circa 1939, the signed black dial, 40mm diameter, with gold coloured Roman numerals, baton hands, subsidiary seconds register at 6 o'clock and baton minute track, signed 15 jewel mechanical crown wind movement number 9344227, calibre 37.5T1 with pumpkin shaped winder, case, 45mm diameter, verso snap on with striped engine turned decoration and vacant lozenge shaped cartouche, interior liveried and numbered 9613177, 46.2g grossCase: Overall in fair to good condition with no obvious sign of repair. Verso with some scuffing and light surface scratches commensurate with use. One or two deeper scratches by the case opening recess.Dial: Overall in good condition. Some very, very minor deterioration to the edge and very, very minor spotting. Some minor deterioration to the finish on the handsMovement: In working order, though not tested for timekeeping.
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the first, a snuffbox, maker's mark indecipherable, second Kokoshnik 91 mark for St Petersberg, 91 zolotniki mark indicating 948/1000 standard silver, of plain rectangular form, the cover with gilded piano hinge and gold thumbpiece, gilded interior, 7 x 4cm, 1.5ozt; the second, a gilded spoon, maker's mark indecipherable, second Kokoshnik 84 mark for Moscow indicating 875/1000 standard silver, twisted stem and fig shaped bowl, centre, top section and back of the bowl with polychrome cloisonné enamel decoration, overall length 16cm, 1.5ozt; third a throne shaped salt, unknown maker's mark, assayed by Ivan Yefimovich Konstantinov, Moscow, circa 1877, 84 zolotniki mark indicating 875/1000 standard silver, of traditional form, the back pierced with vertical slats between decorative engraving, the body similarly decorated, the seat engraved with a flowerhead with a reserve of Cyrillic text, the interior cover engraved with a chicken in a circular reserve, 5.5cm high, 1.7ozt (3)Snuffbox - Overall in good condition. Some minor surface scratches, dents and dings as to be expected. A sharp dent to the cover at the right-hand side, more noticeable under reflected light. Hinge in good order and the cover opens and closes satisfactorily.Salt - Overall in good condition. Some minor surface scratches, as to be expected. Hinge in good order and the cover opens and closes satisfactorily.Spoon - Overall in good condition. Some very minor enamel loss in the section under the terminal. Minor surface scratches to the bowl as to be expected
mark of Elkington & Co.,1858, in the Rococo revival style, crested, the centrepiece with abundant scroll and acanthus leaf decoration, three split branches each terminating in a threaded bolt to attach either a small, circular pierced basket, (one basket lacking) or a candle sconce, the centre section with a larger circular wire framed basket with applied trailing vine border, centre column of twisted vine with a smaller curling vine supporting two playful putti, raised on an elaborate scrolled triform base, 40cm across the branches, 70cm high; the pair of candelabra to match, each with three branches each terminating in a single sconce and a central column holding the fourth sconce topped with a friction fitting and detachable foliate finial, 27cm across the branches, 65cm high including the finial, presented in the original wooden and metal strapped travelling trunk with two fitted green baize lined and named lift out compartments (4)Provenance:Wood Hall, Hilgay, NorfolkAll metalware would greatly benefit from professional cleaning and polishing.Centrepiece - Overall in good condition for its age with no obvious sign of damage or repair. One small basket lacking. A fair amount of wax residue all over. Stands firm on a flat surface with no wobble.Candlestick A - Overall in good condition for its age with no obvious sign of damage or repair. A fair amount of wax residue all over. Stands firm on a flat surface with no wobble.Candlestick B - Overall in fair condition for its age. A section of the twisted vine around the column has become detached, but is present. The centre column topped with the fourth light is loose at the junction of the bottom threaded section and the start of the twisted vine section, resulting in the top column leaning and wobbling a little. A fair amount of wax residue all over. Stands firm on a flat surface with no wobble.Trunk -Outer - in reasonable condition for its age. Woodwork dirty and metalware rusty. Locking catch in need of some adjustment.Interior - lining very worn in places, ripped and damaged in places. Some identifying labels for the recessed compartments are missing. Some minor damage and losses to the compartment dividers.
in the Georgian style, the quatrefoil loaded base with turned corners and a band of foliate and scroll decoration, knopped column and spool capital, supporting a detachable upper section with four curled reed and folate branches each terminating in a spool capital and fiction fitting square wax pan, a knopped centre section containing the fifth light, with friction fitting flame finial, 41cm across the branches, 46cm high
mark of Martin Mayer GmbH, Mainz, together with Halbmond und Reichstrone (crescent and crown) and 800 indicating 800/1000 standard silver, each set comprising an oval shaped cream jug with corrugated side and two handled sugar bowl to match, both with gilded interiors, and a rectangular tray with 'dot and dash' rim, tray 15 x 10cm, all presented in a light blue gilt tooled fitted case with cream satin interior. 24.7ozt grossGenerally in good condition with no obvious signs of damage or repair. Some surface scratching to the metalwares as to be expected and commensurate with use. Case a little scruffy, with some spotting to the interior.
mark of William Gould, London 1748, each with quatrefoil shell cornered base, knopped column, spool capital and friction fitting removable wax pan, all with additional decorative engraving, 11 x 11cm, 15cm high, monogrammed and with scratch weight to the underside, 26.3ozt gross (2)Library candlesticks have shorter columns than a traditional candlestick and were designed to provide low light for reading.
mark of S. C. Younge & Co., Sheffield 1817, each with circular, stepped loaded base decorated with a gadroon and scroll band, crested, tapering column, decorative knop and fully marked friction fitting wax pan, crested, 14cm diameter, 29cm high, the underside with green baize table protectors, accompanied by a pair of later silver plated three light branches of almost matching design (2)Provenance:Wood Hall, Hilgay, Norfolk
mark of Mappin & Webb, Sheffield 1906, 'Chippendale' style, raised on three hoof feet, signed to the underside, 21cm diameter, 11.9oztOverall in good condition with no obvious sign of repair. The field has surface scratches all over as to be expected, together with one two small dents, more obvious under reflected light. Stands firm on a flat surface with no wobble.
Matchbox Superfast Twin Pack comprising No. TP-12 containing No. 8a Field Car. Military green body with RA391 label, tan smooth roof canopy, black interior, black base and no. 20b Range Rover Police Patrol. Military green body with red cross Ambulance door labels, clear frosted windows, orange roof light, unpainted base. Both excellent on sealed very good to excellent blister pack.
Matchbox Superfast No. 21a Foden Concrete Mixer x 2. Light yellow cab, dark yellow plastic barrel, green windows, red chassis and green plastic base. Generally very good to excellent, a few minor specks. One in generally excellent G Type box with no new, the other same box but more wear and good only.
Matchbox Superfast No. 71a Heavy Wreck Truck. Red cab & jib with red plastic hook, dark green windows & roof light, matt white body & base, black plastic axle clip. Esso decal with blue outline. Generally Very Good. Fade to decal one side, some edge rubs to rear of truck in Excellent G Type box with New.
Britains No. 9630 Fordson Super Major Industrial (in Yellow) Tractor with Shawnee Poole Dump Trailer. Tractor is yellow with 'Fordson' Decals with light grey plastic hubs and link arms. Generally good with some signs of paint wear, suggestion of some touching in although can be difficult to determine especially on this model and shade of yellow. Trailer is fair and in need of repair to rear hinge (one side broken). Still hard to find in any condition.
Anthony LIGHT (XX-XXI)Universe Series - Untitled - No.32Mixed mediaSigned, titled and dated '17 to the verso28cm x 25cm Anthony Light is a self-taught painter having exhibited previously in the St Ives Society of Artists. Although his work is abstract, his inspiration comes from the landscape of Orkney and Shetland, and the scorched terrain of Morocco and Spain. His love of jazz bestows a certain rhythm to his artworks.
Michael ROTHENSTEIN (1908-1993)Sunrise at 36,000 Feet, 1973Relief and screenprintSignedNumbered 9/90Image size 48 x 71cmSheet size 58 x 79cmPart of The Penwith Portfolio, 1973, published by Penwith Galleries Ltd, St Ives. The portfolio originally included works by Barbara Hepworth, Peter Lanyon (see lot number 8), Bernard Leach (see lot number 156), Robert Adams (see lot number 346), Alan Davie (see lot number 306), Merlyn Evans (see lot number 287), Duncan Grant (see lot number 438), Ben Nicholson, John Piper (see lot number 371), Michael Rothenstein, F. E. McWilliam (see lot number 138) and Henry Moore. Overall this piece is in good condition. There is a very slight light mark present in the bottom right-hand corner of the page (please see additional image).
Alan DAVIE (1920-2014)Bird through Wall, 1973LithographSigned and dated '73Numbered 9/90Image size 50 x 71cmSheet size 56.5 x 77.5cmPart of The Penwith Portfolio, 1973, published by Penwith Galleries Ltd, St Ives. The portfolio originally included works by Barbara Hepworth, Peter Lanyon (see lot number 8), Bernard Leach (see lot number 156), Robert Adams (see lot number 346), Alan Davie, Merlyn Evans (see lot number 287), Duncan Grant (see lot number 438), Ben Nicholson, John Piper (see lot number 371), Michael Rothenstein (see lot number 229), F. E. McWilliam (see lot number 138) and Henry Moore. Overall this piece is in good condition. There are a few signs of very light yellowing present in the top left and bottom right corners (please see additional images). These marks would not be apparent if the piece was framed.
Anthony LIGHT (XX-XXI)Untitled (Cosmos Series)Oil on cardSigned, titled and dated 2009 to the verso25cm x 23cm Anthony Light is a self-taught painter having exhibited previously in the St Ives Society of Artists. Although his work is abstract, his inspiration comes from the landscape of Orkney and Shetland, and the scorched terrain of Morocco and Spain. His love of jazz bestows a certain rhythm to his artworks.
Trevor FELCEY RCA (1945)The Bole of the OakWatercolourSigned49 x 72cmThere is a small hole present on the right-hand edge of the painting (please see additional images), along with what appears to be light discolouration in both the bottom and top left corners (please see additional images). Apart from these two issues, the piece is in good condition.
Bob VIGG (1932-2001)VegetablesOil on boardSigned45.5x61cmThere are a few signs of dust present in the centre of the painting (please see additional image). There are two places where the piece appears to have been leaning against the back of another piece when wet, causing there to be fibres from a board dried within the impasto of paint (please see additional images). There is also a light scratch present in the lower centre of the piece (please see additional images).
Attributed to John Anthony PARK (1878-1962)Pudding Bag LaneOil on Panel (double-sided)c1921-193635 x 30cmThis attractive view of Pudding Bag Lane offers an alternative to a number of versions painted by John Anthony Park in his 2nd St Ives period (1921-1933). The site was condemned as slums in the 1930s and demolished in 1936 to build a car park for the Sloop Inn, just 3 years after Park had left for London.Returning to St Ives in 1940, he found the site greatly altered and took a new studio overlooking Porthmeor Beach, where he remained until 1957; his 3rd and final period in Cornwall. The reverse of the panel bears a study of ships in St. Ives harbour. This needs a light surface clean and has a single wormhole. Otherwise the condition is good
Anthony LIGHT (XX-XXI)Towards InfinityOil on boardSigned and titled to the verso and dated 200153.5cm x 60cm Anthony Light is a self-taught painter, having exhibited previously in the St Ives Society of Artists. Although his work is abstract, his inspiration comes from the landscape of Orkney and Shetland, and the scorched terrain of Morocco and Spain. His love of jazz bestows a certain rhythm to his artworks.
Jason WASON (1946)Black and gold studded vesselStonewareImpressed makers sealHeight 16.5cmProvenance - a gift from the artistThere are a small number of very light abrasion marks present on the surface of this piece (please see additional photographs). Other than this very minor point, the piece is in good condition, with no structural issues.
Attributed to Edward PRITCHETT (1808-1894)VeniceA pair of oils on oak panelEach with old Spink label to verso and one with a letter dated 1923 suggesting the works are School of Caneletto30x24.5cm These have been sensitively cleaned, there is some cracking of the paint although they seem completely stable. There are visible vertical cracks in the paint but again they seem stable and they do not equate with cracks in the panels. Indeed the panels seem to be without cracks.Under UV light one can see minimal retouching and this is limited to the edges
John Rankine BARCLAY (1884-1962)Untitled (landscape)WatercolourSigned24 x 34cmOverall this piece is in good condition, there are a few signs of light discolouration present at the top left-hand corner and the bottom right-hand corner (please see additional images), but nothing of major concern. The frame has a couple of pieces of detailing missing in the bottom left-hand corner (please see additional image).
Four Corgi limited edition "Nine Double Nine Double" diecast model fire engines, to comprise "Bedford S drop side Clwyd Fire Service" (CC10901), "Dennis F15 rear pumper Blackburn Fire Brigade" (CC13001), "Landrover 110 Mountain Range light, four wheel drive pump, South Glamorgan Fire Service" (CC07704), and "Dennis F125/ Simon Snorkel SS263 hydraulic platform Merseyside Fire Brigade" (CC13003), all boxed
A group of boxed Dinky model vehicles, to comprise a Foden 14-ton tanker (504), with dark blue cab and light blue tank, a Blaw Knox bulldozer (561), with red body and headless driver, a Pullmore car transporter (982), having blue cab and back with fawn decks, a loading ramp (994), a Centurion tank (651), in olive drab with rubber tracks, a 10-ton army truck (622), in olive-drab without driver, plus other military models, to include a Britain's 2lb anti-aircraft gun, metal painted soldiers, and other models
Colour Change Fluorite Ring, a 6ct square cushion cut, sapphire blue, fluorite, which changes colour to a vibrant purple in UV, candlelight or incandescent light; fluorite being one of very few gemstones to have this property which visibly resembles colour change sapphire; here set with three graduated white topaz to each shoulder in platinum vermeil and silver with a scroll work gallery; size O
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534325 Los(e)/Seite