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Preisdatenbank abonnierenAn early Victorian rosewood sideboard, with a foliate and scroll carved mirror back, three frieze drawers above an inverted breakfront fitted with three cupboards, 182cm wide x 195cm high. Condition Report In good overall condition, top with two small cracks, lock missing, with light restoration it will be good, I will point out the mirror back is wider than the base, if it is a marriage it is a good match.
An Aesthetic Movement walnut side cabinet, with four flower carved doors over bevelled mirror, the base with a pair of drawers over geometric moulded cupboards, 121cm wide x 168cm high. Condition Report This is in good used condition, it needs a light polish - otherwise good. 52cm deep. This splits in two.
A late Victorian silver sugar basket, decorated with scroll fluting and foliate sprays within a shaped rim, fitted with a pierced carrying handle and raised on a circular foot, diameter 11.5cm, London 1894, Maker John Aldwincle and Thomas Slater, weight 278 gms. Condition Report Overall quite good condition, no evidence of previous inscription, hallmark clear, slight rubbing to high points of decoration, light gilding within. Interior glass liner lacking. Would benefit from careful professional cleaning, handle rivets good.
A silver night light candle holder, with a loop shaped handle, Birmingham probably 1914, a pair of foreign silver mounted faceted glass ash trays/match stands, detailed Sterling 935 and a pair of glass oil and vinegar bottles, with French silver stands and detachable covers, detailed Cardeilhac, Paris, (5).
A 9ct two colour gold, green and red enamelled military brooch, designed as the badge of The Durham Light Infantry, Birmingham 1967, gross weight 4.9 gms, with a Garrard box and case and Garrard note and packaging detailing Brig.J.R.Burgess, also a colourless paste set R.A.F brooch, with an associated Garrard box, (2).
A 9ct gold and enamelled military brooch, designed as the badge of The Durham Light Infantry, Birmingham 1960, gross weight 4.6 gms, with a case, a Durham Light Infantry cap badge, two and a half pairs of D.L.I collar badges, five crowns, three pips, a Somerset Light Infantry collar badge, a quantity of military uniform buttons, including ten small brass, Somerset Light Infantry and ten mess dress Somerset Light Infantry and twenty-two badges relating to differing dog breeds, mostly Cavaliers, (qty).
A Dunhill steel cased gentleman's 1950's style wristwatch, the signed silvered dial with black Arabic numerals, subsidiary seconds and with blued steel hands, the signed caseback detailed TUMN 115 10856, fitted to a leather strap with a Dunhill buckle. Condition Report Watch movement working, we are not able to photograph the movement, the caseback is held in by four tiny screws, two of which look to have been rather strained in the past. There are a few light scuff marks to the case, dial diameter 2.6cm. We cannot advise if this is manual wind or quartz as we cannot get into the caseback.
Claude Hayes (British, 1852-1922), Harvesting hay, signed 'Claude Hayes' (lower left), watercolour, 24 x 34.5cm, together with; two pastels by another hand, one of hay stooks, initialled 'NB' (lower right), 22 x 35cm, the other a view of the sea through trees, 19 x 35.5cm (3) Condition Report The sheet is sound, some minor spots in the sky, light discolouration, otherwise sound. Framed and under glass; unexamined out of frame.
Follower of George Chambers, Shipping at North Esk, label inscribed 'North Esk' (verso), oil on canvas, 73 x 104cm Condition Report Relined. Extensive fire damage, especially to lower quarter. Extensive paint separation and associated paint loss. Extensive craquelure. Surface and ingrained dirt. Brown marks throughout. Not inspected under UV light.
William Evans of Eton (British, 1798-1877), Windsor Castle from the River, bears Malcolm Innes Gallery label (verso), watercolour heightened with white, 34 x 52cm Condition Report Light discolouration and a few spots of foxing, upper right; minor abrasions to border, lower left; areas of body colour, possible discoloured restoration, upper right. Framed and under glass, unexamined out of frame.
Einar Parslev (Danish, 1891-1977), A country lane in a landscape, signed and dated 'Einar Parslev 1944' (lower centre), oil on canvas, 80 x 110cmARR Condition Report Surface and ingrained dirt. At least two nails used to hold canvas to stretcher have pierced the canvas. Craquelure to various places. Some small holes to edges of canvas (through painted area) from nails. Some small spots of paint loss in places and paint lifting a little in places.Not inspected under UV light.
Follower of Jacob Bogdani, An assembly of birds in a landscape, oil on canvas, bears 'Studio M Canals' stamp on stretcher, 98.5 x 78.5cm Condition Report Original canvas. There is a discoloured varnish and extensive craquelure throughout. Ultraviolet light reveals discoloured varnish and flouresence to some pigments.
John Hesletine (British, b. 1923), A lady reading, signed 'John Heseltine' (lower right), oil on board, 21 x 12cmARR Condition Report The board is sound. paint surface is in good, overall condition; ultraviolet light reveals some fluorescence but this corresponds with the composition and is therefore most likely to be the hand of the artist.
After Thomas Gainsborough, The Linley Sisters (Mrs Sheridan & Mrs Tickell), oil on canvas, 196 x 113cm Condition Report Canvas relined. The paint surface has a thick, slightly discoloured varnish. There are various signs of repair visible to the naked eye, scattered surface abrasions, particularly, upper right and lower left. Also a repair to the extreme lower right corner. Ultraviolet light reveals retouching to a significant series of repaired tears running throughout the the upper centre and upper right sections of the canvas. Further smaller repairs, lower right and superficial staining, upper right.
English School, late 17th Century, Portrait of a gentleman, oil on canvas, 43 x 39.5cm Condition Report No inscriptions or labels on back. Relined. Craquelure throughout. Some vertical clear marks visible ending in a drip, as if something has run. Surface and ingrained dirt. A few small indentations visible revealing a little of the canvas, including to the right of the face in the hair and upper left above head. Various small marks. What appears to be some over painting or retouching to upper left (in background). Inspection under UV light reveals areas of retouching to centre left, upper left and lower right on the books, as well as other small spots flaring in other places, including to face and hands.
European School, 18th Century, Portrait of a gentleman, oil on canvas, 75 x 61.5cm Condition Report Relined. Craquelure visible throughout. Various white marks visible including a horizontal line to his chest. General dirt. Some possible retouching or over painting in places, including to the side of his face.Inspection under UV light reveals various areas of retouching, including to left side of face, right of mouth and top right of head.
Ruth Garnett (British, 20th Century), Portrait of an army officer, signed and dated 'Ruth Garnett 1919' (lower left), oil on canvas, 111 x 87cm (unframed) Condition Report Inscribed on stretcher to reverse 'Brig-Gen Herbert R Done DSO and Bar (1876-1950).Various white patches and marks can be seen throughout. Surface and ingrained dirt. Craquelure visible in various places, especially to the hat. Stretcher lines visible to sides and across centre. Evidence of overpainting and retouching to hat and other small areas. Indentation from old repair/damage centre right. Various marks.Numerous repair patches to the back.Inspection under UV light reveals various areas flaring, indicating retouching, including to hat, body and background.
TJJ Tolkien 1978 Watercolour and gouache , a pair Light Aerobatic Biplanes , airplane portraits of ' The Jubilee Duo, G-BCXD & B-BECM' Signed with monogram and date lower right and titled lower left, also bears a stamp for N. Parramatta Gallery, New South Wales, Australia verso Each approximately 8 x 11 1/4" ( 20.3 x 28.5 cm) TJJ Tolkien is the grandson of the famous author JRR Tolkien The two planes were Pitts S2-A Specials belonging to Atalona Ltd and Kelly Aeroplane Ltd
Sir David Young Cameron ( 1865-1945) Scottish Etching ? Perth Bridge ? on the River Tay 1889. Titled and signed within the plate lower right Plate aperture 7 1/8 x 10 3/8 " ( 18.2 x 26.3cm) Ref. National Gallery Scotland, ?Cameron was encouraged to take up etching in 1887 by the collector and amateur etcher George Stevenson, who had seen a couple of the young artist?s drawings in a shop window. Stevenson introduced him to the etching technique, financed him, presented him to dealers, and published Cameron?s first series of etchings, including the ?Clyde Set? in 1889. This print, showing Perth Bridge on the River Tay, was published in the influental periodical 'The Portfolio' in 1889. Cameron skilfully constructed an atmospheric perspective by creating a tonal transition from deeply etched dark areas in the foreground, to a light background with outlines of distant hills hardly touched by acid.?
A Chippendale revival mahogany display cabinet on stand, width 114cm depth 43cm height 192cmCONDITION: Late Victorian with a modern interior light fitting, overall condition is very good with only some light wear to some edges, minor old blemishes to the surface above the drawers.It is in two sectionsHeight 116cm
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