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Two postcard albums containing approximately 500 cards of Scottish interest, mainly topographical views of Argyllshire etc, cards noted including good RP views of Chalmers Street in Ardrishaig, Lochgair Hotel, Strachur, Shore Road in Kames, Strone, Carradale, Longrow in Campbeltown, and two colour prints of the Campbeltown and Machrihanish light railway
A magic lantern, of mahogany and brass construction with tinplate top cover and ventilated chimney, brass lens assembly, and mechanical slide holder, each side with opening door, light porthole and attached ivorex-type label for "J.H. Dallmeyer / Optician / London" (converted for electric operation involving new base)
A Meccano No.0 aeroplane constructor kit, the model made up as O.3 Light Biplane, complete with unused floats, spanner, instructions and advertising sheet for motor car constructor outfits; no pilot but very good condition, box (complete with original mounting card) in sound condition but with some tape damage ( on website)
Three ski-related diecast cars: Triang Spot-On 184 Austin A60 Cambridge, in light gey with brown skis and poles on a silver roof rack, good condition, unboxed; and two Corgi Citroen Safaris, 475 Winter Sports 1964 Olympics in white with yellow roof rack and three red skis, and 499 Grenoble 1968 Olympiade in white and blue with red roof rack and two yellow skis with poles, together with one toboggan and two figures, minor faults but generally good condition, unboxed
Fuchs (Edward) Geschichte der Erotischen Kunst, lightly browned, a few ff. loose, original cloth, Munich, n.d. ~ Karwath (Cary von) Die Erotik in der Kunst, light soiling, original cloth, slightly rubbed, Vienna and Leipzig, 1908 ~ Klinger (D.M.) Erotische Kunst in Europa, 2 vol., original rexine, Nuremburg, 1982 ~ Fille de Joie, The Book of Courtesans, Sporting Girls ... , original cloth, New York, 1967 ~ Anand (Mulk Raj) Kama Kala, original cloth, dust-jacket, some tears, Geneva, 1958; and 10 others, Erotica, v.s. (16)
-. An Album of Kama Sutra Sexual Positions, 50 images, printed on both sides of 25 leaves, colour-printed wood-engravings, some in monochrome red, green or blue, each c.90 x 55mm., titles in Hindi, below, occasional light creasing, in double-sided, gilt-ruled and arch-topped mounts in a 19th century photograph album, gilt-embossed morocco, worn, internally broken, 8vo, early 20th century.
Playing Cards.- A Deck of Erotic Transformation, or Hold-To-Light, Cards, lacking the five of spades and the two of diamonds, only, and a quantity of others, similar, from various decks, with plain backs, most woodblock prints, in red and black, a few wood-engraved, picture cards with hand-colouring, each c.85 x 55mm., some surface dirt, a few lacking outer backings, revealing the erotic versos, [?France], 19th century (c.100)
Rojankowski (Fedor) Idylle Printaniere, first edition, number 393 of 516 copies (500 plus 16 hors commerce), pictorial title and 30 colour lithographs, loose as issued in paper window-mounts, the title with light spotting and partly split along horizontal crease, the plates in good condition, original cloth-backed portfolio, backstrip worn, ties, justification notice mounted inside upper cover, [Weiermair, Erotic Art, pp214-217], folio, [Paris], for the subscribers, n.d. [c.1934].
Wilde (David) De Sade, Attired as Death, Whips Beauty; Nipple Food; De Sade's Machine, 3 original illustratons for Justine, also with a smaller version for De Sade's Machine, pencil drawings, occasional light washes and touches of coloured crayon, on translucent, vellum-like, paper, various sizes, 160 x 225mm., to 520 x 355mm., all signed and inscribed in pencil, laid on thin card supports, in mounts, 1970s (4)
A Royal Worcester "Hadley Ware" Vase, by A Shuck, signed, 1907, painted with white storks on the banks of the Nile in diffuse yellowy light under a pair of upended wolf-fish handles between bronzed and gilt moulded borders, artist's signature, green "CH" and crowned factory mark incorporating date code, incised workman's initials MHB, iron red 111/85.74, (32.5cm) (chip to square plinth)
A Gilt Brass Three-Branch Neo-Classical Ceiling Light, the long fluted stem supporting a half spherical body surmounted by three winged lions, the three boat shaped branches issuing from winged masks and ram heads, the three vase shaped acid etched glass shades slice cut with repeat flowers and foliage, leaf and ring terminal, (120cm high)
An Impressive Pair of French Ormolu Nine-Light Table Electroliers, fashioned as a herme and caryatid upholding cornucopia from which issues eight S scroll branches and centre light sheathed in acanthus and with urn shape nozzles and leafy pans, the whole raised on cloven feet and bases enriched with acorn and other leaves, third quarter 19th century, (70cm high)
Brison (Charles) Pornocrates, An Introduction to the Life and Work of Felicien Rops, 1833-1898, original cloth, dust-jacket, head of spine rubbed, 1969 ~ Revens (Lee) The Graphic Work of Felicien Rops, original cloth, dust-jacket, rubbed, New York, 1968 ~ Schnitzler (Arthur) Fraulein Else, one of 1000 copies, a little light foxing, original boards, 1929 ~ Monnier (Edouard, editor) Catalogue Illustre (Oeuvres Choisies), original printed wrappers, spine worn, Paris, n.d. [?c.1900]; and 2 others, Nudes, folio & 8vo (sml qty)
Bates (H.E.) How Sleep the Brave and Other Stories, 1943; Fair Stood the Wind for France, upper hinge weak, 1944; Dear Life, 1950; The Golden Oriole, 1962; The Sleepless Moon, a little light foxing, 1956, original cloth, first mentioned a little dampstained, all except second and third with dust-jackets, rubbed and chipped; and 6 others, H.E. Bates, 8vo (11).
Binder (Pearl) The English Inside Out, PRESENTATION COPY SIGNED BY THE AUTHOR, a little very light foxing, 1961 ~ Updike (John) Couples, 1968 ~ Heller (Joseph) Good As Gold, ink inscription to half-title, 1979 ~ Ondaatje (Michael) The English Patient, 1992 ~ Barker (Pat) The Ghost Road, SIGNED BY THE AUTHOR, 1995, original cloth or boards, dust-jackets; and 43 others, most Modern First Editions, 8vo (48).
Dahl (Roald) James and the Giant Peach, second impression, sticker mark on front free endpaper, tear to top edge of upper wrapper and near foot of spine, 1961; Fantastic Mr.Fox, light foxing to early ff., stamp on front free endpaper and second contents page, repaired tears to top edge of jacket, 1970; Charlie and the Great Glass Elevator, inscription on front free endpaper, 1972, FIRST EDITION, original boards or cloth-backed boards, dust-jackets, 8vo, New York (3).
Doyle (Sir Arthur Conan) The Return of Sherlock Holmes, FIRST EDITION in book form, 16 plates by Sidney Paget, 2 ff. of advertisements at end, occasional very light foxing, lower hinge slightly weak, original dark blue cloth, slight rubbing, [Green and Gibson A29a; De Waal 625], 8vo, George Newnes, 1905.
Fleming (Ian) For Your Eyes Only, 1960; On Her Majesty's Secret Service, ink inscription to front free endpaper, 1963; The Man With the Golden Gun, 1965; The Diamond Smugglers, endpapers lightly foxed, 1957, original boards, dust-jackets, a little light soiling, all except second mentioned with extremities very slightly rubbed, 8vo (4).
Gibson (William) Burning Chrome, 1986; Virtual Light, 1993; Idoru, signed by the author, 1996 ~ Nye (Robert) Falstaff, 1976; Merlin, 1978; Faust, 1980; The Voyage of the Destiny, 1982 ~ Bradbury (Ray) I Sing the Body Electric!, 1970 ~ Salaman (Nicholas) Forces of Nature, 1989 ~ Read (Piers Paul) The Villa Golitsyn, 1981, FIRST EDITIONS, original cloth, dust-jackets, fine copies in unclipped dust-jackets; and 3 others, Modern First Editions, 8vo (13).
Green (Henry) Blindness, slightly knocked, original cloth, spine a little faded, 1926 ~ O'Casey (Sean) Two Plays, a little very light foxing, original cloth-backed board, a little damp-stained, dust-jacket, slightly rubbed and soiled, 1925 ~ Greene (Graham) The Ministry of Fear, knocked, original cloth, 1943, FIRST EDITIONS; and 2 others, Modern First Editions, 8vo (5).
Hamilton (Patrick) Unknown Assailant, light browning, 1955 ~ Nabokov (Vladimir) Lolita, 1959 ~ Bowles (Patrick) The Spider's House, 1957 ~ Garland (Alex) The Beach, 1996, FIRST EDITIONS, all except fourth mentioned in original cloth or boards, dust-jackets, second mentioned rubbed and chipped, fourth mentioned in original wrappers; and 8 others, English Literature, 8vo (12).
Huxley (Aldous) Brave New World, slightly knocked, original cloth, 1932; Eyeless in Gaza, ink inscription to front free endpaper, original cloth, dust-jacket, repaired, spine faded, 1936; Two or Three Graces, light foxing, some stamps, original cloth, dust-jacket, repaired, rubbed, 1926, FIRST EDITIONS; and 2 others, Huxley, 8vo (5).
Larkin (Philip) The Whitsun Weddings, 1964; The Less Deceived, Marvell Press, 1955; High Windows, 1974 ~ Macneice (Louis) Solstices, 1961 ~ Prokosch (Frederic) The Assassins, ink inscription to front free endpaper, dust-jacket price-clipped, 1936 ~ Spender (Stephen) Poems, 1933, FIRST EDITIONS AND FIRST ENGLISH EDITIONS, original cloth or boards, dust-jackets, light browning; and 13 others, Poetry, 8vo (19).
Lewis (Wyndham) Timon of Athens, FIRST EDITION OF THE AUTHOR AND ARTIST'S FIRST SEPARATE PUBLICATION, 16 plates by Wyndham Lewis, some colour, all loose in original pictorial card portfolio, with his designs on both covers, rubbed at spine and extremities, cloth ties, light foxing to plates and wrappers, folio, The Cube Press, [1913].
London (Jack) The Son of the Wolf, ink inscription and stamp to front free endpaper, Isbister and Co., 1902; Martin Eden, small light water-stain to lower corner of first c.25ff., a few light spots to first and last few ff., upper hinge weak, 1910; The Mutiny of the Elsinore, lacks front free endpaper, 1915, FIRST ENGLISH EDITIONS, original cloth, 8vo (3).
Machen (Arthur Llewelyn Jones) The Great God Pan and The Inmost Light, ink inscription on front endpaper, corners bumped, spine ends creased, London, Boston, 1894; The Three Impostors, upper corners bruised, London, Boston, 1895, FIRST EDITIONS, together 2 vol., AUTHOR'S SIGNATURE TIPPED IN ON FRONT ENDPAPERS, titles and cover vignettes designed by Aubrey Beardsley, original cloth, slightly rubbed, in slip-case, 8vo (2).
Milne (A.A.) When We Were Very Young, sixteenth edition, a little light browning to first and last ff., 1927; Now We Are Six, third edition, half-title lightly browned and with ink inscription, final leaf lightly browned, 1927, original cloth, gilt, t.e.g.; and 2 others, sixth editions of "Now We Are Six", 8vo (4).
Murdoch (Iris) The Sandcastle, 1957 ~ Golding (William) The Brass Butterfly, 1958 ~ Burgess (Anthony) Language Made Plain, 1964; The Right to an Answer, ink inscription to front free endpaper, 1960 ~ Hilton (James) The Story of Dr. Wassell, 1944, original cloth or boards, dust-jackets, slightly rubbed, some light soiling; and 7 others, most Modern First Editions, 8vo (12).

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534325 Los(e)/Seite