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An early 20th century Austrian cold painted bronze mouse in the manner of Bergman in a seated pose by a biscuit, impressed 'ChC Biscuits' the mouse realistically painted and impressed on the reverse '1064 Geschutz Depose'.Dimensions: 7.5 cm long.Condition reportGood condition, no damage damage, very light painted flaking in places.
A Victorian 18ct gold pocket watch by Hargreaves of Liverpool hallmarked Chester 1883, the white enamel dial with black Roman numerals and signed Hargreaves & Co., Liverpool, Makers to the Queen & H.R.H. The Prince of Wales, with separate seconds hand, the case with engraved floral decoration, the back plate signed and numbered 47619. With leather Albert and key.Dimensions: Overall weight approx 143 grams.Condition reportSome light case wear, small chip to glass, no visible damage, movement not tested but winds and appears to run okay.
An Edwardian ladies silver gilt and green enamel pendant fob watch the engine turned green enamel decorated with gilt flowers, with white enamel dial, suspended from a shaped ribbon pin hanger.Dimensions: Watch case 2.75 cm.Condition reportMinute land detached, some light enamel damage in places.
A ladies French 18ct gold and enamel half hunter fob watch with chain and pendant the half hunter case with pink enamel surround and blue Roman numerals, ornately engraved all over with flowers, the movement with white enamel dial and black Roman numerals, marked .755, with a 15ct chain, the pendant set with seed pearls.Dimensions: Condition reportMovement not working, requires attention, light enamel damage at the 6 o'clock position, otherwise good condition.
A Louis Vuitton wool and silk coat. With mink and pekan collar, with dark brown and light brown stripe, double breasted, with belt to back, and branded buttons to back, cuffs and front, European size 34 Dimensions: Condition reportGood overall condition. Alpaca, wool, silk with mink and pekan trim
Four ladies designer jackets. including a Navy and brown fleck Giorgio Armani jacket, with four buttons with covered fastening, lined, size 6, the second Loewe light beige open front jacket, turned up cuffs, unlined, European size 40, the third a Versace white lightweight jacket, single breasted with large white logo buttons, European 42, the forth Umberto Ginocchietti black and white check wool jacket two front pockets, large decorative button to front, European size 40Dimensions: Condition reportThe first wool and rayon, light staining to collar, the second in good condition wool and elastane, the third with staining to front and collar 100% ramie, the fourth angora, wool and lurex, minimal staining to front. All would benefit from a clean.
Two Hermès scarves, one in original box the first predominantly navy and gold depicting signs of the zodiac, the second predominantly brown with equestrian scenes one with boxDimensions: Condition reportThe second with very minimal light brown marks. The navy looks unworn and in very good condition.
An Arts and Craft copper and pewter bowl by Hugh Wallis signed on the reverse with his monogram HW, the rim interspersed with sections of copper and pewter and the hammered bowl inset to the centre with foliage, raised on three roundelsDimensions: diameter 21cmCondition reportOverall in good condition, with very minimal light surface ware.
Five Matchbox Superfast Cars, 4b Gruesome Twosome,metallic light gold body, purple windows, pale yellow interior, bare metal base, 5-spoke wheels, mint in near mint box, 19b Road Dragster,dark red body, with round "8" labels, in mint boxed condition including first issue box with "new" to ends, 20a Lamborghini Marzal, metallic red body, amber windows, ivory interior, bare metal base, 5-spoke narrow wheels in mint boxed condition, 29b Racing Mini,metallic bronze body with orange Outline racing No.29 door labels, clear windows, ivory interior, bare metal base, 5-spoke wide wheels in mint condition with excellent "New" type box and 36b Hot Rod Draguar,metallic red body,clear canopy, pale yellow interior, bare metal base, wide 5-spoke wheels in mint condition with a excellent "New" type box. (5 items)
Three Matchbox Superfast 1:75 series Emergency Vehicles boxed, 3a Mercedes Benz Binz Ambulance,off-white body, light blue windows, ivory interior complete with two stretchers, 5-spoke narrow wheels , in near mint condition, with a excellent "New" type box, 35a Merryweather Fire Engine, metallic red body, grey base with black plastic wheel clips, 5-spoke narrow wheels , in mint condition, with a with a excellent "New" type box and 55a Mercury "Police" Car, white body, red roof-light, 5-spoke narrow wheels , in mint condition, with a excellent "New" type box (3 items)
Three Hornby Railways OO Gauge Locomotives, R.866 Southern 4-6-2 Locomotive ‘Fighter Pilot’ 21C155 (one front light missing) box is fair, unboxed R.2261 L.N.E.R. Green 4-6-2 Locomotive ‘Flying Scotsman’ 4472 with tender, BR 4-6-2 class A4 "Silver Link" No.60014 BR green livery with tender, both ‘China production ‘all in near mint condition, untested (3 items)
Three Boxed Corgi Toys 202 Morris Oxford, mid blue body, flat spun wheels, in near mint condition, a couple of tiny paint chips, with yellow/blue box, in fair condition, missing one end flap loose,207 Standard Vanguard III Saloon, red roof, light green body, flat spun wheels, in fair condition, some paint chips, red roof has faded, with original blue box complete with end flaps, in fair worn condition and 217 Fiat 1800, light blue, yellow interior, in fair condition, complete with a fair box (3 items)
Salman Rushdie 'The Satanic Verses' (Viking Penguin, American edition, 1989); Peter Ackroyd 'First Light' (London, Hamish Hamilton, 1989); Eric Newby 'On the Shores of the Mediterranean' (London, Harvill Press, 1984). Each work signed by the author. Also includes Christy Brown 'Down All the Days' (London, Secker, 1970); Susan Hill 'I'm the King of the Castle' (London, Hamish Hamilton, 1970); James Jones 'From Here to Eternity' (London, Collins, 1952). With the exception of Salman Rushdie, all are First Edition, first printing
The relic list of Bishop Werinharius of Merseburg, - single leaf from a Romanesque manuscript, in Latin single leaf from a Romanesque manuscript, in Latin, on parchment [east central Germany (Merseburg), c.1060] Single leaf (once perhaps the last endleaf from a manuscript), ruled for single column of 20 lines within two boundary lines, the lowest 12 of these filled with a lengthy inscription in a fine mid-eleventh century hand with an extended ct-ligature and detached cedilla, wormholes and small stains in places, slight folds from once having been folded, small section of bottom outer corner of border missing (without loss to text), 295mm. by 188mm. This is an important record of Early Medieval Merseburg, written around the time of the Norman Conquest of England Provenance: From a group of leaves evidently sold by Charles Hamilton Jr. (1914-96) to a now-deceased American collector. Text: Relic lists were among the most important records of all medieval communities. The belief in the sanctity of objects owned by saints or parts of their bodies goes back to the dawn of Christianity, and for the Early Medieval Church these lists were often an inventory of their hidden spiritual guardians (hidden both in a spiritual and physical sense as relics were frequently kept away from public view - the Fourth Lateran Council in 1215 decreed that they were not to be displayed outside their containers, for fear of losing their potency). Communities waged lengthy legal battles over who had the true relics of a particular saint, or who had the most substantial corporeal relics. Following the Reformation and the Secularisation, such lists are often the only record of the full range of saints worshipped by that community. The list here details the numerous relics to be kept in a golden box studded with gemstones which was presented to the community by Bishop Werinharius (Wirinher or Werner of Wolkenberg, held office 1063-93). He was a leading light of the German church and a key member of the highly-charged tussle for power between the emperor, the senior clergy and the Pope. He led missionary efforts against the Slavs, and is recorded as having some of their works translated into Latin so that he could understand them. He was also an important military leader, commanding a force at the Battle of Mellrichstadt in 1078, at which his associate Archbishop Werner of Magdeburg was killed, and some of that cleric s followers, including the author Bruno the Saxon, subsequently transferred their allegiance to Werinharius. Bruno later dedicated his principal work, De Bello Saxonico , to him. The hand here appears to be mid-eleventh century, and perhaps this large and ostentatious gift was made by Werinharius to Merseburg Cathedral on his appointment as its bishop in 1063. To the best of our knowledge, there is no copy of this record in German archives, and with the sole exception of a fifteenth-century relic list offered by Sotheby's, 10 July 2012, lot 29, no other such list has appeared before on the open market.
A tonsured Benedictine monk holding a book, - large historiated initial on a single leaf from a Psalter large historiated initial on a single leaf from a Psalter, illuminated manuscript, in Latin, on vellum [probably Rhineland or perhaps England, late thirteenth century] Single leaf, with 20 lines in a good Gothic hand, 1-line initials in blue or liquid gold with blue or red penwork to contrast, numerous highly decorative line-fillers in a wide variety of styles (with flowers, stylised leaves and a repeating series of three-lobed patterns enclosing a small blue geometric shape, perhaps that of a castle), a blue penwork dragon with a red tongue, one 4-line historiated initial 'D' (but apparently not opening anything, perhaps a mistake by the illuminator who was meant to fill the space left with an 'F' to open the next line Fili redemptor mundio ) in orange heightened with circles, enclosing a tonsured monk in dark blue robes standing and holding up a long thin book, all on a brightly burnished gold ground, initial terminating in long thin blue tendril with a gold three-lobed flower, modern pencil notes 3' and d3' on verso, good condition, 178mm. by 135mm. This leaf is from a well-known and richly illustrated liturgical Psalter, which apparently included the Hours of the Virgin and the Office of the Dead. It was broken up, perhaps in France in the 1960s, and leaves first appeared in England in the Folio Fine Art cat.43 (February 1967), Maggs Bulletin 5 (April 1967), and Alan Thomas cats.19, nos.17a-e and 21, nos. 22 and 22a (see The Rendells cat.146, lots 85-6; Sotheby's, 17 December 1991, lot 4, and 7 December 1992, lot 6, and 5 December 2006, as part of lot 52, and 4 December 2007, lot 19, for more recent sales). Three leaves were described in detail in J.M. Plotzek, Andachtsbücher des Mittelalters , 1987, p. 84, no. 8, relating them to Rhenish work of c . 1260. The penwork drollery-creature line-fillers have their closest parallels to the Salvin Hours (British Library, Addit. MS.48,985) and are similar to those in an English Psalter in Krivoklát Castle in the Czech Republic and the Windmill Psalter in the Morgan Library (N. Morgan, Early Gothic MSS, II, 1250-1285 , 1988, p.150). All of the leaves which have come to light have a number of penwork drollery-creatures, but few have any historiated initials (for another see that in Sotheby's, 4 December 2007, lot 19, which made £3750), and to find one with burnished gold is rare.
Theodore Casimir Roussel (1847-1926) - The Gate, Chelsea Etching and drypoint, with light plate-tone, on laid paper Signed in pencil on tab lower left Circa 1889-1890, [Hausberg 33] Final state (of four), from an edition of around 40 20.7 x 16.5 cm. (8 x 6 1/2 in) Together with Margaret Dunwoody Hausberg's The Prints of Theodore Roussel, A Catalogue Raisonné , numbered 164 of 750, in green cloth slipcase, and a Christie's sale catalogue, 28th October 1988; the original auction for the present etching, lot 341. 'The gate and house behind it still stand today at No.4 Cheyne Walk. It is located in a row of the oldest and most elegant buildings on Cheyne Walk - the segment that has changed the least since Roussel's time.' [Hausberg, The Prints of Theodore Roussel , 1991, p.65]
Archibald Thorburn (1860-1935) - A Hawk Watercolour over pencil, with touches of white, on light grey-blue coloured paper Initialed A.T lower left with numerous indistinct inscriptions upper right 13 x 18.5 cm. (5 1/4 x 7 1/2 in) Provenance: Thomas Agnew & Sons Ltd., London (gallery label on reverse, no.39074)

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