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Preisdatenbank abonnierenA Victorian Carved Giltwood Oversized Stool, late 19th/early 20th century, recovered in light brown calico, the overstuffed seat above a C scroll and acanthus decorated apron, on carved and gesso cabriole legs decorated with flowers, 116cm by 72cm by 48cmVarious losses to the gesso, mainly around the legs (see images) as well as to some small sections around the seat rail.
A Chinese Bronze Vase, in Archaic style, of baluster form with mask handles, worked with bands of Tao Tie and mythical beasts, bears six-character reign mark, 36cm highSome light wear and surface scratches. Very minor dents to the rim and foot rim. No cracks, splits or repair. Patina fairly dry.
Cooper (A. Heaton) and Palmer (William Thomas)The English Lakes painted by A. Heaton-Cooper Described by W.T. Palmer, Adam and Charles Black, 1905, Edition limited to 250 copies, 63 of 69 plates, 230 pages, signed by the artist, inscribed by a previous owner, foxing to endpapers and light foxing to pages, decorative cloth, minor wear confined to spine ends, lightly rubbed at the corners.
A Large Royal Dux Figural Bowl, Cupid amongst foliage mold number 2482, 38cm wide; together with a pair of Royal Dux figures of a lady and gentleman: Model No 491 & 492, 37cm high (3) Bowl, some light gilt wear, free from chips cracks and restoration, pair of figures, male with restoration to hat, minute flakes to both
19th century oversized drinking glass, the balloon shaped bowl upon a short thick stem and thick circular foot, H18.5cm bowl rim D12.5cmCondition Report:General light wear commensurate with age and use, including some surface scratches, and mossing to underside of foot.Some production flaws.
Three automatic wristwatches including Enicar Sherpa Star, Sicura, Gruen Precision and Waltham and four manual wind wristwatches including Oris, Kander, Rotary and Gigandet (8)Condition Report:All movements currently functioning (Enicar functioning but cannot crown wind - possibly overwound), no movements guaranteed, Wlatham with some light scratches to dial and glass to bottom left
Continental - early 19th century porcelain mantle clock with a French eight-day movement, rectangular case with raised gilt rococo decoration and carrying handle, hand painted panel to the front portraying a picturesque lakeside scene and two figures in 18th century dress, contrasting light green background with raised gold decoration to the sides and a depiction of flying birds within a scrollwork cartouche, white enamel dial with a cast brass bezel, Roman numerals, minute track and steel trefoil hands, dial inscribed Henry Marc, count wheel striking movement with a silk suspension, striking the hours and half hours on a bell. Dimensions: Height: 24cm Length/Width: 15cm Depth/Diameter: 10cm
FRENCH SCHOOL (18TH CENTURY)LOVERS' TRYSTOil on canvas, oval 77.5 x 62cm (30½ x 24¼ in.)Provenance:The Ballyedmond CollectionPlease note measurements do not include the frame unless otherwise stated. Condition Report: Relined. Rubbing to the framing edges with three areas of loss to the upper edge (top of the oval). Light paint splatters across the surface of the work, dark blue pigment. Craquelure and surface dirt throughout. Varnish causing some discolouration especially to the skin tones of the figures. Inspection under UV reveals a green masking varnish and retouching scattered throughout. Condition Report Disclaimer
λ FANTI (20TH CENTURY)TWO STUDIES OF APPLES; TWO STUDIES OF QUINCES; A STILL LIFE WITH A CUP AND SAUCER WITH CHERRIESOil on boardFour signed (lower right)27 x 30cm (10½ x 11¾ in.) and smaller (5)Please note measurements do not include the frame unless otherwise stated. Condition Report: Surface dirt throughout the panels. Thick layer of varnish throughout, causing discolouration. Damage to the extreme edges to some of the panels and visible at the corners. Light surface scratches visible to some of the panels. One or two small areas of retouching visible in natural light. Condition Report Disclaimer
BENJAMIN BLAKE (BRITISH 1757-1830)STILL LIFE OF GAME IN A LARDER Oil on canvas 29 x 24cm (11¼ x 9¼ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Relined. Craquelure scattered throughout. Inspection under UV reveals light scattered retouching especially to the lower third of the work. Condition Report Disclaimer
KEELEY HALSWELLE (BRITISH 1832-1891)MOONLIGHT ACROSS THE RIVER THAMES Oil on board Indistinctly signed (lower left)23 x 28cm (9 x 11 in.)Provenance:Malcolm Innes Gallery, London & Edinburgh Please note measurements do not include the frame unless otherwise stated. Condition Report: Very light surface dirt. Inspection under UV reveals an small area of scattered retouching to the lower right quadrant. In overall good condition. Condition Report Disclaimer
ATTRIBUTED TO PATRICK NASMYTHFIGURES RESTING, GENTLEMAN ON A HORSE AND CATTLE ON A COUNTRY TRACK Oil on board Bears signature and dated 1822 (lower left)28 x 38cm (11 x 14¾ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Light surface dirt and craquelure in areas across the panel. Inspection under UV reveals scattered retouching and infilling. Condition Report Disclaimer
ALEXANDRE CHARLES JOSEPH GITTARD (FRENCH 1832-1904)FIGURE WALKING BESIDE A RIVER Oil on canvas Signed (lower right)28 x 41.5cm (11 x 16¼ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Craquelure and light surface dirt throughout. A small tear circa. 1cm to the upper left quadrant with associated cupping and flaking. Inspection under UV reveals an uneven green varnish but no obvious evidence of restoration or repair. Condition Report Disclaimer
WILLIAM SNELL MORRISH (BRITISH 1844-1917)CATTLE AND SHEEP GRAZING BY A RIVEROil on canvas boardSigned (lower right)46 x 30cm (18 x 11¾ in.)Please note: This work is oil on canvas board. Please note measurements do not include the frame unless otherwise stated. Condition Report: Please note: This work is oil on canvas board. Light surface dirt throughout. A yellowing varnish causing some discolouration most notable to the blue pigment in the sky. There are a couple of surface scratches visible in the sky, where the paint layer is quite thin. Surface dirt visible to these areas. The ground is showing in patches throughout the sky. Inspection under UV reveals no obvious evidence of restoration or repair. Condition Report Disclaimer
ELIAS BANCROFT (BRITISH 1846-1924)OUR MORNING VIEW OF WHITBYOil on canvasSigned and dated 1894 (lower right) and signed, dated and inscribed as titled (on the reverse)62 x 47cm (24¼ x 18½ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Light surface dirt throughout. Yellowing varnish causing some discolouration throughout. Some patches of very fine craquelure noticeable mainly in the sky. An area of retouching visible in natural light to the lower left corner. The canvas is slightly slack in areas with a small bulge to the lower left corner. Inspection under UV reveals a thick green varnish throughout. Infilling scattered across the sky and light retouching mainly to the lower half of the picture. The work may benefit from a clean but overall strong image. Condition Report Disclaimer
JAMES DOUGLAS (SCOTTISH 1858-1911)A SHEPHERD WITH SHEEP ON A COUNTRY LANEWatercolour and bodycolourSigned (lower left)75 x 55cm (29½ x 21½ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Under glass and unexamined out of glazed frame. The sheet appears to be in good overall condition in accordance with age. Some light discolouration of the sheet throughout. No signs of damages or restorations. Condition Report Disclaimer
λ JOHN STEWART (BRITISH 1919-2017)LOTUS BLOSSOM, 1995Fresson print Signed in pencil, dated 95 and numbered 1/2581.5 x 61.5cm (32 x 24 in.)Provenance: From the collection of Victoria, Lady de RothschildPlease note measurements do not include the frame unless otherwise stated. Condition Report: Unexamined out of glazed frame. Light handling creases. Condition Report Disclaimer
λ SIR HUGH CASSON (BRITISH 1910-1999)WITTENHAMWatercolourSigned with initials (lower right) and titled (lower left)13 x 23.5cm (5 x 9¼ in.)Provenance:Bell Fine Art, WinchesterPrivate Collection, C.M. Harrison acquired from the above on 16 March 1996 Together with a lithograph printed in colours of Sir Edmund Hall, Oxford, signed in pencil and numbered 293/500, image 23.5 x 33.5cm (2)Please note measurements do not include the frame unless otherwise stated. Condition Report: Wittenham - Unexamined out of glazed frame. A couple of spots of foxing with one small stain to the upper right quadrant. Overall in original condition. Sir Edmund Hall - Unexamined out of glazed frame. Light fading to the sheet. Overall in original condition. Condition Report Disclaimer
ALBERT GOODWIN R.A. (BRITISH 1845-1932)LOCH RANZAPencil, watercolour and ink Signed with monogram (lower left) and inscribed as titled (lower right)16.5 x 24cm (6¼ x 9¼ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Pencil, watercolour and ink. Unexamined out of glazed frame. Some discolouration throughout commensurate with age. Light undulation to the sheet. Otherwise appears to be in original condition. Condition Report Disclaimer
FRED HALL (BRITISH 1860-1948)BURGHCLERE HILLS, HAMPSHIRE Oil on board Signed (lower right)32.5 x 40.5cm (12¾ x 15¾ in.)Condition Report: Light surface dirt throughout. Inspection under UV reveals light scattered retouching to the sky. In otherwise good original condition. Condition Report Disclaimer
λ HUGH BOYCOTT-BROWN (BRITISH 1909-1990)VIEW OVER THE THAMES Oil on board Signed with initials (lower right)13 x 23cm (5 x 9 in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Light surface dirt and two drops of old varnish to the upper right quadrant. Condition Report Disclaimer
λ FRITS JOHAN GOOSEN (DUTCH B. 1943)SHIPYARD IN HAARLEMOil on canvas Signed (lower right)40 x 60cm (15½ x 23½ in.)Provenance:Oliver Swann Galleries, London Please note measurements do not include the frame unless otherwise stated. Condition Report: Light surface dirt. Overall in good original condition. Condition Report Disclaimer
λ FRITS JOHAN GOOSEN (DUTCH B. 1943)BOATS DOCKED ON THE RIVERSIDE, POSSIBLY HAARLEMOil on canvas Signed (lower left)50 x 70.5cm (19½ x 27¾ in.)Provenance:Oliver Swann Galleries, London Please note measurements do not include the frame unless otherwise stated. Condition Report: Very light surface dirt. Otherwise appears to be in good original condition. Condition Report Disclaimer
λ SIR GERALD FESTUS KELLY (BRITISH 1879-1972)FEMALE ARTIST, SEATED AT HER EASEL Oil on panel 26.5 x 19cm (10¼ x 7¼ in.)Provenance:Montpellier Studio, London (stock no. 157)Sandra Lummis Fine Art, London Please note measurements do not include the frame unless otherwise stated. Condition Report: Light surface dirt throughout. Light rubbing to the extreme framing edges. A white mark to the middle of the right edge across the curtain, this may be a scratch to the varnish surface. Inspection under UV reveals a thick green varnish but no obvious evidence of restoration or repair. Condition Report Disclaimer
λ HERBERT JAMES GUNN (BRITISH 1893-1964)PORCELAIN FIGURINE AND BOWL OF FLOWERS Oil on canvasSigned (lower left)40.5 x 30.5cm (15¾ x 12 in.)Provenance:Gifted to the parents of the present owner as a wedding present in 1931Thence by descentPlease note measurements do not include the frame unless otherwise stated. Condition Report: Very light surface dirt throughout. Inspection under UV reveals no obvious evidence of restoration or repair. Appears to be in good original condition. Condition Report Disclaimer
λ ANNE ROTHENSTEIN (BRITISH B.1949)COCKEREL, WITH FARM BEYONDOil on boardSigned with initials (lower left)31 x 37.8cm (12 x 14¾ in.)Provenance:Montpelier Studios, London Private Collection, Mr C. M. Harrison Exhibited:London, Montpelier Studios, no. 56Please note measurements do not include the frame unless otherwise stated. Condition Report: Light surface dirt. Otherwise in good original condition. Condition Report Disclaimer
λ NOEL GIBSON (BRITISH 1928-2005)CABLE STREETOil on boardSigned (lower left)29 x 36cm (11¼ x 14 in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Some light surface dirt, mainly visible in the whites of the sky. Otherwise in overall good condition. UV shows no obvious evidence of damage or restoration.Please note Dreweatts is not liable for damage to picture frames.Condition Report Disclaimer
λ ANNE ROTHENSTEIN (BRITISH B.1949)MILK JUGOil on canvas boardSigned with initials (lower right)20 x 29cm (7¾ x 11¼ in.)Provenance:Montpellier Studio, LondonExhibited:London, Montpellier Studio, no. 21Please note measurements do not include the frame unless otherwise stated. Condition Report: Light surface dirt and discolouration throughout, possibly due to an old uneven varnish. Otherwise in good original condition. Condition Report Disclaimer
A. FERRI (LATE 19TH/EARLY 20TH CENTURY)THE MARKET STALL (CHERRIES, PEACHES AND NECTARINES) Oil on canvas Signed (lower right)25.5 x 48cm (10 x 18¾ in.)Provenance: From the Estate of the late Jean-Claude CianciminoPlease note measurements do not include the frame unless otherwise stated. Condition Report: Light surface dirt throughout. Rubbing to the extreme edges with some associated losses, most notable to the left of centre of the upper edge approx. 1cm and the lower right corner (small tear). Condition Report Disclaimer
λ JACK SIMCOCK (BRITISH 1929-2012)HEAD AND SHED IN THE SNOWOil on boardSigned and dated '64 (lower right)32 x 49cm (12½ x 19¼ in.)UnframedProvenance:The Piccadilly Gallery, LondonPurchased there in 1965 by C. J. Makins Esq.Please Note this work is unframed. Condition Report: Surface dirt and rubbing to the extreme edges with associated loss to the lower left corner . Black scuff marks along the top edge. Light discolouration throughout caused by yellowing varnish. Inspection under UV reveals no obvious evidence of restoration or repair. Unframed. Condition Report Disclaimer
KATTINGERI KRISHNA HEBBAR (INDIAN 1911-1996)WORKERS WITH PICKAXES Pen and pencil Signed and dated 44 (lower right)21 x 28.5cm (8¼ x 11 in.)Unframed Provenance: Bought from Collector in New Delhi in 2000, then Collection CanadaCollection London.Please note measurements do not include the frame unless otherwise stated. Condition Report: Mounted and unframed. Tear to the upper right and lower left corner, with some staining to the lower left corner. Light speckled staining throughout the sheet. The sheet is from a sketch book with two punch holes to the centre of the upper edge. Condition Report Disclaimer
KATTINGERI KRISHNA HEBBAR (INDIAN 1911-1996)UNLOADING THE CART Pencil Signed and dated 44 (lower right)20 x 25.5cm (7¾ x 10 in.)Unframed Provenance: Bought from Collector in New Delhi in 2000, thenCollection CanadaCollection London.Please note measurements do not include the frame unless otherwise stated. Condition Report: Mounted and unframed. A small tear to the lower left corner. Very light staining scattered across the sheet. Otherwise appears to be in good original condition. Condition Report Disclaimer
KATTINGERI KRISHNA HEBBAR (INDIAN 1911-1996)SEATED FIGURE Pencil Signed and dated 44 (lower right)28.5 x 21cm (11 x 8¼ in.)Unframed Provenance: Bought from Collector in New Delhi in 2000, thenCollection CanadaCollection London.Please note measurements do not include the frame unless otherwise stated. Condition Report: Mounted and unframed. A tear to the upper left and lower right corners. The sheet has come from a sketch book with two punch holes to the centre of the left edge. Light staining along the lower edge with some nicks and very small losses. Light spotting to the upper left quadrant. Condition Report Disclaimer
λ GERALD WILDE (BRITISH 1905-1986)CHORUS GIRLInk and pencil Signed and dated 32 (lower left)21 x 29.5cm (8¼ x 11½ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Unexamined out of glazed frame. A crease to the lower left corner. The sheet has slightly slipped in mount. Light discolouration to the sheet. Overall in good condition. Condition Report Disclaimer
λ KARL HAGEDORN (BRITISH 1889-1969)PORTRAIT OF A YOUNG MANPencil and watercolourSigned with monogram and dated 22 (upper right)51 x 34.5cm (20 x 13½ in.)Provenance:Chris Beetles Ltd., LondonExhibited:Manchester, Whitworth Art Gallery, University of Manchester, Manchester's First Modernist Karl Hagedorn (1889-1969), September- November 1994London, Chris Beetles Ltd., January-March 1995, no. 67Please note measurements do not include the frame unless otherwise stated. Condition Report: There is what appears to be a repaired tear running off the centre of the right hand edge into the sitter's knee, approx. 10cm). There is another small crease and associated fine paint loss to the upper left corner. There are a few further light surface scuffs to the upper left quadrant. Under glass and unexamined out of frame.Condition Report Disclaimer
λ SIR SIDNEY NOLAN (AUSTRALIAN 1917-1992)UNTITLED Coloured crayon on photographic paper Signed and dated 8 Jan 86 (verso) 30.5 x 25.5cm (12 x 10 in.)Provenance:Abbott & Holder Ltd., London Purchased from the above by the present owner Please note measurements do not include the frame unless otherwise stated. Condition Report: Examined out of glazed frame. Hinged with two pieces of tape to the upper edge at the corners. The right corner has come loose and needs securing. Light staining to the edges. Otherwise appears to be in good original condition. Condition Report Disclaimer
FRENCH SCHOOL (19TH CENTURY)AN ETRUSCAN-STYLE PORTRAIT OF TWO WOMEN, WITH FLORAL BORDERSWatercolour Overall inc. frame 73 x 77.5cm (28½ x 30½ in.) Provenance: From the Estate of the late Jean-Claude Ciancimino Condition Report: Unexamined out of glazed frame. Some light staining to the upper edge and general mottled discolouration scattered across the sheet. Condition Report Disclaimer
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