A Toon .38 pistol with Dum-Dums crew gift from the production of Robert Zemeckis' detective comedy Who Framed Roger Rabbit. This item comes from the personal collection of legendary producer Robert Watts. Eddie (Bob Hoskins) swapped his real gun for a Toon one before entering Toontown. Eddie's new oversized gun shot idiotic Toon rounds which he later referred to as "Dum-Dums". During filming, a stand-in gun was used, with the animated cartoon gun added in post-production. The pistol €†a casting from the stand-in's mould and given as a crew gift to Robert Watts €†is cast in resin and presented in a display case with six Dum-Dum character bullets. On the back is a business card of Steve Crawley, a Model Shop Project Supervisor from Industrial Light and Magic. The plastic case shows some signs of age and wear, with light scratches on the case, and the plaque has slipped from its position. Dimensions (displayed): 35.5 cm x 24 cm x 10 cm (14" x 9 1/2" x 4")£3000-5000 M
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A set of Y-Wing thruster model miniature master pattern components from the production of George Lucas' Star Wars: A New Hope. Y-Wing starfighters were the ships of choice for the Rebel Alliance's Gold Squadron during the climactic Battle of Yavin. These hand-fabricated pieces were made by the Industrial Light & Magic model shop during development of the Y-wing model miniatures. The pieces include a grey resin engine-steering master pattern; a grey aluminum-and-styrene engine-exhaust master pattern; and a clear injection-moulded polyurethane final side-detail piece. The master patterns were hand-built and then molded so that the assemblies could be cast in resin for faster assembly-line style construction of multiple models. The injection-moulded piece is a final completed part that ultimately went unused. Each exhibits signs of use, including traces of red moulding silicone rubber on the patterns. Dimensions (largest item): 6.5 cm x 6.5 cm x 6.5 cm (2 1/2" x 2 1/2" x 2 1/2"); (smallest item): 9 cm x 4 cm x 1.5 cm (3 1/2" x 1 1/2" x 1/2")£1000-1500 Ω
An "E.T. and Me" crew hat from the production of Steven Spielberg's sci-fi family film E.T. the Extra-Terrestrial. An alien stranded on Earth befriended a young boy (Henry Thomas), who helped him call back his spaceship. E.T. and Me was an early working title for the film, with crew hats featuring the title frequently seen being worn by crew members in behind-the-scenes images.This adult-size cotton baseball hat is emblazoned with an "E.T. and Me" patch on the front, and features a mesh back, and a plastic size adjuster on the reverse. It exhibits minor signs of use and wear, including light staining. Dimensions: 20.25 cm x 23 cm x 8.25 (8" x 9" x 3 1?4")£400-600 Ω Δ
Lara Croft's (Angelina Jolie) belt and gun holster rig from Simon West's action adventure Lara Croft: Tomb Raider. Croft wore her holster rig to carry her iconic Heckler & Koch USP Match pistols in numerous scenes, from the opening sequence in which Croft battled her robot S.I.M.O.N., to her adventures in Siberia as she fought for possession of the legendary Triangle of Light. Made of black leather, the belt displays multiple metal rivet holes and a cast resin buckle which features a skull-and-crossbones emblem, finished in faux-gold paint. Attached to the belt are two black leather holsters and adjustable straps with strips of Velcro, which would have secured the rig to the actor's thighs. Accompanying the lot is an additional replica resin gold-coloured belt buckle minus the crossbones. The belt and rig show signs of production use, including minor corrosion on the belt hardware, and light scratches and minor wear to the leather. Dimensions (belt, fastened): 37 cm x 40 cm x 8 cm (14 1/2 x 16" x 13 1/4"); (belt buckle): 6.5 cm x 9.5 cm x 2.5 cm (2 1/2" x 3 3/4" x 1")£2000-3000 Ω
A Sarris Guard Pod Gun from Dean Parisot's sci-fi comedy Galaxy Quest. Sarris (Robin Sachs) and his reptilian guards carried their weapons throughout the film, as well as by the film's human protagonists. Hero versions were used for close-ups in which the weapons were required to function.Constructed from cast resin and plastic decorated with assorted shades of metallic paint, the weapon housing is covered in faux-snakeskin and features metal embellishments and string decoration. The surface is distressed to appear well-used from numerous space battles.The barrel rotates via a flick switch on the side, while a push button on the grip operated a red flashing light which no longer functions. Two sling attachment points are present on the top of the gun. Powered by 9V batteries (not included), the gun remains in very good condition and is presented on a display stand. Dimensions (displayed): 80 cm x 17 cm x 45 cm (31 1/2" x 6 3/4" x 17 3/4")£2000-3000 † Δ*Contains electronics; see electronics notice in the Buyer's Guide
Professor G.H. Dorr's (Tom Hanks) suit and hat from Joel and Ethan Coens' Ealing Comedy remake The Ladykillers (2004). The charming professor wore his full suit when he first met Marva Munson (Irma P. Hall) and enquired about the spare bedroom she had advertised to let. The costume consists of a beige herringbone three-piece suit; a matching sleeveless caped coat; a pink Anto Beverly Hills textured shirt; a tan sateen bow tie with clip fastenings; and a straw boater-style hat, which features a woven brown band. Embroidered in blue, the initials "TH" feature on the label within the shirt, and the lot is accompanied by six production wardrobe tags, which display detailing about each garment, change numbers and scene numbers. The costume shows minor wear, including light plucks and dirt marks on the trouser hems.£2000-3000 M
Ten Los Angeles miniature model skyline components from Ridley Scott's sci-fi thriller Blade Runner. Miniatures were used to construct the film's sweeping dystopian Los Angeles vistas, as exemplified by the detailed "Hades Landscape" in the memorable opening sequence, as well as the imposing Tyrell Corporation pyramid. The set includes seven cityscape pieces, with two lift grills and a building decal, which would have been affixed to the Tyrell pyramid's miniature sets. They are all made of etched brass, with the front finished in black and the back showing a bare metal finish. Holes are cut into each component to allow light to shine through. There are signs of wear on the pieces, with slight bends in the brass and minor paint scratches on the bottom of each component. Dimensions (largest piece): 41 cm x 7.5 cm (16 1/4" x 4 3/4")£2000-3000 † Δ
A collector's album autographed by Steven Spielberg, Kathleen Kennedy, Frank Marshall, and Richard Edlund from the promotion of Spielberg's action-adventure film Raiders of the Lost Ark. This 64-page album features behind-the-scenes material from the production, and was first produced as a promotional programme before being offered for sale. The album is printed in full colour and autographed and inscribed on page 1 with notes from producers Kennedy and Marshall, visual effects supervisor Edlund, and Spielberg, whose note "Tom ۠now let's RAID the ghostly universe ۠! Best Steven Spielberg" refers to their then-upcoming collaboration on Tobe Hooper's Poltergeist. The album comes with a letter of authenticity from Industrial Light & Magic production supervisor Thomas G. "Tom" Smith. Dimensions: 28 cm x 22 cm (11" x 8 1/2")£1000-1500 Ω Δ
An archive of behind-the-scenes stills, a Lucasfilm Ltd annual from 1983, and a set of crew stickers from the original Star Wars trilogy. This item comes from the personal collection of legendary producer Robert Watts. Comprising a set of 12, the black-and-white stills were taken during the filming of A New Hope and show key cast members, droids, director George Lucas and others. Annuals were gifted to Lucasfilm employees during their yearly picnic at Skywalker Ranch. This set of stickers includes two triangular stickers designed by Ralph McQuarrie and a sheet of uncut stickers featuring Return of the Jedi's original title "Revenge of the Jedi" with an image of Yoda. The lot is completed by a colourful embroidered patch of the same Yoda design. The lot exhibits minor wear, including light scratches, plucks around the patch outline, and crease lines, notably on the annual cover and uncut sticker sheet. Dimensions (annual): 28 cm x 22 cm x 1 cm (11" x 8 3/4" x 1/2"); (each photo): 20 cm x 25.5 cm (8" x 10"); (sticker sheet): 19 cm x 25 cm (7 1/2" x 10")£300-500 M
Doug MacRay's (Ben Affleck) bus driver costume from Affleck's crime thriller The Town. MacRay dressed in a bus driver uniform disguise while making his final getaway from the city after pulling off a robbery. This costume consists of a navy-coloured jacket with a pair of patches; a light blue short-sleeved button-up shirt with a pair of patches, labelled "DOUG" on the interior; a pair of navy-coloured trousers; and a navy baseball cap with a patch and the number "67093" embossed on the front. There is some mild staining on the jacket and fraying on the lettering on the baseball hat.£600-800 Ω
A model miniature Death Star turret from Richard Marquand's Star Wars: Return of the Jedi. Turrets covered the surface of the Death Star, and constantly fired at the attacking Rebel pilots during the film's climax. Crafted by Industrial Light and Magic from biscuit foam and resin, the gun tower features a futuristic industrial design and has grid lines carved into the sides to simulate a panelled construction. While static, the top portion of the gun tower is shaped to resemble a rotating gun turret and has two resin laser cannons mounted at the top. Pencil lines have been used on the side of the top portion to create the illusion of panelling. Below the turret, the body of the gun tower stretches to a wider base for stability. The entire piece is painted light grey in colour, and shows some wear from production use and age, with some chips to the paintwork, most notably around the guns. Dimensions: 7 cm x 6 cm x 19 cm (2 3/4" x 2 1/4" x 7 1/2")£5000-7000 Ω
A light-up Bajoran interceptor miniature model from sci-fi TV series Star Trek: Deep Space Nine. Miniature models were used for the Bajoran ships, which first appeared in the Season 2 episode "The Siege", when two interceptors attacked the ship being flown by Commander Kira Nerys (Nana Visitor) and Lieutenant Jadzia Dax (Terry Farrell). The Starfleet officers managed to destroy one of the Interceptors before sustaining critical damage and crash landing. Models were later used in the Season 3 episode "Through The Looking Glass" and for cutaway footage of ships flying around DS9 in later seasons. The model is made of plastic and hand-painted to look as detailed and realistic as possible. It is predominantly decorated in shades of grey with bronze detailing, in keeping with the Bajoran aesthetic. It features €˜rust' markings and other examples of intentional distress, giving it the appearance of being well used and battle worn. When connected to mains power via a D-sub 9-pin connector, the lights within the model illuminate, lighting up the cockpit, windows and engines, as well as lights on the wing tips and the top of the ship. The miniature sits on a custom-made metal stand on a black wooden base. The stand is a fixed to a production-made filming mounting point, which can be hidden with an extra piece when not on the stand. There is a second hidden mounting point in the tail. It has some wear from production use and age, including a small repair to the left wing. Dimensions: 45 cm x 68 cm x 25 cm (17 3/4" x 26 3/4" x 9 3/4") ADDITIONAL INFORMATION Interceptors were lightly armed craft with two phaser emitters, used by the Bajoran Militia in the defense of Bajor. They were often utilised in the orbit of the planet but, as in "The Siege", could also fly within the atmosphere.£8000-10000 M *Contains electronics; see electronics notice in the Buyer's Guide
Ava's (Alicia Vikander) final costume from Alex Garland's sci-fi thriller Ex Machina. Ava obtained her costume during the climactic scenes, as she raided cupboards containing old humanoid robots and used pieces of skin and clothing to create the appearance of a human woman. The Karen Millen two-piece costume comprises a high-necked peplum top with cap sleeves (size UK 6) and pencil skirt (size UK 10), both made from a white floral crochet cotton with a visible yellow polyester lining. The back of the top features a thin cotton panel,and both pieces have side-concealed zip fastenings. The costume displays light wear and a minor mark on the back of the top.£800-1200 †
A cast chair back from the production of Gore Verbinski's action adventure Pirates of the Caribbean: The Curse of the Black Pearl. Chair backs were created for the cast and crew of the film, and featured the iconic production logo. This chair back is made of black canvas with the logo emblazoned on the front and the word "Cast" on the reverse. Each side has a hole for affixing the chairback to a cast chair. This chair back exhibits some signs of wear and age, including light discolouration. Dimensions: 27.5 cm x 18 cm x 1.5 cm (11" x 7" x 1/2")£400-600 Ω Δ
Luke Skywalker's (Mark Hamill) production-made lightsaber from the production of Star Wars: A New Hope (1977) Lightsabers are one of the most memorable props in the history of cinema, and it is well-known amongst enthusiasts that Luke's original lightsaber was built from a Graflex 3-Cell Camera Flash Attachment unit. The modifications used to turn the flash handle into the lightsaber prop were relatively straightforward: a set of black T-shaped grips were attached to the lower half of the flash, a D-ring was attached to the bottom of the unit to allow it to hang from a belt hook, and a set of plastic magnification "bubbles" from a vintage calculator display were fitted to the flashes center clamp. Due to the simple nature of the prop's construction, authenticity around Graflex-based lightsaber props is frequently controversial. This is the first Luke Skywalker lightsaber Prop Store has handled with solid provenance and the appropriate physical construction elements to support that it is indeed from the production. The most well-documented Skywalker lightsaber props are the Graflex-based hero version seen best in production photography, and the special-effects version with a motorized spinning blade (designed to reflect light into the camera lens) that was made from a piece of pipe dressed to look a Graflex. It is not clear exactly how many lightsaber props were built for the first film in total. This lightsaber is distinctly not the hero Graflex version seen in production photographs, or the well-documented spinning version, but is an original made for the production of the film. The lightsaber originated from Andy Mitchel, the son of Andrew Mitchell, who was the managing director of Elstree Studios at the time the original Star Wars films were shot there. Mitchell recovered the lightsaber prop as a young man from the Elstree Studios backlot where it had been discarded along many other props and sets during or after production. He was allowed to keep the piece as a memento shortly after production wrapped. The Graflex is a "Folmer" version of the flash handle, which is the same version of Graflex used to create the hero piece seen in production photographs. This flash unit was fully converted into a prop lightsaber: a D-ring is affixed to the bottom of the handle with two pop rivets, a bubble lens strip fitted in the center clamp (with 7 bubbles, matching the hero prop), and glue residue exists on the lower half where the T-shaped grips were once attached. The red button at the top of the flash is a version with a thin band of knurling€â€different to the documented hero Graflex, but the same style of button seen on the document effects "spinning blade" prop. The most interesting aspect of this piece is a welded metal plate affixed into the open end of the emitter. The plate features a small hole in the center and the welding process has deformed some of the top of the flash. This plate was almost certainly welded in as part of the effort to mount a blade in the handle. This custom modification supports the fact that the special effects or props team at Elstree Studio was working with this piece at some point during production, and it was specifically converted to be a lightsaber prop. At present, the location of both the well-documented hero Graflex lightsaber and well-documented "spinning blade" effects version of the prop are not known. Therefore, this may be the only, or certainly one of the few, genuine Luke Skywalker lightsaber props from the original Star Wars film still in existence. While it is uncertain whether this piece was ever used in filming or not, it has a strong chain of provenance and the appropriate physical construction to support its authenticity and is a wonderful example of this legendary film prop. Included are a letter of authenticity from Andy Mitchell who originally obtained the piece from the Elstree backlot, and from a friend of Mitchell's who was gifted the piece by Mitchell in 1983. The piece is well-worn, with numerous scratches and marks to the body. Dimensions: 25 cm x 5.75 cm x 3 .75 cm (10" x 21/4" x 11/2")£60000-100000 M
A pair of large vehicle decals from Irvin Kershner's Star Wars: The Empire Strikes Back. Trac-Master snow vehicles, used as towing and support vehicles on set, were emblazoned with the film's production logo during filming of the Hoth scenes in Norway. Screen-printed on vinyl, the decals feature the visage of Darth Vader looming through flames over a blue field, surrounded by the film's title and borders in white. Red fields around the logo allowed the decal to blend in with the vehicle's predominantly red paint scheme. Both decals are still attached to their backing paper and remain in good, unused condition, with light creasing around the edges. Dimensions (per decal sheet): 45 cm x 31 cm (17 3/4" x 12 1/4")£400-600 M
![Josef Albers (German/American, 1888 - 1976). "Soft Resonance: Homage to the Square [miniature edition]". Original color silks](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/9b1a1269-d094-43fc-a1d6-aac70055c387/468x382.jpg)
Josef Albers (German/American, 1888 - 1976). "Soft Resonance: Homage to the Square [miniature edition]". Original color silkscreen. 1962. Printed 1964. Signed in pencil with the initial and dated, lower right. Probably a PP or TP from the miniature edition of unknown size, presumed small. Very light cream wove paper. Ample margins. Fine impression. Very good to fine condition. Provenance: Private collection, New Canaan, Connecticut, acquired directly from Sewell Sillman of Ives-Sillman, the firm who printed/published many Albers editions. Overall size: 5 x 5 in. (127 x 127 mm). An authentic silkscreen, hand-printed with the approval of Josef Albers. Printed under the direction of Sewell Sillman (Ives-Sillman, Inc.) for the Museum of Modern Art, NYC. NB: according to “Gordon’s” the most recent sale of a “mini-Albers” is a set of two miniature screenprints (unsigned) which sold for $1,875 at Swann Auction Galleries, New York City, May 16, 2019, lot #111. Image copyright © The Josef and Anni Albers Foundation - Artists Rights Society (ARS), New York. [29141-1-150]
Jean-Michel Basquiat (American, 1960-1988). "Early Moses". Color offset lithograph. 1983. Printed 1986. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream smooth wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 8 1/16 x 7 7/8 in. (205 x 200 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the Kestner-Gesellschaft, Hannover, Germany (the exhibition ran from November 28th 1986 to January 25th 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Kestner-Gesellschaft and printed in Hannover by Frenzel & Heinrichs. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29067-1-800]
![Andy Warhol (American, 1928 - 1987). "Texan [Robert Rauschenberg]". Original color letterpress print. Printed 1970. Signed in](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/a89c2943-0fde-40fb-bfa4-aac700559f55/468x382.jpg)
Andy Warhol (American, 1928 - 1987). "Texan [Robert Rauschenberg]". Original color letterpress print. Printed 1970. Signed in white marker, center right. Edition of c200. Medium weight light cream uncoated wove paper. The full sheet. Fine impression. Fine condition. Overall size: 9 1/2 x 9 7/8 in. (241 x 251 mm). This rare letterpress print was published as part of the Warhol portfolio of eight prints which was included in the publication/portfolio "Artists & Photographs" published by Multiples, Inc., New York City, in association with Colorcraft Inc., NYC in 1970. The publication consists of a cardboard box containing artist's publications, multiples, artist's books, etc. by Warhol, Rauschenberg, Ruscha, Nauman, Gormley, Christo, Lewitt, and others. The stated edition size was 1,200 but as Peter Gidal indicates "…rumors abound that the art-box never got made in more than 800 copies, but even the origination gallery can no longer verify it. What is certain is that no "extra" copies of any of the multiples were made, and that the Gormley was in an edition of 200 and the Rauschenberg in an edition of 400. This substantiated the fact that complete boxes could never have been more than 200." Warhol's contributions were printed in different sizes, scales, and mediums. Our example is stamped verso "File Copy - Colorcraft Inc. - Please Return" indicating that it came from the Colorcraft archives. No auction records located. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28842-2-300]
![Andy Warhol [d'apres] (American, 1928 - 1987). "Ice Cream Cone - Double". Color lithograph. Printed c1986?. Bears signature i](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/f391cdf6-6a42-4119-91dc-aac70108e568/468x382.jpg)
Andy Warhol [d'apres] (American, 1928 - 1987). "Ice Cream Cone - Double". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Overall size: 17 x 14 1/8 in. (432 x 359 mm). Image size: 10 5/8 x 4 1/4 in. (270 x 108 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28685-3-600]
![Keith Haring (American, 1958 - 1990). "Life Is Fresh! Crack Is Wack!! (June, 1988) [invitation]". Offset lithograph. 1987. Pr](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/7c0a4fab-19f8-4ba3-8858-aac701089ed1/468x382.jpg)
Keith Haring (American, 1958 - 1990). "Life Is Fresh! Crack Is Wack!! (June, 1988) [invitation]". Offset lithograph. 1987. Printed 1988. Signed in black marker, lower right; signed and dated in the matrix. Edition unknown, presumed small. Light green wove paper. Full margins. Fine impression. Condition: fine. Overall size: 5 1/2 x 5 1/2 in. (140 x 140 mm). Bipo was a singer and a Haring assistant at the Pop Shop in New York City. This invitation to the party at Tunnel uses the same image as Haring created for Bipo's album cover of the same name released in 1987. The image was neither an editioned print nor a poster. Tunnel was a legendary nightclub in New York City, located at 220 Twelfth Avenue, in the Chelsea district of Manhattan, in the Terminal Warehouse Company Central Stores Building, now part of the West Chelsea Historic District. Tunnel was opened in December 1986 at the cost of $5 million by Eli Dayan – the founder of Bonjour Jeans – in a space which was formerly a railroad freight terminal. Image copyright © The Keith Haring Foundation. [28367-1-225]
![Andy Warhol [d'apres] (American, 1928 - 1987). "Sam #15". Color lithograph. Printed c1986?. Bears signature in black marker,](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/b142303d-2a25-41d7-9448-aac70055ef9a/468x382.jpg)
Andy Warhol [d'apres] (American, 1928 - 1987). "Sam #15". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IV.66A. Overall size: 17 1/4 x 14 1/2 in. (438 x 368 mm). Image size: 10 x 9 5/8 in. (254 x 244 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28683-3-400]
Renato Guttuso (Italian, 1911-1987). "Donna nuda sdraiata". Ink on paper. c1962. Signed lower right. Light tan wove paper. Fine condition. Overall size: 10 x 14 1/8 in. (254 x 359 mm). Guttuso was a painter who also designed for the theatre (including sets and costumes for Histoire du Soldat, Rome, 1940) and did illustrations for books. Those for Elizabeth David’s Italian Food (1954) introduced him to many in the English-speaking world. A fierce anti-Fascist, "he developed out of Expressionism and the harsh light of his native land to paint landscapes and social commentary." (Adrian Hamilton). Image copyright © The Estate of Renato Guttuso. [27953-3-600]
Jean-Michel Basquiat (American, 1960-1988). "Flash in Venice". Color offset lithograph. 1983. Printed 1984. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Very good condition. Overall size: 8 1/2 x 7 1/2 in. (216 x 190 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean Michel Basquiat – Paintings, 1981-1984" at the Institute of Contemporary Arts, London (the exhibition ran from December 14th, 1984 to January 27th, 1985). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by The Fruitmarket Gallery. Printed in the Netherlands by Lecturis bv. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [28987-1-400]
![Andy Warhol (American, 1928 - 1987). "Orangutan [announcement]". Color offset lithograph. 1983. Signed in black marker, lower](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/97e4efc2-947e-474b-bdd6-aac7005663de/468x382.jpg)
Andy Warhol (American, 1928 - 1987). "Orangutan [announcement]". Color offset lithograph. 1983. Signed in black marker, lower right. Edition unknown, presumed small. Light cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Undoubtedly to be included in the forthcoming revised edition of the catalogue raisonne of Warhol's ephemera by Paul Marechal; cf. Feldman/Schellmann II.299. Overall size: 6 x 4 1/4 in. (152 x 108 mm). No auction records located. The image of this scarce announcement was issued as one of the silkscreens in Warhol's famous 'Endangered Species' portfolio, one of his most sought after series. Published by Ronald Feldman Fine Arts, New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28596-1-500]
![Jean-Michel Basquiat (American, 1960-1988). "Red Circle [Untitled]". Color offset lithograph. 1981. Printed 1986. Signed in b](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/5ea087b0-760e-4809-af22-aac70056159d/468x382.jpg)
Jean-Michel Basquiat (American, 1960-1988). "Red Circle [Untitled]". Color offset lithograph. 1981. Printed 1986. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 8 1/16 x 7 3/4 in. (205 x 197 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the Kestner-Gesellschaft, Hannover, Germany (the exhibition ran from November 28th 1986 to January 25th 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Kestner-Gesellschaft and printed in Hannover by Frenzel & Heinrichs. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29053-1-600]
![Andy Warhol [d'apres] (American, 1928 - 1987). "Sam #07". Color lithograph. Printed c1986?. Bears signature in black marker,](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/d15652c1-0c1c-4d34-a0a9-aac70055f068/468x382.jpg)
Andy Warhol [d'apres] (American, 1928 - 1987). "Sam #07". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IV.58A. Overall size: 17 x 14 1/4 in. (432 x 362 mm). Image size: 8 1/16 x 7 1/2 in. (205 x 190 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28682-3-500]
Matt Groening (American, b.1954). "Maggie, Marge, Lisa, and Bart Simpson". Original marker drawing on paper. c2006. Signed lower right. Drawn on light cream wove paper. Very good condition. Overall size: 7 3/16 x 7 1/16 in. (183 x 179 mm). Matthew Abram "Matt" Groening is an American cartoonist, screenwriter, producer, animator, author, musician, and voice actor. In addition to “The Simpsons” he is the creator of the comic strip “Life in Hell” (1977–2012) as well as two successful television series, “The Simpsons” (1989–present) and “Futurama” (1999–2003, 2008–2013). Image copyright © Matt Groening. [29847-1-600]
Jean-Michel Basquiat (American, 1960-1988). "Moses and the Egyptians". Color offset lithograph. 1983. Printed 1986. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 8 1/16 x 7 11/16 in. (205 x 195 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the Kestner-Gesellschaft, Hannover, Germany (the exhibition ran from November 28th 1986 to January 25th 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Kestner-Gesellschaft and printed in Hannover by Frenzel & Heinrichs. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29060-1-600]
![Jean-Michel Basquiat (American, 1960-1988). "To Repel Ghosts [poster]". Color offset lithograph. 1986. Signed in black marker](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/853ff1a1-2683-4408-81e8-aac7005576bb/468x382.jpg)
Jean-Michel Basquiat (American, 1960-1988). "To Repel Ghosts [poster]". Color offset lithograph. 1986. Signed in black marker, upper center. Edition unknown, probably small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Overall size: 33 1/8 x 24 1/4 in. (841 x 616 mm). A rare poster, very rare when signed. No non-internet auction sales located. We did find an example offered with pre-sale estimates of $5,000/7,000 at artnet auctions, December 20, 2012, apparently going unsold. Issued for the highly important exhibition entitled "Jean-Michel Basquiat" at Kestner-Gesellschaft, Hannover, November 28, 1986 to January 25, 1987. Basquiat died on August 12, 1988. His "To Repel Ghosts" series takes its title "after the Swiss diplomat Claudio Caratsch, who worked for many years in Africa, explained to Basquiat that often African art and artifacts served the everyday functions of repelling ghosts. In 1986’s acrylic on wood, resembling a boarded up window or storefront, Basquiat paints the phrase across the middle panel of wood and underneath places a “TM” (for "trademarked"). Like most hip-hop artists, Basquiat was acutely aware of branding’s value; the utilitarian function of everyday art and artifact (“to repel ghosts”) becomes an advertising slogan in a proprietary field that uses, abuses, and ultimately disabuses artists of the romance of art as above and beyond market forces. But oil works using the same slogan and from the same year show Basquiat effacing the phrase, placing black paint over the ghosts, in effect repelling (etymologically, to push back) the repelling of ghosts, as if trying to rescue the idea’s intention from profane sloganeering." (courtesy Alessandro Porco). Image copyright © Artists Rights Society (ARS), New York. [28407-6-600]
![Theodor Seuss Geisel [Dr. Seuss] (American, 1904-1991). "Sam-I-Am". Pencil and colored pencil on paper. 1970s. Signed lower r](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/719cd278-6de9-44e3-875e-aac70055ed77/468x382.jpg)
Theodor Seuss Geisel [Dr. Seuss] (American, 1904-1991). "Sam-I-Am". Pencil and colored pencil on paper. 1970s. Signed lower right; dedicated lower left. Drawn on light cream wove paper. Very good to fine condition. Overall size: 11 11/16 x 8 1/4 in. (297 x 210 mm). Geisel was an American children's author, political cartoonist, illustrator, poet, animator, screenwriter, and filmmaker. He is known for his work writing and illustrating more than 60 books under the pen name Doctor Seuss (abbreviated Dr. Seuss). His work includes many of the most popular children's books of all time, selling over 600 million copies and being translated into more than 20 languages by the time of his death. Image copyright © Dr. Seuss Enterprises, L.P. [29942-2-800]
![Roy Lichtenstein [d'apres] (American, 1923-1997). "Reflections on Girl". Color poster. 1991. Bears signature in black pen. Ed](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/e4909842-79b2-4f58-b7d0-aac7005610e4/468x382.jpg)
Roy Lichtenstein [d'apres] (American, 1923-1997). "Reflections on Girl". Color poster. 1991. Bears signature in black pen. Edition unknown, presumed small. Light cream wove paper. Wide margins. Fine impression. Very good condition. Literature/catalogue raisonne: Doering/Von der Osten 56. Overall size: 28 3/4 x 23 1/2 in. (730 x 597 mm). Image size: 17 x 21 1/4 in. (432 x 540 mm). Our example is a proof before the exhibition date letters, at the bottom of the sheet, which in the published poster read: "Marz - April 1991 - Baumleingasse 9, Basel." A scarce poster. No auction records in the past 25 years located. Image copyright © Estate of Roy Lichtenstein. [26911-5-400]
Andy Warhol (American, 1928 - 1987). "Baron Philippe Rothschild". Color offset lithograph with gold and blind embossing. c1975. Signed in black marker, center left. Edition unknown, presumed very small. Very light cream wove paper with gold embossing and letterpress. Full margins. Fine impression. Very good to fine condition with crisp corners; the label has never been affixed to a bottle. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 14, no.53. Overall size: 6 x 4 in. (152 x 102 mm). A limited number of these labels were printed exclusively for distribution to friends, suppliers, etc., and were not intended to be used on the bottle. Chateau Mouton Rothschild is a wine estate located in the village of Pauillac in the Medoc, 30 miles northwest of the city of Bordeaux, France. It produces one of the world's greatest clarets. In 1946 the vineyard began the tradition of having each year's label designed by one of the world's great artists or sculptors of the day (Picasso, Chagall, Miro, etc.). For the 1975 vintage label, Warhol juxtaposes two different images of Baron Philippe Rothschild. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28401-1-400]
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