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Los 178

based on Italian Commedia dell'Arte 'Pulcinella Figure', on a mound moulded base with applied greenery, wearing a black and gilt pinstripe jacket and matching pantaloons with a billowing white cloth with a black chaperon hat, standing with slight plie with one foot out and his hands on his hips, with bright yellow shoes and a small smile, marked with factory mark in blue underglaze, raised model number 255, impressed 143, with painter's numeral 28 in red overglaze, with partially effaced X792 MKY in black overglaze, all under base; height: 8 cm (3 1/8 in.)CONDITIONThe porcelain figure is in very good condition. The bow atop his shoe of the extended leg is chipped. Inspection under UV light shows no sign of restoration.

Los 179

on a gilt-edged, scroll moulded base with applied flowers, wearing a multi-colored shirt and pantaloons, black and green cape, a gray wide-brimmed hat,standing upright against a tree-trunk, with a serene look, marked with factory mark in blue, impressed model number 3027 with impressed numerals 34, with painter's numeral 53 in brown, all under unglazed base; height: 23 cm (9 in.)CONDITIONThe porcelain figure is in very good condition. Inspection under UV light shows no sign of restoration.

Los 180

modelled after J.J. Kaendler and Johann Eberlein, based on Italian Commedia dell'Arte, the figure Pantalone from the Duke of Weissenfels series, on a mound moulded naturalistic base, the figure is depicted in forwarded movement, dressed in a iron-red tunic and breeches with white stockings, yellow slippers and black cape with a red skull cap, his face with a brown mask, marked with factory mark in blue underglaze, incised model number 541, impressed numerals 125, with painter's numeral 75 painted in black overglaze, numerals M62.273 in red overglaze, all under base; height: 14 cm (5 1/2 in.)LITERATURERobert E. Rontgen, The Book of Meissen Second Edition, (Schiffer Publishing LTD, 1984), Pantalone, by Johanne Eberlein, 1744, later pull, p. 48, ill. plate 39CONDITIONThe porcelain figure is in very good condition. Inspection under UV light shows no sign of restoration.

Los 181

modelled after Peter Reinicke and J.J. Kaendler and based on Italian Commedia dell'Arte from the Duke of Weissenfels Series, comprising: a) A Meissen Porcelain Figure of 'Narcisino Malabergo', on a hard-paste mound moulded base, posing in contrapposto with his arm extended, with long hair and a moustache, wearing a maroon tunic and matching pantaloons, with gilt-edged detailing with a black and gilt-edged wide-brimmed hat, draped over his shoulders a black and yellow puce cape, marked with factory mark in blue, incised model number 576, impressed numeral 145, carved square with effaced numerals in red, all under unglazed base; height: 14.5 cm (5 3/4 in.)b) A Meissen-Style Porcelain Figure of 'Dottore Boloardo', on a mound moulded base with applied flowers, standing in contrapposto with his one arm and leg extended, with a dark moustache, wearing a pale yellow and floral tunic, turquoise pants, white stockings, black shoes, black hat and white long cloak, apparently unmarked,; height: 15 cm (5 7/8 in.)PROVENANCEb) Seidenberg, New York, New YorkPurchased at the above by the present ownerCONDITIONThe porcelain figures are in very good condition. A minor chip to the applied flowers and visible repainting to the cape of b. Inspection under UV light shows repainting to the cape of b, along with variant fluorescence to the proper left side of his body. No sign of restoration to a.

Los 184

modelled after Peter Reinicke and J.J. Kaendler, seated on a caparison elephant, marked with factory mark in blue underglaze, underside of elephant; height: 26 cm (10 1/4 in.); length: 26 cm (10 1/4 in.)LITERATURERobert E. Rontgen, The Book of Meissen Second Edition, (Schiffer Publishing LTD, 1984), Persian Nobleman Riding an Elephant with Moor, by J.J. Kaendler and Peter Reinicke, 1747-1750, later pulls, p. 54, ill. plate 54CONDITIONThe figural group is in very good condition. Minor crazing resulting in a minor loss to the underside of the elephants trunk. Inspection under UV light shows repainting to the crown of Europa, the caparison and cypher.

Los 185

modelled after J.J. Kaendler, on a mound moulded base with applied flowers, seated a crinoline lady with applied jewelry, flowers and hair pieces, in her proper right hand she holds a tea cup and saucer, a pug perched on her lap, her left hand kissed by a kneeling suitor, flanking her right side a young boy holding a teapot and tray, marked with factory mark in blue underglaze, incised model number 398, with impressed numeral 57, with painter's numeral 33 in iron red overglaze; height: 15.5 cm (5 7/8 in.)LITERATURERobert E. Rontgen, The Book of Meissen Second Edition, (Schiffer Publishing LTD, 1984), Hand Kiss Group, by J.J. Kaendler, 1747-1750, p. 150, ill. plate 128 and 129CONDITIONThe figural group is in very good condition. A minor chip resulting in loss to the cape of the suitor. Inspection under UV light shows repair and retouching to the proper right hand and wrist of the kneeling suitor.

Los 188

on an oval moulded base with greenery and naturalistic detailing, Europa sitting side saddle atop a caparison white horse, Europa dressed in a luxurious gilt and red skirt and cape, with applied crown, cypher, globes and books, marked with factory mark in blue underglaze, incised 1298, with impressed numeral 39, all underside of base; height: 22 cm (8 5/8 in.), dimensions of base: 16 x 7 cm (6 1/4 x 2 3/4 in.)CONDITIONThe figural group is in good condition. Losses to the cypher, applied foliage of tree and the horn of the horse. The horn of the horse is held in place by tape, will need to be restored. Inspection under UV light shows repainting to the neck, mane, forehead of the horse. Repainting to the tree and applied foliage, along with repainting to the torso, face and verso of Europa. Fluorescence to the globe and open book on the base, overall around 40% of repainting.

Los 190

modelled after Johann Eberline, each seated next to pitcher decorated with Deutsche Blumen, applied flowers and insects, she dressed in a skirt with a simple motif of rosebuds, matching bustier, her hair wrapped with a matching scarf, he dressed in a floral and yellow pastel over coat, matching breeches, black buckle shoes and matching hat, both marked with factory mark in blue underglaze, she with incised model number 1234, painted numeral 75 in iron-red underglaze, he with incised model number 901, impressed numeral 118, with painter's numeral 75 in gilt overglaze, all underside under base; height: 19.5 cm (7 5/8 in.)CONDITIONThe pair is in good condition. Minor chipping to the applied flowers of each. Minor chipping to the hat of the man. Inspection under UV light shows no apparent sign of restoration.

Los 191

modelled after Michel Victor Acier and J.C. Schonheit, the figurine posed atop a circular moulded base with gilt-edging, standing next to a pedestal emulating marble her hat filled with arrows, dressed in a floral pastel crinoline, with a yellow apron, purple rosette shoes, with a bonnet and overall lace detailing, in her proper left hand she holds an arrow, marked with factory mark in blue, incised model number F.32 and with painter's numeral 4F in black, all underside of unglazed base; height: 16 cm (6 1/4 in.)CONDITIONThe figurine is in good condition. The tip of the arrow held in her proper left hand is broken resulting in loss. Minor chipping to the overall lace detailing. One of the tails of her dress has broken off resulting in loss, as present in photographs. Inspection under UV light shows retouching to the ribbon on back of her dress, the bow on her bonnett, the ribbon of the hat, lace detailing around her bustier.

Los 192

on a mound moulded base with applied foliage and flowers, in dancing position with his palms upwards and one leg up, dressed in traditional Malaysian dance wear, comprising of a tunic, skirt, breeches and black slip ons, his head adorned with matching hat, marked with factory mark in blue, incised model number 435, impressed numeral 107, hand painted painter's numeral M62.362 in iron-red, all underside of unglazed base; height: 15.5 (6 1/8 in.)CONDITIONThe figurine is in good condition. Inspection under UV light shows repainting to his proper left arm, hand, and face.

Los 193

on a mound moulded base with painted grass, standing in front of a stump, the young boy dressed in traditional clothing, comprising of a pastel yellow tunic with a pink collar, gilt buttons, mint green harem pants and red detailed slip ons, with a blue and white striped scarf around this waist, atop his head rests a wrapped turban, he holds a gilt trumpet in his right proper hand, marked with factory mark in purple, underside of unglazed base; height: 17.5 cm (6 7/8 in.)CONDITIONThe figurine is in good condition. Inspection under UV light shows no sign of restoration.

Los 194

modelled after J.J. Kaendler, the god of war, Mars is seated in a ornate chariot, drawn by two caparison white horses, surrounding him, his trophies, comprising of a bow and arrow, quiver banner and drums, and marshall staff, dressed in a cuirasse with detailing of lions, foliate and floral gilt-edging, green and purple fustanella, with a helmet and sandals, all conforming in design, the chariot and clouds with a single putto moulded in two parts and joined, both with factory mark in blue underglaze, the chariot side with painter's numeral 27 in black underglaze, the putto side with incised model number 22 in paste with impressed numerals 121, all underside of adjoined parts, incised model number 22 and impressed 121 on top of putto base, horses marked blue factory mark, incised model number 22 and impressed 121 all underside of horses; dimensions of base: 42 (l) x 19 (w) cm (16 1/2 x 7 1/2 in.), height: 31 cm (12 1/4 in.)LITERATUREUlrich Pietsch (ed.), Meissen for the Czars (Hirmer Verlag, 2004), discussion of this gift and an image of the large figure, formerly Lomonossov, Pavilion near sliding hill, p. 104, cat. ill. 26LOT NOTESThe large meissen allegorical figure of Mars in His Chariot, was first modelled in part by J.J. Kaendler and in part by M.C. Acier, designed as a gift for the Czarina Catherine II. Intended for decoration of the Katalnaya Gorka or 'Sliding Hill' pavilion near the Oranienbaum Palace outside of St. Petersburg.CONDITIONThe figurine is in good condition. A chip resulting in loss to one of the feathers of Mars' helmet. Inspection under UV light shows retouching to Mar's helmet, a visible repair to the adjoining bases and retouching and repair to the one of the horses proper left leg.

Los 195

modelled after M.C. Acier, on a carved naturalistic base with gilt-edging with applied foliage and urn of blooming flowers, perched a caparison Sphinx, resting atop the Sphinx a nude child, holding a garland of rosettes, marked with factory mark in blue underglaze, incised model number 18, impressed numerals 18, 81, and 137 all underside of base; dimensions of base: 29 (l) x 16.5 (w) cm (11 3/8 x 6 1/2 in.), height: 23 cm (9 in.)CONDITIONThe figurine is in good condition. Minor chips to the applied foliage and rosette garland. Inspection under UV light shows minor retouching and repair to the applied bouquet of flowers and rosette garland.

Los 197

both modelled after Henrich Schwabe and Johann Pollak (1880-1882), part of the Four Cupids Series, comprisinga) Cupid with Marriage Contract, the putti nude standing with quiver at his feet, on a rounded moulded base with naturalistic detailing and narrow gilt-edging, he holds a marriage contract in one hand and a purple slipper in the other, with the slightest of smirks marked with factory mark in blue underglaze, incised with model number M114, impressed with numeral 94 in paste, painter's numeral 2 in black overglaze, all under base; height: 28.5 cm (11 1/4 in.), diameter of base: 15 cm (5 7/8 in.)b)Cupid Piercing Heart, the putti nude seated on a stump draped in fabric, quiver at his feet, focused, using an arrow to pierce two hearts, on a rounded moulded base with naturalistic detailing and narrow gilt-edging, marked with factory mark in blue underglaze, incised with model number M116, impressed with numeral 16 in paste, painter's numeral 7 in black overglaze, all under base; height: 26 cm (10 1/4 in.), diameter of base: 14.5 cm (5 3/4 in.)CONDITIONBoth are in good condition. B, with a chip resulting in minor loss to one of the pierced hearts and wing tip. Inspection under UV light shows no sign of restoration.

Los 200

modelled as reclining man and woman, each holding reticulated floral encrusted baskets filled with applied flowers on a c-scroll gilt-edged base, each stamped with factory mark in blue underglaze underside of base; height: 13 cm (5 1/8 in.)CONDITIONThe figural group is in good condition. Scattered minimal chipping to the encrusted flowers and applied flowers. A visible crack to the c-scroll base of the woman. Previously both re-gilt. Inspection under UV light shows no sign of restoration.

Los 203

modelled atop a gilt rocaille circular base with naturalistic foliage, Bacchus dressed in a rich purple and yellow cloth with a wreath of grapevines encompassing his head, standing with his hands full of grapes and a full wine glass, resting on an oversized ewer, marked with factory mark in blue underglaze, incisded model number 2742 in paste, with additional impressed numeral 16 with painters numeral 44 in black overglaze, all underside of base; height: 22 cm (8 5/8 in.)CONDITIONThe figure is in very good condition. Scattered minor chipping to the applied wreath and grape leaves. Inspection under UV light shows repainting and restoration to the leafy wreath around Bacchus head.

Los 204

modelled after J.J. Kaendler, atop a mound moulded naturalistic base with gilt-edging, Mother Earth seated holding a cornucopia with bounty, resting her arm atop earth, flanked by two putto at work, with applied foliage, grouse and accessories, marked with factory mark in blue underglaze, model number 232 incised in paste, impressed numeral 101, painters number 39 in black overglaze, all underside of base; height: 16 cm (6 1/4 in.)CONDITIONThe figural group is in good condition. Scattered chipping to the applied foliage. Inspection under UV light shows no sign of restoration.

Los 205

mound moulded base with naturalistic applied foliage and vines, centered the covered urn, the body featuring a courting scene with applied leafy grape vine with gilt-edging the cover with conforming design and thumb reset formed from a grape vine, flanked by two putto, one seated next to a hound, the other standing holding a rosette garland, marked with factory mark in blue underglaze, model number 1009 incised in paste, numeral 111 impressed, with painters numeral 31 in gilt overglaze, all underside of base; height including cover: 26 cm (10 1/4 in.)CONDITIONThe figural covered urn is in very good condition. Scattered chipping to the applied foliage and rosette garland. Inspection under UV light shows scattered restoration and repainting to the chips mentioned previously. Restoration and repair to the vine formed thumb rest.

Los 206

modelled after J.J. Kaendler oval rocaille moulded base with gilt-edging and applied flowers, the couple in dancing position, she dressed in a crinoline with cascading flowers down her shoulder, he dressed in matching breechers, tunic and overcoat, marked with factory mark in blue underglaze, model number 0162 incised in paste, numeral 144 impressed, painters numeral 81 in blue overglaze, all underside of base; height: 20 cm (7 7/8 in.)CONDITIONThe porcelain couple is in good condition. The gentleman's sword is broken and missing. Scattered chipping to the applied flowers. Inspection under UV light shows no sign of restoration.

Los 209

cavetto of each decorated with a gilt foliate and floral trellis cartouches, centered each with a portrait of young beauty, one with a front-facing portrait of Epheu with a peaceful gaze and a ivy wreath around her head, signed Wagner lower right,marked with factory mark in blue underglaze with Epheu in black script overglaze, underside of plate, the other a maiden in profile gently gazing at two picked daisies dressed in pink with long wavy brown hair falling around her shoulders, signed Wrigel, and marked with factory mark in blue underglaze, underside of plate; diameter Wagner plate: 24.5 cm (9 5/8 in.), diameter of Wrigel plate: 24 cm (9 1/2 in.)PROVENANCEHarry Kreiness CollectionChristie's, New York, 28 October 2022, part of lot 329Acquired at the above by the present ownerCONDITIONThe pair is in very good condition. Inspection under UV light shows no sign of restoration.

Los 211

each modelled atop a naturalistic moulded base, she dressed ina gilt pink and pastel dress with lace detailing and pink bow heeled shoes, her hair is braided in a bun, she leans against an griffin formed table clutching a book, he dressed in a matching tunic and bloomers with white stockings and pink bow heeled shoes, leaning against a griffin formed table holding his hat; she marked with maker's mark in blue with impressed numerals 4182 additionally with impressed 8 with painter's number 72 in iron red, he marked with maker's mark additionally stamped GERMANY in blue with impressed NO. 4814 with painter's number 74 in iron red, all underside of unglazed base; height: 69 cm (27 1/8 in.)CONDITIONEach in good condition. Scattered surface scuffs and grime to each. Inspection under UV light shows no sign of restoration.

Los 212

modelled after Franz Anton Bustelli, based on Italian Commedia dell'Arte 'Pulcinella Figure', on a gilt-edged, scroll moulded base, with lace mauve detailing, positioned in a slightly exaggerated pose suggesting movement, dressed in full multi-colored suit, with buckle shoes and a wide-brimmed hat, holding a wrapped Guenon monkey, with gilt slapstick on his hip, marked with factory mark in blue underglaze atop base; height: 19 cm (7 1/2 in.)LOT NOTESFor an example of the featured lot, please refer to The Metropolitan Museum of Art, Harlequin, modelled by Franz Anton Bustelli (ca. 1720-1763), Nymphenburg Porcelain Factory, accession number 1974.356.525, credit line The Lesley and Emma Sheafer Collection, Bequest Emma A. Sheafer, 1973, currently on view in Gallery 533 The Met Fifth AvenueCONDITIONThe porcelain figures are in very good condition. Inspection under UV light shows no sign of restoration.

Los 221

modelled after Etienne Jacquemin, each formed as spring blooming tulips in various bright colors stacked, creating a tulipiere when filled with fresh tulips, each with factory mark in blue underglaze, incised numeral 2 and G in paste all underside of base; height: 20 cm (7 7/8 in.)CONDITIONThe pair are in fair condition. Scattered chipping and losses to the gilt-edged petals and base. Scattered visible repairs and repainting to both, repairs to the top and second tier tulips. Repair to one of the bases. All apparent to the naked eye. Inspection under UV light shows visible repainting and repairs to each as mentioned previously.

Los 225

modelled upright atop a naturalistic base of grass and flowing water, dressed in a pastel neoclassical dress with baring one shoulder, she holds a pastel and gilt water jug, glancing softly downward, a gilt seashell rests atop her braided hair marked with maker's mark in blue underside of unglazed base; height: 76 cm (29 7/8 in.)CONDITIONThe figure is in good condition. Overall surface grime. Light surface scuffs. Cracking around the water jug, naturalistic base, most notably to the cattails. Inspection under UV light shows no sign of restoration.

Los 226

modelled upright atop a naturalistic base of grass, dressed in a pastel Victorian bustier and crinoline skirt and blouse with white stockings and flats, with a pastel bonnett, look softly ahead, apparently unmarked; height: 59 cm (23 1/4 in.)CONDITIONThe figure is in good condition. Overall surface grime. Cracking visible to the bonnett. Inspection under UV light shows no sign of restoration.

Los 228

cavetto of each decorated with a gilt foliate and floral pattern against a dark ground, one depicting Catherine de Medicis Arrachant L' Charles IX L'Ordre De La St. Barthelemy and the other Adieux De Louis XVI a Sa Famille, each apparently unmarked; diameter of each: 24 cm (9 1/2 in.)CONDITIONThe pair is in good condition. Very minor light scratches to each. A chip to the cavetto of one. Inspection under UV light shows no sign of restoration.

Los 230

modelled after Jacob Petit, formed as a pair of seated figures atop a black and red square base with rounded edges, dressed in similar attire with matching motifs, each with applied accessories, him with a hookah and pipe, she with a flower and bird, each marked with factory mark in blue underside of unglazed base; height: 15 cm (5 7/8 in.)CONDITIONThe pair is in very good condition. Inspection under UV light shows repainting to the man's hookah and pipe and to the birds tail.

Los 233

formed from curved gilt bases, the porcelain moulded as a naturalistic base with applied flowers and foliage with gilt-edging, each featuring porcelain Victorian figurines each in a garden scene seated below mature trees, the electrified ormolu arms formed from gilt, with applied porcelain rosettes, each base stamped 'MADE IN FRANCE'; height: 30 cm (11 3/4 in.), dimensions of base: 18 x 17 cm (7 1/8 x 6 3/4 in.)CONDITIONThe pair is in good condition. Both are wired with european sockets. Inspection under UV light shows scattered repainting to the applied porcelain flowers of each. Repair and repainting to one the gentlemen's legs.

Los 236

tulip form with gilt-edging and relief, the centerpiece held by four putto with gilt stylized flowers, atop a circular gilt-edged and wave-textured base,marked with factory mark in green underglaze with impressed artist signature in paste, with numeral 7 in gilt overglaze, all underside of base; height: 24 cm (9 1/2 in.), special note: the centerpiece is removable from baseCONDITIONThe centerpiece is in good very good condition. Inspection under UV light shows no sign of restoration.

Los 241

wide-brimmed gilt-edge dish, with gilt handle terminating from the body, the conforming cover with thumb ring and saucer each with gilt-edging with foliate and floral gilt sprays, each featuring a oval cartouche of a European bucolic scenes, each titled in red underglaze, the saucer and dish with factory mark in red underglaze; height of dish with cover: 13.5 cm (5 1/4 in.), diameter of saucer: 18 cm (7 1/8 in.)CONDITIONThe covered dish and saucer are in very good condition. Light surface scratches visible to the gilt. Inspection under UV light shows no sign of restoration.

Los 247

circular with a gilt rim, the cavetto with a garland swag of bay leaves against a stark white ground, marked with factory mark in light green underglaze with Wigomes Daniell London in red underglaze, additionally with numerals 7545 AA in red underglaze and letter L in red underglaze all underside of plate; diameter: 26 cm (10 1/4 in.)PROVENANCEHammer Galleries, New York (accompanied by old inventory tag no. R.105)Collection of A. J. Marino, acquired from the above circa 1934Thence by descent in the family to the present ownerCONDITIONThe plate is in fair age-appropriate condition. A. minor chip resulting in loss to the rim of the plate. Overall surface dust and grime. Minimal use. Inspection under UV light shows no sign of restoration.

Los 248

amphora form, with two handles formed from acanthus leaves,extending from the head of a lion, the recto and verso featuring a wreath with a single centered gilt daisy medallion against an eggshell white ground, the rest of the body accented with gilt garland swags and geometric shapes, against a light pink ground, atop four gilt and white paws with a geometric plinth, marked with factory mark in gilt underglaze, incised numeral 3040, impressed factory mark and date code all under base; height including cover: 30 cm (11 3/4 in.)CONDITIONThe vase is in good condition. Minor surface soiling visible to the bows. One of the bows with a visible repair. Inspection under UV light shows retouching and repair to one of the bows. Repainting to the cover.

Los 249

circular with a simplistic beaded rim, the cavetto with a foliate motif against a yellow gold ground in maroon, impressed SPODE 30 in paste underside of plate; diameter: 24.6 cm (9 3/4 in.)PROVENANCEWinter Palace, St. PetersburgHammer Galleries, New York (label on verso.)Collection of A. J. Marino, acquired from the above circa 1934Thence by descent in the family to the present ownerCONDITIONThe plate is in fair age-appropriate condition. Overall surface scuffs and scratches. Chips to the rim. Inspection under UV light shows no sign of restoration.

Los 250

each modelled atop a naturalistic base, the gentleman and lady atop respective horses accompanied by a hound, dressed in victorian attire with applied top hats, against a bocage of a flowering tree, apparently unmarked; height: 19 cm (7 1/2 in.)PROVENANCEb) Seidenberg, New YorkPurchased at the above by the present ownerCONDITIONThe pair is in good age-appropriate condition. Craquelure and crazing visible to the figures, horses and hounds. Unstable craquelure which could result in flaking to the rear end of the gentleman's horse. Visible repair and repainting to the tree branches of each. Visible repair and repainting to the both of the horses front legs, and the tail of the woman's horse. A minor loss to the lady's hand. Inspection under UV light shows scattered repairs and repainting to the above mentioned areas, along with repainting and repair to the applied flowers. The man's horse has been repainted.

Los 259

squared, with rounded corners, the cover enamelled with Cupid kissing Psyche, surrounded by clouds, with silver pushpiece, the interior cover marked with 84 standard and Moscow town mark, opposite an 84 standard, Moscow town mark, date and assayer's mark A.S in Cyrillic for Aleksandr Smirnov, workmaster's mark G.N in Latin; dimensions: 8 x 8.5 cm (3 1/8 x 3 3/8 in.), weight: 164.1 g (5.79 oz)CONDITIONThe case is in good condition. Light surface scratches and scuffs. Inspection under UV light shows no sign of restoration.

Los 262

rectangular, with rounded corners, decorated overall with scrolling floral designs within geometric borders, with cabochon ruby pushpiece, the covers marked with 84 standard, workmaster mark BiG. in Cyrillic; dimensions: 8.5 x 12 cm (3 1/4 x 4 3/4 in.), weight: 242.42 g (8.55 oz)CONDITIONThe case is in good condition. Scattered minor losses and cracking to the enamel. Inspection under UV light shows scattered restoration to some of the corners and perimeter, overall to less than 5%.

Los 271

of tapered cylindrical form, in light lilac-tone glass with horizontal ridges, with old Russian inventory label to the underside; height: 4.5 cm (1 3/4 in.)PROVENANCEHammer Galleries, New York (accompanied by partial tag and label to underside)Collection of A. J. Marino, acquired from the above circa 1934Thence by descent in the family to the present ownerCONDITIONSome chipping to the rim and side. Area of discoloration just below.

Los 272

of squat baluster form, the gadrooned body applied with two loop handles and rim, in light lilac-tone glass, with old Russian inventory label and round label reading Kh. [amphora] A.O.; height: 7 cm (2 3/4 in.)PROVENANCECollection of A. J. Marino, likely acquired from Hammer Galleries, New York, circa 1934Thence by descent in the family to the present ownerCONDITIONThe vase is in overall good original condition. Chip to the upper edge of the foot and to the underside.

Los 276

depicted seated, with a rounded body of light brown stone, the beak formed from a different hardstone; height: 5.5 cm (2 1/8 in.)PROVENANCEHammer Galleries, New YorkCollection of A. J. Marino, acquired from the above circa 1934Thence by descent in the family to the present ownerCONDITIONThe figure appears in very good original condition with minor wear.

Los 277

depicting various saints, in four registers, egg tempera and gesso on wood panel; dimensions: 23 x 18 cm (9 x 7 1/8 in.)PROVENANCEThe Temple Gallery, LondonAcquired from the above by the present owner, 1996. (Copy of invoice available upon request)CONDITIONThe icon is in overall good condition. Chipping and craquelure to the kovcheg. The titulus has been restored. Inspection under UV light shows retouching to the central lower edge, also visible with the naked eye. Two insert splints on verso.

Los 278

depicting the saints John the Warrior, Emilian, John Chrysostom, Alexandra and Alexander Nevsky, egg tempera and gesso on wood panel; dimensions: 31.2 x 26.7 cm (12 1/4 x 10 1/2 in.) PROVENANCEThe Temple Gallery, LondonAcquired from the above by the present owner, 1996. (Copy of invoice available upon request)CONDITIONThe icon is in overall good restored condition. Chip to the upper right. Inspection under UV light shows limited retouching to parts of the vestments and along lower edge, not exceeding 10% of the painted surface.

Los 279

depicting John of Damascus before the Mother of God Troeruchitsa [three-handed] icon at the church altar, with strapwork-decorated columns and border, the halos and simulated cisele curtain punched; dimensions: 44.5 x 37.8 cm (17 1/2 x 14 7/8 in.) framed dimensions: 59.5 x 52.5 cm (23 3/8 x 20 5/8 in.)CONDITIONFill-ins apparent in raking light and under UV light, above a layer of varnish. For further details, please contact us at info@shapiroauctions.com

Los 280

depicting Christ Pantocrator, egg tempera, gilt and gesso on wood panel; dimensions: 30.8 x 26.8 cm (12 1/8 x 10 1/2 in.)framed dimensions: 56.5 x 52.5 cm (22 1/4 x 20 5/8 in.)CONDITIONOverall wear to paint. Vertical split to the left side of the panel. Inspection under UV light shows overall retouching, mainly outside the figure.

Los 282

depicting the Mother of God of Smolensk against a punched ground with painted strapwork borders, flanked by a guardian angel and the Holy Martyr Rais, egg tempera, gilt and gesso on wood panel; dimensions: 22.2 x 17.6 cm (8 3/4 x 6 7/8 in.) framed dimensions: 37.5 x 33 cm (14 3/4 x 13 in.)CONDITIONThe icon is in overall good restored condition. Inspection under UV light shows retouching, primarily to the areas of losses along the lower edge.

Los 283

depicting a bishop saint holding a cross and crosier against an elaborate punched ground with foliate motifs, egg tempera, gilt and gesso on wood panel; dimensions: 22 x 17.5 cm (8 5/8 x 6 7/8 in.) unframedCONDITIONThe icon is in overall good restored condition. Inspection under UV light shows retouching, most notably to the title plaque.

Los 290

rectangular, with gilt silver mounts, the oval reeded frame crowned by a bow with garland swags below, the stand with a scrolling legs, marked with kokoshnik, workmaster mark A.B for Andrey Bragin; dimensions: 10 x 6.7 cm (4 x 2 5/8 in.), weight: 125.64 g (4.43 oz)PROVENANCECollection of Hugh D. Auchincloss (1897-1976)Collection of Colleen Townsend Pilat, gift of the aboveJohn Atzbach Antiques, Redmont, WAAcquired from the above by the present owner, 2021CONDITIONThe frame is in good condition with endemic cracks to the stone. Fine scratches to the left side apparent under raking light.

Los 294

centered with the gilt imperial cypher of Empress Alexandra Feodorovna, with original silk ribbon, in fitted silk- and velvet-lined stamped L'Ermitage Galleries [Armand Hammer] retailer's box; height of egg: 7 cm (2 3/4 in.) PROVENANCERussian Imperial Collection, Winter Palace, St. PetersburgHammer Galleries, New York (with inventory tag)Collection of A. J. Marino, acquired from the above circa 1934Thence by descent in the family to the present ownerEXHIBITEDLord & Taylor, New York and Chicago, The Hammer collection of Russian imperial art treasures: from the Winter Palace, Tsarskoye Selo and other royal palaces, 1933-1934 (accompanied by inventory tag no. 4122B)RELATED LITERATUREFor a nearly identical egg (dated 1915), see Tamara Kudriavtseva and Harold Whitbeck, Russian Imperial Porcelain Eggs (London: Merrell Publishers Ltd., 2001), pp. 58-59, no. 24 (illustrated)CONDITIONThe egg appears in very good original condition. Inspection under UV light shows no apparent signs of restoration.

Los 296

ovoid, centered with a scene of the Resurrection, initialed A lower right, the obverse with the apparition of an angel to Mary Magdalene at the tomb, with original silk ribbon; height of egg: 7.5 cm (3 in.)PROVENANCECollection of A. J. Marino, likely acquired from Hammer Galleries, New York, circa 1934Thence by descent in the family to the present ownerCONDITIONIn stable repaired condition (old diagonal repaired crack). Inspection under UV light shows old retouching, mainly confined to the borders. Silk ribbon fragile.

Los 297

circular, with gilt rim the cavetto with an imperial eagle in black, against a white ground,green underglaze imperial cypher and date with impressed numeral 10 in paste all underside of plate; diameter: 23.5 cm (9 1/4 in.)PROVENANCEHammer Galleries, New York (accompanied by old inventory tag no. R.140)Collection of A. J. Marino, acquired from the above circa 1934Thence by descent in the family to the present ownerCONDITIONThe plate is in fair age-appropriate condition. A chip to the chip with visible restoration. Surface dust and grime. Inspection under UV light shows above mentioned restoration.

Los 298

circular, with gilt scalloped rim, with scrolls of acanthus the cavetto with a continuous motif of gilt acanthus and berries, centered a gilt crowned A, against a powder blue ground, Nicholas I mark in light blue underglaze underside of plate; diameter:PROVENANCERussian Imperial Collection, Winter Palace, St. PetersburgHammer Galleries, New York (accompanied by old inventory tag no. H-4102)Collection of A. J. Marino, acquired from the above circa 1934Thence by descent in the family to the present ownerEXHIBITEDLord & Taylor, New York and Chicago, The Hammer collection of Russian imperial art treasures: from the Winter Palace, Tsarskoye Selo and other royal palaces, 1933-1934 (label to underside)CONDITIONThe soup plate is in age-appropriate condition. With heavy restoration and repair to the interior and exterior. Inspection under UV light shows restoration and repair.

Los 299

circular, with cobalt blue rim the interior with a strawberry and floral motif against a mustard yellow ground the cavetto with an imperial eagle, green underglaze imperial cypher and partially effaced date underside of plate; diameter: 22 cm (8 5/8 in.)PROVENANCEHammer Galleries, New York (accompanied by old inventory tag no. RH 501410)Collection of A. J. Marino, acquired from the above circa 1934Thence by descent in the family to the present ownerCONDITIONThe plate is in age-appropriate condition. A visible chip with restoration and repair to the rim. Inspection under UV light shows above mentioned restoration.

Los 300

circular, with light teal rim and cavetto with a teal imperial eagle, against a white ground,green underglaze imperial cypher and date underside of plate; diameter: 18.4 cm (7 1/4 in.)PROVENANCEHammer Galleries, New York (partial label to underside)Collection of A. J. Marino, acquired from the above circa 1934Thence by descent in the family to the present ownerEXHIBITEDLord & Taylor, New York and Chicago, The Hammer collection of Russian imperial art treasures: from the Winter Palace, Tsarskoye Selo and other royal palaces, 1933-1934 (label to underside)CONDITIONThe plate is in good age-appropriate condition. A minor chip to the rim. Surface dust and grime. Inspection under UV light shows no sign of restoration.

Los 301

ovoid, with scalloped edges on three legs with shell-form handle, painted with four groups of flowers, blue underglaze imperial cypher under base; length: 10.5 cmPROVENANCECollection of A. J. Marino, likely acquired from Hammer Galleries, New York, circa 1934Thence by descent in the family to the present ownerCONDITIONOld repairs and cracks, as apparent in photographs. Not observed under UV light.

Los 302

circular, with raised edges, centered with the imperial eagle, the rim with the saying [The Sun Has Set on the Fir Tree and We are Still Hungry,], in Russian, blue overglaze factory mark to underside; diameter: 25 cm (9 7/8 in.)PROVENANCEHammer Galleries, New York (accompanied by old inventory tag no. R. 98)Collection of A. J. Marino, acquired from the above circa 1934Thence by descent in the family to the present ownerCONDITIONThe plate is in fair age-appropriate condition. A chip with visible restoration and repair to the rim. Inspection under UV light shows above mentioned restoration.

Los 304

circular with gilt accented rim, the cavetto with sprays of bouquets and gilt scrolls, the interior with a gilt cartouche framing a bouquet against a cobalt and white ground, factory mark in blue underglaze with additional numerals 18 in red underglaze and impressed 24 in paste all underside of plate; diameter: 23 cm (9 in.)PROVENANCERussian Imperial Collection, Alexander Palace, Tsarskoe Selo, St. PetersburgHammer Galleries, New York (accompanied by old inventory tag no. RH-1683/8)Collection of A. J. Marino, acquired from the above circa 1934Thence by descent in the family to the present ownerCONDITIONThe plate is in good age-appropriate condition. A chip to the rim along with a hairline crack with visible restoration. Inspection under UV light shows above mentioned restoration.

Los 305

a gilt-edged and white ground porcelain tea cup, with a single handle with a impressed lions face on the verso and recto of the thumb rest, the body of the tea cup with a summer countryside with beading work and gilt detailing, numbered 27 under side of base overglaze with green; height: 10.8 cm (4 1/4 in.)CONDITIONThe figurine is in good condition. Inspection under UV light shows no sign of restoration.

Los 317

circular with simple gilt and black rim, the cavetto with a continuous gilt line with a single imperial eagle in black, against a white ground, impressed WEDGWOOD M in paste underside of plate; diameter: 25 cm (9 7/8 in.)PROVENANCEHammer Galleries, New York (label on verso.)Collection of A. J. Marino, acquired from the above circa 1934Thence by descent in the family to the present ownerCONDITIONThe plate is in age-appropriate condition. With visible restoration and repair to the rim. Overall surface dust and grime. Underside with light surface scruffs and scratches. Inspection under UV light shows above mentioned restoration.

Los 323

a large area rug of Verona-style with a centered floral medallion and conforming design of floral sprays against an ivory ground, with three borders conforming in design against a taupe and light gray ground, the top and bottom edge with fringe detailing; dimensions: 421.5 (l) x 295 (w) cm (166 x 295 in)CONDITIONThe rug is in good condition. Wear to the pile consistent with age and use. A visible stain to the rug near the centered medallion along the most interior border. Would benefit from a professional cleaning.

Los 326

a pair of three-light candelabra with scrolling ornaments, atop square verde antique bases; overall height of each: 28.5 cm (11 1/4 in.)CONDITIONThe pair is in fair age-appropriate condition. Patina to the interior of each holder along with wax residue. Some of the candle holders are bent. Drip trays are removable. A chip and loss to one of corners of one of the stone bases.

Los 334

nude from the waist up and seated in a cross legged position the arms resting on atop the thighs each palm holding a vessel, with an open mouth expression; height: 40 cm (15 3/4 in.)CONDITIONThe sculpture is in age-appropriate condition. Scattered losses, with significant loss to the left side of the nose and bridge of the nose. Chipping to back of the woman, along with cracking and flaking. Inspection under UV light shows fluorescence but no apparent sign of restoration.

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