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Preisdatenbank abonnieren*Emvin Cremona (Maltese-British, 1919-1987)Landscape, 1974signed inscribed and dated 'Cremona/Malta/74' l.l, mixed media63 x 50cm*Artist's Resale Right may apply to this lot.Condition report: Unexamined out of glazed frame, some paint flaking lower left, a small (0.1cm) tear left edge, small indent below fastening at top, some paint loss along extreme right edge. Light wear to the frame and glaze.
*Emvin Cremona (Maltese-British, 1919-1987)Figures on the church steps, 1974signed inscribed and dated 'Cremona/Malta/74' l.r., mixed media on paper63 x 50cm*Artist's Resale Right may apply to this lot.Condition report: Not examined out of glazed frame, possibly some acid discoluration along the borders of the paper, particularly on the right edge - please refer to images. Some light scratches to glass glaze at top and light wear to the frame. Overall, well-presented and ready to hang.
*Vasilis Zenetzis (Greek, 1935-2016)The Acropolis, Athenssigned l.l., signed and inscribed in Greek verso, oil on canvas45.2 x 60.2cmProvenance: Acquired directly from the artist in 1995.*Artist's Resale Right may apply to this lot.Condition report: Appears to be in good and original condition, not examined under UV light, please contact the department for a full report.
*Norman Ackroyd RA (b.1938)'Evening at Thirsk Hall', 2019etching and aquatint, signed and dated 'Norman Ackroyd'19' inscribed as titled and numbered 64/90 in pencil22.6 x 28.1cm, unframed*Artist's Resale Right may apply to this lot. Condition report: Light surface dirt around plate mark, a few thin line indentations outside plate mark on lower edge probably from time of execution, in generally good condition.
Samuel John Peploe RSA (1871-1935) 'Barra' oil on board16.5 x 24cmProvenance: With Aitken Dott & Son, Edinburgh, No. 9467;anonymous sale: Sotheby's Gleneagles, 'The Scottish Sale', 30 August 2000, lot 1274.Samuel Peploe first travelled to the Isle of Barra in 1894, staying in the studio of his friend Robert Cowan Robertson and returning on further occasions until 1903. Peploe worked en plein air during these trips and always on a small scale. Works such as this provide a fascinating and exciting insight into Peploe's artistic development.Condition report: Examined under UV light, no signs of significant damage or restoration, although bloom of varnish makes this difficult to confirm. Overall, in apparently good order.
Yuko Shiraishi (Japanese, b.1956)'Foliage III', 1985etching in colours, signed and dated 'Yuko Shiraishi '85' l.r. in pencil, numbered '5/15' l.l. and inscribed as titled versosheet 38.6 x 37.5cm, unframedCondition report: Light foxing emerging at the margins, light surface dirt, some rubbing top left - possibly made with a rubber. Light creasing at the top.
*Frank Auerbach (German-British, b.1931)'Reclining Figure I'screenprint in colours, 1966, signed 'Auerbach' and numbered 45/70 in pencil67 x 94cmProvenance: Farm House, Farm Street, Mayfair, London.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper cockled. Paper a little discoloured. Light handling creases. A light score line to upper centre of margin. Some tiny abrasians and marks. A few brown spots to lower margin. Printed image does not appear to have any major condition issues. Please see additional condition images on website.
*David Hockney RA (b.1937)'Olympische Spiele München 1972'offset lithograph in colours101 x 64cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Some light creasing at the corners and a few handling creases elsewhere, slight discolouration to the white border at the bottom. Image is bright and bold.
*Howard Hodgkin (1932-2017)'Swimming'screenprint in colours, 2011, signed with initials, dated and numbered 338/350 in pencil, printed by King & McGaw, Newhaven, published by Counter Editions, Londonsheet 75 x 60cm*Artist's Resale Right may apply to this lot.Condition report: A very light wave to the paper near the edges, although this could be down to how it has been framed. No other obvious flaws. Not seen outside of glazed frame.
*Howard Hodgkin (1932-2017)'Ice'screenprint in colours, 2013, signed with initials, dated and numbered 183/350 in pencil, printed by King & McGaw, Newhaven, published by Counter Editions, London75 x 59cm*Artist's Resale Right may apply to this lot.Condition report: A very light wave to the paper but this is probably from how it has been framed. No other obvious flaws. Not seen outside of glazed frame.
*Terry Frost RA (1915-2003)Untitled, 1969signed and dated 'Terry Frost '69' in pencil, watercolour and collage40.1 x 31.8cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Painted onto thick card, some light creasing at the corners, light pencil smudges from handling along the white borders, overall in original condition.
*Trevor Bell (1930-2017)Abstract compositionsigned and dated 'Bell 72' l.r., oil on canvas46 x 56cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Small tear to canvas, not on image, but where attached to stretcher (see image), otherwise, appears to be in good condition, no obvious retouching when viewed under UV light.
*Trevor Bell (1930-2017)'Abstract Forms'signed 'Bell' l.c., charcoal with metallic paint64 x 48cmProvenance: With Tony Saunders Gallery, Penzance, 1986.*Artist's Resale Right may apply to this lot.Condition report: Unexamined out of glazed frame, dirt to the glass, housed in an acidic mount, light undulations to the paper.
*Sir Stanley Spencer RA (1891-1959)Hildasigned and dated 1924 l.r., pencil21 x 25cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper stuck down. Paper is brown. Loss of paper to upper left corner. Some light fold marks to right corners. Stain to lower left.
*Barbara Cameron (contemporary)Untitledsigned and dated 'Cameron 98' l.r., oil on canvas116.5 x 130cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Light surface dirt - please refer to images, canvas is a little loose and there are faint stretcher marks, overall, appears to be in good condition, not examined under UV light, please contact the department for a full report.
*Peter Denmark (1950-2014)Untitled, 1995signed and dated 'Peter Denmark/'95' verso, acrylic on canvas122 x 122cm, unframedSold with a certificate of authenticity.*Artist's Resale Right may apply to this lot.Condition report: Light surface dirt and rubbing to the paint at the edges, overall, in good and original condition.
*Peter Denmark (1950-2014)Untitled, 1994signed 'Peter Denmark' verso, acrylic on canvas117 x 117cm, unframedSold with a certificate of authenticity.*Artist's Resale Right may apply to this lot.Condition report: Some stretcher marks along the top and left edges, light dirt bottom left corner, overall in good condition.
*Peter Denmark (1950-2014)Untitled, c.1990signed 'Peter Denmark' verso, acrylic on canvas121.5 x 121.5cm, unframedSold with a certificate of authenticity.*Artist's Resale Right may apply to this lot.Condition report: Small areas of paint loss along edges, light surface dirt, overall in original condition.
Jessica Dismorr (1885-1939)Portrait of George Barker - poet, drawn after attending a poetry reading at Archer's Bookshop, 1935 inscribed 'G.B.' l.l., pen and ink32 x 26cmProvenance: With Abbott & Holder, London.Condition report: Not viewed out of glazed frame. Light spots of foxing throughout. Paper stained very light brown overall. Darker brown marks to extreme eges from previous mounting.
*Basil Ivan Rakoczi (1908-1979)'Heads in a Garden'signed 'Rakoczi' l.r., inscribed as titled on artist's label verso, pen and ink and watercolour76 x 55cmProvenance: Irish Exhibition of Living Art 1948.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Some light marks from folds.
*Richard Cartwright (b.1951)'The Tarn by the Moonlight'signed 'Richard Cartwright' l.l., signed and inscribed as titled on artist's label verso, oil on panel21.3 x 31cm*Artist's Resale Right may apply to this lot.Condition report: Not examined under UV light, light surface dirt, appears to be in good condition.
*Dame Laura Knight RA RWS (1877-1970)Clownssigned and dated 'Laura Knight 1932' l.l., charcoal36 x 26cmProvenance: Farm House, Farm Street, Mayfair, London.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper light brown overall in tone. A few spots of foxing. Otherwise appears to be in relatively good condition.
*Alan Furneaux (b.1953)'Falmouth'signed 'A Furneaux' l.r., inscribed as titled and dated 2020 verso, oil on board80.1 x 100cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Some wear to the corners, overall in good condition, not examined under UV light, please contact the department.
*Simeon Stafford (b.1956)'St Ives', 2007signed 'Simeon' l.r., also signed, inscribed as titled and dated '12/6/7' verso, oil on board80 x 80.2cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Some paint flaking along extreme edges and slightly bent corners, consistent with this being unframed, thick impasto. Overall, appears to be in good and original condition, not examined under UV light, please contact the department for a full report.
*Noel Gibson (1928-2005)'Abandoned adventure playground, Stepney'signed 'Noel Gibson' l.l., inscribed with title and dated 'Feb 1972' verso, oil on board80 x 106cm*Artist's Resale Right may apply to this lot.Condition report: Some light scuffs and small dirty marks but generally in good condition.
*Stik (b.1979)Standing Figure (red), 2013offset lithograph in colours, signed 'STIK' in pen l.r. and dated 2013 l.l., on wove paper, folded twice as issued, with full marginssheet 56.8 x 18.8cm*Artist's Resale Right may apply to this lot.Condition report: Not examined out of the glazed frame. Folded into thirds as originally issued, with a few light handling creases extending from the upper fold, and two small creases at the top-edge. Overall, condition generally good.
*Edward Bawden RA (1903-1989)'Audley End House'linocut in colours, with Christie's Contemporary Art blind stamp, signed and dated 'Edward Bawden 1973' in pencil l.r., inscribed as titled and numbered 123/150 in pencil l.l69 x 82cmWith Christie's Contemporary Art Certificate of Authenticity.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Very light brown staining to lower and left margin. In my opinion this does not affect the presentation.
Philip Wilson Steer (1860-1942)'Low Tide at Maldon' signed and dated 'P W Steer 1920' l.r., oil on canvas51 x 81cmProvenance: The Artist's Studio Sale, Christie's, 16 July 1942;Lessore, Beaux Arts Gallery, London;K K Wood, Grange over Sands.Exhibited: Goupil Gallery, London, 1920; New English Art Club, 1921; British Council Exhibition, Johannesburg, 1936; Pittsburgh, 1937; Bury Art Gallery, 'Steer, Sickert and Epstein', 1964.Literature: Bruce Laughton, 'Philip Wilson Steer', Clarendon Press, Oxford, 1971, p.154, no.559;D S MacColl, 'The Life, Work and Setting of Philip Wilson Steer', Faber and Faber, London, 1946, p.219.Condition report: Craquelure. Marks from stretcher bars can be seen on the front of the canvas. Vertical imperfections in canvas can be seen to right side. Not viewed under UV light, please contact department for a more detailed report.There are partial gallery labels to the reverse, one reads 'Owner: Barbiz...' and possibly refers to Barbizon House (which owned other Philip Steer pictures). Please see additional images for close ups of the labels.
*Maxwell Ashby Armfield (1881-1972)Corfe Castle, c.1910oil on panel23.1 x 32cmProvenance: With the Fine Art Society, London.Exhibited: Leicester Galleries, 1958;Southampton Art Gallery (and tour) 'Maxwell Armfield', 1978, no.66.*Artist's Resale Right may apply to this lot.Condition report: Appears to be in good condition, not examined under UV light, please contact the department for a full report.
*George Bissill (1896-1973)'Netherton, Hampshire'signed 'BISSILL' l.l., inscribed as titled on exhibition label verso, oil on board23.5 x 28.5cmExhibited: Bath Society of Artists 50th Exhibition, 1955, no.1.*Artist's Resale Right may apply to this lot.Condition report: Light surface dirt, small paint chip in sky near top left - please refer to images. Good impasto in areas, possibly some paint flaking along the rebate of the frame lower right, although the paint could have also originally been thinner here. Not examined under UV light, please contact the department for a full report.
*Charles Ernest Cundall (1890-1971)Cattle by a lake in a hilly landscapesigned 'Charles Cundall' l.r., oil on canvas47 x 77cm*Artist's Resale Right may apply to this lot.Condition report: Appears to be in good condition, not viewed under uv light, please contact department for detailed condition report.
*Jack Pender (1918-1998)'Harbour Mousehole', 1948signed 'J. Pender' l.r., inscribed as titled and dated '48' in pencil verso, oil on canvas board33.5 x 41cm*Artist's Resale Right may apply to this lot.Condition report: Painted onto a thin canvas and the weave of this shows through the paint, overall appears to be in good and original condition, well-presented, not examined under UV light, please contact the department for further information.
*Elinor Bellingham-Smith (1906-1988)The Round Pond, Kensington Gardensoil on panel16.2 x 23.3cmProvenance: Christie's London, 26 October 1995, lot 157.*Artist's Resale Right may apply to this lot.Condition report: Appears to be in good original condition, well-presented and ready to hang. Not examined under UV light, please contact the department for a full report.
*Nina Hamnett (1890-1956)'Hampstead'signed 'Nina Hamnett', inscribed as titled and dated 1934 l.l., pencil, pen and ink and watercolour19 x 27cm*Artist's Resale Right may apply to this lot.Provenance: The Peter and Pat Crofts Collection Condition report: Viewed out frame, some very light time staining as you would expect with age, light wave to the paper. Image does not seem to have any major condition issues. Please refer to condition report images.
*Marjorie Lilly (1891-1980)Portrait of a woman seated against a window; verso A town view by a riversigned 'Lilly' l.r., oil on panel33 x 23.5cmMarjorie Lilly was born in London and studied at the Slade, she met Walter Sickert in 1917 when she had a studio in the same building as him. They became closely associated and she used to accompany him on his quest to paint the perfect interior. Lilly exhibited widely at the Baillie Gallery, London Salon, New English Art Club and Royal Society of British Artists. Sadly, much of her work was destroyed when her flat was bombed during the Second World War. Lilly wrote ‘Sickert: The Painter and his Circle’, which was published in 1971.Exhibited: Michael Parkin Fine Art Limited, 'The Sickert Women and the Sickert Girls', 1974, cat no. 73 (sold with a copy of the catalogue).*Artist's Resale Right may apply to this lot. Condition report: Examined under UV light, no obvious signs of retouching to the paint. Length-ways split to the panel on the right, which has been repaired - please see additonal images. Light surface scratches and light surface dirt.
Alexander Saint-Paull (20th century)Portrait of Miss Elizabeth Hanley, three-quarter length seated, in a green dresssigned 'Saint-Paull' l.l., oil on canvas90.5 x 70.5cmElizabeth Hanley, also known as Betty, was a socialite and lived a life touched by the glamour of high society. Born in Grand Rapids, Michigan, throughout her childhood she lived in many different countries including Germany, Austria, Italy and Spain. In the late 1940s, she moved to the UK and stayed as a paying guest with the former Empress of Austria in Kensington. She later moved into her own house where, in the words of the vendor, she hosted ‘the great and the good of all ages, the only requirement being that you must have a title’. The artist Saint-Paull painted many well-known stars of the day including Rita Hayworth and even Lord Mountbatten. Betty’s life also crossed paths with the royal family, she held a Royal Warrant for lighting from 1978, which was sold from her shop in Elizabeth Street. Above the shop lived Anthony Armstrong Jones, the future husband of Princess Margaret. Later in life, Betty sold the emeralds worn in this portrait to help pay for the restoration of The Ring at Audley End. This portrait was displayed in the dining rooms of many of her friends including Lord Braybrooke, Lord Parmoor, Sir Henry Marking and the Sainsbury family.Condition report: Dirt and dust on canvas. White surface dirt to whole lower half, but looks like it would be easy to clean.Paint thinner around hair.Seen under uv light and a 1cm x 2cm area upper right looks like retouching near a light scratch. Tiny black spots alos show up under uv but these do not look like retouching but possible tiny dirty specks. Please see addition condition images on website.
*Joyce Platt (20th century)Portrait of a young lady, seated three-quarter length in a pink dresssigned and dated 'Joyce Platt 1941' u.l., oil on canvas61 x 51cm*Artist's Resale Right may apply to this lot.Provenance: The Peter and Pat Crofts CollectionCondition report: Surface dirt, would benefit from a clean. May also need revarnishing as right side especially shows uneven varnish. Seen under uv light, lower left has an area of fluorescence but I think this is from varnish rather than retouching. Please see additional condition images on website.
*Geoffrey Hamilton Rhoades (1898-1980)Study of the artist's auntsigned and dated 'RHOADES 32' l.r., oil on canvas46 x 36cm*Artist's Resale Right may apply to this lot.Condition report: Some surface dirt and dust. May benefit from a light clean. Light craquelure. Otherwise appears to be ingood condition. Not viewed under uv light, please contact department for a more detailed report.
*Ruskin Spear RA (1911-1990)'In The Local'inscribed as titled on artist's label verso, oil on board75 x 29cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Some dirt and debris under glass. Some brown marks on surface, look like they should wipe off. Painting and board appear to be in good condition. Viewed under uv light and no obvious retouching.
*Iain Macnab (1890-1967)A nude resting in a chair, with a woman seated at the table beside heroil on canvas81 x 100cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Some light dirt, a light scuff on red material, but overall appears to be in good condition. Not viewed under uv light, so please contact department for a more detailed report.
*Duncan Grant (1885-1978)Paul Roche recliningsigned with initials and dated 'Jan/53' l.r., black chalk43 x 59cmProvenance: Purchased from Duncan Grant by his personal friend John Haylock (author), never viewed and hung in his library. Gifted in his will to the present owners.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. A 9cm and a 2cm repaired tear to right edge. Light creases elsewhere. Paper has flecks in it from homemade paper, but there are also flecks of ink on surface too.
*Nancy Sharp (1909-2001)A London Auxiliary Ambulance Driversigned and dated 'N SHARP 40' u.l., oil on canvas31 x 29cmProvenance: Sally Hunter Fine Art.*Artist's Resale Right may apply to this lot.Condition report: No obvious condition issues. Has not been viewed under uv light so please contact department for a more detailed report.
*Frank Dobson RA (1886-1963)Mother and Child, 1914signed and dated 'F O Dobson/14' in pencil l.l., oil on board31.5 x 39.5cmProvenance: Christie's, 3 December 2003, lot 632.*Artist's Resale Right may apply to this lot.Condition report: Light surface dirt, appears to be in good condition, not examined under UV light, please contact the department for a full report.
Denys George Wells (1881-1937)Still life with a blue and white dish, vase and fruit on a striped cloth signed and dated 'Denys G. Wells 37' l.r., oil on canvas62 x 75cmProvenance: The artist's family, thence by descent;Sotheby's, 'Victorian and Edwardian Art', 12 July 2007, lot 73;Farm House, Farm Street, Mayfair, London.Condition report: Light surface dirt. There are small areas of paint loss leaving canvas visible, please refer to close-up images of paint loss. Deep craquelure in the darkest area lower right, under UV this fluoresces in an unusual way – please see images. Also, a very small hole on porcelain plate (refer to close-up images). Stretcher mark visible along the top and less so on left side. Left edge, there is thicker paint applied possibly from a previous frame, also paint loss along the left edge caused by the rebate of the frame. Under UV no obvious signs of retouching. Overall, in our opinion, the paint loss and craquelure do not detract from the work as a whole.
*Philip Naviasky (1894-1983)'Flowerpiece'signed 'NAVIASKY' l.r., oil on board63 x 76cm*Artist's Resale Right may apply to this lot.Condition report: Surface dust and dirt and some stain marks. Could benefit from a clean. Not viewed under uv light, please contact department for a more detailed report.
*Vera Cuningham (1897-1955)'Design with plant motif II', c.1938pen and ink and watercolour43 x 36cmProvenance: With Sally Hunter Fine Art.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Some light foxing. A light horizontal fold mark upper left, some rippling of paper elsewhere.
*Vera Cuningham (1897-1955)'Design with Plant Motif III', c.1938pen and ink and watercolour43 x 36cmProvenance: With Sally Hunter Fine Art.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. A light horizontal fold mark near top of paper and very light ripples in paper elsewhere.
*Rowland Suddaby (1912-1972)'Flowers in a Pot'signed and dated 'R Suddaby '47' l.r., pen and ink and watercolour43 x 55cmProvenance: With the Redfern Gallery, London, 1947.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper discoloured to an overall light brown colour. Potentially some fading of colour.
*Elsie Marian Henderson (1880-1967)Houses with figures, 1953signed 'E. Henderson' l.l., oil on board50 x 61cm, unframedProvenance: From the artist's estate by descent.*Artist's Resale Right may apply to this lot.The collection of Elsie Marian Henderson, Baroness de Coudenhove (1880-1967).Condition report: Some surface dirt and scuffing to the edges due to being stored unframed. Would benefit from a light surface clean.
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