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Preisdatenbank abonnierenA collection of 4 Manchester United home Reserves programmes from the 1975/76 season v Preston North End (score, scorers and team changes in pencil with light horizontal fold), Nottingham Forest (scorers), West Bromwich Albion and Stoke City. Single sheets. Very difficult season to obtain United Reserves. Generally good.
A collection of 4 Manchester United home Reserves programmes from the 1975/76 season v Everton (score in pencil), Coventry City (no token), Wolverhampton Wanderers (very small piece missing with no text loss) and Bury. Single sheets. Very difficult season to obtain United Reserves. Light horizontal folds. Generally good.
Single sheet Manchester United home programmes from the Lancashire FA Youth Cup in season 1982/83 v Oldham Athletic (2nd Round) very light horizontal fold , Blackburn Rovers (Semi Final) very light horizontal fold and Final v Manchester City very good. All three programmes have no writing and are as described.
A collection of 4 Manchester United home Reserves programmes from the 1974/75 season v Preston North End (score and scorers in pencil), West Bromwich Albion (score), Liverpool and Blackpool (score and scorers). Single sheets. No tokens missing. Very difficult season to obtain United Reserves. Light folds. Generally good.
A collection of 4 Manchester United home Reserves programmes from the 1975/76 season v Liverpool (score in pencil), Aston Villa, Blackpool (score and scorers in pencil) and Bolton Wanderers (score and scorers in pencil). Single sheets. Very difficult season to obtain United Reserves. Light horizontal folds. Generally good.
A collection of 5 Manchester United home Reserves programmes from the 1978/79 season v West Bromwich Albion, Liverpool (scorers and team changes), Blackburn Rovers, Newcastle United and Bolton Wanderers. Single sheets. No tokens missing. Very difficult season to obtain United Reserves. Some light creasing. Fair to generally good
STOT21stCplanB Harsh But Fair - Feed The World - Crap Aid CD compilation wrapped by a printed artwork Measures approx. 29.5cm x 36cm (11 5/8" x 14") STOT21stCplanB (sometimes pronounced STOT twenty one with a silent ‘stCplanB’) started out as a zero-ambition noise/alt-country rock band, releasing the nihilistic CDR only LP Satan’s Rat Trap and the Mouse that Wound Up Dead (2004) and the flood/love/disaster themed mini-LP Up To Yer Neck In It (2005), before turning attentions towards visual art disruption. Describing themselves as Neo-Nothingist Anartists, three years of intense creativity followed, exploring and dealing with notions of “the puerile”, where the duo worked in a multiplicity of mediums from photo-montage, printmaking, painting, to political campaigning, crockery and making fake Banksy's under the name Not Banksy. In 2008, collaborators THE AQUARIUM L-13 (predecessor to the L-13 Light Industrial Workshop) hosted a fundraising event for Ken Livingstone’s mayoral campaign. STOT21stCplanB declared they would stand against him and put forward their own candidate known only as THE ASSISTANT. Despite designing some fantastic campaign posters they failed to get to the first stage of the elections and in bitter disappointment declared semi-retirement at the end of 2008. The next 13 years were spent mostly painting landscapes and religious scenes of violence under the name Harry Adams, emerging occasionally for one-off projects, eventually succumbing to popular demand and re-activating the Not Banksy project in 2018. Making and selling Not Banksy's kept them very busy for several more years, culminating in the publication a memoir: The Not Banksy Book: Lying, Cheating, Stealing and the Death of Art Vol 13, L-13 Press 2021 (aka The Lob-a-Knob Book).
Mr Jago (British, b1972) RUN - 2012 Archival pigment print on fine art paper A/P, Signed and dated in pencil by artist Measures approx. 53.5cm x 53.5cm (21" x 21") Mr Duncan Jago (Brisith, b 1972) - the paintings by Mr. (Duncan) Jago are like hurricanes of color and brushstrokes. His artistic career began with his intense interest in graffiti art, which led him to study illustration in Bristol. Throughout the 1990s and early 2000s, Mr. Jago’s works have progressively developed toward abstraction, losing any reference to the form. Instead, he employs both acrylic and spray paint on large canvases to render nonrepresentational scenes that give the impression of staring into space and being able to see the entire light spectrum. With vibrant colors saturating drips, bursts, and evocative strokes, Mr. Jago elevates his materials beyond the grass roots aesthetic associated with street art.
STOT21stCplanB Know your enemy - Act Now! Lives are at stake" Print on paper Handmade book made by artist Limited edition no 11/50 Measures approx. 14.5cm x 18cm (5 3/4" x 7") STOT21stCplanB (sometimes pronounced STOT twenty one with a silent ‘stCplanB’) started out as a zero-ambition noise/alt-country rock band, releasing the nihilistic CDR only LP Satan’s Rat Trap and the Mouse that Wound Up Dead (2004) and the flood/love/disaster themed mini-LP Up To Yer Neck In It (2005), before turning attentions towards visual art disruption. Describing themselves as Neo-Nothingist Anartists, three years of intense creativity followed, exploring and dealing with notions of “the puerile”, where the duo worked in a multiplicity of mediums from photo-montage, printmaking, painting, to political campaigning, crockery and making fake Banksys under the name Not Banksy. In 2008, collaborators THE AQUARIUM L-13 (predecessor to the L-13 Light Industrial Workshop) hosted a fundraising event for Ken Livingstone’s mayoral campaign. STOT21stCplanB declared they would stand against him and put forward their own candidate known only as THE ASSISTANT. Despite designing some fantastic campaign posters they failed to get to the first stage of the elections and in bitter disappointment declared semi-retirement at the end of 2008. The next 13 years were spent mostly painting landscapes and religious scenes of violence under the name Harry Adams, emerging occasionally for one-off projects, eventually succumbing to popular demand and re-activating the Not Banksy project in 2018. Making and selling Not Banksys kept them very busy for several more years, culminating in the publication a memoir: The Not Banksy Book: Lying, Cheating, Stealing and the Death of Art Vol 13, L-13 Press 2021 (aka The Lob-a-Knob Book).
James Cauty (British, b 1956) Stamps of Mass Dissent Last Hurrah LIZ 96 Cash-In Special Published by L13 Light Industrial workshop Limited edition 68/250 L13 - Stamps of Mass Dissent official stamp Measures approx. 29cm x 27cm (11 /3/8" x 10 1/2") James Cauty (British, b 1956) s a British artist and musician who has become very popular for his art. He painted the popular ‘The Lord of the Rings’ art print for British retailer Athena, as well as the cover for the concept album ‘The King of Elfland’s Daughter’. He is also best known as a leading innovator in the birth of the ambient house genre and as the man who (along with former bandmate Bill Drummond) burnt one million pounds. Cauty has distinguished himself as an artist and cultural provocateur through fusions of high art, low art and popularist mediums, sometimes with spectacular effect. In October 2005, James Cauty founded CNPD (Cautese Nationál Postal Disservice) and established ‘Stamp Art’. This art takes the form of real stamps, first day covers and limited edition prints through a series of popular images. At artrepublic, enjoy James Cauty's roguish and voluble approach through his darkly comical art prints.
Estate / Collection: From the Private Collection of an American Philanthropist2 oval cabochon aquamarines, 2 oval cabochon grayish blue chalcedony, 2 oval cabochon citrines, signed Gurhan, with maker's mark, no. Ex687-0.790, ap. 10.7 dwts.Condition Report:Test as 22 kt. Stones: very light slightly greenish blue, slightly included, transparent, medium grayish blue, translucent, light yellow, slightly included, translucent, all with good polish. Hooks. 2 3/4 x 5/8 inches.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
18 kt., 6 carved rose quartz flowers dia. ap. 14.5 mm., 6 round pink tourmalines ap. 1.30 cts., 6 small white gold collet-set round diamonds ap. .60 ct., 2 pear-shaped amethysts ap. 35.50 cts., pendants detachable, ap. 16 dwts.Condition Report:Rose quartz: light pink, heavily included, translucent, nice carvings. Pink tourmalines: bright medium-deep purplish-pink, cleanish, lively. Amethysts: light purplish lavender, cleanish, shallow pavilions, lively. Clip-backs with collapsible posts. Tops 1 1/8 x 1 1/8 inches. Length with pendants 2 inches.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
14 kt., 31 white, golden, gray and pink pearls ap. 15.2 to 13.0 mm., ball clasp inset wtih small round diamonds. Length 18 inches.Condition Report:Pearls: white with rose and green overtones, light to medium golden, light to medium to medium deep gray, light peachy pink to medium light pink to medium slightly purplish pink, moderately dimpled, few with orange peel texture, medium luster.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
Estate / Collection: The Collection of the Direct Descendants of Gertrude Vanderbilt Whitney18 kt., one pearl ap. 12.8 mm., 2 gray mabé pearls ap. 11.0 mm., 2 gray pearls ap. 7.6 mm., earrings with maker's mark, ap. 33.8 dwts. gross. Length 34 3/4 inches.Condition Report:Pendant:1 3/8 x 1/2 inches. Pearl: medium light gray with greenish overtones, some ripples, medium luster. Chain width 1/16 inch. Earrings: clip-backs with collapsible posts. 1 1/4 x 11/16 inches. Mabé pearls: medium gray with rose and green orient, minor ripples, medium luster. Pearls: medium deep gray with rose orient, one visible ringed, one with some creases, good luster. Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
18 kt., 8 square-cut peridots ap. 6.00 cts., 48 round diamonds ap. 2.40 cts., 8 small oval cabochon rubies, ap. 14 dwts. Condition Report:Peridots: bright medium deep lime green, cleanish to slightly included, several minor nicks/chips on table edges, several light scratches, very lively. Diamonds: G-H-VS. Rubies: bright medium pinkish red, slightly to moderately included, translucent, good polish. Well-made. Clip-backs with collapsible posts. Diameter of frames 3/4 inch, with rubies 15/16 inch.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
2 pearls ap. 12.4 and 12.6 mm., 8 round diamonds ap. .50 ct., 4 round and 2 marquise-shaped emeralds, signed J. Sloane, ap. 8.7 dwts. gross.Condition Report:Pearls: medium light gray, faint rose and green overtones, one with small dimples slightly visible, good luster. Emeralds: bright medium deep green, cleanish to slightly included, lively. Diamonds: H-I-VS. Clip-backs. Snappy. 13/16 x 5/8 inch.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
Estate / Collection: Collection of an International FamilyPearls ap. 8.4 to 8.0 mm., 3 rectangular-cut sapphires ap. 2.00 cts. Length 16 inches.Condition Report:Pearls: slightly creamy with rose and green orient, overall cleanish, some minor bubbles, good nacre, good luster. Restringing suggested. Sapphires: medium light to medium slightly violetish cornflower blue, banding in center stone slightly visible, cleanish side stones, lively. Clasp 9/16 x 3/8 inch.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
.18 kt., one cushion-shaped greenish yellow topaz ap. 28.25 cts., 28 round and brown round diamonds ap. .65 ct., 24 round green garnets, signed Pomellato, ap. 22 dwts. Size 6 1/2. The colored diamonds have not been tested.Condition Report:Yellow topaz: medium light slightly greenish yellow, small chip in table near edge, cleanish, lively. Diamonds: H-I-medium light brown, VS. Green garnets: bright medium green, cleanish, lively. Width 5/8 inch.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
Estate / Collection: Estate of a Palm Beach Lady14 kt., 28 white, golden and gray pearls ap. 12.6 to 11.2 mm., ball clasp with small round diamonds. Length 14 7/8 inches.Condition Report:Pearls: slightly silvery white with rose and green orient, one white pearl with green overtones, very light golden to medium golden, medium to medium deep gray with rose and green to blue orient, charcoal gray with blue and green overtones, moderately dimples, medium to good luster.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
One cut-cornered rectangular modified brillilant Fancy Light Yellow diamond weighing 3.76 cts., 84 round diamonds ap. 1.60 cts., signed Mayors, ap. 10 dwts. Size 7 1/2. With GIA report no. 2235128758 stating Fancy Light Yellow color, natural color, VS1 clarity. Condition Report:Center diamond: Fancy Light Yellow, VS1, no fluorescence, high crown angles, brilliant. Diamonds: G-H-VS, outer row of diamonds K-L. 11/16 x 5/8 inch.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
18 kt., 48 oval pink, yellow, green, blue and orange sapphires ap. 14.00 cts., ap. 10.3 dwts.Condition Report:Sapphires: bright medium pink, medium orangy yellow, medium light green, medium cornflower blue and medium to medium deep slightly reddish orange, mostly cleanish to few slightly included, not visible to eye, lively. Posts with hinged back hoops. 1 7/8 x 1 3/4 inches. Width 1/8 inch.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
KONGO FIGUREThis fine figure of a drummer would have been placed on an ancestral shrine, "nzo a bakulu". As early as 1686 Olfert Dapper reported that Kongo kings were interred surrounded by small wood and wax effigies representing those who had served them in life. These figures in light wood reflected the social status of the deceased. The figure wears a prestige cap of woven fibre, "mpu". For similar caps see Lagamma, A., "Kongo: Power and Majesty", New York, 2015, p.66-69, figs.31-3658 cm. highProvenanceVicomte Théodore d'Ouvrier de la Seigne (1864-1950), Brusselsand by descent through the family
Corneille (Pierre) Polyeuctes, or The Martyr. A Tragedy, first edition in English, translated by Sir William Lower, Printed by Tho. Roycroft for G. Bedell and T. Collins, 1655; bound with Mead (Robert) The Combat of Love and Friendship, A Comedy, first edition, Printed for M.M.G. Bedell, and T. Collins, 1654, together 2 works in 1, occasional light water-staining and a few leaves foxed, some marginal browning, modern morocco-backed marbled boards, head of spine worn, [Greg 753 and 735; Wing C6316 and M1564], 4to *** Provenance: Kansas City Public Library (small ink stamp at foot of A2).
Sharrock (Robert) The History of the Propagation & Improvement of Vegetables, first edition, advertisement leaf at end, lacking plate and explanation leaf, light water-staining, contemporary sheep, rebacked, [Henrey 340; Madan III, 2528; Wing S3010], 8vo, Oxford, Printed by A. Lichfield, Printer to the University, for Tho. Robinson, 1660. *** Provenance: Wa[lter] Dobell (of Streat, East Sussex, ink name on title).
Grotius (Hugo) His Three Books Treating of the Rights of War & Peace, third edition in English, translated by William Evats, additional engraved title, title printed in red and black, light browning, the odd spot or minor soiling, faint damp-stain to lower corner at beginning and end, front free endpaper loose, contemporary panelled calf, rebacked in lighter modern calf, blue morocco label to spine, old covers heavily rubbed, [Wing G2126; Goldsmith's 2491], folio, M.W. for Thomas Basset & Ralph Smith, 1682. *** A seminal work of international law. The Latin original was first published in 1625. Provenance: W. Priestley, Lightcliffe; Halifax Literary & Philosophical Society "Bequeathed by William Priestley" 1860; Burns Halcyon Lake Almanor (bookplates to front pastedown and endpaper).
Pare (Ambroise) The Workes of that famous Chirurgion Ambrose Parey, first edition in English, translated by Thomas Johnson, engraved title (browned and laid down, with small loss to fore-margin), woodcut illustrations throughout, title verso & first f. with small tape-residue to corners, single wormhole to fore-edge near start (within a few woodcuts or printed side-notes), occasional very small marginal worming elsewhere, faint damp-staining to first few Sig., 2D2 small rust-hole within text, a few ff. with restoration to margins or tears into text or woodcut neatly repaired, occasional light browning or soiling, but overall a very good and crisp copy, attractive 20th century antique style half calf, with earlier gilt backstrip laid down, corners bumped, little rubbed, [STC 19189], folio, Th: Cotes and R. Young, 1634. *** This copy with the preliminary "To the Reader" leaf, often lacking. Provenance: Le Roy Crummer (bookplate); Howard Updegraff (leather book-label); Brian Davies (embossed stamp to front free endpaper); Los Angeles County Medical Association (ink-stamp to lower margin of title & K6).
Mainwaring (Sir Thomas) A Reply to an Answer To the Defence of Amicia, Daughter of Hugh Cyveliok Earl of Chester, presentation copy inscribed "Ex dono Authoris" on front free endpaper, title in red and black, some light browning, contemporary sheep, rubbed, [Wing M303], 8vo, Printed for S. Lowndes, 1673.*** Provenance: Ed. Lutwyche (ink inscription to title); Evelyn family library (bookplate); Steven St. Clair Smallwood (bookplate). This copy last appeared at auctiuon in 1981 (£60).
Vane (Sir Henry) The Retired Mans Meditations, or the Mysterie and Power of Godliness, first edition, lacking A1 (?blank), 3C2 and 3C3 supplied from another copy, lower corner of 3E2 defective and repaired, some worming with loss of text, occasional light foxing, later calf, gilt, g.e., [Wing V75A], 4to, Printed by Robert White, 1655. *** Another issue has "printed by R.W. and are to be sold by T. Brewster" in imprint.
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![Tate (Nahum) The Island-Princess, first edition, light foxing and browning, modern wrappers, [Wing T192], 4to, Printed by R.H](https://cdn.globalauctionplatform.com/aa87ff20-de35-4cbc-803c-b0f500da0df5/44413722-a000-4480-9d4e-b0f5010f64b0/468x382.jpg)
