losses approximately 5cm down (this area has caught the light in the main photo and appears white/grey in the photo - see photos for additional images of the area). Examination under UV shows the top left corner loss, and an area of overpainting in the lower left corner approximately 4cm above the frame. Initialled under frame below washerwomen (see last photo). The paint surface would benefit from cleaning.
Los 674
A white metal six branch chandelier, the urn shaped column applied with cast cherub masks, extending to six scrolled arms above a cast leafy fruit pendant, 48cm H x 60cm D Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition reportSome light play in the arm 'joints, and general light tarnishing, no visible faults or repairs
Los 758
A George III oak and mahogany crossbanded breakfront housekeepers cupboard, the moulded cornice above a pair of astragal glazed cupboard doors, flanked by two further cupboard doors, upon the base with an arrangement of nine drawers and a central single cupboard door, applied with ebonised drawer pulls and escutcheons, upon bracket feet, 202cm H x 212cm W x 62cm D (at fault)Condition reportBase measurement (rather than cornice) 204cm W x 54cm DTwo cracked panes, a 21cm cutaway section that has been re-attached in the cornice, please see additional image.The cornice appears to have bowed slightly causing the LH cupboard door to rub, LH rear side part of the bracket foot is detached, bottom LH drawer feels tight.Some minor losses to drawer beading along with general light splits, scuffs, gouges, marks and fading.Overall the cupboard appears to be structurally sound although it would benefit from some light restoration, a clean and polish, as it was removed in genuine untouched condition from a county border farmhouse property.
Los 739
An early 19th century mahogany bowfront chest of drawers, formed from three short and three long graduated and cock beaded drawers, applied with associated pierced brass back plates and swing handles, upon splayed bracket front feet, 101cm H x 113cm W x 62cm DCondition reportTwo minor gouges to the chest top, the longest 7cm, further minor scratches and marks.Top LH drawer missing lock, RH top drawer has a small repair around the lock.General light commensurate wear, otherwise the chest appears sound, with all drawers running smoothly, legs with little or no play
Los 882
A George II style mahogany side table, late 20th century, the moulded top above a single drawer and shaped apron, upon shell moulded cabriole legs and scrolled toes, 75cm H x 75cm W x 45cm DCondition reportVery minor scuffs to rear right leg otherwise very light wear only commensurate with age and use, drawer runs smoothly all joints sound
Los 137
A Cartier bi-colour Panthere wristwatch, the square white dial with Roman numerals and inner seconds track, screwhead motifs to bezel, blue stone set cabochon to crown, case numbered verso '1057917' and '003253', 22mm wide excluding crown, upon a brick link bracelet with fold over snap clasp, with box and certificate, 43.6gms Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.Condition report: Currently not ticking.Hands happily complete a full 24hour rotation. The crystal of the watch appears clean and free from any visible scratches to the naked eye. The gold coloured bezel shows signs of light wear and scratching, similarly this can be seen to the case and strap. The reverse shows knife opening marks towards top right centre. Face of watch appears stained and discoloured. Blue stone crown appears free from obvious chips. Bracelet appears to have been expanded this is visible from the vacant aperture when clasp is closed - see images for clarification.Bracelet interior measurement is estimated 6.5inches.
Los 576
A Chinese silver and enamel box, 19th century, possibly Canton, the canted rectangular box decorated in relief with enamelled scenes of court figures, attendants and animals, the hinged cover enclosing a bevelled looking glass, hallmarked, 5cm H x 9cm W x 7cm DCondition report; Heavily tarnished. No signs of repair. Some light wear to the enamel. Hinged cover operates correctly. Mirror appears good. Marks clean. Some internal staining. Gross weight 375 grams.
Los 723
A plum pudding mahogany centre table, early 19th century, the cross banded oval top with a reeded edge upon a ring turned gun barrel pedestal applied with ebonised highlights, extending to four sabre supports cut with step detail and culminating in brass caps and castors, 73cm H x 116cm W x 85cm DCondition reportVery light marks and rubbing to the table top and supports commensurate with age and use, otherwise table appears to be stable with little or no play in the joints, no visible faults or repairs.
Los 534
A clear glass tumbler, probably German, 19th century, the straight sided tumbler engraved with a continuous view of a hunting scene with a gentleman standing, a boar and a dog, townscape beyond, 13.8cm highCondition report3cm hairline crack running from the huntsman's right hand, two 1cm scratches above the boar, further light surface scratches and some minor glass blown bubble faults
Los 858
An Edwardian drop-end day bed, in green velour fabric, the padded scroll end with a reclining mechanism, upon mahogany legs of tapering square section and castors, 83cm H x 162cm W x 73cm DCondition reportSome minor light stains to the fabric, lacking a castor wheel to one leg, general light marks and scuffs to the legs, reclining mechanism is functional.
Los 655
A David Rubio classical concert guitar, made by Edward. B. Jones, paper label to the interior 'Rubio Workshop, Made by Edward B Jones, Oxon 1979' to a hard case, guitar 100cm long, along with a signed insurance valuation dated 1979Condition reportMinor 2cm scratch to the guitar body below the strings, further very minor surface scratches, some rubbing wear to the finish on the back of the neck, some tarnishing and mould residue to the keys on one side of the guitar head.No visible splits, cracks or faults general light wear only, please see additional images 1979 Insurance valuation on letter £1200String length 66cm
Los 825
A Victorian carved oak sofa, later re-upholstered in foliate fabric, the scalloped padded back rest extending to scrolled arms enclosing the three seat cushions, above a carved foliate scroll apron, upon six bun feet, 81cm H x 222cm W x 86cm DCondition reportSome fading, stains and marks particularly to the arms, back rest and sides, general light scuffs and minor chips to the apron and legs.Structure appears firm with little or no play in the joints
Los 600
A French Rococo influence ormolu six branch candelabrum, 19th century, the branches set out as a descending V, the base modelled with a putti holding a horn seated below a floral sprig, with six removable drip pans and a floral blanking finial, marked "1797" in the cast, 74.5cm highCondition reportGeneral minor light tarnishing, a degree of play in all three branches, particularly the central branch with three sconces which has excessive play causing it to lean forward.Inset screw to the rear of the candelabra above the cherubs head evidence of possible repair.Further possible light restoration, although no visible major faults or losses.
Los 872
A contemporary collectors/specimen cabinet, late 20th century, the twin doors opening to an arrangement of forty glazed sliding trays, each with a detachable glazed cover enclosing a white painted interior, upon a plinth base, 128cm H x 133cm W x 57cm D (at fault)Confdition reportSplit/crack to the ledge above the plinth on the LHS where the door opens, otherwise only very light wear, all drawers fit flush, no further visible faults or repairs
Los 773
A mahogany tea table, mid 19th century, the rounded rectangular folding top above a frieze applied with beading, raised upon an octagonal trumpet shaped column extending to a quatreform plinth base, on bun feet and castors, 74cm H x 92cm W x 35cm D (at fault)Condition reportLeft hand hinge is broken, very minor warp in top leaf, one side of the octagonal moulded collar on the plinth is missing, otherwise general marks, light scratches and stains to the top, pedestal and plinth
Los 870
An Arts and Crafts 'Tuscan' style limed pine occasional table, in the manner of Sir Robert Lorimer, the rectangular moulded top upon scrolled supports united by a conforming 'H' cross stretcher, 51cm H x 60cm W x 35cm DCondition reportSome light marks and stains to the table top, two metal brackets added to the underside, although only very slight movement in the joints
Los 95
After Andy Warhol (American, 1928-1987). Group of two silkscreens based on Warhol's iconic 1970 "Flower" portfolio. One in blue, pink, red, orange, and yellow. The other in green, white, and blue.Green; height: 24 1/4 in x width: 24 in. Red; height: 27 in x width: 26 1/2in.Condition: The prints are in fair condition with no major creases, losses, or tears. The color is bold and bright. Both prints do not show a sign of restoration when inspected under UV light. The green-themed print is mounted on the board and has soiling, most noticeably to the dark blue flower as shown in the listing image. Scattered light creases throughout, possibly due to glue from the recto. To the upper right flower, there is a vertical light grey mark; please see the listing image. Wear along the margins. The red-themed print has a few scattered areas of creases, most noticeably by the orange flower. There is a light crease to the upper left margin, measuring 1 1/2 in. To the lower right corner, there is a minute tear. Along the margins, there is light wear. Along the verso, there are several scattered creases that are also visible from the recto; along the upper margin, there is skimming from an old tape.
Los 293
Wooden cross with silver colored metal embellished with 13 turquoise stones. Illegibly signed along the lower right along the metal.Height: 18 in x width: 13 in x depth: 1 in.Condition: The item is in good condition with no major losses. When inspected under UV light, there is no visible sign of restoration. All parts are presents; turquoise stones are firmly attached, although there are several cracks. Heavy wear throughout. Light erosion to metal components as expected. Several cracks to wooden components as shown in the listing image, most noticeably from the back. From the back, there are several minute losses to the extreme edge of the cross, which do not alter the overall appearance significantly; there are scattered white accretions and along the top, there is a red inscription.
Los 371
A Russian silver champleve enamel and silver cigarette case style. Enameled in shades of red, sky blue, and Persian blue along the exterior. Hallmarked along the interior with illegible maker's mark and 88. Possibly from Moscow. With a chain and spot for striking a match.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height: 4 in x width: 2 1/2 in x depth: 3/4 in. Total weight: 196.5 gramsCondition: The item is in good condition in general with no visible dents, cracks, or losses. Light wear, scratches, and oxidation throughout. There is light discoloration throughout due to oxidation, most noticeably along the interior corners. No visible loss to enamel. No visible sign of restoration. One of the sides is discolored brown; see the listing image.
Los 11
Chinese jade carving depicting a maiden with peaches and a small lion. Of a mottled spinach and white jade with a wooden base.Jade; height: 10 in x width: 4 1/2 in. Base; height: 1 in x width: 4 1/2 in x depth: 3 in.Condition: The jade is in generally good condition with no major cracks or losses. When inspected under UV light, there is no visible sign of restoration. Natural lines as expected. There is a loss near the waist. Above the russet inclusion along the back, there are two horizontal cracks that are discolored light brown, measuring approx. 1 1/2 inch each. Along the underside, there is tack adhered; please see the listing image. Light wear to the base; along the top of the base, there is tack residue. To the underside of the base, there is a mark from an old sticker, now removed.
Los 89
Sam Gilliam (American, 1933-2022). Acrylic on birch plywood titled "The Chartmaking" depicting a colorful abstract composition, 1997. Two pieces are hinged and can swing outwards from the main body of the work. Signed, dated, and titled along the verso.Lot Essay:Sam Gilliam was one of America's foremost Black artists and a leader in the color field and lyrical abstraction movements. He was influenced by German Expressionists such as Emil Nolde, Paul Klee, and Nathan Oliveira. He was additionally influenced by Vladimir Tatlin, Frank Stella, Hans Hofmann, Georges Braque, Pablo Picasso, and aul Cezanne. An artist from an early age, he was always interested in art and eventually studied fine arts at the University of Louisville, admitted as the second class of black undergraduate students to the school.Around 1965, he became the first artist to introduce the idea of an unsupported canvas, draping the paintings from ceilings, walls, and floors. These works were immensely popular and led to exhibitions and commissions worldwide including representing the United States at the 36th Venice Biennale. He moved away from this in later years to focus on jazz-inspired works like his Black Paintings, so-named because they are painted in shades of black. His works shifted once more in the 1980s to resemble the African patchwork quilts of his childhood. Though he was largely overlooked throughout the late 1980s and 1990s, his career saw a resurgence following a retrospective at the Corcoran Gallery in 2005.From then until his death in 2022, his works came into the collections of the Museum of Modern Art (MoMA) and the Metropolitan Museum of Art among others. He also had successful exhibitions including a second show at the Venice Biennale (2017), a large-scale draped painting titled "Yves Klein Blue" in Giardini's central pavilion for the show "Viva Arte Viva," and his first European retrospective in 2018 hosted by the Kunstmuseum Basel.His honors and awards were plentiful including eight honorary doctorates, several National Endowment for the Arts grants, the Longview Foundation Award, and a Guggenheim Fellowship. In 2015 he was awarded the Medal of Art by the U.S. State Department for his longtime contributions to art in embassies and other diplomatic facilities as well as his cultural diplomacy, which showcased his works in over 20 countries during his career.From 1962 until the 1980s, Gilliam was married to Dorothy Butler, the first African-American female columnist at The Washington Post. They had three daughters together. In 2018, after a 35-year partnership, he married Annie Gawlak, owner of the former G Fine Art gallery in Washington, D.C. On June 25, 2022, Gilliam died of renal failure in his home at the age of 88 after a long, varied, and ultimately successful career creating the art that he loved.Height: 22 1/4 in x width: 33 in x depth: 1 3/4 in.Condition: The artwork is in fairly good condition. The surface is stable and there are no losses, breaks, or restorations. Both hinged panels swing open smoothly. All parts are firmly attached and there are no loose panels. Along the left hinged panel along the upper edge there are two star-shaped cracks that project outwards; visible in the lot listing. Along the center panel there is a network of paint accretions that sit on top of the thick resin layer; possibly original to the artistic process. Some light wear throughout the edges, consistent with age and use.
Los 51
Hiroshi Yoshida (Japanese, 1876-1950). Japanese shin-hanga woodblock print titled "Dainan Gate in Mukden," depicting the great south gate at Mukden (Shenyang) in Liaoning in China. Pencil signed along the lower right; titled along the lower left.Image; height: 9 1/2 in x width: 14 1/2 in. Matted; height: 15 in x width: 20 in. Margin; right: 1 in x left: 1/2 in x lower: 1/2 in x upper: 1 in.Condition: The print is in good condition overall with no visible rips, tears, or major creases. The paper is hinged along the upper corners with framer's tape. The paper is toned and browned along the extreme margins. Wear along the right margin. There is an acidic burn visible throughout the recto. There is a tear to the upper right corner along the framer's tape line. There is a minor crease to the lower right corner, which is only visible under careful scrutiny. There is a minute mark to the lower left quadrant. When inspected under UV light, there is no visible sign of restoration. There are two pinholes along the upper margin, which are original to the artistic practice. From the verso, the paper is toned and browned. There is a minute skimming to the lower right along the verso. The mat is toned, and there is water damage along the lower margin.
Los 400
Elkington & Co., Birmingham, England. Salt set consisting of four small glass salt cellars with gilt flowers and sterling silver rims and four sterling silver spoons. Marked along the rim of the cellars and along the stem of the spoon. With a date mark of 1892. In a custom silk-lined storage case.Each, spoon: length: 2 3/4 in x diameter: 3/4 in. Each, pot; height: 1 1/2 in x diameter: 2 3/4 in. Case; height: 1 3/4 in x diameter: 7 1/2 in. Gross weight of cellars: 366.1 grams. Gross weight of spoons: 16.0 grams.Condition: The items are in good condition with no major dents, cracks, or losses. When inspected under UV light, none of the items who a sign of restoration. Light wear throughout. Light discoloration as expected, most noticeable along the underside. One of the silver rings is not firmly attached to the cellar. One of the cellars has an area with losses, smaller than 1/4 inch. Two of the spoons have an area that is lightly bent. Wear to the box; the lock does not work.
Los 217
Patrick Demarchelier (French, 1943-2022). Silver gelatin print photograph on gold paper depicting the pop superstar Madonna. Signed along the verso along the lower left corner.Demarchelier began photographing friends and weddings after he was gifted an Eastman Kodak camera by his stepfather. He discovered fashion photography after following his girlfriend to New York City in 1975. He worked as a freelance photographer for Elle, Marie Claire, and 20 Ans Magazine. His intimate portraits of Princess Diana helped establish her popularity and accessible public image. He has shot for international campaigns for brands like Dior, Louis Vuitton, Celine, TAG Heuer, Chanel, Yves Saint Laurent, Moschino, Calvin Klein, Ralph Lauren, among many more.Sight; height: 18 1/2 in x width: 15 in. Framed; height: 26 in x width: 21 in.Condition: The print is in good overall condition. There is a light crease along the corner of the upper left corner. A light handling mark along the right, approximately three inches from the edge, towards the middle. The artwork is hinged with framer's tape along the upper left and right edge. Framed behind glass; some light wear to the frame.
Los 175
Richard Abraham (American, 20th/21st c). Oil on canvas painting titled "Sky Passage" depicting a vast midwestern landscape with billowing clouds rolling above green pastures. Signed along the lower right.Sight; height: 32 1/2 in x width: 42 in. Framed; height: 41 1/2 in x width: 51 in.Condition: The painting is in good condition with no visible tears, creases, or losses. The surface is stable, and the color is bold and bright. When inspected under UV light, there is no visible sign of restoration. Clean verso. Light wear to the frame; dust collected to the frame.
Los 255
Lightolier, United States. Art Deco lamp with floral and foliate motifs throughout. With a hexagonal Art Deco painted glass lampshade.Base; height: 23 1/2 in x diameter: 7 1/2 in. Shade; height: 7 1/2 in x diameter: 16 1/4 in.Condition: The lamp is in generally good condition. Consistent with age and use, dust collected to the surface, particularly to recessed areas; wear and light oxidation throughout. No dents or losses to the lock. There are some minute chips to the upper rim of the shade- longest chip measuring ¼ inches; no other major chips or losses. There are some scattered areas of color gilding peeled off, as expected from its age. No visible dents to the body. Along the underside, there is an area with scattered residues. There is no sign of restoration under UV inspection. The lamp turns on but it has not been tested for prolonged use.
Los 110
Jack Portland (American, b. 1946). Acrylic painting on masonite titled "Here's Another Fine Mess You've Got Me Into" depicting an abstract scene of, possibly, a village with trees and houses in the background painted in vivid colors. Titled along the verso.Provenance: Distinguished Corporate Collection, Minnesota.Unframed; height: 25 1/2 in x width: 37 3/4 in. Framed; height: 28 3/4 in x width: 41 1/4 in.Condition: The painting is in good condition with no visible tears, creases, or losses. When inspected under UV light, there is no visible sign of restoration. The color is bold and bright. Along the margins, there are areas that are not fully attached to the frame. Along the right margin, there is a line mark, possibly from the previous mat. Very light wear to the frame.
Los 283
Warren Mackenzie (American, 1924-2018). Studio pottery ceramic bowl. Stoneware with a partial green glaze. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/2 in x diameter: 7 in.Condition: The item is in great condition with no visible cracks, chips, or losses. No visible chips along the rim. Original firing and glazing flaws visible. Light creasing throughout. When inspected under UV light, there is no visible sign of restoration. Wear along the underside, consistent with age and use.
Los 265
Antonio Grediaga Kieff (Canadian/Spanish, b. 1936). Abstract bronze sculpture of an abstract form on a slate base. Signed and numbered 1/5 along the base of the bronze.Antonio Grediaga Kieff was born in Madrid, and has been an educator and maker around the globe since the mid-20th century. Kieff is renowned worldwide for his biomorphic, organic, and flowing sculptures made from wide arrays of materials. Outside of works like these, Kieff's work shows similar forms to this work in bronze through painting, illustration, and jewelry. Here, like in many of the works in the artist's oeuvre, we see Kieff's legendary abstract swirling form create several modes of optical excitement.Height: 31 in x width: 10 in x depth: 10 in.Condition: The item is in generally good condition with no visible cracks, dents, or losses to the sculpture. No visible sign of restoration under UV light. Light wear throughout; dust collected as expected. The sculpture is firmly attached to the base. Along one of the edges, there is an unevenness to the surface towards the base. Throughout the sculpture, there are handling marks that are etched into the work, possibly from a previous polishing. The base has a minute loss to the side, which does not affect the sculpture. There are very light cracks to the base.
Los 100
Marc Chagall (Russian/French, 1887-1985). Lithograph on paper titled "Spring" from "The Daphnis & Chloe" portfolio, depicting scenes of love and birth synonymous with springtime, 1977. Pencil signed along the lower right. Printed by Teriade Editeur, Paris. Inspired by his long honeymoon with his second wife, travelling from Rome to Athens. With a certificate of authenticity from Edward Weston Fine Art affixed to the verso.Sight; height: 13 in x width: 18 in. Framed; height: 24 in x width: 30 in.Condition: The item is in good condition with no visible teas, rips, or losses. When inspected under UV light, there is no visible sign of restoration. The color is bold and bright. Along the center, there is a folded crease; however, it is only visible under careful inspection. Framed under plexiglass; not inspected out of frame. Wear to the frame.
Los 216
Lee Friedlander (American, b. 1934). Group of two silver gelatin prints including:"Fred R. Parker & Anita Whittaker Wedding, Eagle Rock, California, ca. 1970" signed and titled in pencil along the verso."Anita Whittaker Parker, Eagle Rock, California," signed and titled in pencil along the verso.Provenance: Fred Parker; Private Minnesota collection.Each; height: 8 in x width: 10 in.Condition: The items are in good condition with no visible tears, creases, or losses. The emulsion appears to be smooth. Along the verso, both have pencil and pen inscriptions. When inspected under UV light, both of them did not show a sign of restoration.
Los 311
Kellypellik Kimikpik (Cape Dorset Inuit), 20th c). Large Native American Inuit carving in green stone titled "Seamaid & Whale," depicting a whale swimming over a mermaid, 1982. With a certificate from the government of Canada.Height: 12 in x width: 18 in x depth: 4 1/4 in.Condition: The carving is in generally good condition with no major dents, cracks, or visible losses. Wear throughout. Hairline cracks throughout; however, they do not alter the overall appearance of the item. No visible sign of restoration under UV light. Along the base part, there are a few areas that appear to have dents; however, it is difficult to discern whether theses are dents or original to the piece. Wear to the underside, consistent with age and use.
Los 190
Richard Haas (American, b. 1936). Photomontage proposal with the original photo of the Chicago Arcade, 1978. Pencil signed along the lower right; titled along the lower center; pencil numbered 8/15 along the lower left. With an affixed slip of paper reading "Proposal: Corner Hubbard and State Streets in Chicago. Facade of Chicago Arcade, 1978."Height: 28 in x width: 22 in.Condition: The item is in great condition with no visible tears, creases, or losses. Both images are glued to the board. The emulsion appears to be smooth and great. The lower image has black spots in the upper right quadrant; however, they appear to be original to the photo-developing process. When inspected under UV light, there is no visible sign of restoration.
Los 189
David A. Maas (American, 1929). Graphite drawing on paper depicting ducks taking flight against a fall wetland. Pencil signed lower right.David A. Maas is one of the representative Minnesota artists from Rochester. Hunting trips with his father as a child brought Maas a special interest in wildlife animals, which later became some of the inspiration behind Maass' artworks. Many of his original pieces are housed in the Minneapolis Institute of Art.Sight; height: 7 1/2 in x width: 10 1/2 in. Framed; height: 15 in x width: 18 in.Condition: The drawing appears to be in great condition with no visible tears, creases, or losses. The paper is very slightly toned. No sign of restoration under UV light. Framed under plexiglass. Not inspected out of frame.
Los 257
Wiener Kunstkeramische Werkstatte Busch & Ludescher (Vienna Ceramic Workshop), Vienna, Austria. Porcelain perfume lamp in the form of two white embracing monkeys on a blue plinth. Marked along the interior and with the numbers 285, 25, and 4 and the workshop stamp.Height: 12 in x width: 6 1/2 in x depth: 5 in.Condition: The item is in good condition with no major dents, losses, or visible cracks. Wear and crazing throughout. Dust collected to recessed areas, as expected. Throughout the piece, there are several scattered areas of minute loss to the glaze. Unevenness to the back of the monkey; it does not seem to be a restoration. Along the body of the bigger monkey, there are scattered minute light brown dots. The eyes appear to be restored with glue, visible under UV light. Wear to the underside, consistent with age and use.
Los 52
Hiroshi Yoshida (Japanese, 1876-1950). Japanese shin-hanga woodblock print titled "Nikko kiri no hi (Misty day in Nikko)," depicting travelers visiting a shrine nestled amongst a misty forest. Pencil signed along the lower right; titled along the lower left.Image; height: 14 3/4 in x width: 9 1/2 in. Matted; height: 20 in x width: 15 in. Margins; right: 1/4 in x left: 1 in x lower: 1/2 in x upper: 1 in.Condition: The print is in good condition overall with no visible tears, major creases, or losses. The paper is hinged along the upper corners with framer's tape. The paper is toned and browned. There is acidic burn visible. Wear along the right and upper margins. There is a minor crease to the corners. To the sky there is a minute brown accretion. When inspected under UV light, there are white splotches throughout that indicates possible treatment. From the verso, there are pencil inscriptions that are possibly original to the artistic practice; there is a minute skimming to the lower right quadrant. The mat is toned.
Los 85
Sam Scott (American, b.1940). Heavily textured mixed media work on canvas board titled "Moment" depicting an abstract scene, 1975. Signed and dated along the lower right.Provenance: Distinguished Corporate Collection, Minnesota.Unframed; height: 16 in x width: 20 in. Framed; height: 16 1/4 in x width: 20 in.Condition: The painting is in good condition with no visible losses, creases, or tears. The surface is stable, and the color is bold and bright. When inspected under UV light, there is no visible sign of restoration. Along the verso, there is a small area of soiling, measuring smaller than 1/2 inch. Clean verso. Wear to the frame.
Los 34
Pair of large 20th century Chinese famille verte porcelain vases. Each depicting figures playing instruments and dancing in a courtyard. Not marked.Each, height: 24 1/2 in x diameter: 10 in.Condition: The vases are in good condition with no visible chips, cracks, or losses. No visible chips to the rim and the footrim. Light wear throughout as expected. Along the interior of the rim and exterior of the urn, there are several areas with adhesive residue. Wear to the underside, consistent with age and use. No visible sign of restoration under inspected under UV light.
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