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Preisdatenbank abonnierenWilliam Frank Calderon (1865-1943) Sheep in a pen; Horses drinking at a stream two, both signed l.r., the first dated '05', oil on board 30 x 40cm (2) Condition ReportFramed: 39 x 49cm Both works present well overall. 'Horses drinking at a stream': there is dark spot on the black building on the left side of the painting and it is unclear if this is original. Not examined under UV light, for a full report please contact the department.
English School, early 19th century Portrait sketch of a young man, half-lengthpencil and oil on canvas76 x 63cmCondition ReportFramed: 95 x 83cmLight surface dust and dirt. Extensive retouching is visibleto the background. Examined under UV light large areas of overpaint fluoresce on the sitter's cheek and to the left of the face and neck. Please see additional images.
Arthur H... (early 20th century) A huntsman riding to houndsindistinctly signed 'Arthur H...' l.l., oil on canvas46 x 35.5cmCondition ReportFramed: 67 x 57cmRelined. Craquelure. Gold speckles from the frame to the left edge. Not examined under UV light or viewed out of glazed frame, for a full report please contact the department.
Circle of William Wood (1769-1809) Portrait of Miss Duncan (1780-1858), aged 15, bust-length, in a white dress miniature on ivory, oval 6.5 x 5cm A label verso is inscribed 'Maria Rebecca Davison/(née Duncan) wife of James Davison, died/May 30th 1858 aged 78/& buried in Brompton Cemetery'. Provenance: The estate of Baron John Mauger Langin. IMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Condition ReportFramed: 21 x 20cm Rubbing to the left edge. Light surface scuffs. Small abrasions around the eyes and hairline. Not viewed out of glazed frame.
English Primitive School, 19th century View of a country house, with cattle in the foregroundoil on canvas50 x 64cmProvenance: With Crane Kalman Gallery, London, 1990;Bonhams, Knightsbridge, 12 October 1999, lot 373;private collection, The Old House, Aspley Guise, Bedfordshire.Exhibited: Crane Kalman Gallery, 'A Celebration of British & American Folk Art'.Condition ReportFramed: 61 x 76cmRelined. Craquelure with a little rubbing to the lower edge. Examined under UV light there is extensive overpaint and infilling, please see additional condition images.
â–² Willem Dolphyn (Belgian, 1935-2016) Still life of a Chinese blue and white wine jug, plums in a delft dish and a glass beaker on a Chinese embroidered cloth signed and dated 'W Dolphyn 1988' l.r., oil on board60 x 50cmProvenance: The estate of Baron John Mauger Langin.Condition ReportFramed: 74 x 64cmDrips of varnish at top. A little surface dirt with light surface scuffs. There are some abrasions to the fabric in the lower right quarter, please see additional condition images. Examined under UV light the varnish appears patchy in places. There is some fluorescing around the wine jug were the varnish appears uneven however in our opinion this is not overly distracting when viewed on the wall under normal light.
â–² Charles Spencelayh (1865-1958), after Carl Jäger Portrait of Wolfgang Amadeus Mozart (1756-1791), bust-length, in a brown coat and white stockminiature on ivory, early 20th century, signed 'C. Spencelayh' l.r.15 x 9.5cmIMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018.Condition ReportFramed: 32.5 x 27cmOn very close inspection under raking light it is possible to see some light surface scuffs and scratches to the background but overall the miniature presents well. There is a small mark/ abrasion to the left edge, upper centre, which has the appearance of a finger print. There are thunderbugs trapped behind the glazing but the work itself does not appear to be affected. Not viewed out of glazed frame.
William Raymond Dommersen (Dutch, 1850-1927) A Dutch estuary scene, with fisherfolk on the shoresigned 'W. Dommersen' l.r., oil on canvas 41 x 61cmCondition ReportOverall: 54 x 74cmCraquelure and infilling with retouching visible, please refer to illustration. The reverse of the canvas is backed, however the painting appears to be relined. Not examined under UV light, for a full report please contact the department.
William Frank Calderon (1865-1943) A dog with a ballsigned 'W. Frank Calderon' l.l., oil on canvas45 x 55cmCondition ReportFramed: 65 x 75cmCraquelure. A light scratch crosses the left side of the dog's head. The back of the frame is backed with fabric and the reverse of the canvas is not visible. Viewed under UV light scattered spots of retouching a visible. Much of the surface is covered by a thick layer of varnish which may obscure further restoration.
Italian School, 19th century Still lifes of vases of flowers and fruit on a stone ledge, with birdstwo, oil on canvas, octagonal81.5 x 103cm (2)Condition ReportFramed: 94 x 118cmOne relined. Craquelure with surface scuffs, scratches and abrasions. Spots and speckles of surface dirt. Damp spots to the reverse. Not examined under UV light, for a full report please contact the department.
Circle of Jacob van Hulsdonck (Flemish, 1582-1647) Still life of flowers in a glass beaker, with butterflies and insects on a stone ledgeoil on panel53 x 41cmProvenance: Vicomte du Bas sale, 14 April 1896;Duke of Westminster;Frederick S Stafford, Paris;with H Terry-Engell Gallery, London, as Jacob van Hulsdonck;private collection, Moor Park, Hertfordshire.Exhibited: Kunstzaal Kleykamp, the Hague, 1929 and 1932;Kunsthandel De Boer, Amsterdam, 1934, catalogue no. 273, illustrated, as Follower of Jan Brueghel the ElderStrasbourg, 'La Hollande en Fleurs', 1949, catalogue no.11;New Orleans, Isaac Delgado Museum of Art, 1966-67, catalogue no. 161, illustrated p.97.Condition ReportFramed: 73.5 x 61.5cmThe painting is executed in oil on a wooden panel support which appears to be formed from a single board with the woodgrain running vertically. A cradle has been added to the reverse of the panel at a later date for reinforcement. The panel has a slight vertical curvature. The paint layers are in a good condition overall. There is a network of age cracks running in a vertical orientation. A few small areas of overpaint are present covering a small dent and other minor areas. The varnish is clear, even and glossy with a light dust layer.
Continental School, early 19th century Landscapes with riverside townsa pair, oil on panel35 x 43cm (2)Provenance: The estate of Baron John Mauger Langin.Condition ReportFramed: 51x 60cmThe panels are bowed. Craquelure and surface dirt. One painting has a loss to the bridge, lower centre, and also to the tree, upper centre. Viewed under UV light retouching shows to the top and right edges. There is a little infilling, predominantly to the sky and around the trees on the left side. The second painting has a vertical line of retouching/ discolouration corresponding to a repaired split in the panel with rubbing to the left edge. Examined under UV light there is an area of retouching in the centre of the top edge. Patches of overpaint are also visible to the upper right corner, the centre of the right edge and to the sky in the upper right. Further touching up fluoresces around the edges.
Hendrik Willem Schweickhardt (German, 1747-1797) A winter landscape with figures on a frozen river, others by a bridge in the foregroundsigned and dated 'H. W. Schweickhardt 1785' l.c., oil on panel45 x 64cmProvenance: Private collection, Moor Park, Hertfordshire.Condition ReportFramed: 57.5 x 75.5cmThe panel is in plane. Fine cracking, predominantly to the sky, and light surface dirt. Examined under UV light there are some scattered spots of retouching to the sky and around the tree. A little further touching up to the centre of the right edge and bottom right corner. Please see additional condition images.
Giambattista Bassi (Italian, 1784-1852) Classical statues in a wooded landscapesigned, inscribed and dated '...Console Italiano Tambroni. Letterato: Poeta: Proteggitore degli Alunni pensionate d'Italia/:in segno di gratitudine offre umilmente l'alunno Giambatta Bassi pensionate dell Accad...di Bolognas/-1812', pen and brown ink and wash42 x 56cmCondition ReportOverall: 62.5 x 78.5cmLight creasing and time staining. A little fading, consistent with age. The ink has bled around the edges, please see illustration. Not viewed out of glazed frame.
Clifton Tomson (1775-1828) A bay hunter and foalsigned, inscribed and dated 'C Tomson, Nottm/1826' l.r., oil on canvas62 x 75cmProvenance: With Richard Green Gallery, London; Christie's, London, 18 November, 1988, lot 25.Condition ReportFramed: 75 x 89cmRelined. Light surface dust and dirt. Craquelure. There is a light scratch behind the horse's tail with restoration visible to the horse's back end. Examined under UV light there are scattered spots of retouching to the sky and in the lower right quarter. There is a T- shaped line of overpaint crossing the horse's rear and tail, possibly a repaired tear, with a further patch of overpaint beneath. Please see additional condition images.
William Calcott Knell (c.1830-1880) Fishing boats off the Dutch coastsigned 'W. C. Knell' l.l., oil on canvas20 x 37cmCondition ReportOverall: 39 x 55cmCraquelure. Light surface dust and dirt. Stretcher marks to the top edge. A little thinning to the paint in areas. Examined under UV light there are extensive areas of thick overpainting.
John Cornish (fl.1750-1760) Portrait of a cleric, half-length;Portrait of a lady, half-length, in a blue dress with pink wrapa pair, both signed 'Cornish pinx' l.r., oil on canvas, painted oval76.5 x 63.5cm (2)Provenance: The estate of Baron John Mauger Langin.Condition ReportFramed: 90 x 78cmRelined. Craquelure. Light surface dust and dirt. The portrait of the cleric has some superficial surface scratches in the lower right corner. Not examined under UV light, for a full report please contact the department.
William Charles (fl.1797-1830) 'A Peep behind the Curtains or Preparation for the Meeting of Parliament'coloured engraving, published by Thomas Tegg, London, 180723.5 x 33.5cmCondition ReportFramed: 43 zx 52.5cmTime staining, foxing and discolouration, please refer to illustration. Light crease marks. Not viewed out of glazed frame.
Georg Heinrich Hergenröder (German, c.1736-1794) Figures in a grotto with classical statues signed 'Hergenroder fecit' l.r., indistinctly inscribed verso, oil on panel18.5 x 24.5cmCondition ReportFramed: 37 x 43cmThere is a little curvature to the panel. Slight rubbing to the edges, however presents well overall. Not examined under UV light, for a full report please contact the department.
French School, early 18th century Portrait of a gentleman, half-length, in a green coat and tricorn hatoil on canvas112 x 79cmProvenance: Private collection, The Old House, Aspley Guise, Bedfordshire.Condition ReportFramed: 125x 92.5cmThe canvas is lined. Craquelure and surface dirt. Thinning to the paint with small scattered losses and the potential for flaking. Outline of the wig has lost definition. Extensive spots of overpainting are visible. Please see additional images. Examined under UV light spots of overpainting fluoresce in the upper right quarter. Much of the surface is obscured by a thick layer of varnish which makes reading difficult and may conceal further restoration.
English School, c.1900 'Miss Monmouth' and 'Bass' - studies of huntersa pair, oil on canvas, one laid on board23 x 30.5cm (2)Condition ReportFramed: 35 x 42cm and 35 x 43cm Spots and speckles of light surface dirt. A little discolouration. Under raking light there are drip marks visible to 'Miss Monmouth' on the right side. Not examined under UV light, for a full report please contact the department.
George Frederic Watts OM RA (1817-1904) The Three Graces - a study of three classical figuresa grisaille oil sketch on canvas39 x 27cm, in a late 19th-century Florentine carved giltwood frameProvenance: With Christopher Wood, London.Condition ReportFramed: 55 x 43cmRelined. The paint appears to have been thinly applied. Examined under UV light scattered spots of retouching show, mainly concentrated in the upper left quarter, and to the thigh of the central figure. There is a further small patch of overpainting in the upper right quarter and a line of retouching to the background fluoresces in the lower right corner. The surface of the painting is partially obscured by a layer of varnish which may conceal further restoration. Please see additional images.
After Richard Paton The Battle of Quiberon Bayoil on canvas89 x 137cmCondition ReportFramed:106 x 155cmRelined. Craquelure and surface dirt. Damage to upper left quarter, please refer to images. Losses, scratches and abrasions. Not examined under UV light, for a full report please contact the department.
August de Wilde (Belgian, 1819-1886) An interior scene with figures enjoying the dance of the broomstick signed 'August de Wilde' and dated '1879' l.l., oil on canvas53.5 x 66cmCondition ReportOveall: 62.5 x 75cmUnlined. Large scratch/ abrasion below plate rack. Slit to canvas across face of the seated laughing man. Scratch to left and below plate rack. Scratches and abrasions around the edge of the painting. Overall the painting has a slight yellow hue due to discolouration of the varnish. Light surface dirt, may benefit from a clean. Examined under UV light some areas of the figures and their clothing are fluorescing which suggests some overpainting has taken place however the application of varnish makes reading difficult. When viewed on the wall any touching up in these areas is not obvious to the naked eye.
Robert Walker Macbeth RA (1848-1910) A woman with a basket of oysterssigned with initials and dated '1902' l.l., oil on board43 x 35cm, unframedCondition ReportScuffs, scratches and abrasions. The edges of the board have small nicks, dents and pin holes. The corners are rounded. Not examied under UV light, for a full report please contact the department.
â–² Felix Kelly (1914-1994) Prior Park, Bathsigned 'Felix Kelly' l.r., oil on board29 x 39cmProvenance: With The Lefevre Gallery, London.Condition ReportFramed: 43 x 53cmLight surface dirt with a thumbprint (?) to the sky, upper centre, please refer to images. There is an uneven patch of varnish in the upper left quarter which is slightly discoloured. A small abrasion to the upper edge, centre right. Examined under UV light no obvious retouching shows. There is some fluorescing to the building in the upper left quarter however when viewed under normal light this appears to be a particular shade of white rather than overpaint. Please see additional images.
Alfred Montague (1832-1883) Sailing barges off the coastsigned and dated 'Alfred Montague/1879' l.l., oil on canvas36 x 62cmCondition ReportFramed: 51 x 75cmRelined. Craquelure in places. Examined under UV light numerous patches of overpaint fluorese in the sky. There is a larger area of resoration visible in the upper right corner. A couple of smaller spots of retouching show in the sea.
English School, mid-18th century Portrait of a young girl, full-length, in a blue dress, with a spaniel at her feetoil on canvas 127 x 103cmProvenance: Private collection, The Old House, Aspley Guise, Bedfordshire.Condition ReportFramed: 122 x 147cmRelined. Craquelure. Horizontal stretcher marks to the centre with corresponding retouching visible to the left side. A light surface scuff to the background in the upper left quarter. Rubbing to the edges with minor losses to the the extreme top and bottom left corners. Superficial surface scuffs/ abrasions to the bottom of the left edge. Light surface dirt. Examined under UV light there are some small spots of retouching visible to the right side of the girl's face, neck and arms, please see additional images. Further areas of retouching around the edges. There are scattered spots of overpaint to the background. Much of the painting is obscured by a layer of varnish which may conceal further restoration.
Edward Lear (1812-1888) and John Gould (1804-1881) Purple heron;White crane;Black and white kingfisher;Squacco heronfour lithographs in colours, from John Gould's 'The Birds of Europe', 1832-1837, printed by Charles Hullmandel, London48.5 x 35cm and similar (4)Condition ReportFramed: 72 x 52cm and similarTime staining and light creasing with discolouration to the edges. A little foxing starting to emerge. 'Squacco Heron' is in an unglazed frame and cockled with spots of foxing, light dirty a marks and some scuffs and scratches to the paper. The mounts are foxed and dirty. Not viewed out of frames.
Circle of Pierre Mignard (French, 1612-1695) Portrait of Elisabeth (Isabelle) d’Orleans, Duchesse de Guise et d’Alencon, half-length seated, in a gold embroidered dressoil on canvas 97 x 84cm Provenance: Christie's, London, 28 May 2003, lot 11, described as 'Portrait of Louise Renée de Penancoet de Kéroualle, Duchess of Portsmouth (1649-1734)';private collection, The Old House, Aspley Guise, Bedfordshire.Condition ReportFramed: 128 x 96cmThe painting is executed in oil on a canvas support which has been lined. The canvas tension is adequate and the canvas is in plane. The paint layers have a network of age cracks, some of which are slightly raised but stable. Overpaint is present across the surface in broad strokes. The varnish is slightly dull and opaque in areas, no longer adequately saturating the paint layers below. Craquelure and surface dirt. Surface scuffs and abrasions. Examined under UV light there is extensive restoration to the background and the sitter's dress. Small spots of overpaint fluoresce on the sitter's chest and arm. A thick patchy and uneven varnish covers much of the surface and may obscure further restoration. Please see additional images.
Anton Weiss (Austrian, 1801-1851) Still life of roses and summer flowers in a vase on a stone ledge signed 'Ac Weiss' l.r., oil on panel 37 x 30cm Provenance: Private collection, Moor Park, Hertfordshire. Condition ReportFramed: 48.5 x 33cm The painting is executed in oil on a wooden panel support formed from a single board. The panel is in good condition remaining flat with no splits evident. The paint layers are in a good, stable condition. Drying cracks have formed in the darker passages and there is overpaint covering the cracks. Overpaint is also present covering age cracks around the signature and reinforcing some elements of the composition. Overall, the overpaint is well matched to the original. The varnish is clear and semi-matte. There are some smears across the surface where a light layer of dust has been disturbed.
English Primitive School, 19th century A pair of prize shorthorn cattle in a barn oil on canvas49 x 67cmProvenance: Bonhams, Knightsbridge, 12 October 1999, lot 369;private collection, The Old House, Aspley Guise, Bedfordshire.Condition ReportFramed: 57 x 75cmRelined. Craquelure. The left and right edges of the canvas are lumpy with thick overpainting. Stretcher marks to the top. Examined under UV light a spot of retouching with some further infilling fluoreses to the body of the cow on the right. The cow on the left has a vertical line of restoration to the rear, possibly a repaired tear (?). There is a further overpainting to the background in the upper half. A further line of retouching fluoresces in the upper left. Please see additional condition images.
Italian School, 18th century Portrait of a gentleman standinginscribed 'Pietro' beneath l.l., pen and brown ink29 x 17cmCondition ReportFramed: 55 x 41cmTime staining and discolouration. Spots of foxing. A little light rippling visible on close inspection. A 9.5cm horizontal crease mark to the lower left, crossing the subject's lower legs. Not viewed out of glazed frame.
Circle of Sir Peter Lely (1618-1680) Portrait of a young lady, said to be Vera, daughter of John, Lord Poulett, half-length, in a green dress with pearl necklacebears later inscription and signature 'Mrs Beal pinxt', oil on canvas, oval77 x 64cmProvenance: Private collection, The Old House, Aspley Guise, Bedfordshire.Condition ReportFramed: 87 x 74cmCirca 1670. Craquelure and light surface scuffs with a very small raised bump and abrasion to the centre of the lower edge. A small loss to the bust. Minor abrasions to the edges. The canvas tension is a little loose to the touch with stretcher marks and a few small scattered lumps and bumps to the background. Examined under UV light there are small spots of retouching to the lips, beneath the nose, and also to the bust. There is further overpainting to the dress on the left side, by the beads in the centre, the sitter's left sleeve and around the inscription, please see additional condition images. Much of the background has a thick application of varnish which may obscure further restoration.
Wouterus Verschuur (Dutch, 1812-1874) 'A Moment of Rest Overlooking the Valley'signed and dated 'W. Verschuur/1842' l.r., oil on panel72 x 89cmProvenance: From a Dutch collection;with Douwes Fine Art, London;private collection, Moor Park, Hertfordshire.Exhibited: Douwes, Amsterdam, 1984. Condition ReportFramed: 90 x 107cmFine cracking, predominantly to the more thinly applied paint in the sky. Appears to be in otherwise good condition. Well preseted and ready to hang. Notexamined under UV light, for a full report please contact the department.
Circle of John Michael Wright (1617-1694) Portrait of King Charles II, three-quarter-length seated, in robes of the Order of the Garterextensively inscribed, oil on canvas125 x 102.5cmProvenance: Private collection, The Old House, Aspley Guise, Bedfordshire.A copy of the painting in the National Portrait Gallery.Condition ReportFramed: 149 x 124cmLate 17th/ early 18th century. Relined. Craquelure. Presents well overall when viewed on the wall. Under raking light the varnish is a little uneven. When viewed from the side a superficial diagonal scratch can be seen crossing the sitter's hair on the right side. Examined under UV light overpainting is visible in the upper right corner with further small patches of restoration around the edges. There are spots of retouching to the sitter's left eye, beneath the inscription, next to the sitter's right sleeve and in the area around the sitter's left hand. Further restoration may be obscured by a layer of varnish. Please see additional images.
William Kidd RSA (1790-1863) A game of leapfrogsigned 'W. Kidd' l.r., oil on canvas40.5 x 30.5cmExhibited: Liverpool, Liverpool Academy of Arts 1845, catalogue no.165, illustrated p.365-366.Condition ReportFramed: 57 x 48cmUnlined. Fine craquelure. Stretcher marks starting to emerge to the right edge. Examined under UV light there are some minor spots of overpainting including a little infilling to the clothing on the floor in the lower right corner and above the building in the upper left corner. Appears to be in otherwise generally good order and presents well overall.
Camillo Lambertini Gandolfi (Italian, 18th/19th century) Lioninscribed 'Gen xiv' u.c., and numbered '39' u.r., pen and ink and watercolour heightened with white26 x 30cmProvenance: With Christopher Powney, London. Condition ReportFramed: 45.5 x 47.5cmAppears to be stuck down in the corners. Time staining with a couple of small spots of foxing. Light rippling to the paper and some small dirt marks. Not viewed out of glazed frame.
Walter J Watson (1879-1937) 'Sheltered Pastures'signed 'Walter. J. Watson 02' l.l., also signed with monogram and inscribed with title verso, oil on canvas21 x 31cmCondition ReportOverall: 42 x 52cmAppears to be in generally good order. Not examined under UV light or viewed out of glazed frame. For a full report please contact the department.
Charles Leickert (Belgian, 1816-1907) A shore scene with figures and beached boatspen and ink and brown washes15 x 28cmProvenance: Private collection, Moor Park, Hertfordshire.Condition ReportFramed: 34.5 x 46cmTime staining and fading. A slight border of discolouration around the edges. Light dirty marks to the upper corners and the right edge, please refer to illustration. Appears to be stuck down. Not viewed out of glazed frame.
Flemish School, 17th century The Finding of Mosesoil on panel 50.5 x 69cm, unframedCondition ReportCondition issues. The panel has a horizontal split through the centre which is held together by vertical wooden supports verso.There is retouching along the join. The top left corner has been re-attached with a nail. Scuffs, scratches and abrasions with surface dirt and discolouration to the varnish. Further shallow splits to the left and right edges, please see images. Not examined under UV light, for a full report please contact the department.
Thomas Harrison Hair (1810-1875) ‘A Packet Off St. Mary’s Island'oil on canvas50.5 x 79cmExhibited: N R Omell, London, 'Exhibition of Marine Paintings', no. 19.Condition ReportFramed: 61 x 90.5cmCraquelure. Spots and speckles of surface dirt. Patches of retouching are visible to the sea in the lower quarter. Not examined under UV light, for a full report please contact the department.
English School, 19th century A steamship under auxiliary sailoil on canvas44.5 x 59.5cm Condition ReportOverall: 52.5 x 67.5cmCraquelure and surface dirt with rubbing to the edges. There are crude patches of touching up visible under normal light, most noticeably to the upper right corner, to the right of the ship and to and the centre of the right edge. Please see additional images.
â–² Eric De Vree (Belgian, b.1966) 'The Quill Pen'signed and dated 'E. DE. VREE '00' l.l., also signed and dated verso, oil on canvas83.5 x 68.5cmProvenance: With W H Patterson, London;The estate of Baron John Mauger Langin.Condition ReportOverall: 109 x 93cmPresents well overall and appears to be in good condition without any obvious defects. Examined under UV light no retouching shows. Ready to hang.
Emma Ciardi (Italian, 1879-1933) Boats off the coastsigned 'Emma Ciardi' l.l., oil on board37 x 49cmProvenance: With The Rowley Gallery, London;private collection, Moor Park, Hertfordshire.Condition ReportFramed: 45 x 58cmA little light surface dirt. There is a tiny indent/ dark speck in the sky to the right of the mast of the boat in the centre. Presents well overall. Not examined under UV light, for a full report please contact the department.
â–² Charles Camoin (French, 1879-1965) A still life of bowls of fruitsigned 'C. Camoin' l.r., oil on canvas24 x 33cm With a copy of a letter of authenticity from Paul Cailac, dated November 1969.Condition ReportFramed: 41 x 49cmRelined. There is a vertical crease line running parallel to the right edge, 1cm in from the edge of the frame. A further crease mark to the extreme top edge on the left side. A couple of tiny dark specks in the upper right corner, however presents well overall. Not examined under UV light, for a full report please contact the department.
English School, 19th century Portrait of a young lady, bust-length, in a green dressminiature on ivory7.8 x 6.4cm, in a gold frame with a lock of hair verso, in a leather caseIMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018.Condition ReportNot viewed out of case. Ivory a little warped and dished with some light rubbing to the edges. Small spots and speckles of dust/dirt under glass. Presents well overall, please see additional images. Scuffs and light scratches to the case.
Continental School, 19th century A dog resting in a hilly landscapeoil on canvas65 x 88cm, unframedCondition ReportRelined. Craquelure. Losses and abrasions to the edges with the potential for flaking. Minor losses to the sky, upper centre. Not examined under UV light, for a full report please contact the department.
J La..., after Frans van Mieris the Elder A cavalier smoking in an interior;A seated gentleman raising a glass in a tavern interiora pair, oil on copper21 x 17.5cm (2)Condition ReportFramed: 35 x 30cmThe surface of the works is a little speckled however they appear to be in otherwise generally good order. Not examined under UV light, for a full report please contact the department.
Circle of Enoch Seeman (c.1694-1744) Portrait of a lady, half-length, in a silver silk dress with lace collar and blue wrapoil on canvas76 x 63cmProvenance: Charles Edmund Dashwood;the estate of Baron John Mauger Langin.Condition ReportFramed: 95 x 84cmCraquelure. Stretcher marks along the top edge. Small spots of touching up visible to the background. Overpainting to the sitter's hair, corresponding to a 4cm a 7cm patch repair to the reverse. Not examined under UV light, for a full report please contact the department.
Carlo Grubacs (Italian, c.1812-1870) Festivities on the Grand Canal in 1838 in honour of Emperor Ferdinand (1793-1875) in front of Palazzo Foscari and Palazzo Balbi, Venicesigned 'C. Grubacs' l.l., oil on canvas50 x 69cm, in a 19th-century Florentine giltwood frameProvenance: With G Ricasoli, Casa Corsini.Condition ReportFramed: 72 x 92cmThe painting is executed in oil on a canvas support which has been lined. The canvas tension is good and the picture is in plane. The paint layers are in a good, stable condition overall. There are areas of overpaint present lying below the varnish, mainly in the sky with some minor reinforcement of the figures in the foreground. The overpaint is well matched to the original. The varnish is clear and semi-matte surface. There are a few light scuffs to the surface and a localised areas of cracking in the varnish creating a few opaque lines at the right side.
John Lynn (fl.1826-1869) A deep passage - shipping in heavy seas oil on canvas46 x 61cmProvenance: Private collection, The Old House, Aspley Guise, Bedfordshire.Condition ReportFramed: 58 x 73cmRelined. Craquelure. Presents well overall. Not examined under UV light, for a full report please contact the department.
Circle of Charles d'Agar (French-British, 1669-1723) Portrait of a young lady, half-length, in a yellow dress and holding her pet spaniel oil on canvas, painted oval74 x 61cmCondition ReportFramed: 95 x 82cmCraquelure and light surface dirt. There is a slight undulation at the bottom of the canvas. The paint is a little thin in places. Surface scuffs and abrasions with spots of retouching visible, predominantly to the background. Not examined under UV light, for a full report please contact the department.
A… M… Gauci (fl.1848-1880) A prize Hereford heifer in a landscape signed and dated 'A. M. Gauci/1871' l.r., oil on canvas51 x 67cmProvenance: Bonhams, Knightsbridge, 12 October 1999, lot 390;private collection, The Old House, Aspley Guise, Bedfordshire.Condition ReportFramed: 82 x 67cmCraquelure and stretcher marks. Spots and speckles of surface dirt. A little thinning to the paint in the background. Not examined under UV light, for a full report please contact the department.
Cornelis Christiaan Dommersen (Dutch, 1842-1928) Dutch town scenesa pair, both signed and dated 'C. Dommersen 83', oil on canvas38 x 28cm (2)Condition ReportFramed: 54 x 44cmCraquelure and surface dirt, may benefit from a light clean. The painting with the boat has some discolouration to the sky, please refer to illustration. There is a small loss in front of the boat, lower centre. Not examined under UV light, for a full report please contact the department.
Thomas Buttersworth (1768-1842) Yachts and a paddle steamer off the coast;A sailing vessel and a Dutch fishing boat off a rocky coasta pair, both signed 'T Buttersworth' l.r., oil on canvas30.5 x 40.5cm (2)Condition ReportFramed: 39.5 x 49cmCraquelure and surface dirt. Stretcher marks to one. Not examined under UV light, for a full report please contact the department.
Italian School, 18th century The music lessonoil on canvas83 x 66cmCondition ReportFramed: 103 x 85cmCondition issues. Craquelure with the potential for flaking. A thick, glossy varnish has been applied. Undulations to the canvas with an indentation to the upper left. Minor losses with extensive retouching. There are seams to the reverse where it appears the canvas may have been joined/ repaired. Not examined under UV light, for a full report please contact the department.
Manner of Melchior de Hondecoeter Ornamental fowl by a walloil on canvas103.5 x 119cm, unframedCondition ReportAppears to be late 18th century. Relined. Craquelure. Losses and chips to the edges with the potential for flaking along the top edge. Examined under UV light some retouching to the edges fluoresces and the varnish appears a little patchy.
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