Anti Slavery plate probably Wedgwood Anti Slavery plate probably Wedgwood, bat printed with a lady and child, the scroll moulded borders contain the verse ' As borrowed beams illume our way, and shed a bright and cheering way. I Labour and have no rest Lam 5C5v. So Christian light dispels the gloom, that shades poor Negro's hapless doom. I am oppressed undertake for me Isaiah 38C 14V' early 19th century.22.5cm diameter Flat chip to the rim of the plate, firing fault to the foot, outside of this there are no further damages and no restoration. Some light scratches to the printed design.
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Henry Garland (British 1834-1913) "Driving the Cattle 'Hame'" Signed, titled and dated 1895 on verso, oil on canvas.89.5cm x 69cm (35.25in x 27.25in)The painting is in very good, restored condition with no obvious faults to report. Under UV light there is evidence of cleaning and overpainting. The painting is ornately framed but not glazed.
Pair of Japanese Cloisonne vases Pair of Japanese Cloisonne vases, decorated with flora, late 19th / early 20th century.32cm highCracks and chip to one vase, the other has a very short crack in the clear red ground, both have ocassional scratches, both have been drilled on the base for light fittings. No deep bruises or other damages.
William Collins (British 1788-1847) Seated fisherman mending his nets on the shore Unsigned, attributed on the mount, watercolour.31cm x 42cm (12.25in x 16.5in)The painting is in good, original condition with strong colours. There are one or two minor spots of foxing and other light marks across the sheet. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Walter Stuart Lloyd R.B.A. (British 1845-1929) "Chepstow Castle" Signed, titled on the mount, watercolour.49.5cm x 74.5cm (19.5in x 29.25in)The painting is in good, original condition. The paper has yellowed slightly in areas across the sheet and there are some small spots of foxing and other light surface marks. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Arthur Henry Knighton-Hammond R.I., R.S.W. (British 1875-1970) Street scene with figures Signed, watercolour.27cm x 37.5cm (10.75in x 14.75in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in good, original condition with strong colours. There are some minor spots of browning and foxing across the paper and a small strip running down the left-hand edge of the sheet where the paper has slightly lifted. The painting is ornately framed and glazed. The surfaces of both the glass and frame are stained by nicotine and would certainly benefit from a light clean. The frame has some knocks and losses.
Arthur Henry Knighton-Hammond R.I., R.S.W. (British 1875-1970) "Spring - Cheshire" Signed, titled on the mount, watercolour.26.5cm x 37cm (10.5in x 14.5in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in good, original condition with strong colours. There is a spot of browning and one or two minor spots of foxing across the paper. The painting is ornately framed and glazed. The surfaces of both the glass and frame are stained by nicotine and would certainly benefit from a light clean. The frame has some knocks and losses.
Y. Wilson (British 19th/20th century) A standing monk holding a human skull Signed and dated 1878, oil on canvas.75cm x 49cm (29.5in x 19.25in)The painting is in good, restored condition. Under UV light there is evidence of cleaning and inpainting. There is craquelure and cracking across the surface of the painting with stretcher marks visible running parallel to the edges of the canvas. The painting is reframed but not glazed. The frame has the odd minor knock and loss commensurate with age.
Thomsen (19th/20th century) Children playing in a field Signed, oil on canvas.44cm x 74.5cm (17.25in x 29.25in)The painting is in fair, restored condition. Under UV light there is evidence of extensive cleaning and overpainting. There is craquelure and lifting of the paint in areas across the surface of the painting resulting in some minor flecks of paint loss. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
William Woollett (British 1735-1785) Two huntsmen with dogs in a landscape Unsigned, titled on gallery label - 'J S Maas & Co Ltd, London' verso, watercolour and ink.24cm x 34.5cm (9.5in x 13.5in)The painting is in good, original condition. There is some general light browning and staining across the sheet and one or two small wormholes in the paper. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
VIOLIN BOW BY PAUL WEIDHAAS (GERMAN, 1894-1962),stamped, of octagonal section with white metal and ivory mounts, 74.5cm long, approx 59gIvory Act 2018 (2022) compliant with APHA registration reference R1RD9GCD.Hair is not taut, sitting loose, will require rehairing. Some light general surface wear, in keeping with age and use, including some tarnish to metal fittings. Very small chip to mother of pearl at the screw. Additional images available
FENDER STRATOCASTER ELECTRIC GUITAR,produced in the U.S.A., Original Contour Body, Stratocaster 50th Anniversary 1954-2004 plaque to reverse, serial no. Z4028266, 98cm long, in a Fender branded hard caseHas not been tested with an amplifier but appears well looked after; one noticeable scratch rear right side and back, other more minor general marks to finish commensurate with general use visible when light shines on the body but no major issues to note, additional images available
A pair of fine Japanese cloisonne enamel vases, Meiji Period, with fine silver wirework inlay depicting birds in blossom trees on a midnight blue ground, unsigned, height 24.5cmNo chips or restoration, only a few very small enamel bubble holes and light surface abrasions, both have light hairline cracks along green bases and a few very light hairline cracks on green inner rim linings.
MILITARIA INTEREST - a rare 19th century silver topped malacca sword stick, engraved to knop "T. Litster, 74th Highlanders", chinoiserie relief embossed figural decoration, blade length 69cm, overall length 87cm. Thomas Litster served with the 74th Highland Regiment of Foot and 2nd Battalion, Highland Light Infantry, being deployed to India, Gibraltar, Malta, Hong Kong and Egypt for the Battle of Tel-el-Kebir. Litster was employed as Sergeant Major and Staff Paymaster, also Mentioned in Despatches and finally promoted to Quartermaster and Honorary Captain in 1893.
MILITARIA INTEREST - a 19th century silver-topped malacca sword stick, with engraved Masonic design blade, blade length 67cm, overall length 90cm. From same estate as previous lot (Thomas Litster)Thomas Litster served with the 74th Highland Regiment of Foot and 2nd Battalion, Highland Light Infantry, being deployed to India, Gibraltar, Malta, Hong Kong and Egypt for the Battle of Tel-el-Kebir. Litster was employed as Sergeant Major and Staff Paymaster, also Mentioned in Despatches and finally promoted to Quartermaster and Honorary Captain in 1893.
The Book of Tobit, Walpole Press, 1945, limited edition no.239, together with Life and Other Punctures, by Eleanor Bron, Andre Deutch 1978 first edition, Oxford Book of English verse, by A T Quiller-Couch, Clarendon Press, 1901, The Dark is Light Enough, by Christopher Fry, Oxford University Press, 1954 second impression, The Marriage of Heaven and Hell and a Song of Liberty, by William Blake, introduced by F Griffin Stokes, Florence Press, 1911, Cambridge Poets 1900-1913, chosen by Aelfrida Tillyard, W Heffer & Sons, 1913, and The Way Things Are, by Roger McGough, Viking, 1999, signed edition
THE FOLIO SOCIETY. 'Vincent Van Gogh: The Sketchbooks,' issued by the Van Gogh Museum with commentary by Marije Vellekoop and Renske Suijve, four variously bound facsimile sketchbooks, buckram clam case, The Folio Society, 2013.Apart from the slipcase label, which has a light amount of soiling, the slipcase and the books are in a fine condition.
JACK CLEMO. 'Cactus on Carmel,' first edition, unopened, fine, unclipped dj, Methuen, 1967; 'The Map of Clay,' first edition, unclipped, vg to fine, light spotting, Methuen, 1961; 'The Echoing Tip,' signed by author, first edition, card wraps, Methuan, 1971; EVELINE CLEMO. ' Proved Thee at the Waters,' signed by Jack Clemo, card wraps, Moorley's Bible & Bookshop, Ilkeston. (4)
JOHN SPEED. 'John Speed's England,' four volumes, facsimile, card slipcase, folio, Phoenix House Limited, London, 1954; Two original title pages of works by John Speed, 1646.Slipcases are bumped and sun-bleached. Sun bleaching to cloth spines. Some light spotting to pastedown and endpapers. The textblocks are crisp and clean, with the illustrations being bright and colourful. There does not to seem to be any missing leaves or loose pages.
SHADOWS ON THE GRASS By Simon Raven (1982) Blond and Briggs. Together with SEPTEMBER CASTLE (1983) Together with BEFORE THE COCK CROW (1986) Together with MORNING STAR (1984) Together with NEW SEED FOR OLD (1988) Frederick Muller. Together with BIRD OF ILL OMEN (1989) Hamish Hamilton. All first editions by Simon Raven, none price clipped (8) There is some light spotting to the edges of all text blocks and pastedowns/endpapers, all dj's are unclipped. This set of books is in good to very good condition.
ANTHONY POWELL. 'A Question of Upbringing,' first edition, original cloth, spotting to edge of textblock, William Heinemann, London, 1951; 'The Acceptance World,' first edition, original cloth, rubbed label, unclipped dj, tear and nibbles, some staining, William Heinemann, London, 1955; 'Casanova's Chinese Restaurant,' first edition, original cloth, unclipped dj, heavy spotting to edge of textblock, William Heinemann, 1960; With six other first edition Powells's in various conditions, plus one other. (10)A question of upbringing is in an F/G condition some shelf wear losses to DJ unclipped, library stamp, light foxing, Hearing Secret Harmonies G/VG partial ex libary ink stamp and removal of pasted library insert DJ unclipped, Hearing Secret Harmonies VG DJ in glassine unclipped slight foxing to text block edge, Books do Furnish a Room G tear to DJ on top of spine glassine degraded at spine foxing to text block edge, The Military Philosophers, G shelf wear small losses to DJ at head and foot four library ink stamps heavy stain to text block edge that bleeds onto several pages unclipped, Temporary Kings G slight discolouration to DJ spine graphite inscription partial and full library ink stamp unclipped, the Kindly Ones F glassine type cover to DJ tear at DJ spine tear to pastedown hinge library ink stamp foxing to text block edge Unclipped, the Acceptance World F/G pg 196ink correction to the text DJ shelf wear unclippedCasanovas Chinese Restaurant G shelf wear unclipped foxing to text block edge glassine degraded at edge,A Question of Upbringing lacking DJ text block bumped at foot foxing on text block edge.
ROBERT MONTETH. 'The History of the Troubles of Great Britain: Containing a particular Account of the Most remarkable Passages in Scotland, From the Year 1633 to 1650,' full leather, rebacked, bumped and chipped with cracked joints, tide mark to top edge of textblock, light spotting, G. Strahan at the Golden Ball, London, 1735.
H. G. WELLS. 'In the Days of the Comet,' first edition, fine original cloth, advertisements, light spotting to edge of textblock, MacMillan and Co, 1906; 'The Wife of Sir Isaac Harman,' first edition, original green cloth, Macmillan and Co, 1914; 'Men Like Gods,' first edition, original green cloth, some water damage to cloth, Cassell and Company, London, 1923; With eight other works by Wells including two 'Penguin Specials'. (11)
RICHARD JAGO., 'Edge-Hill, Or, The Rural Prospect Delineated and Moralized. A Poem in Four Books,' defective, rebound, lacks frontis, J. Dodsley, London, 1767; W. MASON. 'The Poems of Mr Gray,' second edition, rebound, good clean textblock with light spotting, H. Hughs, London, 1783; WILLIAM COWPER. 'Poems by....,' new editions, full navy blue leather with gilt decorations, engraved front, J. Johnson, London, 1806; JAMES E. DOYLE. 'A Chronicle of England B. C. 55- A. D. 1485,' original ornate gilt binding, colour illustrations throughout, Longman, Green, Logman, Robers, & Green, 1864; BENJAMIN W. CROMBIE. 'Modern Athenians. A Series of Original Portraits of Memorable Citizens of Edinburgh,' coloured illustrations throughout, Adam and Charles Black, Edinburgh, 1882. (5)
EDWARD DAYES. 'The Works of the Late.....Containing an Excursion Through the Principal Parts of Derbyshire and Yorkshire.......Essays on Painting; Instructions for Drawing and Colouring Landscapes,' engraved portrait frontispiece, ten engraved plates, some light spotting and toning, Mrs Dayes, London, 1805; THOMAS BARBER. 'Barber's Picturesque Illustrations of the Isle of Wight,' rubbed and bumped cloth, spotting to engraved titlepage, plates, Simpkin & Marshall, London, n. d; JAMES STORER and JOHN GREIG. 'Views in North Britain, Illustrative of the Works, of Robert Burns,' engraved titlepage and frontis, plates, vg textblock, Vernor and Hood, London, 1805; with four other illustrated works. (7)
CHARLES DICKENS. 'The Posthumous Papers of The Pickwick Club,' first edition, rebound, illustrations by R. Seymour and H. K. Browne, toned and browning as expected, Chapman and Hall, 1837; 'The Pickwick Club,' two half leather vols, both half leather with Dickens 'A Tribute to Genius' post stamp stuck to free endpaper, 1837; 'The Life and Adventures of Nicholas Nickleby,' first book edition, rebound, engraved frontis, illustrations by H. K. Browne, spotting and toning throughout, Chapman and Hall, 1839; '....Nicholas Nickleby,' two vols, both half leather with Dickens 'A Tribute to Genius' post stamp stuck to free endpaper, 1839; 'The Life and Adventures of Martin Cuzzlewit,' first edition in book form, half red morocco with compartmentalized gilt spine, corners slightly turned, rubbed, a good clean copy with usual toning and spotting to plates, Chapman and Hall, 1844; 'The Adventures of Oliver Twist; or, The Parish Boys Progress,' first octavo edition, half red morocco, rubbed and bumped, Cruikshank illustrations including frontis, Bradbury & Evans, London, 1846; 'Dealings With the Firm of Dombey and Son, Wholesale, Retail and for Exportation,' first edition, contemporary green morocco bonding, turned corners, rubbed, Cruikshank illustrations, spotting as expected, Bradbury and Evans, 1848; 'The Personal History of David Copperfield,' first edition, rebacked cloth, usual browning and toning to plates, Bradbury and Evans, 1850; 'Our Mutual Friend,' first edition, two vols bound in one by Frederick R. Jones of Torquay, half red morocco with compartmentalized gilt spine, a good clean copy with light spotting to Marcus Stone illustrations, Chapman and Hall, 1865; With a new edition 'Oliver Twist,' 'The Lazy Tour,' (1890), 'Edward Drood,' (1870). (14)
SILAS K. HOCKING. 'Her Benny,' original decorative cloth, engraved frontis, Frederik Warne and Co, London, 1890; 'The Wizard's Light,' original decorative cloth, illustrated, Frederik Warne and Co, London, 1902; 'My Book of Memory,' first edition, original cloth, Cassell and Company, London, 1923; With thirteen other books including Arthur Quiller-Couch and W. W. Jacobs. (15)
GRAHAM GREENE. 'It's a Battlefield,' first edition, original cloth, lacks dj, William Heinemann, 1934; 'The Heart of the Matter,' first edition, original cloth, rubbed with boots label to front board, unclipped dj, sun bleached spine with some chips, spotting to edge of textblock and end leaves, William Heinemann, London, 1948; 'The Third Man and The Fallen Idol,' first edition, original cloth, clipped dj, light spotting to edge of textblock, William Heinemann, London, 1950; The End of the Affair,' first edition, original cloth, chips and loss to unclipped dj, some light spotting to textblock, William Heinemann, 1951. (4)
ILLUSTRATION INTEREST. 'Thirty Plates Illustrative of Natural Phenomena, Etc. With a Short Description Annexed to Each Plate,' original cloth, 30 large hand-coloured engraved illustrations, some light spotting throughout, The Society for Promoting Christian Knowledge, London, 1849; 'Eighteen Etchings of Rural Scenery,' by T. J. Smith, original publishers marbled boards, rubbed with nibbles to edges, cracking to joints, William Tegg, London, n.d. (2)
William Blake (1757-1827)Thou hast fulfilled the Judgement of the Wicked, 1825Engraved plate, with 'Proof' faintly visible to bottom right corner20.3cm x 16.6cm William Blake is remembered as both a talented Romantic painter and a poet—he entered drawing school and began writing poetry around the same time in his adolescence. By age 20, Blake was thought to have written some of the finest lyrical poetry in the English language. He apprenticed for seven years with the engraver James Basire. In addition to engravings, Blake made drawings, watercolors, and small paintings in tempera. In 1788, he developed a process of etching that allowed him to combine an etching and text on the same printing plate, gaining unprecedented layout control of the printed page. Blake was deeply religious and believed that art could elevate the spirit. His most popular works were Biblical subjects, and illustrations inspired by Dante Alighieri’s Divine Comedy.Fraying to the edge of the paper, though this has no bearing on the print. Some light foxing and small indiscriminate holes towards the edge of the plate.
Sir ARTHUR CONAN DOYLE. 'The Memoirs of Sherlock Holmes,' first edition, original pictorial cloth, rubbed and bumped, some light spotting, toning throughout, the occasional finger print, George Newnes, London, 1894; 'The Adventures of Sherlock Holmes,' second edition, original pictorial cloth, rubbed and bumped, spotting throughout, George Newnes, London, 1893. (2)

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