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534310 Los(e)/Seite
Los 100
A Silver Plate Mounted Table-Lamp, 20th Century, the stem modelled as a Corinthian column, on stepped base with four foliage cast feet, the top surmounted by an openwork foliage cast font and with light fitting, 70.5cm high Some areas rubbed at top of the Corinthian column brass underneath showing slightly through. Sits slightly uneven of the feet because of protruding electrical wire beneath. The wiring goes through the bottom of the oil well and continues through the central column and out of the bottom.
Los 104
Ronald Ossory Dunlop RA (1894-1973) Shipping on an estuary Signed, oil on canvas, 61cm by 73.5cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration . The painting is in very good original condition. Slight discoloration to varnish, would benefit from a light clean. Signed lower right. Thick impasto. Expected minimal wear to edges of canvas from framing. Tiny approx 0.5cm diameter spot of paint loss far right centre.
Los 129
Follower of Sir Thomas Lawrence PRA FRS (1769-1830) Portrait of Lady Bateman, half length, wearing a lace veil and a string of pearls Portrait of Sir Hugh Bateman Bt., half length, seated in a red upholstered chair, wearing a black jacket and white cravat Oil on canvas, 73cm by 60.5cm and 63cm by 60.5cm respectively (2) Provenance: Tennants Auctioneers, Summer Fine Art Sale, 22nd August 2011, Lot 760 See illustration . gentleman is in restored condition, relined, cleaned and re-varnished some time ago. varnish discoloured and deteriorated with opaque quality most evident within the background. varying sized craquelure to surface, minor rubbing/abrasions to some edges. little to discern under a UV light but this does not exclude the possibility of some restoration.. Lady Bateman : broadly in comparable condition to Sir Hugh Bateman excepting deep cracking and crasing within paint and bitchumin mostly within upper 50-60% excluding flesh-tones of the face. evident old infilling to the mentioned areas which has deteriorated. scuffs/abrasions, minor losses mostly in vertical formation between empire line of dress. framed ensuite.
Los 135
A 6in Bacon's School Globe, late 19th/early 20th century, with hand-coloured printed gores, signed BACON'S SCHOOL GLOBE DRAWN & ENGRAVED BY G W BACON & CO LTD PRINTED IN ENGLAND MADE IN FRANCE, on a turned wooden stand, 34cm high. Discolouration to surface overall, 2cm repaired split to surface ( West of South America on globe), 6CM repaired split to surface (Nth East of Australia on globe), 2-1/2cm split to surface (Pacific Ocean on globe), some light wear to ebonised circular base. 12/03/21
Los 192
A Brass Mounted Ship's Light and Switch, on an oak stand inscribed HMS Vengeance 1944, 28cm long; A Late 19th Century Thermometer, with silvered scale plate, on a mahogany plaque, 61cm long; Three Various Public Convenience Door Locks/Handles; A Set of Six Gilt Stamped and Pierced Metal Finger Plates, 23cm; and A Holmes Hinged Bracket
Los 333
Circle of David Martin (1737-1797) Scottish Portrait of Captain Daniel Vere Esq. of Stonebyres, father of John Vere (historically known as), half length, wearing a grey powdered wig with red velvet jacket in a feigned oval Oil on canvas, 74cm by 61.5cm See illustration . relined, cleaned and revarnished. fine stable craquelure throughout. some deterioration to varnish, further surface dirt in evidence.little to discern under a UV light. likely some general strenghtneing to back ground and also to the general definition and shadows through the costume. slight stretcher shadow. minor rubbing to edges, otherwise in stable state of preservation.
Los 337
Follower of Sir Godfrey Kneller (1646-1723) Portrait of Mrs James, the only daughter of Sir Thomas Wyndham Bt., head and shoulders wearing a lilac dress with white chemise and red silk shawl, in a feigned oval Oil on canvas, 73cm by 61cm Provenance: Tennants Auctioneers, Summer Fine Art Sale, 13th July 2012, Lot 373 See illustration . in restored condition, relined, cleaned and revarnished of some age. surface slightly flattened from restoration porcess. paint thin in places most notably in costume. slight stretcher shadow. varnish has deteriorated and is discoloured and showing as slightly opaque particularly within the area above the ladies head. small abrasion to canvas approx 1cm from lower edge and 7cm right of centre. odd further superficial scuffs/abrasions. there is lttle to discern under UV light but doesnt rule out the possibility of further restoration. in reasonable and stable condition.
Los 341
Follower of Sir Joshua Reynolds PRA (1723-1792) Portrait of a gentleman, traditionally identified as Dr Philip Hayes, half length, wearing a powdered wig, green coat and holding a letter in his right hand Oil on canvas, 74.5cm by 61.5cm Provenance: Christie's Interiors - Masters and Makers, 8th March 2011, Lot 105 See illustration . in fully restored condition, relined, cleaned and revarnished. picture slighlty adrift in frame along top edge. covered in a layer of dirt and discoloured varnish. small white splash of paint to upper left hand corner, and odd other splashed grey coloured paint within background mostly centre left although not exclusively. cluster of varnish abrasions along left hand side left 10cm from upper left hand corner. further small nic to canvas and other tiny surface abrasion along lower edge right of centre. small area of losses within the gentlemans right hand lapel, within upper section approx 0.5cm across. varying sized craquelure through surface which is slightly flattened as a result of restoration. gouge/scratch below left hand side of necktie approx 0.5cm in length. little to descern under a UV light but there are likely areas of restoration and overpainting such as his right hand cheek, hair, garment and strengthening to background etc.
Los 342
Eden Upton Eddis (1812-1901) Portrait of Anthony Wilson Thorold, Bishop of Winchester, seated, three quarter length, wearing official robes Signed and dated 1892, oil on canvas, 125.5cm by 100cm Provenance: Tennants Auctioneers, Spring Fine Art Sale, 24th March 2011 See illustration . in overall good and original condition. has had a aclean and likely re varnish. some discolouration to varnish now evident. some separation to paint/varnish along upper edge and to gentlemans lefthand sideburn and cheek. areas of fine and stable craquelure. not examined with a UV light.
Los 355
Charles Antoine Alain Cazanave (1882-1957) French Frolics in the hareem Signed, with indistinctly inscribed original artist's label verso, pastel, 48cm by 72.5cm Provenance: Christie's, 19th century European art including Orientalist art, 27th September 2012, Lot 180. See illustration . in overall good state of preservation.,some sporadic varying sized foxing spots, light surface dirt. no evidence of cockerling. not examined out of frame
Los 394
Brian Shields ''Braaq'' (1951-1997) Study of a masked nude Mixed media, unframed, together with a further 1997 watercolour depicting a stretching female nude by Trevor Neal, 18cm by 13cm & 12.5cm by 20cm respectively (2) Provenance For Braaq : Tennants Auctioneers, Summer Catalogue Sale 2011, Lot 741 Produced by the artist in the presence of the vendor at above sale Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business . in good original condition. possible light time staining to paper. sealed in mount with tape. unframed. Trevor neal in good overall condition, framed and glazed
Los 396
A George II Style Carved Giltwood Stool, overstuffed seat recovered in red spotted fabric, raised on acanthus carved and flowerhead tapering supports joined by an H stretcher, 47cm by 37cm by 45sm Provenance: Tennants Auctioneers, 28 March 2014, Lot 1158. Various wear, bumps, scratches and minor losses to the gilding around the feet and legs. One foot is missing half the roundel. Period sprung horse hair filling to the seat, upholstery has some light staining.
Los 407
John Henry Lorimer RSA, RSW, RWS, RP (1856-1936) Scottish Portrait of Edinburgh antiques dealer, Louis Joseph Butti Oil on canvas, together with a watercolour portrait of his wife Mary Teresa Butti, 124cm by 92cm, 38.5cm dia. (oval) respectively (2) Provenance: Lyon & Turnbull, Fine Furniture and Works of Art, 5th April 2017, Lot 158 See illustration . in a good and original state of preservation. some deterioration to varnish, light surface dirt. glazed. not examined under UV or out of frame. watercolour has general time staining and oxidisation to sheet. some fading to colour depth, small sized fowing spot. not evidence of cockerling. not examined out of frame.
Los 45
A Painted Glass Windscreen from a Series 3 Land Rover, entitled ''Driving Prince Harry'' 2013, by Brian Smallwood, signed and dated to the reverse, 43cm by 151cm Provenance: Christie's, 17 February 2015, Lot 138. Crescent shaped scratch to screen on the left side above the Queens head, various light scratches to screen surface, small dent to the frame below steering wheel image, structure is sound, glass in good condition with no cracks
Los 63
William Shuter (fl.1771-1779) Portrait of a young lady, half length, wearing a pink silk dress and a green wrap with a feathered and blue ribbon hair decoration Signed and dated 1787, oil on panel, 23.5cm dia. (oval) Provenance: William Rockhill Nelson Gallery of Art, Atkins Museum of Fine Arts, Kansas City, Missouri (as John Opie); Wilkins and Wilkins, London; Christie's, The Duarte Pinto Coelho Collection, 20th July 2011, Lot 481 See illustration . cleaned and revarnished. small nic to out edge. varnish slightly deterioating and showing slightly opaque around some of the minor and sporadic retouches and infilling within the background, ladies hair, length of nose, very small amounts of the shadowing in the costume, lower edge centre etc. some minor rubbing to edges, otherwsie in a good state of preservation. stable craquelure throughout. light surface dirt.
Los 96
A Pair of Edward VII Silver Five-Light Candelabra, by Henry Wigfull, Sheffield, 1904, each on square base stamped with foliage and with a ribbon-tied twisted reeded stem and foliage-cast socket, the detachable branches with four leaf-capped branches and foliage-cast sockets and with a further central socket, filled, 51.5cm high (2) Provenance: Bonhams, London, 6 December 2011, lot 1. Good condition overall, both complete. No damage to report.
Los 97
Circle of Arthur Pond (1701-1758) Portrait of a gentleman, half length, wearing a grey velvet waistcoat and jacket decorated with gold buttons and holding a tricorn hat under his left arm Oil on canvas, 71.5cm by 60cm Provenance: Christie's Anonymous sale, 8th March 2012 See illustration. in restored condition, relined, cleaned and revarnished. enclosed to reverse with cardboard protector. majority of gentalmans face, hair and costume overpainted. surface flattened and thin as a result of the restoration process.there is an amount of chalky or white marking along lower edge which are potentially intrinsic or deterioating varnish with a futher vertical line to right side appox 30cm long , 5cm from edge. light surface dirt and discoloured varnish. varying sized stable craquelure throughout. stretcher shadow. frame in good order, modern
Los 137
A large mantle star of the Order, 150 mm, fire-gilt sheet-brass, carefully chiseled and polished to the obverse; silver centre star, with faceted, metalstuds; white bordered, blue enameled, silver outer circlet in the form of a knotted ribbon, bearing the motto “HEAVENS LIGHT OUR GUIDE”; the reverse withsix fastening loops, the counter-medallion engraved with the maker’s mark “John Hunter Maddox S.t London” and white metal counter-plate.An extremely rare, early piece of accouterment of this beautiful order. An identical star belonged to Field Marshal Sir George Pollock (1786-1872), made Grand Commander in 1866. I RR!
Los 138
An Early Commander’s Set: badge of the Order in GOLD, 85x50 mm, with centre medallion made as a cameo with the portrait of the young Queen Victoria facing left; pale blue enameled outer circlet with the Order’s motto “HEAVEN’S GUIDE OUR LIGHT” made of chiselled silver letters, all set with brilliants; GOLD border with baroque ornaments five-pointed star suspension in silver, plain, gilt-silver ribbon ring, with original neck ribbon; breast star, 85 mm, with slightly flamed rays; gilt silver centre medallion with a silver, chiselled five-pointed star within a white bordered, pale blue enameled circlet made as in form of a tied ribbon (tiny chips to the left ribbon’s end) with the Order’s motto in separately made, silver, chiselled letters, all set with diamonds; plainreverse with centre disc engraved with the maker’s mark: “R. & S. Garrard & Co. Goldsmiths and Jewellers to the Crown 25 Haymarket London” and gold pin; in the original, black morocco fitted case of issue with maker’s mark of Garrard on the inner cushion and a further, full-length neck ribbon.A very rare set of the finest quality, very fine condition.The Order of the Star of India was created in 1861 by Queen Victoria, several years after the Indian Mutiny, when Britain’s power and government in India were again solid and well-established. It was destined to reward Indian Princes and Chiefs as well as British Officers and Civil Administrative who saw their service in India and were signaled for their conspicuous merits. Diplomatically, the first award was done to the heads of the Indian Maharajas and Princes and to the highest British authorities in India.After 1948, no further award was granted. Since 2009, with the death of the last Knight, the Maharaja of Alwar, the Order became dormant. With 229 diamonds for a total of 0.491 ct.I/II RR!
Los 139
The Most Exalted Order of the Star of India: Companion’s badge in gold with centre medallion made as a cameo with the portrait of the young Queen Victoria facing left; blue enameled outer circlet with the Order’s motto “HEAVEN’S GUIDE OUR LIGHT” made of chiselled silver letters, all set with brilliants; gold border with baroque ornaments five-pointed star suspension in silver, grooved ribbon ring;- Queen’s India Medal 1900 with cursive engraved naming “Captn. Hopwood. 3.d Bo. Lt. Cavy:”;- The 1914-15 Star, officially impressed “MAJOR H.HOPWOOD 33. LT. CAV.”;- War Medal 1914-1918, officially impressed “MAJ. GEN. H.R. HOPWOOD.”;- Victory Medal 1914-1918, officially impressed “MAJ. GEN. H.R. HOPWOOD.”;- Serbia: Order of the White Eagle with Swords, Knight’s badge in gilt silver and enamels.Court mounted, extremely fine condition. A medal bar belonged to a cavalry officer, with an interesting career; an extensive research about the history and the owner of this group is attached. With 109 diamonds for a total of 0.16 ct. I RR!
Los 314
Grand Cross Set, intituted in 1906. Sash Badge, 105x77 mm, gilt Silver, trefoiled, red enameled, GOLD edge and 9 rays between the limbs. Silver crowned eagle, spreaded wings on the cross, holding a sword in the right claw and a scepter in the left. Round GOLD medallion on the eagle’s chest with King Carol’s 1st bust, on the reverse a blue medallion with the legend: ”1866-10 Mai-1906”, in the centre, King Carol I cipher. Above the cross a silver crown and the inscription: ”1866-10 Mai-1906”. Below, a GOLD scarf with blue enameled legend: ”Prin statornicie la izbanda”, original light blue sash, in very rare original case of issue. Breast Star, 1st Model, 85 mm, gilt Silver, hallmarked ”800”, maker’s mark ”Paul Telge, Berlin”, the shape of an 8 rays star, eagle in the center, in very rare original case of issue. The Order of Carol I, the highest Romanian Order, instituted on May 10th, 1906, part of the 40th jubilee celebration of King Carol of Hohenzollern, was awarded until 1932 in 4 classes: Collar, Grand Cross, Grand Officer and Commander. With the introduction of the Order of Loyal Service in 1932, the last two classes of the Order Carol I were closed, but the decorations could be worn until 1947. An extremely rare set in perfect condition! I RR!
Los 349
A Collar Chain, instituted in 1935: Collar Badge, gilt Silver, maker’s mark ”BW, Heinrich Weiss, Bucarest”, hallmarked ”7 - crown -38”, concave cross, rounded light blue enamel on both sides and laurel wreaths betweenthe limbs. The medallion on the obverse with Romanian coat of arms, the reverse medallion with the inscription Serviciu Credincios (Loyal Service), together with the collar chain consisting of gilt silver blue enameled royal monograms CC and the blue enameled Faithfull Service Cross.Beautiful old patina. Of the highest rarity, in best jeweler’s quality and extremely fine condition!Dim.: the badge, 79,0x50,0 mm. I RR!
Los 350
Grand Cross Set, 2nd Model, Civil, instituted in 1935. Sash Badge, 85x57 mm,gilt Silver, concave cross, rounded light blue enamel on both sides andlaurel wreaths between the limbs. The medallion on the obverse withRomanian coat of arms, the reverse medallion with the inscription ServiciuCredincios (Loyal Service), original sash. Breast Star with crown above the medallion, 55mm, gilt Silver, rhombus shaped, maker’s mark “BW, HeinrichWeiss, Bucarest”, hallmarked “330-38, crown”, superimposed parts,enameled, on the reverse medium pin. Extremely rare set, in mint condition!Awarded only 35 times! I RR!
Los 75
Commander Cross in GOLD, 82x57 mm. Instituted1834: eight pointed gold rimmed light blue enameledcross, each point ball-tipped, between each set ofpoints is a crowned W, and the whole is suspendedfrom a red enamel and gilt crown, the centralmedallion depicts a white horse before a whitecolumn on a red enamel background, on reverse thecentral medallion is inscribed MDCCCXXXIV/IMMOTA/FIDES, original suspension loop of laurel leaves andribbon.A superb order of high jeweller’s quality, in best condition! I R!
Los 1164
Briefklemmer aus Silber mit Jade. CHINA, um 1900. Silberner Klemmer, oberseitig verziert mit einer durchbrochenen Schnitzerei aus hellgrüner Jade. Dargestellt ist mittig ein drehbares Textsymbol für langes Leben, das umrahmt ist von 3 Fledermäusen, die ebenfalls als Symbole für ein langes Leben und für einen sanften Tod Glück bringen sollen. Die silberne Unterseite der Klemme spiegelt dasselbe Motiv in Gravurtechnik, L.: ca. 7,5 cm. |A letter clip from silver with a carved plaque from light green jade, lenght: 7,5 cm.
Los 1626
RÖTH, PHILIPP (1841-1921), "Enten am Wasser", Landschaft mit Haus am Seeufer, u.re. signiert 'Röth', Öl/Karton, HxB: ca. 25,5x34,5 cm (45,5x54 cm mit Rahmen). Restauriert und retuschiert, part. leichter Firnisgilb und Flecken. Mit Rahmen (leicht beschädigt, geklebt). VERSO Bleistiftbezeichnung 'Professor Philipp Röth, Enten am Wasser' und Etiketten mit handschriftl. Bezeichnung. | RÖTH, PHILIPP (1841-1921), "Ducks by the water", landscape with a house on the lake shore, signed 'Röth', oil / cardboard, HxW: approx. 25.5x34.5 cm (45.5x54 cm with frame). Restored and retouched, part. light yellow varnish and spots. With frame (slightly damaged, glued). VERSO pencil inscription 'Professor Philipp Röth, Enten am Wasser' and labels with handwritten. Designation.
Los 1811
SCHAD, CHRISTIAN (1894-1982), "Peruanerin", junge Frau mit Kind, Aquatintaradierung/Papier, darunter mit Bleistift von Hand betitelt, num. 101/160, signiert und datiert 'Christian Schad 74', HxB: Platte ca. 44x25,5 cm, Passepartoutausschnitt ca. 48x30 cm, Außenmaße Rahmen ca. 77x56,5 cm. Äußerst minim. gewellt, gebräunt und Lichtrand. Im Passepartout hinter Glas gerahmt. Altersspuren. LITERATUR: Christian Schad, Druckgraphiken und Schadographien 1913-1981, Edition G. A. Richter, 2001, vgl. S. 105, Nr. 72. | SCHAD, CHRISTIAN (1894-1982), "Peruanerin", young woman with child, aquatint etching / paper, underneath titled by hand in pencil, num. 101/160, signed and dated 'Christian Schad 74', HxW: plate approx. 44x25.5 cm, passepartout cutout approx. 48x30 cm, external dimensions frame approx. 77x56.5 cm. Extremely minimal wavy, browned and light edge. Framed behind glass in a passe-partout. Signs of age. LITERATURE: Christian Schad, Druckgraphiken und Schadographien 1913-1981, Edition G. A. Richter, 2001, vgl. S. 105, Nr. 72.
Los 2312
STEHLEUCHTE Verstellbare Konstruktion aus Stahlrohr, Fuß aus Gusseisen, dimmbar, der Leuchtkopf wird in alle Richtungen schwenkbar, H: bis. 160 cm. Alters- und Gebrauchsspuren. STANDING LAMP Adjustable tubular steel construction, cast iron base, dimmable, the light head swivels in all directions, H: bis. 160 cm. Signs of age and use.
Los 2315
RELCO "Stehlampe" Stehlampe von Relco mit höhenverstellbarer und schwenkbarer Lampen, horizontal 360° ausrichtbar, Lichtdimmer am Kabel, runder Standfuß, Schalter mit Prägung: "Relco Italy", lackiertes Metall, Plastik, Fuß aus gegossenem Material, altersbedingt geringe Gebrauchsspuren. RELCO "Floor lamp Floor lamp by Relco with height adjustable and swivelling lamps, horizontal 360° adjustable, light dimmer at the cable, round base, switch with embossing: "Relco Italy", lacquered metal, plastic, base of cast material, minor signs of use due to age.
Los 620
MEISSEN DIE VIER ELEMENTE „Feuer“, Entwurf Nach Johann Joachim Kaendler (1706-1775), Ausführung 1958, 1. Wahl, Allegorie auf das Feuer, polychrom gefasst und partiell ziervergoldet, bodenseitig Schwertermarke, Modellnummer C97, Bossierer-Nummer 147 und Malernummer 11. H: 11 cm. Partiell leicht bestoßen, leichte Altersspuren. MEISSEN THE FOUR ELEMENTS "Fire", design after Johann Joachim Kaendler (1706-1775), executed in 1958, 1st choice, allegory of fire, polychrome painted and partially gold-plated, sword mark on the bottom, model number C97, boss number 147 and painter number 11. H: 11 cm. Partially light bumped, slight signs of age.
Los 700
KARLSRUHER MAJOLIKA Tafelaufsatz, 20. Jhd. Heller Scherben partiell farbig gefasst, eine mehrpassige langgezogene Schale auf einem verschlungen gestaltetem Sockel, der mit zwei jeweils auf einem Blatt liegenden Putti dekoriert ist, Entwurf von Schlesinger, Modell-Nr. 1676, Made in Germany, L. ca. 43cm. Mehrere Bestoßungen und 1 Riss an der Unterseite der Schale, Alters- und Gebrauchsspuren. | KARLSRUHER MAJOLIKA centrepiece, 20th century. Light body partially coloured, a multi-piece elongated bowl on an intertwined base decorated with two putti each lying on a leaf, design by Schlesinger, model no. 1676, Made in Germany, l. approx. 43cm. Several bumps and 1 crack on the underside of the bowl, signs of age and use.
Los 775
GROßE JUGENDSTILVASE ÉMILE GALLÉ, 1904-1906, Klarglas, hellblau verlaufend, hinterfangen, Violett und in Braunton überfangen, geätztes Floraldekor mit blühenden Hortensien, im unteren Drittel signiert „Gallé“. H: 40 cm. Außenwandung mit leichten Alters- und Gebrauchsspuren, minimal bestoßen. LARGE ART NOUVEAU VASE ÉMILE GALLÉ, 1904-1906, clear glass, backing in light blue, overlaid in violet and brown, etched floral decoration with blooming hydrangeas, signed "Gallé" in the lower third. H: 40 cm. Outer wall with slight signs of age and wear, minimally bumped.
Los 101
Rare 'C' GT in need of a light refresh. Very much more than a tuned MGB, a completely re-engineered car Powered by BMC's trusty 145bhp, 3-litre, 6-cylinder C-Series with a 4-speed boxOn offer from a deceased estate, one of only 4,544 'C' GTsFinished in Tartan Red with black leather and silver wires Comprehensive history file including old MOTs and invoices up to 2018Photographic record of a prior restorationComplete with MGC Workshop Manual, Moss parts guide and spare keysSpecificationMake: MGModel: C GTYear: 1968Chassis Number: GCD11954GTransmission: ManualEngine Number: 29AA/RU/H3735Drive Side: Right-hand DriveOdometer Reading: 7547 MilesMake: RHDInterior Colour: BlackClick here for more details, condition report and images
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534310 Los(e)/Seite