Margaret Ashman Songbird Photo Etching on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Margaret Ashman was born in 1959 in Northampton. After an Oxford degree and short career in Physics, she later went on to study Fine Art at the University of Hertfordshire and Printmaking at the University of Brighton. She is Fellow of the Royal Society of Painter Printmakers and member of the Printmakers Council which she chaired from 2011 - 2017. She exhibits widely throughout the UK and overseas, and her work is in many collections. She lives and works in London. Education MA Printmaking and Professional Practice, University of Brighton and London Print Studio 2003 - 2005 BA Fine Art, University of Hertfordshire 1998 - 2003 MA Physics, Somerville College, Oxford 1977 - 1980 Select Exhibitions/Awards EXHIBITIONS 2022 Solo Show - The Swiss Church, London 2021/2020/2019 The Royal Academy Summer Exhibition 2019 Solo Show - The Muse Gallery 2020 Figurative Art Now Mall Galleries 2010 ING Discerning Eye Exhibition 2018 Novosibirsk Triennial - Russia 2017 Light Matter - Grunwald Gallery, Indiana 2016 Shifting Subjects Film - Usher Gallery 2015 Good Figures, Mall Galleries - London 2014 Reading People, National Art Museum - Shanghai AWARDS AND RESIDENCIES 2019 Lawrence Art Supplies Prize, RE Originals, Bankside Gallery 2017 Hot Bed Press Purchase Prize, The Masters, Bankside Gallery 2017 London Print Studio Summer Exhibition, 1st Prize Winner 2015 Shifting Subjects Arts Council Commission, Abbey Walk Gallery 2012 Intaglio Printmaker Award, RE Members exhibition 2011 International Print Prize, 3rd Guanlan Print Biennial 2009 Artist in Residence, Guanlan Print Base, China Gallery Representation Printroom Studio - Suffolk Bankside Gallery, London The Muse Gallery, Notting Hill Rheged Gallery, Penrith Statement about AOAP Submitted Artwork This set of small photo etchings were developed from video footage of the Chinese contemporary dancer Lico, or Kehua Li - with her permission. Each work is printed from two etching plates on a traditional Rochat etching press on heavy etching paper, using muted colours. The titles of the works are borrowed from songs by Fleetwood Mac and Stevie Nicks, reflecting their strong emotional charge.
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Zoë Taylor Cranberry Light Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About My inspiration is experience of landscape, an individual response to time and space. I am often reflective, finding solitary places emotional and providing me with time for thought. Gallery Representation My main representation is with: The Stratford Gallery, 62 High Street, Broadway, Worcestershire, WR12 7DT Statement about AOAP Submitted Artwork I was surprised and delighted to be asked to contribute to Art on a Postcard in support of The Hep C Trust. Years ago I used to love working small but this was the biggest challenge!
Charlotte Verity Light in January Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Charlotte Verity is an artist who has honed a lucid and highly specific visual process to attain truth in her work. Fastidious observation is at the heart of her practice. In contrast to the fleeting nature of her subjects, the paintings develop slowly and have a suggestion of deep space and the wider world. Whilst she has undertaken residencies and projects elsewhere, most notably a year-long residency at the Garden Museum, her garden in south east London has been and remains the focus of her work. For decades, she has immersed herself in it either by painting and drawing out of doors or by bringing elements of it into her studio to observe. With this practical restraint she has cultivated a deep knowledge and intimate respect for the forms that she depicts, and in this way, the paintings track the seasons and the passing of time. They become meditations on broader themes. Since graduating from the Slade she has exhibited regularly nationally and internationally since 1980, most recently with a two-part solo exhibition at Karsten Schubert London. A monograph 'Charlotte Verity', and 'Echoing Green: The Printed Year', are both published by Ridinghouse.
Assia Bennani Vision I Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Assia Bennani is a Moroccan painter artist based in London. She grew up in Casablanca and moved to Paris at age 18 to study interior design at the LISAA School of Paris Eager to explore different universes, Assia spent several years navigating between interior design, children's book illustrations and mural art. After moving to Hong Kong in 2007 where she spent 13 years, Assia's identity as an artist began to take shape and express itself. Her painting work is made of a mosaic of textures & patterns, reflecting her multi-cultural background and contemplative personality. Each place where she lived has left a mark and through painting, she explore times, spaces and cultures. The viewer is invited to travel in a new dimension where all those elements will gracefully blend. She aims to explore the complex topic of identity, how it evolves and grows through multicultural experiences. A fruitful journey where cultures, traditions and innovations happily find each other, a celebration of diversity and differences. Assia's paintings are formed with layers and layers of reworking, mixing figurative and rigorous details with evanescent, calming textured compositions. Her creative process is quite intuitive. The exploration through paint is led by a quest towards harmony and flow. She uses mostly acrylic paint, and although she sees her academic training in mural decorative art as a solid starting point, Assia like to use other medium like ink, gouache and oil paint. Education 2000 / French Baccalauréat (french school - Casablanca, Morocco) 2004 / Degree in Interior Design and design product ( LISAA - Paris, France) 2014 / Training & certification in Patines and mural effect painting (IPEDEC - Institut Supérieur de Peinture Décorative - Paris, France) Select Exhibitions/Awards 2021 - The Other Art Fair, London 2019 - Group show at The Auberge, Hong Kong 2019 - Art Central with Sovereign art Foundation #Safpigs2019 , Hong Kong 2019 - Asia Contemporary Art Show, Hong Kong 2018 - Group show, Couleurs de Chine Charity, Usagi Gallery, Hong Kong 2010 - Solo Show, Kama Sutra murals, PMQ Hong Kong Gallery Representation Saatchi Art Rise Art Statement about AOAP Submitted Artwork Vision I, II and III are a moment of poetry and dreaminess. One dot at the time and everything slowdowns. It feels good and quiet. You are invited to dive in a calmer world where nature, birds and imaginary landscapes celebrate an eternal quest for calming harmony between layers of colours, textures and patterns. A gentle reminder to keep as much as possible a light and playful spirit during challenging times.
Assia Bennani Vision II Gouache on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Assia Bennani is a Moroccan painter artist based in London. She grew up in Casablanca and moved to Paris at age 18 to study interior design at the LISAA School of Paris Eager to explore different universes, Assia spent several years navigating between interior design, children's book illustrations and mural art. After moving to Hong Kong in 2007 where she spent 13 years, Assia's identity as an artist began to take shape and express itself. Her painting work is made of a mosaic of textures & patterns, reflecting her multi-cultural background and contemplative personality. Each place where she lived has left a mark and through painting, she explore times, spaces and cultures. The viewer is invited to travel in a new dimension where all those elements will gracefully blend. She aims to explore the complex topic of identity, how it evolves and grows through multicultural experiences. A fruitful journey where cultures, traditions and innovations happily find each other, a celebration of diversity and differences. Assia's paintings are formed with layers and layers of reworking, mixing figurative and rigorous details with evanescent, calming textured compositions. Her creative process is quite intuitive. The exploration through paint is led by a quest towards harmony and flow. She uses mostly acrylic paint, and although she sees her academic training in mural decorative art as a solid starting point, Assia like to use other medium like ink, gouache and oil paint. Education 2000 / French Baccalauréat (french school - Casablanca, Morocco) 2004 / Degree in Interior Design and design product ( LISAA - Paris, France) 2014 / Training & certification in Patines and mural effect painting (IPEDEC - Institut Supérieur de Peinture Décorative - Paris, France) Select Exhibitions/Awards 2021 - The Other Art Fair, London 2019 - Group show at The Auberge, Hong Kong 2019 - Art Central with Sovereign art Foundation #Safpigs2019 , Hong Kong 2019 - Asia Contemporary Art Show, Hong Kong 2018 - Group show, Couleurs de Chine Charity, Usagi Gallery, Hong Kong 2010 - Solo Show, Kama Sutra murals, PMQ Hong Kong Gallery Representation Saatchi Art Rise Art Statement about AOAP Submitted Artwork Vision I, II and III are a moment of poetry and dreaminess. One dot at the time and everything slowdowns. It feels good and quiet. You are invited to dive in a calmer world where nature, birds and imaginary landscapes celebrate an eternal quest for calming harmony between layers of colours, textures and patterns. A gentle reminder to keep as much as possible a light and playful spirit during challenging times.
Anna Pogudz No Title Acrylic Paint with Marker on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I portray an image of modern and monstrous women, who are driven by a seductive vision of glamour, money, fame, and success. The women in my artworks are powerful, strong and beautiful, but also terrifying, depicted in a grotesque way, full of exaggeration, hyperbolism, and excessiveness. I combine contradicting elements of beauty and ugliness, pain and laugh, harmony and chaos, life and vanishing, creating a grotesque of a contemporary, sugar-coated, mass media, fashion-driven representation of society. As an artist I am deeply intrigued in consumerism and 21 century beauty concepts in a tragicomic way. Consumerism and consumption lead to uncontrolled addictions. Questioning perfectionism and our tendency to being ideal. I am focused on a body and its relation with physical objects of desire. Manicured, but deformed hands, become a symbol of an ageing part of the human body, which is less susceptible to rejuvenation through surgery or a beauty treatment. There is a hint of criticism of capitalistic society, but aren't we all on the same journey? Chuck Palahniuk's novel "Invisible Monsters", fashion magazines editorials, fashion campaigns, make-up tutorials, you-tube beauty series, celebrities, ancient mythology as well as other stories depicting women as dominant, powerful and monstrous, all contributed to my works. Education Turps Banana Painting Off-Site Programme 2019/2020 University of Arts London, Wimbledon College of Arts, MA Painting 2017-2018 Academy of Fine Arts in Warsaw, BA Fashion Design Select Exhibitions/Awards Flux Exhibition, Group Show, Design District, 4-27th November, 2021 Solo Booth at STARTfair, Saatchi Gallery, London, 13-17th November, 2021 Turps Off-site Leavers Show, Group show, Thames-Side Studios Gallery London, 2-26th October, 2021 Domesticity and Feminine, Open Call Winner's Exhibition, Online, 22/05/21-22/06/21 Mighty Beauty, Mighty Beast- solo show, Bermondsey Project Space, London UK (8th-19th December 2020) Summer Exhibition Hotel Elephant, London, UK 2019(7th-23rd June) Rendez-Vous in the Lonely City, Peckham Levels, London, UK, 2018 (14th-30th of September) Ma Painting Final Show, Wimbledon College of Arts, London, UK, 2018 (6th-14th of September) 62 Hands, Lewisham Arthouse, London, UK, 2018 Tactilis, PKO Bank, Warsaw, Poland, 2018. Coming Out 2015- Kamienica Plac MaÅ‚achowskiego, Warsaw, Poland, 2015 "Encounters", Eventuelle Gallery, Budapest, Hungary, 2015 Stockholm Design Week Stockholm Furniture & Light Fair, Green House, Stockholm, Sweden, 2015 Fashion performance "Tradition for Fashion", Berlin, Warsaw, Germany, Poland, 2011 Minister of Culture Award for Artistic Achievements, Poland, 2009
Anna Pogudz Lady In Red and Her Cats Acrylic Paint with Marker on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I portray an image of modern and monstrous women, who are driven by a seductive vision of glamour, money, fame, and success. The women in my artworks are powerful, strong and beautiful, but also terrifying, depicted in a grotesque way, full of exaggeration, hyperbolism, and excessiveness. I combine contradicting elements of beauty and ugliness, pain and laugh, harmony and chaos, life and vanishing, creating a grotesque of a contemporary, sugar-coated, mass media, fashion-driven representation of society. As an artist I am deeply intrigued in consumerism and 21 century beauty concepts in a tragicomic way. Consumerism and consumption lead to uncontrolled addictions. Questioning perfectionism and our tendency to being ideal. I am focused on a body and its relation with physical objects of desire. Manicured, but deformed hands, become a symbol of an ageing part of the human body, which is less susceptible to rejuvenation through surgery or a beauty treatment. There is a hint of criticism of capitalistic society, but aren't we all on the same journey? Chuck Palahniuk's novel "Invisible Monsters", fashion magazines editorials, fashion campaigns, make-up tutorials, you-tube beauty series, celebrities, ancient mythology as well as other stories depicting women as dominant, powerful and monstrous, all contributed to my works. Education Turps Banana Painting Off-Site Programme 2019/2020 University of Arts London, Wimbledon College of Arts, MA Painting 2017-2018 Academy of Fine Arts in Warsaw, BA Fashion Design Select Exhibitions/Awards Flux Exhibition, Group Show, Design District, 4-27th November, 2021 Solo Booth at STARTfair, Saatchi Gallery, London, 13-17th November, 2021 Turps Off-site Leavers Show, Group show, Thames-Side Studios Gallery London, 2-26th October, 2021 Domesticity and Feminine, Open Call Winner's Exhibition, Online, 22/05/21-22/06/21 Mighty Beauty, Mighty Beast- solo show, Bermondsey Project Space, London UK (8th-19th December 2020) Summer Exhibition Hotel Elephant, London, UK 2019(7th-23rd June) Rendez-Vous in the Lonely City, Peckham Levels, London, UK, 2018 (14th-30th of September) Ma Painting Final Show, Wimbledon College of Arts, London, UK, 2018 (6th-14th of September) 62 Hands, Lewisham Arthouse, London, UK, 2018 Tactilis, PKO Bank, Warsaw, Poland, 2018 Coming Out 2015- Kamienica Plac MaÅ‚achowskiego, Warsaw, Poland, 2015 "Encounters", Eventuelle Gallery, Budapest, Hungary, 2015 Stockholm Design Week Stockholm Furniture & Light Fair, Green House, Stockholm, Sweden, 2015 Fashion performance "Tradition for Fashion", Berlin, Warsaw, Germany, Poland, 2011 Minister of Culture Award for Artistic Achievements, Poland, 2009
Anna Pogudz My Pandemic Dream Acrylic Paint with Marker on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I portray an image of modern and monstrous women, who are driven by a seductive vision of glamour, money, fame, and success. The women in my artworks are powerful, strong and beautiful, but also terrifying, depicted in a grotesque way, full of exaggeration, hyperbolism, and excessiveness. I combine contradicting elements of beauty and ugliness, pain and laugh, harmony and chaos, life and vanishing, creating a grotesque of a contemporary, sugar-coated, mass media, fashion-driven representation of society. As an artist I am deeply intrigued in consumerism and 21 century beauty concepts in a tragicomic way. Consumerism and consumption lead to uncontrolled addictions. Questioning perfectionism and our tendency to being ideal. I am focused on a body and its relation with physical objects of desire. Manicured, but deformed hands, become a symbol of an ageing part of the human body, which is less susceptible to rejuvenation through surgery or a beauty treatment. There is a hint of criticism of capitalistic society, but aren't we all on the same journey? Chuck Palahniuk's novel "Invisible Monsters", fashion magazines editorials, fashion campaigns, make-up tutorials, you-tube beauty series, celebrities, ancient mythology as well as other stories depicting women as dominant, powerful and monstrous, all contributed to my works. Education Turps Banana Painting Off-Site Programme 2019/2020 University of Arts London, Wimbledon College of Arts, MA Painting 2017-2018 Academy of Fine Arts in Warsaw, BA Fashion Design Select Exhibitions/Awards Flux Exhibition, Group Show, Design District, 4-27th November, 2021 Solo Booth at STARTfair, Saatchi Gallery, London, 13-17th November, 2021 Turps Off-site Leavers Show, Group show, Thames-Side Studios Gallery London, 2-26th October, 2021 Domesticity and Feminine, Open Call Winner's Exhibition, Online, 22/05/21-22/06/21 Mighty Beauty, Mighty Beast- solo show, Bermondsey Project Space, London UK (8th-19th December 2020) Summer Exhibition Hotel Elephant, London, UK 2019(7th-23rd June) Rendez-Vous in the Lonely City, Peckham Levels, London, UK, 2018 (14th-30th of September) Ma Painting Final Show, Wimbledon College of Arts, London, UK, 2018 (6th-14th of September) 62 Hands, Lewisham Arthouse, London, UK, 2018 Tactilis, PKO Bank, Warsaw, Poland, 2018 Coming Out 2015- Kamienica Plac MaÅ‚achowskiego, Warsaw, Poland, 2015 "Encounters", Eventuelle Gallery, Budapest, Hungary, 2015 Stockholm Design Week Stockholm Furniture & Light Fair, Green House, Stockholm, Sweden, 2015 Fashion performance "Tradition for Fashion", Berlin, Warsaw, Germany, Poland, 2011 Minister of Culture Award for Artistic Achievements, Poland, 2009
Anna Pogudz La Dolce Vita Acrylic Paint with Marker on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I portray an image of modern and monstrous women, who are driven by a seductive vision of glamour, money, fame, and success. The women in my artworks are powerful, strong and beautiful, but also terrifying, depicted in a grotesque way, full of exaggeration, hyperbolism, and excessiveness. I combine contradicting elements of beauty and ugliness, pain and laugh, harmony and chaos, life and vanishing, creating a grotesque of a contemporary, sugar-coated, mass media, fashion-driven representation of society. As an artist I am deeply intrigued in consumerism and 21 century beauty concepts in a tragicomic way. Consumerism and consumption lead to uncontrolled addictions. Questioning perfectionism and our tendency to being ideal. I am focused on a body and its relation with physical objects of desire. Manicured, but deformed hands, become a symbol of an ageing part of the human body, which is less susceptible to rejuvenation through surgery or a beauty treatment. There is a hint of criticism of capitalistic society, but aren't we all on the same journey? Chuck Palahniuk's novel "Invisible Monsters", fashion magazines editorials, fashion campaigns, make-up tutorials, you-tube beauty series, celebrities, ancient mythology as well as other stories depicting women as dominant, powerful and monstrous, all contributed to my works. Education Turps Banana Painting Off-Site Programme 2019/2020 University of Arts London, Wimbledon College of Arts, MA Painting 2017-2018 Academy of Fine Arts in Warsaw, BA Fashion Design Select Exhibitions/Awards Flux Exhibition, Group Show, Design District, 4-27th November, 2021 Solo Booth at STARTfair, Saatchi Gallery, London, 13-17th November, 2021 Turps Off-site Leavers Show, Group show, Thames-Side Studios Gallery London, 2-26th October, 2021 Domesticity and Feminine, Open Call Winner's Exhibition, Online, 22/05/21-22/06/21 Mighty Beauty, Mighty Beast- solo show, Bermondsey Project Space, London UK (8th-19th December 2020) Summer Exhibition Hotel Elephant, London, UK 2019(7th-23rd June) Rendez-Vous in the Lonely City, Peckham Levels, London, UK, 2018 (14th-30th of September) Ma Painting Final Show, Wimbledon College of Arts, London, UK, 2018 (6th-14th of September) 62 Hands, Lewisham Arthouse, London, UK, 2018 Tactilis, PKO Bank, Warsaw, Poland, 2018 Coming Out 2015- Kamienica Plac MaÅ‚achowskiego, Warsaw, Poland, 2015 "Encounters", Eventuelle Gallery, Budapest, Hungary, 2015 Stockholm Design Week Stockholm Furniture & Light Fair, Green House, Stockholm, Sweden, 2015 Fashion performance "Tradition for Fashion", Berlin, Warsaw, Germany, Poland, 2011 Minister of Culture Award for Artistic Achievements, Poland, 2009
Seline Burn Sunday Pencils on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Seline Burn (b. 1995) presents her work in the manner of a journal, fuelled by recent experiences, distant dreams and internal processes. The Swiss artist summarises these intangible themes in clear, colourful interplays of light and shadow, expressing the accessibility to her inner life. Education BA Illustration Fiction, HSLU Lucerne Select Exhibitions/Awards Upcoming Solo Show at Eve Leibe Gallery Statement about AOAP Submitted Artwork The postcard I created represents life through the lenses of a moth, which is always seeking the light. It is a help if we can't see it on our own.
Mandy Hudson Light Shop Watercolour, Gouache and Coloured Pencil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I am a painter who lives and works in Kent & London. My work is mainly still life. I'm interested in the space between abstraction and figuration, drawing subject matter from accidental arrangements of objects I come across. These can be boxes in a corner shop, furniture left in the street or a plant in a distant window. My work has been predominantly urban in character but recently having moved to along the Thames estuary I have also found inspiration in the natural world, marsh plants growing on the shore and detritus washed up from the river. It is the singular and peculiar qualities of things which hold my interest. Education 1986 - 1989 BA (Hons) Degree, Maidstone College of Art, Kent Institute 1985 - 1986 Foundation Course in Art & Design, Cambridge College of Arts & Technology Select Exhibitions/Awards 2021 Flowers of Romance III, White Conduit Projects, London 2021 Turner Contemporary Open, Margate 2020 Every Day, Terrace Gallery at the William the Fourth, London 2019 Trinity Buoy Wharf Drawing Prize exhibition, London and touring 2019 Re-Assemble, Collyer Bristow Gallery, London 2017 Simmering, White Conduit Projects, London 2019 Solitudes and Seasons, Art at ARB, University of Cambridge 2016 Marmite Painting Prize, 336 Gallery, London & Highlanes Gallery, Ireland 2016 Things, Solo show, Dalston Cafe Project, London 2014 The Distance Between, Zeitgeist Art Projects, London 2013 MK Calling, Milton Keynes Gallery 2012 New Foragers, Collyer Bristow Gallery, London 2011 Souvenirs, Fieldgate at Angus-Hughes Gallery, London 2011 Creekside Open, Selected by Phyllida Barlow, APT Gallery, London 2007 Art Futures, Contemporary Art Society, Bloomberg Space, London Gallery Representation I am not represented by a gallery but exhibit most frequently with White Conduit Projects, London Statement about AOAP Submitted Artwork I made four individual paintings for Art on a Postcard. Each is a still life using photographs I have taken as a starting point. Shelves of books in a charity shop, lights in a dark display window, daisies in a tangle of leaves and a random rail of clothes in a factory outlet. These show the range of subject matter that I am currently working on.
Jo Bradford Portal: Sky Cameraless Photography Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Jo Bradford was born in Hertfordshire, UK, and raised in South Africa. She now lives on Dartmoor, UK with her two children. Jo has worked with experimental, alternative process and cameraless photographs in her colour darkroom for over two decades. Jo has exhibited widely and has works in public and private collections around the world. Her work is created using only the primary tools of analogue photography, with precisely timed flashes of light captured on light sensitive paper in utter darkness. These detailed working methods produce in essence a kind of pure photography - not representational of the external physical world, but acutely resonant of something entirely more abstract and possibly internal. Whatever the resonance, there is a subversion, or inversion of the photographic process as it's commonly understood. Education Master's Degree (Distinction) in Photography: Critical Practice from University College Falmouth in 2004 Select Exhibitions/Awards Exhibitions Photo London. Gas Gallery - Somerset House, The Strand, London, UK. 2021 Expo Chicago. NFP Editions with the Tate and Whitechapel Gallery - Navy Pier, Chicago USA. 2019 Women In Colour: Anna Atkins, Colour Photography and Those Struck by Light - Galerie Miranda, Paris, France. 2019 The Armory Show. Field Editions / NFP Editions; with the Tate - Piers 90, 92, and 94, New York, USA. 2019 Fotofever Art Fair - Paris, France. 2018 Expo Chicago. Field Editions / NFP Editions with the Tate and the Royal Academy et al - Navy Pier, Chicago USA. 2018 NADA New York. Field Editions - Skylight Clarkson Square, New York, USA. 2018 NADA Miami. Field Editions at NADA PROJECTS - Miami Beach, Miami, Florida, USA. 2017 Expo Chicago. Field Editions at Expo Editions - Navy Pier, Chicago USA. 2017 London Art Fair. Eyestorm Gallery - Islington, London, UK. 2017 Lutyens - Showing 22 works by Bradford at 85 Fleet Street, London, UK. 2016 Facing Changes - Guys Hospital, London, UK. 2015 Bristol Festival of Photography - Bristol, UK. 2014 The Photocopy Club presents Space is Ace - Doomed Gallery, Dalston, London, UK. 2014 Photogram - Urmson Burnett Gallery, Salisbury, UK. 2014 Beautiful Science at the Imperial Science Festival - London, UK. 2013 Beautiful Science - Brick Lane Gallery, London, UK. 2012 NASA Space Shuttle Endeavour STS-134 - Launched 16th May 2011, docked with the international space station, orbited for 16 days and 16 million miles around earth, returned to earth. Cliché Verre in the Digital Age - Jenkins Johnson Gallery, San Francisco, USA. 2011. Photo Alchemy - 23 Sandy Gallery, Portland, Oregon, USA. 2011 The Museum of Contemporary Art, Chicago, Illinois, USA. 2011 Facing Changes - Gordon Museum, London, UK. 2011 Low Tech - Center for Fine Art Photography, Fort Collins, Colorado, USA. 2010 Urban - Stramash Space, Glasgow, UK. 2010 Kennedy Space Centre, Florida, USA. 2010 Fort Worth Art Centre, Texas, USA. 2010 Light! Colour! - Madera Design Studio, Downtown, Los Angeles, USA. 2009 La Galerie D'Art - Atelier Mandarine, Brest, France. 2007 Indications of the Infinite - Out Of Place Gallery, Porthtowan, Cornwall, UK. 2007 Heart Of A Garden - Great Oak Hall, Westonbirt National Arboretum, UK. 2007 Cream Of The Crop - Custard Factory, Birmingham, UK. 2003 Homegrown - Millennium Point, Birmingham, UK. 2002 Out Of Bounds - Wallsworth Hall, Gloucestershire, UK. 2000 Awards 2016 - Arts Council England - Grants for the Arts Award. 2015 - DNPA 'Your Dartmoor Fund' Grant - Project Funding Award. 2010 - AA2A - Artist in Residence Scheme - Plymouth College of Art. 2008 - Saatchi Gallery & Harper Collins Publishers - Finalist -Book Cover Design. 2006 - Unlocking Cornish Potential - Graduate Placement Award. 2004 - Fenton Arts Trust Grant - Project Funding Award. 2003 - Arts Council England - Creative Development Award. 2003 - West Midlands Arts - Funding Award. 2002 - Arts Council England - Creative Development Award. 2002 - West Midlands Arts - Funding Award Gallery Representation Gina Cross Art + Design Eyestorm Gallery Miranda Statement about AOAP Submitted Artwork My photography begins in the absence of light. Undertaken in a completely black darkroom, in a time-consuming process requiring decades of practiced hand movements to mask light exposures and with continuous precise adjustments made to an array of dials and buttons not visible to the eye my work begins. Combining this with an understanding of the way colours mix in light to create primary and tertiary colours, and through a lot of trial and error and endless patience, hands and masks are used to create areas of shadow, which alter the path of light on its way to the paper during the brief flashes of light exposure. This non-figurative work subverts the established fidelity of the photograph as a record of an object, referring only to itself, without seeking to illustrate or represent anything. In a sense, it is a self-portrait made of photography, whereby the photographic means becomes the object and the medium becomes the subject.
Hermione Carline Outside In Ink and Wash on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Hermione Carline is a London-based English multimedia artist and oil painter inspired by abstraction, architecture and the natural world. Hermione's paintings are strong yet delicate and are imbued with an intriguing sense of ambiguity. Hermione was born into a family of artists, many of whom are represented in public collections across the UK including Tate Britain. She studied Fine Art at Camberwell School of Art followed by an MA in Textile Design at the Royal College of Art. Hermione co-founded an international textile company, The Collection, where she sold her designs to leading fashion houses including Pierre Cardin, Christian Dior and Ralph Lauren. After working and travelling for 15 years with The Collection, Hermione returned to painting in 2004; though her love of fabric, intricate paper cut stencils and design shines on through her work. Education Hermione studied Fine Art at Camberwell School of Art followed by an MA in Textile Design at the Royal College of Art. Select Exhibitions/Awards Recent collaborations have included projects with the Mayo Clinic, Claridge's Hotel and Visto Images. She has exhibited with Gallery Elena Shchukina in Mayfair, The Other Art Fair and the Affordable Art Fair with Mint Art Gallery. Her work can be found in private collections in the UK and overseas. Gallery Representation Mint Art Gallery Statement about AOAP Submitted Artwork In my recent drawings, Kyoto Dawn and Outside In, I have been revisiting some of the seminal moments from my first visit to Japan in 2013. I have never forgotten waking up at dawn as light filtered through the Shoji screens in our ryokan. The simple interior forming a beautiful silhouette against the rising light seen against the paper screens and the outside space. Exploring themes of light and shadow, translucence and opacity through my paintings and drawings, I aim to imbue my work with an immersive and atmospheric quality, creating pieces that are often abstracted but firmly rooted in the material world.
Ella Devi Dabysing The Lingerie of Liberation Series I Digital Drawing on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education BA FINE ART & ART HISTORY - MANCHESTER SCHOOL OF ART ART FOUNDATION DIPLOMA - KINGSTON SCHOOL OF ART Select Exhibitions/Awards 2021 | Named Space - Grateful for Co Ve, Mar House 2021 | KingDom - The Feathers of Deadalus Circus @Art Hub Studios 2020 | Virtual Exhibition - The Little Pink Gallery 2020 | ATA RODO LONDON @Deptford does Art 2019 | Woke Women London - Her Truth @EartH 2019 | City of Secrets, Bristol @Liberty House 2019 | NASTY WOMEN, Portugal @Galeria Monumental 2019 | The Primary Movement - The Divine Feminine @Georgia State University 2018 | Manchester Artist Collective - Under One Roof @Sandbar 2018 | Inkbigstudent - Voices without Limits @Mile End 2018 | Tech Your Time @BBB, London 2018 | Mania - Simple Life @AATMA 2018 | J Luna - First Showcase @The Crypt Gallery 2017 | L Southgate - Between @Kosmonaut 2017 | Final Year Degree Show @Manchester School of Art 2017 | Three & A Half Indians Collective @Revolution, Manchester 2016 | Course Fundraiser @Manchester School of Art 2016 | Second Year Show @Manchester School of Art 2015 | First Year Show @Manchester School of Art Gallery Representation TRiCERA Artist Support Iamfy Statement about AOAP Submitted Artwork Ella's current practice looks into portraying women in an abstract, natural and contemporary light. By reverting away from preconceived conceptions that we have been led to believe throughout art history; her work takes a sincere and revised approach to capturing what is real. Through various life drawing sessions, conversations, drawing studies and readings, she has adapted a style that taps into drawing from these women's interior rather than exterior in an abstract way. Everything about Ella's work goes against the norm and traditional standards, making the viewer question the constructs that women face and why they haven't been able to be seen in a truer light such as this. Ella has created an intimate, and playful series for Art on a Postcard's International Women's Day Auction; these women are dressed in 'delicate' lingerie, but stand strong because they are a force to be reckoned with.
Ella Devi Dabysing The Lingerie of Liberation Series II Digital Drawing on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education BA FINE ART & ART HISTORY - MANCHESTER SCHOOL OF ART ART FOUNDATION DIPLOMA - KINGSTON SCHOOL OF ART Select Exhibitions/Awards 2021 | Named Space - Grateful for Co Ve, Mar House 2021 | KingDom - The Feathers of Deadalus Circus @Art Hub Studios 2020 | Virtual Exhibition - The Little Pink Gallery 2020 | ATA RODO LONDON @Deptford does Art 2019 | Woke Women London - Her Truth @EartH 2019 | City of Secrets, Bristol @Liberty House 2019 | NASTY WOMEN, Portugal @Galeria Monumental 2019 | The Primary Movement - The Divine Feminine @Georgia State University 2018 | Manchester Artist Collective - Under One Roof @Sandbar 2018 | Inkbigstudent - Voices without Limits @Mile End 2018 | Tech Your Time @BBB, London 2018 | Mania - Simple Life @AATMA 2018 | J Luna - First Showcase @The Crypt Gallery 2017 | L Southgate - Between @Kosmonaut 2017 | Final Year Degree Show @Manchester School of Art 2017 | Three & A Half Indians Collective @Revolution, Manchester 2016 | Course Fundraiser @Manchester School of Art 2016 | Second Year Show @Manchester School of Art 2015 | First Year Show @Manchester School of Art Gallery Representation TRiCERA Artist Support Iamfy Statement about AOAP Submitted Artwork Ella's current practice looks into portraying women in an abstract, natural and contemporary light. By reverting away from preconceived conceptions that we have been led to believe throughout art history; her work takes a sincere and revised approach to capturing what is real. Through various life drawing sessions, conversations, drawing studies and readings, she has adapted a style that taps into drawing from these women's interior rather than exterior in an abstract way. Everything about Ella's work goes against the norm and traditional standards, making the viewer question the constructs that women face and why they haven't been able to be seen in a truer light such as this. Ella has created an intimate, and playful series for Art on a Postcard's International Women's Day Auction; these women are dressed in 'delicate' lingerie, but stand strong because they are a force to be reckoned with.
Ella Devi Dabysing The Lingerie of Liberation Series III Digital Drawing on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education BA FINE ART & ART HISTORY - MANCHESTER SCHOOL OF ART ART FOUNDATION DIPLOMA - KINGSTON SCHOOL OF ART Select Exhibitions/Awards 2021 | Named Space - Grateful for Co Ve, Mar House 2021 | KingDom - The Feathers of Deadalus Circus @Art Hub Studios 2020 | Virtual Exhibition - The Little Pink Gallery 2020 | ATA RODO LONDON @Deptford does Art 2019 | Woke Women London - Her Truth @EartH 2019 | City of Secrets, Bristol @Liberty House 2019 | NASTY WOMEN, Portugal @Galeria Monumental 2019 | The Primary Movement - The Divine Feminine @Georgia State University 2018 | Manchester Artist Collective - Under One Roof @Sandbar 2018 | Inkbigstudent - Voices without Limits @Mile End 2018 | Tech Your Time @BBB, London 2018 | Mania - Simple Life @AATMA 2018 | J Luna - First Showcase @The Crypt Gallery 2017 | L Southgate - Between @Kosmonaut 2017 | Final Year Degree Show @Manchester School of Art 2017 | Three & A Half Indians Collective @Revolution, Manchester 2016 | Course Fundraiser @Manchester School of Art 2016 | Second Year Show @Manchester School of Art 2015 | First Year Show @Manchester School of Art Gallery Representation TRiCERA Artist Support Iamfy Statement about AOAP Submitted Artwork Ella's current practice looks into portraying women in an abstract, natural and contemporary light. By reverting away from preconceived conceptions that we have been led to believe throughout art history; her work takes a sincere and revised approach to capturing what is real. Through various life drawing sessions, conversations, drawing studies and readings, she has adapted a style that taps into drawing from these women's interior rather than exterior in an abstract way. Everything about Ella's work goes against the norm and traditional standards, making the viewer question the constructs that women face and why they haven't been able to be seen in a truer light such as this. Ella has created an intimate, and playful series for Art on a Postcard's International Women's Day Auction; these women are dressed in 'delicate' lingerie, but stand strong because they are a force to be reckoned with.
Ella Devi Dabysing The Lingerie of Liberation Series IV Digital Drawing on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education BA FINE ART & ART HISTORY - MANCHESTER SCHOOL OF ART ART FOUNDATION DIPLOMA - KINGSTON SCHOOL OF ART Select Exhibitions/Awards 2021 | Named Space - Grateful for Co Ve, Mar House 2021 | KingDom - The Feathers of Deadalus Circus @Art Hub Studios 2020 | Virtual Exhibition - The Little Pink Gallery 2020 | ATA RODO LONDON @Deptford does Art 2019 | Woke Women London - Her Truth @EartH 2019 | City of Secrets, Bristol @Liberty House 2019 | NASTY WOMEN, Portugal @Galeria Monumental 2019 | The Primary Movement - The Divine Feminine @Georgia State University 2018 | Manchester Artist Collective - Under One Roof @Sandbar 2018 | Inkbigstudent - Voices without Limits @Mile End 2018 | Tech Your Time @BBB, London 2018 | Mania - Simple Life @AATMA 2018 | J Luna - First Showcase @The Crypt Gallery 2017 | L Southgate - Between @Kosmonaut 2017 | Final Year Degree Show @Manchester School of Art 2017 | Three & A Half Indians Collective @Revolution, Manchester 2016 | Course Fundraiser @Manchester School of Art 2016 | Second Year Show @Manchester School of Art 2015 | First Year Show @Manchester School of Art Gallery Representation TRiCERA Artist Support Iamfy Statement about AOAP Submitted Artwork Ella's current practice looks into portraying women in an abstract, natural and contemporary light. By reverting away from preconceived conceptions that we have been led to believe throughout art history; her work takes a sincere and revised approach to capturing what is real. Through various life drawing sessions, conversations, drawing studies and readings, she has adapted a style that taps into drawing from these women's interior rather than exterior in an abstract way. Everything about Ella's work goes against the norm and traditional standards, making the viewer question the constructs that women face and why they haven't been able to be seen in a truer light such as this. Ella has created an intimate, and playful series for Art on a Postcard's International Women's Day Auction; these women are dressed in 'delicate' lingerie, but stand strong because they are a force to be reckoned with.
Wanda Orme The Truth is an Act of Love Black Oxide and Ash on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Wanda Orme is an artist working across the mediums of photography, sculpture and the written word to pursue an exploration of the world which is both analytical and visceral. Born on the Isle of Man and raised in London, she is drawn to margins, coastlines and wild places. Her work explores desire, instinct, resonance and the relationships between human and non-human bodies. Her works often carrying within them a duality - intimacy and expanse, destruction and creation. Her artistic practice is deeply rooted in an engagement with an animate world that talks back, she is seeking to learn. Education MA Anthropology (University of California, San Diego), MA Psychology (New School for Social Research, New York) Select Exhibitions/Awards Nominated for The Louis Roederer Art Prize for Sustainability (2022) Nominated for The Prix Pictet Global Photography Award (2019, 2020) Wanda is known for her site-specific sculptural installations concerning water and the environment. She is the author of three books, The Becoming Light of Water (2018), Blue on Fire (2021) and Volcano Songs (2021). Clients and Publications include: AnOther Magazine, Photo London, The Sunday Times Style, Dazed Digital, Coco de Mer, Vogue Italia and byNWR Studios. Statement about AOAP Submitted Artwork THE TRUTH IS AN ACT OF LOVE. The truth matters, there is vulnerability and power in it. The truth can work magic. You can both hold it and offer it. To hold another's truth is a tenderness.
Madeleine De Angelis Infinity Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education Harrow School of Art (2 years), Eastbourne College of Art & Design (3 years) Select Exhibitions/Awards ONCA Gallery Brighton Capital Gallery London Flux Arts Magazine (double page feature of my artworks) Premier Vision Paris Sussex University commission for a painting now on permanent display Visionary Art Collective exhibition Splash, Drip, Throw. Tebbs Contemporary Gallery (upcoming artist of the week) Statement about AOAP Submitted Artwork 'Infinity', this painting was inspired by the sea where I live in Brighton, the constant changing of light and movement across the surface.
Liz Foster My Sunshine Acrylic and Collage on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Born in Leeds, Liz Foster is a graduate of the Glasgow School of Art's Painting Department, where she studied in the 90's. During her time there she was awarded the Exchange Scholarship to study in her third year at the School of the Art Institute of Chicago. Later, she went on to study for an M.A. in Fine Art at the University of Hull. Her work explores notions of repetition and pattern, creating systems and rhythms that reference the natural, human-made and auditory environment. Referencing Gestalt she often creates compositions from the reiteration of smaller parts, prompting the viewer to 'join the dots'. Her work is centered on painting and is known for it's bold use of colour and abstracted forms. She's exhibited nationally in group and solo shows and has work in both public and private collections. Liz is currently based in York, U.K. Education Glasgow School of Art, B.A.(hons) Drawing and Painting, 1990-1994 School of the Art Institute of Chicago - Exchange Scholarship Award, 1993 University of Hull, M.A. Fine Art, 2002-2004 Select Exhibitions/Awards Liz has exhibited extensively across the UK including the following group and solo exhibitions: The Ferens Open, 2022 The Royal Academy Summer Exhibition, 2021 Re-Cultivate, Cultivate Gallery, London, 2021 New Light 'Curator's Choice', Scarborough Art Gallery, 2021 The Ferens Open, 2019 Taste, 20-21 Visual Arts (solo), 2006 Multiplicity, Kirkleatham Museum and Art Gallery, 2006 London Art Fair, 2008 Painting is Dead, Long Live Painting, Hastings Museum & Art Gallery, 2004 Women's Work, Artlink Gallery, Hull, 2004 Unframed, Cupola Art Gallery, Sheffield, 2003 New Paintings, Air Gallery, London (solo)1999 York Open, York City Art Gallery, York 1997 6×6, University of Northumbria, Newcastle 1995 New Generation, The Compass Gallery, Glasgow 1994 Paths of Exploration, The Assembly Rooms, Glasgow 1994 The Royal Scottish Academy, Student Exhibition, Edinburgh, 1993 Gallery Representation Liz exhibits at various UK galleries. Statement about AOAP Submitted Artwork I wanted these small paintings to be full of life and colour - I've incorporated collage to create contrast and a shift in texture. They are noisy, colourful and optimistic.
Liz Foster Jazz Days Acrylic and Collage on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Born in Leeds, Liz Foster is a graduate of the Glasgow School of Art's Painting Department, where she studied in the 90's. During her time there she was awarded the Exchange Scholarship to study in her third year at the School of the Art Institute of Chicago. Later, she went on to study for an M.A. in Fine Art at the University of Hull. Her work explores notions of repetition and pattern, creating systems and rhythms that reference the natural, human-made and auditory environment. Referencing Gestalt she often creates compositions from the reiteration of smaller parts, prompting the viewer to 'join the dots'. Her work is centered on painting and is known for it's bold use of colour and abstracted forms. She's exhibited nationally in group and solo shows and has work in both public and private collections. Liz is currently based in York, U.K. Education Glasgow School of Art, B.A.(hons) Drawing and Painting, 1990-1994 School of the Art Institute of Chicago - Exchange Scholarship Award, 1993 University of Hull, M.A. Fine Art, 2002-2004 Select Exhibitions/Awards Liz has exhibited extensively across the UK including the following group and solo exhibitions: The Ferens Open, 2022 The Royal Academy Summer Exhibition, 2021 Re-Cultivate, Cultivate Gallery, London, 2021 New Light 'Curator's Choice', Scarborough Art Gallery, 2021 The Ferens Open, 2019 Taste, 20-21 Visual Arts (solo), 2006 Multiplicity, Kirkleatham Museum and Art Gallery, 2006 London Art Fair, 2008 Painting is Dead, Long Live Painting, Hastings Museum & Art Gallery, 2004 Women's Work, Artlink Gallery, Hull, 2004 Unframed, Cupola Art Gallery, Sheffield, 2003 New Paintings, Air Gallery, London (solo)1999 York Open, York City Art Gallery, York 1997 6×6, University of Northumbria, Newcastle 1995 New Generation, The Compass Gallery, Glasgow 1994 Paths of Exploration, The Assembly Rooms, Glasgow 1994 The Royal Scottish Academy, Student Exhibition, Edinburgh, 1993 Gallery Representation Liz exhibits at various UK galleries. Statement about AOAP Submitted Artwork I wanted these small paintings to be full of life and colour - I've incorporated collage to create contrast and a shift in texture. They are noisy, colourful and optimistic.
Liz Foster Let's Go Out! Acrylic and Collage on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Born in Leeds, Liz Foster is a graduate of the Glasgow School of Art's Painting Department, where she studied in the 90's. During her time there she was awarded the Exchange Scholarship to study in her third year at the School of the Art Institute of Chicago. Later, she went on to study for an M.A. in Fine Art at the University of Hull. Her work explores notions of repetition and pattern, creating systems and rhythms that reference the natural, human-made and auditory environment. Referencing Gestalt she often creates compositions from the reiteration of smaller parts, prompting the viewer to 'join the dots'. Her work is centered on painting and is known for it's bold use of colour and abstracted forms. She's exhibited nationally in group and solo shows and has work in both public and private collections. Liz is currently based in York, U.K. Education Glasgow School of Art, B.A.(hons) Drawing and Painting, 1990-1994 School of the Art Institute of Chicago - Exchange Scholarship Award, 1993 University of Hull, M.A. Fine Art, 2002-2004 Select Exhibitions/Awards Liz has exhibited extensively across the UK including the following group and solo exhibitions: The Ferens Open, 2022 The Royal Academy Summer Exhibition, 2021 Re-Cultivate, Cultivate Gallery, London, 2021 New Light 'Curator's Choice', Scarborough Art Gallery, 2021 The Ferens Open, 2019 Taste, 20-21 Visual Arts (solo), 2006 Multiplicity, Kirkleatham Museum and Art Gallery, 2006 London Art Fair, 2008 Painting is Dead, Long Live Painting, Hastings Museum & Art Gallery, 2004 Women's Work, Artlink Gallery, Hull, 2004 Unframed, Cupola Art Gallery, Sheffield, 2003 New Paintings, Air Gallery, London (solo)1999 York Open, York City Art Gallery, York 1997 6×6, University of Northumbria, Newcastle 1995 New Generation, The Compass Gallery, Glasgow 1994 Paths of Exploration, The Assembly Rooms, Glasgow 1994 The Royal Scottish Academy, Student Exhibition, Edinburgh, 1993 Gallery Representation Liz exhibits at various UK galleries. Statement about AOAP Submitted Artwork I wanted these small paintings to be full of life and colour - I've incorporated collage to create contrast and a shift in texture. They are noisy, colourful and optimistic.
Marcelina Amelia Moonlight Watercolour and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Marcelina Amelia is a contemporary artist, based between the UK and Poland, working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine and is also a founder of art-brand Mesh Studio. She exhibits work throughout the UK as well as internationally and was a featured artist at the 2017 edition of the London Illustration Fair and led The Big Draw sketch walk for Apple. In 2018 Marcelina was Saatchi Art's featured 'Artist in Spotlight' at The Other Art Fair in Bristol and her artwork adorned thousands of tote bags promoting the fair. This year Marcelina was also a featured artist at the Affordable Art Fair Battersea's Live Art event. Added to that her work was displayed at Boxpark Croydon, made an appearance at 2018 London Fashion Week and she has been invited to take part in the infamous 'Art on a Postcard' secret auction alongside some big names in the art world. Rebecca Wilson, the chief curator at Saatchi Art, highlighted Marcelina as an artist to invest in at her talk at The Other Art Fair in London in 2018. In addition, Saatchi curator Monty Preston said she was "unquestionably an artist on the rise" Marcelina says, 'I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as 'nowhere else could such horrific grief be met with such fairly-tale romanticism'. I tend to utilise nature as a metaphor for everyday feelings and headaches. My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.'
Marcelina Amelia My Fire Watercolour and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Marcelina Amelia is a contemporary artist, based between the UK and Poland, working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine and is also a founder of art-brand Mesh Studio. She exhibits work throughout the UK as well as internationally and was a featured artist at the 2017 edition of the London Illustration Fair and led The Big Draw sketch walk for Apple. In 2018 Marcelina was Saatchi Art's featured 'Artist in Spotlight' at The Other Art Fair in Bristol and her artwork adorned thousands of tote bags promoting the fair. This year Marcelina was also a featured artist at the Affordable Art Fair Battersea's Live Art event. Added to that her work was displayed at Boxpark Croydon, made an appearance at 2018 London Fashion Week and she has been invited to take part in the infamous 'Art on a Postcard' secret auction alongside some big names in the art world. Rebecca Wilson, the chief curator at Saatchi Art, highlighted Marcelina as an artist to invest in at her talk at The Other Art Fair in London in 2018. In addition, Saatchi curator Monty Preston said she was "unquestionably an artist on the rise" Marcelina says, 'I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as 'nowhere else could such horrific grief be met with such fairly-tale romanticism'. I tend to utilise nature as a metaphor for everyday feelings and headaches. My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.'
Marcelina Amelia Grounding Watercolour and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Marcelina Amelia is a contemporary artist, based between the UK and Poland, working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine and is also a founder of art-brand Mesh Studio. She exhibits work throughout the UK as well as internationally and was a featured artist at the 2017 edition of the London Illustration Fair and led The Big Draw sketch walk for Apple. In 2018 Marcelina was Saatchi Art's featured 'Artist in Spotlight' at The Other Art Fair in Bristol and her artwork adorned thousands of tote bags promoting the fair. This year Marcelina was also a featured artist at the Affordable Art Fair Battersea's Live Art event. Added to that her work was displayed at Boxpark Croydon, made an appearance at 2018 London Fashion Week and she has been invited to take part in the infamous 'Art on a Postcard' secret auction alongside some big names in the art world. Rebecca Wilson, the chief curator at Saatchi Art, highlighted Marcelina as an artist to invest in at her talk at The Other Art Fair in London in 2018. In addition, Saatchi curator Monty Preston said she was "unquestionably an artist on the rise" Marcelina says, 'I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as 'nowhere else could such horrific grief be met with such fairly-tale romanticism'. I tend to utilise nature as a metaphor for everyday feelings and headaches. My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.'
Marcelina Amelia My Big Small Fire Watercolour and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Marcelina Amelia is a contemporary artist, based between the UK and Poland, working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine and is also a founder of art-brand Mesh Studio. She exhibits work throughout the UK as well as internationally and was a featured artist at the 2017 edition of the London Illustration Fair and led The Big Draw sketch walk for Apple. In 2018 Marcelina was Saatchi Art's featured 'Artist in Spotlight' at The Other Art Fair in Bristol and her artwork adorned thousands of tote bags promoting the fair. This year Marcelina was also a featured artist at the Affordable Art Fair Battersea's Live Art event. Added to that her work was displayed at Boxpark Croydon, made an appearance at 2018 London Fashion Week and she has been invited to take part in the infamous 'Art on a Postcard' secret auction alongside some big names in the art world. Rebecca Wilson, the chief curator at Saatchi Art, highlighted Marcelina as an artist to invest in at her talk at The Other Art Fair in London in 2018. In addition, Saatchi curator Monty Preston said she was "unquestionably an artist on the rise" Marcelina says, 'I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as 'nowhere else could such horrific grief be met with such fairly-tale romanticism'. I tend to utilise nature as a metaphor for everyday feelings and headaches. My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.'
Polly Luce Morning Light Acrylic, Charcoal and Oil Pastel on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Polly is an abstract expressive artist living in the South West (UK). Passionate about colour, light, texture and mark making, Polly draws inspiration predominantly from landscapes and the elements. Using a variety of mixed media, her paintings seek to capture a fleeting moment or emotion while celebrating the joy of gestural mark making. Education Polly studied at the University of St Andrews (Art History, 2012) Select Exhibitions/Awards The Other Art Fair, October 2021 The Art Cohort, September 2021, solo show Statement about AOAP Submitted Artwork These mixed media sketches are both acrylic, charcoal and oil pastel on paper. Signed on verso.
Jessie Stevenson From Different Heights The Restless Gleam Study 2 Acrylic and Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born 1993, Norwich UK Stevenson's practice explores the potency of the North Norfolk landscape; both as a poetic and philosophical gesture. A download of physical energy, she embodies the sensory experience of nature with daring mark making and uninhibited movement in her paintings. She draws inspiration from the colours and techniques of Old Masters including J. M. W. Turner and Eugène Delacroix, as well as the Romantic poetry of William Wordsworth. These are combined with contemporary pop culture references, incorporating colourways from fashion advertising and television series such as the period drama Bridgerton. Working from digital moving images, contemporary pigments, and frenetic 'colour beginnings' in paint which fill her numerous sketchbooks, the artist reinvigorates the traditional landscape genre. Education 2019 - 2022 Masters in Fine Art Painting, Slade School of Fine Art 2013 - 2017 BA Hon Fine Art, Central Saint Martins 2011 - 2013 Foundation Diploma and Painting Course, Leith School of Art Select Exhibitions/Awards SOLO EXHIBITIONS 2021 Way Out East, Sapling Gallery, London SELECTED GROUP EXHIBITIONS 2022 The Pump House, Berntson Bhattacharjee, Battersea Park, London 2021 Thesmophoria, Soho Revue X Purslan 2021 Stäying Alive, Berntson Bhattacharjee, Falsterbo, Sweden 2021 Metis, Purslane 2021 Domesticity and the Feminine, Procrastinarting 2021 To be a shell, Queensrollahouse, London 2021 The Artists' Dozen Charity Auction, The Artists Contemporary X Procrasinarting 2021 Mnemysone, Purslane 2021 Cutting at lemons for freckles, Skippings Gallery, Great Yarmouth 2021 Colour and Poetry online exhibition, The Slade School of Fine Art 2021 Berntson Bhattacharjee X Women's Aid Charity Auction 2020 The Ing Discerning Eye, Tabish Khan Art Critic's Choice 2020 The Heart of Light, The Silence, Online group show 2020 Slade Runner, ASC Gallery, London 2020 SAVAGE 2020, The Crypt Gallery, London 2019 Peacock Yard Sale, Kennington, London 2018 Inhabiting The Dome, Whiteleys, London 2018 Skins X Eccleston Yards, London 2018 The Portuguese Love Affair, Hackney, London 2018 Low Island & Friends, Scala Kings Cross, London 2017 Mercer Street, New York City 2017 New Works 54 The Gallery, Mayfair, London 2016 YAZ, Pip Collective, Vienna 2015 Here in Archway, London 2015 4.3 x 24 x 2.9, The Rag Factory, London 2014 Second Nature, London 2014 Latency, Vyner Street Gallery, London 2014 Slippers, Hoxton Gallery, London AWARDS AND RESIDENCIES: 2021 Col Art Residency, The Fine Art Collective, London 2019 JOYA: AIR Residency, Sierra María-Los Vélez National Park, Spain 2017 The Cass Art Prize, Central Saint Martins Graduate Award 2015 Ackademie Der Bildenen Künste, Erasmus programme, Vienna
Jessie Stevenson From Different Heights The Restless Gleam Study 3 Acrylic and Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born 1993, Norwich UK Stevenson's practice explores the potency of the North Norfolk landscape; both as a poetic and philosophical gesture. A download of physical energy, she embodies the sensory experience of nature with daring mark making and uninhibited movement in her paintings. She draws inspiration from the colours and techniques of Old Masters including J. M. W. Turner and Eugène Delacroix, as well as the Romantic poetry of William Wordsworth. These are combined with contemporary pop culture references, incorporating colourways from fashion advertising and television series such as the period drama Bridgerton. Working from digital moving images, contemporary pigments, and frenetic 'colour beginnings' in paint which fill her numerous sketchbooks, the artist reinvigorates the traditional landscape genre. Education 2019 - 2022 Masters in Fine Art Painting, Slade School of Fine Art 2013 - 2017 BA Hon Fine Art, Central Saint Martins 2011 - 2013 Foundation Diploma and Painting Course, Leith School of Art Select Exhibitions/Awards SOLO EXHIBITIONS 2021 Way Out East, Sapling Gallery, London SELECTED GROUP EXHIBITIONS 2022 The Pump House, Berntson Bhattacharjee, Battersea Park, London 2021 Thesmophoria, Soho Revue X Purslan 2021 Stäying Alive, Berntson Bhattacharjee, Falsterbo, Sweden 2021 Metis, Purslane 2021 Domesticity and the Feminine, Procrastinarting 2021 To be a shell, Queensrollahouse, London 2021 The Artists' Dozen Charity Auction, The Artists Contemporary X Procrasinarting 2021 Mnemysone, Purslane 2021 Cutting at lemons for freckles, Skippings Gallery, Great Yarmouth 2021 Colour and Poetry online exhibition, The Slade School of Fine Art 2021 Berntson Bhattacharjee X Women's Aid Charity Auction 2020 The Ing Discerning Eye, Tabish Khan Art Critic's Choice 2020 The Heart of Light, The Silence, Online group show 2020 Slade Runner, ASC Gallery, London 2020 SAVAGE 2020, The Crypt Gallery, London 2019 Peacock Yard Sale, Kennington, London 2018 Inhabiting The Dome, Whiteleys, London 2018 Skins X Eccleston Yards, London 2018 The Portuguese Love Affair, Hackney, London 2018 Low Island & Friends, Scala Kings Cross, London 2017 Mercer Street, New York City 2017 New Works 54 The Gallery, Mayfair, London 2016 YAZ, Pip Collective, Vienna 2015 Here in Archway, London 2015 4.3 x 24 x 2.9, The Rag Factory, London 2014 Second Nature, London 2014 Latency, Vyner Street Gallery, London 2014 Slippers, Hoxton Gallery, London AWARDS AND RESIDENCIES: 2021 Col Art Residency, The Fine Art Collective, London 2019 JOYA: AIR Residency, Sierra María-Los Vélez National Park, Spain 2017 The Cass Art Prize, Central Saint Martins Graduate Award 2015 Ackademie Der Bildenen Künste, Erasmus programme, Vienna
Sadie Tierney Swimming Women VI Spray Paint/Screen Print on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Sadie Tierney's vibrant and expressive prints and paintings use drawings made in situ as their source material. A graduate of the Royal College of Art, Tierney works in a tradition of painter/ printmakers who abstract form and colour to explore subject matter and express human emotion. Objects and places where form is linked to emotion, metaphor and movement or change are explored through celebratory use of colour and line. Selected solo exhibitions include Flowers East Gallery, Angela Flowers Ireland, Eton College and Aspex Gallery. Education Royal College of Art MA Printmaking, University of Newcastle on Tyne BA (Hons) Fine Art Select Exhibitions/Awards RECENT EXHIBITIONS 2021 Solo Exhibition with Rabley Gallery, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner solo stand) RWA Annual Open Exhibition, Bristol, Pause, Reflect, Curate, curated by Hotwalls Studios Portsmouth Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, Basil Alkazzi's Gift to the National Museum in GdaÅ„sk Royal Academy Summer Exhibition 2020 Picture Palace, Transition Gallery, London, London Original Print Fair, Woolwich Contemporary Print Fair 2019 Royal Academy Summer Exhibition, London Original Print Fair, Joie, Gallery 68 Ulverston, Printfest Printmaker of the Year, National Original Print Exhibition, Round Tower (solo), Portsmouth,
 2018 Royal Academy Summer Exhibition, London Original Print Fair, Woolwich Contemporary Print Fair AWARDS 2020 AN Bursary: Time Space Money Award Arts Council England Emergency Response Fund Boodle Hatfield Prize for print, Printfest Printmaker of the Year (2019) Gallery Representation Works on paper with Rabley Gallery Statement about AOAP Submitted Artwork Swimming Women Series It interested me very much that throughout the pandemic growing numbers of women in particular, have been meeting to swim in the sea where I live- organising their meet ups through WhatsApp and other social media. Perhaps they are showing good survival skills as research has shown cold water swimming to have health benefits; improving circulation, boosting the immune system, and reducing stress. Popular times to meet are dawn and dusk - and these are really interesting times to paint with the light changing rapidly. I began drawing the silhouetted figures in groups. Other people would gather to watch the light show, the groups of women swimmers and to take photos.
Sadie Tierney Swimming Women VII Spray Paint/Screen Print on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Sadie Tierney's vibrant and expressive prints and paintings use drawings made in situ as their source material. A graduate of the Royal College of Art, Tierney works in a tradition of painter/ printmakers who abstract form and colour to explore subject matter and express human emotion. Objects and places where form is linked to emotion, metaphor and movement or change are explored through celebratory use of colour and line. Selected solo exhibitions include Flowers East Gallery, Angela Flowers Ireland, Eton College and Aspex Gallery. Education Royal College of Art MA Printmaking, University of Newcastle on Tyne BA (Hons) Fine Art Select Exhibitions/Awards RECENT EXHIBITIONS 2021 Solo Exhibition with Rabley Gallery, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner solo stand) RWA Annual Open Exhibition, Bristol, Pause, Reflect, Curate, curated by Hotwalls Studios Portsmouth Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, Basil Alkazzi's Gift to the National Museum in GdaÅ„sk Royal Academy Summer Exhibition 2020 Picture Palace, Transition Gallery, London, London Original Print Fair, Woolwich Contemporary Print Fair 2019 Royal Academy Summer Exhibition, London Original Print Fair, Joie, Gallery 68 Ulverston, Printfest Printmaker of the Year, National Original Print Exhibition, Round Tower (solo), Portsmouth,
 2018 Royal Academy Summer Exhibition, London Original Print Fair, Woolwich Contemporary Print Fair AWARDS 2020 AN Bursary: Time Space Money Award Arts Council England Emergency Response Fund Boodle Hatfield Prize for print, Printfest Printmaker of the Year (2019) Gallery Representation Works on paper with Rabley Gallery Statement about AOAP Submitted Artwork Swimming Women Series It interested me very much that throughout the pandemic growing numbers of women in particular, have been meeting to swim in the sea where I live- organising their meet ups through WhatsApp and other social media. Perhaps they are showing good survival skills as research has shown cold water swimming to have health benefits; improving circulation, boosting the immune system, and reducing stress. Popular times to meet are dawn and dusk - and these are really interesting times to paint with the light changing rapidly. I began drawing the silhouetted figures in groups. Other people would gather to watch the light show, the groups of women swimmers and to take photos.
Sadie Tierney Swimming Women VIII Spray Paint/Screen Print on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Sadie Tierney's vibrant and expressive prints and paintings use drawings made in situ as their source material. A graduate of the Royal College of Art, Tierney works in a tradition of painter/ printmakers who abstract form and colour to explore subject matter and express human emotion. Objects and places where form is linked to emotion, metaphor and movement or change are explored through celebratory use of colour and line. Selected solo exhibitions include Flowers East Gallery, Angela Flowers Ireland, Eton College and Aspex Gallery. Education Royal College of Art MA Printmaking, University of Newcastle on Tyne BA (Hons) Fine Art Select Exhibitions/Awards RECENT EXHIBITIONS 2021 Solo Exhibition with Rabley Gallery, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner solo stand) RWA Annual Open Exhibition, Bristol, Pause, Reflect, Curate, curated by Hotwalls Studios Portsmouth Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, Basil Alkazzi's Gift to the National Museum in GdaÅ„sk Royal Academy Summer Exhibition 2020 Picture Palace, Transition Gallery, London, London Original Print Fair, Woolwich Contemporary Print Fair 2019 Royal Academy Summer Exhibition, London Original Print Fair, Joie, Gallery 68 Ulverston, Printfest Printmaker of the Year, National Original Print Exhibition, Round Tower (solo), Portsmouth,
 2018 Royal Academy Summer Exhibition, London Original Print Fair, Woolwich Contemporary Print Fair AWARDS 2020 AN Bursary: Time Space Money Award Arts Council England Emergency Response Fund Boodle Hatfield Prize for print, Printfest Printmaker of the Year (2019) Gallery Representation Works on paper with Rabley Gallery Statement about AOAP Submitted Artwork Swimming Women Series It interested me very much that throughout the pandemic growing numbers of women in particular, have been meeting to swim in the sea where I live- organising their meet ups through WhatsApp and other social media. Perhaps they are showing good survival skills as research has shown cold water swimming to have health benefits; improving circulation, boosting the immune system, and reducing stress. Popular times to meet are dawn and dusk - and these are really interesting times to paint with the light changing rapidly. I began drawing the silhouetted figures in groups. Other people would gather to watch the light show, the groups of women swimmers and to take photos.
Sadie Tierney Swimming Women IX Spray Paint/Screen Print on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Sadie Tierney's vibrant and expressive prints and paintings use drawings made in situ as their source material. A graduate of the Royal College of Art, Tierney works in a tradition of painter/ printmakers who abstract form and colour to explore subject matter and express human emotion. Objects and places where form is linked to emotion, metaphor and movement or change are explored through celebratory use of colour and line. Selected solo exhibitions include Flowers East Gallery, Angela Flowers Ireland, Eton College and Aspex Gallery. Education Royal College of Art MA Printmaking, University of Newcastle on Tyne BA (Hons) Fine Art Select Exhibitions/Awards RECENT EXHIBITIONS 2021 Solo Exhibition with Rabley Gallery, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner solo stand) RWA Annual Open Exhibition, Bristol, Pause, Reflect, Curate, curated by Hotwalls Studios Portsmouth Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, Basil Alkazzi's Gift to the National Museum in GdaÅ„sk Royal Academy Summer Exhibition 2020 Picture Palace, Transition Gallery, London, London Original Print Fair, Woolwich Contemporary Print Fair 2019 Royal Academy Summer Exhibition, London Original Print Fair, Joie, Gallery 68 Ulverston, Printfest Printmaker of the Year, National Original Print Exhibition, Round Tower (solo), Portsmouth,
 2018 Royal Academy Summer Exhibition, London Original Print Fair, Woolwich Contemporary Print Fair AWARDS 2020 AN Bursary: Time Space Money Award Arts Council England Emergency Response Fund Boodle Hatfield Prize for print, Printfest Printmaker of the Year (2019) Gallery Representation Works on paper with Rabley Gallery Statement about AOAP Submitted Artwork Swimming Women Series It interested me very much that throughout the pandemic growing numbers of women in particular, have been meeting to swim in the sea where I live- organising their meet ups through WhatsApp and other social media. Perhaps they are showing good survival skills as research has shown cold water swimming to have health benefits; improving circulation, boosting the immune system, and reducing stress. Popular times to meet are dawn and dusk - and these are really interesting times to paint with the light changing rapidly. I began drawing the silhouetted figures in groups. Other people would gather to watch the light show, the groups of women swimmers and to take photos.
Diana Copperwhite Laura in Framing The Light Oil on Card Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Diana Copperwhite (b. 1969, Ireland) lives and works in Dublin and New York. Recent solo exhibitions include Driven by Distraction, Royal Hibernian Academy, Dublin (2016), Depend on the Morning Sun, Thomas Jaeckal Gallery, New York (2016) and A Million and One Things Under the Sun, Kevin Kavanagh, Dublin (2015). Selected group exhibitions include Last Picture Show w/Mary Heilmann, Chris Ofili, Danny Rolph, Vanessa Jackson, Elio Rodriguez, Jill Levine, Rebecca Smith, Thomas Jaeckel Gallery, New York (2017) and Virtú, inc. Picasso, Giacometti, Henry Moore, Elizabeth Magill and Sean Scully at the Hunt Museum, Limerick, Ireland (2017). Copperwhite's work is held in numerous public and private collections including: the Irish Museum of Modern Art, Arts Council of Ireland, Limerick City Gallery of Art, Office of Public Works, Contemporary Irish Art Society, Highlanes Municipal Art Gallery, Mariehamn Stadbiblioteque, Aland (Finland), Dublin Institute of Technology and The President of Ireland. Education 1999-2000 Winchester School of Art and Design, Barcelona, MA European Fine Art 1992-94 National College of Art & Design, BA Hons painting 1987-92 Limerick School of Art & Design, NCEA Diploma Painting Select Exhibitions/Awards Solo Exhibition 2021/22 Upcoming, Limerick City Gallery of Art and touring show 2020 Lock Down Series, works on paper, Kevin Kavanagh Gallery, Dublin 2019 Proto Fiction and the Sleep of Reason, Kevin Kavanagh Gallery, Dublin 2019 The Clock Struck between time, Thomas Jaeckel New York 2017 Crooked Orbit, Kevin Kavanagh Gallery, Dublin 2016 Depend on the morning sun, Thomas Jaeckel gallery, New York Driven by Distraction, RHA gallery Dublin. 2015 A Million and One Things Under the Sun, Kevin Kavanagh, Dublin. 2014 Shadowland, Thomas Jaeckel Gallery, New York. Solo presentation, Pulse, Thomas Jaeckel Gallery, New York 2013 Loose Ends, 532 Gallery Thomas Jaeckel, New York Solo presentation at VOLTANY, Kevin Kavanagh, New York 2011 An Island from the day before, Kevin Kavanagh, Dublin 2009 perfect near miss, Kevin Kavanagh, Dublin eclipse of a title, Highlanes Municipal Art Gallery, Drogheda eclipse of a title, Centre Culturel Irlandais, Paris * 2008 eclipse of a title, West Cork Arts Centre * 2007 BLIND SPOT, Limerick City Art Gallery * Gallery Representation Kevin Kavanagh, Dublin. 532 Gallery Thomas Jaeckel, New York
Mandy Payne Study of Southbank Ink and Spraypaint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Painter/printmaker based in Sheffield whose work focuses on urban landscape, with a particular interest in gentrification, social housing and Brutalist architecture. For her paintings she usually paints on concrete and employs spray paint, referencing the sites she is depicting. Art is a second career, she originally trained as a dentist and spent 25 years working in the Community and Hospital NHS dental services before a career change 10 years ago to work as a full-time artist. Education BDS (Manchester University) MDent Sci (Leeds University) BA Fine Art (Nottingham University) 2 year Fellowship in Stone Lithography at Leicester Print Workshop Select Exhibitions/Awards John Moores Painting Prize 2014 (Prize winner), and exhibited 2016 and 2020 New Light Arts Prize 2015 (First Prize Winer), and exhibited 2017 and 2020 John Ruskin Prize 2014 (Runner up) Work included in: Royal Academy Summer Exhibition 2014, 2015 ,2016, 2017, 2018, 2019 Contemporary British Painting Prize 2016 Threadneedle Prize. Mall Galleries, London 2013 Lynn Painter Stainers Prize, Mall Galleries, London 2019 Figurative Art Now, Mall Galleries, London, 2020 Wells Art Contemporary 2020 Elizabeth Greenshield Foundation Award 2017 Arts Council of England Award, 2015 and 2019 Gallery Representation Saul Hay Gallery, Manchester and Tarpey Gallery Castle Donnington, Ffin y Parc Gallery, Conwy Statement about AOAP Submitted Artwork 4 cards submitted- all made during lockdown when a lot of the materials I usually work with were in short supply, which forced me to experiment with things I had to hand in my studio. Finca 1 and 2 were made whilst experimenting, trying to create concrete like textures with liquid graphite. Exeter Court is a social housing estate in South Kilburn which is about to be demolished, and the Southbank is one of my favourite Brutalist buildings. Both were studies for larger paintings that I subsequently made.
Mandy Payne Study of Exeter Court Spraypaint, Acrylic and Marker Pen on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Painter/printmaker based in Sheffield whose work focuses on urban landscape, with a particular interest in gentrification, social housing and Brutalist architecture. For her paintings she usually paints on concrete and employs spray paint, referencing the sites she is depicting. Art is a second career, she originally trained as a dentist and spent 25 years working in the Community and Hospital NHS dental services before a career change 10 years ago to work as a full-time artist. Education BDS (Manchester University) MDent Sci (Leeds University) BA Fine Art (Nottingham University) 2 year Fellowship in Stone Lithography at Leicester Print Workshop Select Exhibitions/Awards John Moores Painting Prize 2014 (Prize winner), and exhibited 2016 and 2020 New Light Arts Prize 2015 (First Prize Winer), and exhibited 2017 and 2020 John Ruskin Prize 2014 (Runner up) Work included in: Royal Academy Summer Exhibition 2014, 2015 ,2016, 2017, 2018, 2019 Contemporary British Painting Prize 2016 Threadneedle Prize. Mall Galleries, London 2013 Lynn Painter Stainers Prize, Mall Galleries, London 2019 Figurative Art Now, Mall Galleries, London, 2020 Wells Art Contemporary 2020 Elizabeth Greenshield Foundation Award 2017 Arts Council of England Award, 2015 and 2019 Gallery Representation Saul Hay Gallery, Manchester and Tarpey Gallery Castle Donnington, Ffin y Parc Gallery, Conwy Statement about AOAP Submitted Artwork 4 cards submitted- all made during lockdown when a lot of the materials I usually work with were in short supply, which forced me to experiment with things I had to hand in my studio. Finca 1 and 2 were made whilst experimenting, trying to create concrete like textures with liquid graphite. Exeter Court is a social housing estate in South Kilburn which is about to be demolished, and the Southbank is one of my favourite Brutalist buildings. Both were studies for larger paintings that I subsequently made.
Mandy Payne Finca I Liquid Graphite and Spray Paint on Somerset Newsprint Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Painter/printmaker based in Sheffield whose work focuses on urban landscape, with a particular interest in gentrification, social housing and Brutalist architecture. For her paintings she usually paints on concrete and employs spray paint, referencing the sites she is depicting. Art is a second career, she originally trained as a dentist and spent 25 years working in the Community and Hospital NHS dental services before a career change 10 years ago to work as a full-time artist. Education BDS (Manchester University) MDent Sci (Leeds University) BA Fine Art (Nottingham University) 2 year Fellowship in Stone Lithography at Leicester Print Workshop Select Exhibitions/Awards John Moores Painting Prize 2014 (Prize winner), and exhibited 2016 and 2020 New Light Arts Prize 2015 (First Prize Winer), and exhibited 2017 and 2020 John Ruskin Prize 2014 (Runner up) Work included in: Royal Academy Summer Exhibition 2014, 2015 ,2016, 2017, 2018, 2019 Contemporary British Painting Prize 2016 Threadneedle Prize. Mall Galleries, London 2013 Lynn Painter Stainers Prize, Mall Galleries, London 2019 Figurative Art Now, Mall Galleries, London, 2020 Wells Art Contemporary 2020 Elizabeth Greenshield Foundation Award 2017 Arts Council of England Award, 2015 and 2019 Gallery Representation Saul Hay Gallery, Manchester and Tarpey Gallery Castle Donnington, Ffin y Parc Gallery, Conwy Statement about AOAP Submitted Artwork 4 cards submitted- all made during lockdown when a lot of the materials I usually work with were in short supply, which forced me to experiment with things I had to hand in my studio. Finca 1 and 2 were made whilst experimenting, trying to create concrete like textures with liquid graphite. Exeter Court is a social housing estate in South Kilburn which is about to be demolished, and the Southbank is one of my favourite Brutalist buildings. Both were studies for larger paintings that I subsequently made.
Mandy Payne Finca II Liquid Graphite and Spray Paint on Somerset Newsprint Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Painter/printmaker based in Sheffield whose work focuses on urban landscape, with a particular interest in gentrification, social housing and Brutalist architecture. For her paintings she usually paints on concrete and employs spray paint, referencing the sites she is depicting. Art is a second career, she originally trained as a dentist and spent 25 years working in the Community and Hospital NHS dental services before a career change 10 years ago to work as a full-time artist. Education BDS (Manchester University) MDent Sci (Leeds University) BA Fine Art (Nottingham University) 2 year Fellowship in Stone Lithography at Leicester Print Workshop Select Exhibitions/Awards John Moores Painting Prize 2014 (Prize winner), and exhibited 2016 and 2020 New Light Arts Prize 2015 (First Prize Winer), and exhibited 2017 and 2020 John Ruskin Prize 2014 (Runner up) Work included in: Royal Academy Summer Exhibition 2014, 2015 ,2016, 2017, 2018, 2019 Contemporary British Painting Prize 2016 Threadneedle Prize. Mall Galleries, London 2013 Lynn Painter Stainers Prize, Mall Galleries, London 2019 Figurative Art Now, Mall Galleries, London, 2020 Wells Art Contemporary 2020 Elizabeth Greenshield Foundation Award 2017 Arts Council of England Award, 2015 and 2019 Gallery Representation Saul Hay Gallery, Manchester and Tarpey Gallery Castle Donnington, Ffin y Parc Gallery, Conwy Statement about AOAP Submitted Artwork 4 cards submitted- all made during lockdown when a lot of the materials I usually work with were in short supply, which forced me to experiment with things I had to hand in my studio. Finca 1 and 2 were made whilst experimenting, trying to create concrete like textures with liquid graphite. Exeter Court is a social housing estate in South Kilburn which is about to be demolished, and the Southbank is one of my favourite Brutalist buildings. Both were studies for larger paintings that I subsequently made.
Lindy Norton Man Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am a practicing artist, printmaker and illustrator. I live and work in Yorkshire. Education MA in Printmaking (Chelsea School of Art), MA in Children's Book Illustration (Anglia Ruskin, Cambridge) Select Exhibitions/Awards Highly Commended Macmillan Prize 2018. Silver Award, Creative Conscience Competition 2019. Royal Academy Summer Show 2021. Various one man shows. New Light Prize Exhibition touring from 2020 to 2021 ending at Bankside Gallery London. Gallery Representation I am not represented by one gallery but have recently exhibited at various galleries including Ropewalk Gallery, (Lincolnshire), Salt Gallery, (Beverley) Royal Academy (Summer Show) Bankside Gallery (London) Statement about AOAP Submitted Artwork I have submitted four different postcards for the AOAP auction. These are snippets from various pieces of work, (including developmental sketchbook work) undertaken recently. My aim was to produce some images that may appeal, in order to raise money for this very worthwhile charity.
Lindy Norton The Journey Acrylic and Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I am a practicing artist, printmaker and illustrator. I live and work in Yorkshire. Education MA in Printmaking (Chelsea School of Art), MA in Children's Book Illustration (Anglia Ruskin, Cambridge) Select Exhibitions/Awards Highly Commended Macmillan Prize 2018. Silver Award, Creative Conscience Competition 2019. Royal Academy Summer Show 2021. Various one man shows. New Light Prize Exhibition touring from 2020 to 2021 ending at Bankside Gallery London. Gallery Representation I am not represented by one gallery but have recently exhibited at various galleries including Ropewalk Gallery, (Lincolnshire), Salt Gallery, (Beverley) Royal Academy (Summer Show) Bankside Gallery (London) Statement about AOAP Submitted Artwork I have submitted four different postcards for the AOAP auction. These are snippets from various pieces of work, (including developmental sketchbook work) undertaken recently. My aim was to produce some images that may appeal, in order to raise money for this very worthwhile charity.
Lindy Norton Snow Child Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I am a practicing artist, printmaker and illustrator. I live and work in Yorkshire. Education MA in Printmaking (Chelsea School of Art), MA in Children's Book Illustration (Anglia Ruskin, Cambridge) Select Exhibitions/Awards Highly Commended Macmillan Prize 2018. Silver Award, Creative Conscience Competition 2019. Royal Academy Summer Show 2021. Various one man shows. New Light Prize Exhibition touring from 2020 to 2021 ending at Bankside Gallery London. Gallery Representation I am not represented by one gallery but have recently exhibited at various galleries including Ropewalk Gallery, (Lincolnshire), Salt Gallery, (Beverley) Royal Academy (Summer Show) Bankside Gallery (London) Statement about AOAP Submitted Artwork I have submitted four different postcards for the AOAP auction. These are snippets from various pieces of work, (including developmental sketchbook work) undertaken recently. My aim was to produce some images that may appeal, in order to raise money for this very worthwhile charity.
Lindy Norton Jeopardy Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I am a practicing artist, printmaker and illustrator. I live and work in Yorkshire. Education MA in Printmaking (Chelsea School of Art), MA in Children's Book Illustration (Anglia Ruskin, Cambridge) Select Exhibitions/Awards Highly Commended Macmillan Prize 2018. Silver Award, Creative Conscience Competition 2019. Royal Academy Summer Show 2021. Various one man shows. New Light Prize Exhibition touring from 2020 to 2021 ending at Bankside Gallery London. Gallery Representation I am not represented by one gallery but have recently exhibited at various galleries including Ropewalk Gallery, (Lincolnshire), Salt Gallery, (Beverley) Royal Academy (Summer Show) Bankside Gallery (London) Statement about AOAP Submitted Artwork I have submitted four different postcards for the AOAP auction. These are snippets from various pieces of work, (including developmental sketchbook work) undertaken recently. My aim was to produce some images that may appeal, in order to raise money for this very worthwhile charity.
English school, ca.1820."Portrait of a gentleman.Oil on canvas.Measurements: 72 x 59 cm; 96 x 81 cm (frame).Male portrait, of three quarters, on neutral background. It represents a man of middle age and aristocratic bearing. The painter delves into the character's psychology in a realistic language. His angular features emphasise the severity of his character. The starched collar enhances the haughtiness of his features, modelled with a clear light that also brings out the right textures of the pleated blouse.
French school; late 19th century."Bucolic scene".Oil on canvas.It preserves a period frame with faults in the carving.It has an illegible signature.Measurements: 25 x 43 cm; 41 x 46 cm (frame).Landscape of idyllic character in which a woman is accompanied by several children. She is overwhelmed by a landscape of great magnitude that opens in the centre, leaving a space that allows to see a landscape in depth. The author has thus combined two completely different views of the landscape, merging them into a single image in a coherent and harmonious manner. The author shows great interest in the characteristics and qualities offered by the landscape.Both the aesthetic and thematic treatment of the work indicate that he was a painter in contact with Impressionist trends. Although at first it may have been a scene with a pastoral or gallant theme, so much in vogue in the late 18th century, the artist has focused his interest on a specific moment in reality, thus linking himself to realist trends and to the Impressionists' interest in capturing the moment and defining its atmosphere. In terms of aesthetics, the use of a rapid, vibrant brushstroke, together with the play of light already mentioned, link the work to Impressionism, making it close to scenes by Renoir, who worked with great interest on the reflection of light on the skin and its qualities. In short, the characteristics of this work bring together various trends that developed in France in the early 19th century, making the country, and especially the city of Paris, one of the most important cultural centres of the period.
JOSÉ MONGRELL TORRENT (Valencia, 1870 - Barcelona, 1937)."Parrot".Oil on cardboard.Signed in the lower right corner.Size: 51 x 41 cm; 80 x 66 cm (frame).José Mongrell studied at the School of Fine Arts of San Carlos in Valencia, where he was a disciple of Ignacio Pinazo and Joaquín Sorolla. He gained artistic renown thanks to his participation in numerous competitions and exhibitions in Madrid and Barcelona. In 1897 he produced, with great success, the bullfighting poster for the Feria de San Jaime in Valencia, and in fact his poster for the Valencia July Fair of 1912 was reissued in 1971 on the occasion of the centenary of these festivities. He obtained a teaching post at the San Jorge School of Fine Arts in Barcelona, where he lived for the rest of his life. Of particular note from this period is the work he did for the Palace of the Generalitat de Catalunya, in charge of the Diputació de Barcelona, as well as his portrait of King Alfonso XIII. He also produced mosaics in the Art Nouveau style, such as those for the great arch of the Mercado de Colón and the façade of the Estación del Norte, both in Barcelona. Mongrell devoted himself to genre scenes, portraits and landscapes, and was a master of capturing the instant, giving his scenes vitality and dynamism through bright, naturalistic colours and light. Traditionally pigeonholed as a disciple of Sorolla, Mongrell, however, only learned from the master what helped him to extend his art. The painter developed his work somewhere between regionalism and modernism, but a certain French-influenced symbolism can also be seen in his work. In fact, Mongrell was characterised by his emphasis on content, attributing to the image a meaning that went beyond pure appearance. At a time when grand, idealistic and dramatic historical compositions prevailed, Mongrell developed a style of painting concerned with depicting the past and present from an everyday, gentle and picturesque perspective, generally far removed from the grandiloquence and theatricality of academic history painting. Despite his technical mastery, Mongrell did not, like others, fall into a refined mannerism at the service of an inconsequential subject matter, but developed a fully personal language, characterised by its dynamism and expressive freedom. José Mongrell is currently represented in the Museo de Bellas Artes San Pío V and the Museo Nacional de Cerámica y de Artes Suntuarias González Martí in Valencia, the Museo de Bellas Artes in Asturias, Badajoz and Pontevedra, the Museo Nacional de Arte de Cataluña, the Rijksmuseum in Amsterdam, the Museo de La Habana and the Museo de Bellas Artes in Buenos Aires, among others.
JOSEP CLARÀ I AYATS (Olot, Girona, 1878 - Barcelona, 1958)."El somriure (Portrait of the dancer Isabel Rodríguez), 1914.Plaster.Mark of Godard Pere Fondeur, Paris.Signed.Bronze copy published in "Josep Clarà, els anys de París, 1900-1931. L'ànima vibrant", with texts by Eva Vázquez, Mercè Doñate, Lluís Muntada, Mariàngela Villalonga and Manuel Loosveldt.Size: 35 x 24 x 26 cm.Josep Clarà began his training at the Olot School of Drawing with Josep Berga i Boix, and later studied sculpture at the School of Fine Arts in Toulouse, France. After completing his studies, he went to Paris in 1890, where he worked in the studio of Louis Barrias and met Maillol, Bourdelle and Rodin. In fact, Rodin's advice helped him to overcome the modernist influences of his early works. In 1907 he presented "Torment" at the Salon des Artistes Français, a work that shows a Rodinian influence which in his marble "Twilight" (1913, Museo de Santiago de Chile), whose plaster model he presented at the Salon de la Société Nationale in 1908, is diluted in favour of greater clarity and serenity. The following year he presented what was to be the first of his goddesses, a work which finally represented the definitive official recognition of his talent. During these years, his friendship with the dancer Isadora Duncan enabled him to produce his most original and spontaneous drawings; the dynamism of dance did not contradict his search for stability, and gave him a serene light and vivacity. A tireless worker, he received several commissions for monuments, such as "Serenity on the Ruins of Life" (San Isidro Cemetery, Madrid) and "Monument to the Catalan Volunteers" (Ciutadella Park, Barcelona). With the model of the latter he won the Grand Prix in Paris in 1925. At the end of the same year he was appointed a member of the San Fernando Academy of Fine Arts in Madrid. Clarà also produced heads and portraits, in which he displayed a condensed and lively language: "Voluntad" (1911), "Clara Stuart Merrill" (1926), "Adela" (1936), "Señorita Rodríguez Bauzà" (1941). As time went by, the sculptor gave more and more importance to light, and his sculptures became simpler, freeing himself of all sentiment, as can be seen in his first "Static" of 1926. With this new vision, in 1928 he reinterpreted "Diosa" and "Serenidad" (Montjuic garden, Barcelona), and created "Reposo" (MACBA), which won him the medal of honour at the Barcelona International Exhibition (1929). In 1930 Clarà travelled to Greece; two years later he left his Paris residence and settled permanently in Barcelona. In 1934 he won the Damià Campeny Prize for "Desnudo de muchacha" ("Nude of a Girl"). In 1936 he created one of his best works, for its synthesis of simplicity, light and serenity: "Pujanza". He is also the author of the "Monument to the Fallen" (1952) in Barcelona.) With the nude "Pomona" (Museum of Havana) he won the Grand Prize at the 1954 Hispano-American Biennial. In 1946 he produced a "Saint Benedict" (Montserrat) which led him towards the study of the seated figure. Thus, his last works were mainly seated maternities and reclining figures. In 1969 the museum that bears his name was inaugurated in Barcelona, where a large part of his work is conserved. His work can also be found in the Museu Comarcal de la Garrotxa in Olot and the Museu Nacional d'Art de Catalunya, among others.
GONZALO BILBAO MARTÍNEZ (Seville, 1860 - Madrid, 1938)."Venice".Oil on canvas.Attached certificate issued by Dr. Gerardo Pérez Calero.It has faults in the exterior lateral areas.Signed in the lower left corner.Measurements: 58 x 70 cm.Gonzalo Bilbao started drawing as a child and in 1880 he began his pictorial career. During these years he travelled to Italy and France with Jiménez de Aranda. In Rome he worked with the painter José Villegas Cordero, and travelled around the various Italian capitals, painting urban and rural views until his return to Spain in 1884. In the following years he visited Rome again, travelled around Spain and also went to Morocco, Paris and Munich. In Spain he taught painting, initially as a private tutor and, from 1903, as Jiménez de Aranda's successor at the Royal Academy of Fine Arts of Santa Isabel de Hungría in Seville. In 1904 he married and took up residence in Madrid, where he continued his teaching work at the San Fernando Academy. During his career he took part in numerous fine arts exhibitions, both national and foreign, being awarded a third medal at the Universal Exhibition of Paris (1889) and the International Exhibition of Barcelona (1891), a single medal at the Universal Exhibition of Chicago (1893), and a gold medal at the International Exhibitions of Berlin (1899), Munich (1905), Buenos Aires (1910), Santiago de Chile (1910), San Francisco (1915) and Panama (1916). He also took part in the National Fine Arts Nationals, winning second medals in 1887 and 1892, first in 1899 and 1901 and an honourable medal in 1915. A traditional painter, representative of Spanish genre painting, his pictures were colourful depictions of Andalusian life and its most popular figures, and he also painted landscapes, figures and portraits, including prominent figures of the time such as King Alfonso XIII and the actress Carmen Díaz. The light and vitality of his compositions bring his language closer to the Impressionist aesthetic, focusing on the essential representation of atmospheres and landscapes. Gonzalo Bilbao is represented in the Museo de Bellas Artes in Seville, where he has a room devoted entirely to his work, the Museo del Prado, the Museo Jaume Morera in Lleida and the Museo de Bellas Artes in Cordoba, among others, as well as in private collections both in Spain and abroad.
EMILIO GRAU SALA (Barcelona, 1911 - 1977)."Seated Lady".Oil on panel.Signed in the lower left corner.Size: 46 x 55 cm; 72 x 81 cm (frame).The feminine universe fascinated Grau Sala, and this fascination is translated into domestic scenes which, despite their familiarity, are halfway between reality and reverie. Female portraits such as the one we are dealing with here bear witness to this: colour takes on an absolute protagonism, diluting lines and shapes and building an atmosphere of light and independent colour, tinged by Grau Sala's highly personal textures, which play at confusing the space, awakening the viewer's imagination.Son of the draughtsman Juan Grau Miró, Grau Sala combined his attendance at the Barcelona School of Fine Arts with an essentially self-taught training. In 1930 he held his first exhibition at the Badriñas gallery in Barcelona. At the outbreak of the Civil War, in 1936, he moved to Paris, where he settled in the Montparnasse colony of Spanish artists. That same year he was awarded the first Carnegie Prize. During the twenty-five years he spent there he became closely acquainted with the avant-garde, although he always favoured a colourist figuration derived from Impressionism and Fauvism. It was a path already taken by the commercial circuit, surpassed in terms of novelty by Cubism and Surrealism, but which was kept alive at a high level thanks to masters such as Bonnard, Chagall and Dufy. In fact, he soon became known in Paris as the successor to the Impressionist spirit and values, directly related to Bonnard and Vuillard. This stylistic choice of Grau Sala's conditioned that of his wife, Ángeles Santos, who abandoned her singular surrealism for a more conventional landscape, a decision that critics did not hesitate to regret. The success of his style led Grau Sala to devote himself also to graphic work (engravings, lithographs, illustrations for novels, posters...), as well as theatre sets. The grace and finesse of his characters, the vivacity of the colours and the elegant atmosphere of the environments he depicted brought him great success and recognition all over the world. He held several solo exhibitions, mainly in Barcelona and Paris, but also in cities such as New York, Toulouse, London and Los Angeles. In 1963 he returned to Barcelona, when the stagnant figuration of Franco's Spain was beginning to be challenged by Oteiza, Chillida, Tàpies and the "El Paso" collective. However, he remained faithful to his style, and until his death in 1975 he worked in his own personal style, centred on his favourite themes, female figures, interiors and landscapes, in a vaguely classical, nostalgic 19th-century setting. After his death, and for more than a decade, Grau Sala was overshadowed by the many novelties that were emerging in democratic Spain, but from the 1990s onwards, the new boom in mid-level collecting revived Grau Sala, as he was seen as an interpreter of Impressionism in a Spanish key. Works by Emilio Grau Sala are kept in the Museo Nacional de Arte de Cataluña, the Museo de Arte Contemporáneo Esteban Vicente and the Instituto Óscar Domínguez de Arte y Cultura Contemporánea.
A shell cameo brooch, second half of 19th century, carved to depict Aurora (Dawn) in billowing dress, carrying garlands of flowers and leading Apollo, God of the Sun, in his golden chariot drawn by four horses, with winged putto, Twilight, above, bearing a flaming torch, and surrounded by a dancing maidens (the Hours), all bearing to earth the light of the New Day; the cameo gold mounted with scrollwork decoration to the border, closed-back setting, dimensions 8.3 x 6.5cm. £700-£1,000 --- The image is after Guido Reni, L’Aurora, 1613-14, the ceiling fresco painted for the Casino dell’Aurora adjacent to the Palazzo Pallavicini-Rospiglosi, Rome, and commissioned by Cardinal Scipione Borghese.
A near pair of Sitzendorf five light candelabra, 20th century first quarter, each with raised central sconce and four arms, the branches heavily encrusted with stylised foliate decoration, above a baluster form body, raised on a tripod base with scroll feet, blue marks to bases52.5cm highCondition report: Historic repairs evident throughout, most noticably one of the arms has been glued back on, central terminal to the other candelebra is cracked in serveral places .Other wear throughout, expect minor losses due to the delicate nature of the applied floral decorationUsed
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