Darwin (Charles). On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life, 3rd edition, with additions and corrections (seventh thousand), London: John Murray, 1861, folding diagrammatic plate, advertisement leaf at end, horizontal closed tear to p. 73, over half of the front endpaper torn away, occasional light spotting, hinges a little tender, previous owner inscription of D.H. Philip, 4th August 1885 in pencil to half title, original green blindstamped cloth, spine lettered and decorated in gilt, one or two small marginal indentations, 8voQty: (1)NOTESFreeman 381, variant b with no full point after Murray on the spine. Binding in good condition.
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AN ART DECO MARBLE MANTEL CLOCK SIGNED S. MARTI, GRAND PRIX, PARIS 1931 TO THE MOVEMENT Condition Report:The clock movement ticks when gently shook, however we give no guarantees as to working order.There is a crack to the green detail to the base under the dog. There is a small chip to the top corner of the base on the right side. general light wear and marks all over.
A COLLECTION OF WOOD AND METAL INSECTS TO INCLUDE A GRASSHOPPER, WASP, BEETLE ETC. Condition Report:Wasp - L 24 cm , metal wings have bends and creases, general light wear to bodyScarab - L 19 cm, the body has some rubs and the varnish is flakingBrown grasshopper - L 30 cm, the body has some rubs and the varnish is flakingGreen grasshopper - L 24 cm, general wear, some light rubs to the body
An 18th century country made oak mule chest, framed and panelled with plank top and 2 base drawers, on block feet, width 127 cm - converted to cupboard -A shelf and electric light fitted to interior127cm wide x 60cm deep x 83c, highsome rings on the top, as a piece of furniture, it is pretty solid
Carlo Ferranti (Italian, 1840-1908),Portrait of Captain William Palgrave (1771-1833), half-length, in the uniform of a Captain in the Norfolk Yeomanry, c.1798;Portrait of Mrs William Palgrave (1780-1863), half-length, in a black dress with a gold shawl, lace fichu and white lace turbana pair, signed and dated 'C Ferranti / 1864' l.r., watercolour on buff paper, oval25 x 20cm (2)William Palgrave was the eldest son of William and Elizabeth Palgrave of Coltishall, Norfolk. He married Elizabeth, daughter of Samuel Parker of Great Yarmouth, Norfolk, on 18 October 1798 at St Paul's Church, Covent Garden, London. They had twelve children. William Palgrave died in Dublin, where he is buried.The present watercolour is copied by Ferranti from an earlier portrait in oils, known from an engraving by Joseph Brown.A volunteer unit, the Norfolk Yeomanry (originally titled the Norfolk Rangers), was raised in 1782, during the American Revolutionary War by the Hon George Townshend. From its formation, the Norfolk Yeomanry wore the Tarleton pattern helmet, red tunics with gold lace frogging and blue facings, all as illustrated in Ferranti’s watercolour. Along with many other Yeomanry regiments, the Norfolk Yeomanry, as formed in 1782, was disbanded in 1828 although it was twice later recreated.We are grateful to Christopher Joll for his assistance with the catalogue entry.Condition report: Captain Palgrave: the paper is discoloured, and browns more intensely around the sitter. The paper is speckled with light-coloured foxing throughout. Mrs Palgrave: the paper is lightly discoloured, with more intense browns around her turban. There are a few dark prominent spots of foxing, and one or two white spots also. A couple of very tiny water stains to her clothing. Neither seen outside of frames.
A black lacquer pedestal desk, circa 1950, leather lined top and decorated with Chinoiseries to a gilt border, cast metal handles, on shaped bracket feet, 107cm wide x 53cm deep x 76.5cm highCondition report: Small marks to the leather and a surface scratch to the left hand panel. A one piece construction with light knocks to the corners and kneehole corners from a chair.61cm high for kneehole47cm wide
A Regency style mahogany circular extending dining table, 20th century, the circular top raised on turned column supports and saber legs, united by a stretcher, complete with five leaves housed in a mahogany cabinet, extending to 188cm diameter, 75cm highCondition report: Overall fair order, with light scratches and knocks commersurate with age and use, no major damage or obvious repairs
A set of three graduated silver salvers,Z Barraclough & Sons (James Henry & Herbert Barraclough), London, 1912,each with a moulded edge and raised on short scroll feet, engraved with crest, 16cm, 22cm and 27cm diameter, 35ozt (3)Condition report: all with surface scratches and light dents marks rubbed in places, overall good order
Attributed to George Shalders (1826-1873)A wooded landscape with a figure watering horses and cattle at the edge of a river, a cart on the bridge in the distanceoil on canvas98 x 149cmCondition report: Oil on canvas which has been lined. The paint layer is stable and secure and the canvas tension is adequate. There are a few small, old losses which have been filled but not retouched. Areas of retouching in the sky and in the trees are slightly mismatched to the original. In the left side of the sky the retouching has a slightly grubby, brushy appearance. The varnish is clear, even and semi-glossy. The frame is in a good condition with a light layer of dust.
A set of five medals;-a pair of WWI medals and a George V Royal Naval For Long Service and Good Conduct Medal to CH. 16562 Pte. W.J. Elmes Royal Marines Light Infantry, (the LS&GC medal marked A-Cpl. R.M.), a Queen Elizabeth For Exemplary Police Service Medal to Constable William J. Elmes and an un-named WWII Medal
Natürlicher Saphir 3,01 ct, light purple, oval mixed cut, transparent, sehr wenig innere Merkmale, no indications of treatment, 10,57 x 7,52 x 3,98 mm, mit IGI Zertifikat 2020Natural sapphire 3.01 ct, light purple, oval mixed cut, transparent, very few internalfeatures, no indications of treatment, 10.57 x 7.52 x 3.98 mm, with IGI certificate 2020
Giovanni Battista Piranesi (1720-1778), ''Rovine d´una Galleria di Statue nella Villa Adriana a Tivoli'' (Der Zentralraum der großen Therme der Hadriansvilla). Radierung auf Kupferdruckpapier, mit der Nummer 820 am linken Gewölbebogen, fleckig, Lichtrand, 45,5 x 59 cm, hinter Pp. ger. (ohne Glas) 66 x 80 cmGiovanni Battista Piranesi (1720-1778), ''Rovine d'una Galleria di Statue nella Villa Adriana a Tivoli'' (The Central Room of the Great Thermae of Hadrian's Villa). Etching on copperplate paper, with the number 820 on the left arch, stained, light margin, 45.5 x 59 cm, framed behind mount (without glass) 66 x 80 cm.
Willy Werner (1868-1931), Berliner Maler, studierte 1884-86 an der königlichen Kunstschule in Berlin u. vollendete seine künstlerische Ausbildung bei August Kaselowski. Der als Bildnis- und Genremaler tätige Künstler war 1904-08 mehrfach mit Werken auf der Großen Berliner Kunstausstellung vertreten. Salondame auf einer Récamière, Tusche, Aquarell und Gouache auf leichtem Karton, u. re. handsign. u. Widmung ''Seinem Max, Weihnacht (18)93, 39 x 25 cmWilly Werner (1868-1931), Berlin painter, studied at the Royal Art School in Berlin from 1884-86 and completed his artistic training under August Kaselowski. The artist, who worked as a portrait and genre painter, was represented several times with works at the Great Berlin Art Exhibition in 1904-08. Salon lady on a récamière, ink, watercolor and gouache on light cardboard, u. r. signed and dedication ''Seinem Max, Weihnacht (18)93, 39 x 25 cm
Louis Douzette (1834-1924), norddeutscher Landschafts- und Marinemaler, der an der Berliner Akademie bei H. Eschke studierte und Studienreisen nach Schweden zur Beobachtung der Mitternachtssonne unternahm. Seine Spezialität wurden schließlich Lichtstimmungen. Mondscheinlandschaft mit zwei Kühen am Seeufer und beleuchteter Hütte, Öl auf Holz, u. li. sign. ''L. Douzette'', 21 x 34 cm, ger. 35 x 48 cmLouis Douzette (1834-1924), North German landscape and marine painter who studied at the Berlin Academy under H. Eschke and made study trips to Sweden to observe the midnight sun. His specialty eventually became light moods. Moonlight landscape with two cows on the lakeshore and illuminated hut, oil on wood, signed on the lower left ''L. Douzette'', 21 x 34 cm, framed 35 x 48 cm
Heinz Flockenhaus (1856-1919), Düsseldorfer Landschaftsmaler. Winterlandschaft mit Ausblick auf ein Dorf im Abendlicht, Öl auf Holz, u. li. sign. u. ortsbez. ''Ddorf'', 55 x 36 cm, ger. 75 x 59 cmHeinz Flockenhaus (1856-1919), Düsseldorf landscape painter. Winter landscape with view of a village in the evening light, oil on wood, signed u. li. and place inscribed ''Ddorf'', 55 x 36 cm, framed 75 x 59 cm
Louis Douzette (1834-1924), norddeutscher Landschafts- und Marinemaler, der an der Berliner Akademie bei H. Eschke studierte und Studienreisen nach Schweden zur Beobachtung der Mitternachtssonne unternahm. Seine Spezialität wurden schließlich Lichtstimmungen. Große Waldlandschaft mit kleinem See im Mondlicht, Öl auf Lwd., u. re. sign. u. dat. ''L. Douzette 25/9'', u. li. dat. 1920, 65 x 100 cm, ger. 96 x 130 cmLouis Douzette (1834-1924), North German landscape and marine painter who studied at the Berlin Academy under H. Eschke and made study trips to Sweden to observe the midnight sun. His specialty eventually became light moods. Large forest landscape with small lake in the moonlight, oil on canvas, u. r. signed u. dated ''L. Douzette 25/9'', u. li. dated 1920, 65 x 100 cm, framed 96 x 130 cm
Louis Douzette (1834-1924), norddeutscher Landschafts- und Marinemaler, der an der Berliner Akademie bei H. Eschke studierte und Studienreisen nach Schweden zur Beobachtung der Mitternachtssonne unternahm. Seine Spezialität wurden schließlich Lichtstimmungen. Große Mondscheinlandschaft mit zwei Anglern am Seeufer, Öl auf Lwd., u. re. sign., zwei kleine Farbabplatzer, 80 x 97 cm, ger .92 x 108 cmLouis Douzette (1834-1924), North German landscape and marine painter who studied at the Berlin Academy under H. Eschke and made study trips to Sweden to observe the midnight sun. His specialty eventually became light moods. Large moonlight landscape with two anglers on the lakeshore, oil on canvas, signed u. r., two small paint chips, 80 x 97 cm, ger .92 x 108 cm
Louis Douzette (1834-1924), norddeutscher Landschafts- und Marinemaler, der an der Berliner Akademie bei H. Eschke studierte und Studienreisen nach Schweden zur Beobachtung der Mitternachtssonne unternahm. Seine Spezialität wurden schließlich Lichtstimmungen. Große Uferpartie mit Fischer und Windmühle im Licht des Vollmondes, Öl auf Lwd. auf Karton kaschiert, u. li. sign., rest. u. retusch., 63 x 78 cm, ger. 83 x 96 cmLouis Douzette (1834-1924), North German landscape and marine painter who studied at the Berlin Academy under H. Eschke and made study trips to Sweden to observe the midnight sun. His specialty eventually became light moods. Large shore with fishermen and windmill in the light of the full moon, oil on canvas laminated on cardboard, u. li. signed, restored u. retusch., 63 x 78 cm, framed 83 x 96 cm
Piet Leysing (1885-1933), niederländischer Landschafts- u. Genremaler der Düsseldorfer Schule, studierte a. d. Kunstakademie Düsseldorf bei Julius Paul Junghans u. Peter Janssen. An einem Tisch Schlummernder in lichtdurchflutetem Zimmer. Öl auf Sperrholz, u. li. sign., 60 x 50 cm, ger. 75 x 65 cmPiet Leysing (1885-1933), Dutch landscape and genre painter of the Düsseldorf School, studied at the Düsseldorf Art Academy with Julius Paul Junghans and Peter Janssen. Slumbering at a table in a light-flooded room. Oil on plywood, signed lower left, 60 x 50 cm, framed 75 x 65 cm
Piet Leysing (1885-1933), niederländischer Landschafts- u. Genremaler der Düsseldorfer Schule, studierte a. d. Kunstakademie Düsseldorf bei Julius Paul Junghans u. Peter Janssen. Lichtdurchflutetes Interieur mit Näherin, impressionistische Arbeit Leysings in der für ihn typischen Malweise mit Pinsel, Spachtel und teils gekratzen Konturen, Öl auf Holzplatte über Spanplatte, u. li. sign., 97 x 78 cm, ger. 111 x 92 cmPiet Leysing (1885-1933), Dutch landscape and genre painter of the Düsseldorf School, studied at the Düsseldorf Art Academy with Julius Paul Junghans and Peter Janssen. Light-flooded interior with seamstress, impressionistic work of Leysing in his typical painting style with brush, spatula and partly scratched contours, oil on wood panel over chipboard, signed on the left, 97 x 78 cm, framed 111 x 92 cm
Piet Leysing (1885-1933), niederländischer Landschafts- u. Genremaler der Düsseldorfer Schule, studierte a. d. Kunstakademie Düsseldorf bei Julius Paul Junghans u. Peter Janssen. Lichtdurchflutetes Interieur mit Nähender, Öl auf Sperrholz, u. li. sign., verso Widmung, 52 x 42 cm, ger. 72 x 62 cmPiet Leysing (1885-1933), Dutch landscape and genre painter of the Düsseldorf School, studied at the Düsseldorf Art Academy with Julius Paul Junghans and Peter Janssen. Light-flooded interior with sewing, oil on plywood, signed u. li., verso dedication, 52 x 42 cm, framed 72 x 62 cm
Heinrich Hellhoff (1868-1914), in Pritzwalk geborener und in Lüttich gefallener Maler, der bei Woldemar Friedrich und Salzmann an der Berliner Akademie stud., stellte ab 1895 auf der Großen Berliner Kunstausstellung sowie mehrfach im Münchner Glaspalast aus. Portrait der Tochter des Künstlers mit Bauernzopf, Kohle und Bleistift mit dezenter Akzentuierung in Weiß auf grauem Papier, u. li. sign., Lichtrand, 35 x 23,5 cm, hinter Glas u. Pp. ger. 51 x 40 cmHeinrich Hellhoff (1868-1914), a painter born in Pritzwalk and killed in action in Liège, who studied with Woldemar Friedrich and Salzmann at the Berlin Academy, exhibited from 1895 at the Great Berlin Art Exhibition and several times at the Munich Glass Palace. Portrait of the artist's daughter with peasant braid, charcoal and pencil with discreet accentuation in white on gray paper, signed lower left, light margin, 35 x 23.5 cm, framed behind glass a. passepartout 51 x 40 cm
äußerst seltene vintage Designeruhr, Uhrenmanufaktur Lederer/Blu S.A./Time Dimension TD-4'', Design Hans Donner, 90er Jahre, neuwertig, Durchmesser 39mm, Höhe 9mm, Länge 22cm, Edelstahlgehäuse, rückseitig nummeriert TD3-1064, Saphirboden, signiert Hans Donner, Automatikwerk ETA 2892-2A, Zifferblatt in Form von 3 rotierenden Scheiben, welche fotolithographisch beschichtet wurden und sich in Abhängigkeit vom Lichteinfall optisch verändern, originales Milanaiseband, kaum getragen, extrem selten, einige dieser Uhren befinden sich in bekannten Kunst & Design-Museen, z.B. in New York und Wien, Uhrwerk läuft genauvery rare vintage designer watch, watch manufactory Lederer/Blu S.A./Time Dimension TD-4'', design Hans Donner, 90's, like new, diameter 39mm, height 9mm, length 22cm, stainless steel case, numbered TD3-1064 on the back, sapphire case back, signed Hans Donner, automatic movement ETA 2892-2A, dial in form of 3 rotating discs, which were photolithographically coated and change optically depending on the incidence of light, original milanaise bracelet, hardly worn, extremely rare, some of these watches are in famous art & design museums, e.g. in New York and Vienna.e.g. in New York and Vienna, movement runs exactly
Louis Douzette (1834-1924) (attrib.), weite Winterlandschaft im Abendlicht mit Pferdegespann im Vordergrund, Öl auf Lwd., u. li. sign. u. dat. ''Douzette 1879'', doubl., rest. u. retusch., 50 x 76 cm. ger. 72 x 99 cmLouis Douzette (1834-1924) (attrib.), wide winter landscape in the evening light with horse team in the foreground, oil on canvas, signed u. l. and dated ''Douzette 1879'', doubled, restored u. retouch., 50 x 76 cm. framed 72 x 99 cm
Karl Ludwig Lincke (1822-1886), Italienische Landschaft im Abendlicht, Öl auf Lwd., u. re. sign., Craquelé, min. retusch., 33 x 49 cm, ger. 53 x 69 cmKarl Ludwig Lincke (1822-1886), Italian Landscape in Evening Light, oil on canvas, signed lower right, craquelé, minimal retouching, 33 x 49 cm, framed 53 x 69 cm
CASIO Herrenquarzuhr mit Taschenrechner Mod. C-801, NOS, Time, Seconds, Chrono, Calculator, Light, Date, Day/Month/Year, 24h/12h, Mineralglas, um 1970-80, Stahl Gehäuse und Band, ohne Batterien, Batteriekontaktschraube abgängig, 36x40mm, Höhe 9,5mm, Bandlänge 20cmCASIO men's quartz watch with calculator mod. C-801, NOS, Time, Seconds, Chrono, Calculator, Light, Date, Day/Month/Year, 24h/12h, mineral crystal, around 1970-80, steel case and band, without batteries, battery contact screw gone, 36x40mm, height 9,5mm, band length 20cm
Michael Binder (1937-2018), Maler aus Berlin, stud. in Freiburg und Karlsruhe, lebte und arbeitete bis zu seinem Tod in Süditalien. ''Griechisches Licht'', Gouache auf sandfarbenem Papier, am u. Rand sign. u. dat. ''M. Binder 3.81'', 17,5 x 23,5 cm, hinter Glas u. Pp. ger. 36 x 41 cmMichael Binder (1937-2018), painter from Berlin, studied in Freiburg and Karlsruhe, lived and worked in southern Italy until his death. ''Greek Light'', gouache on sand-colored paper, signed u. dated on the lower margin ''M. Binder 3.81'', 17,5 x 23,5 cm, framed behind glass a. passepartout 36 x 41 cm

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534297 Los(e)/Seite