â–² Dame Barbara Hepworth (1903-1975) 'Autumn Shadow'lithograph in colours, 1969, with Curwen Studio blind stampsheet 82 x 60cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe upper left corner is ripped with a piece missing. Small rips and tears to the right edge. A little light discolouration to the extreme edges. Small diagonal creases to the lower left and upper right corners. There is a small abrasion to the surface of the paper to the lower centre, to the right of the purple shape. Light handling crease visible to the reverse. Inscribed 'I' in pencil to the margin in the l.r. corner. Unsigned. Please see additional condition images.
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â–² David Hockney OM CH RA (b.1937) 'Showing Maurice the Sugar Lift', 1974etching and sugar-lift aquatint in colours, signed and dated 'David Hockney 74' in pencil l.r. and numbered '5/75', published by Petersburg Press, London and New Yorksheet 91 x 70cm, unframedCondition ReportA little very faint surface dirt to margins. There is a light crease mark to the centre of the upper margin. The printed area appears to be in good condition.
â–² Clive Barker (b.1940) 'Scandal', 2013 polished bronze, stamp signed, titled and dated on a plaque underneath 78cm highProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportSurface dust and dirt. The bronze is a little tarnished and would benefit from a light clean. For a full report please contact the department.
â–² Philip Jackson FRBS (b.1944) 'Maquette of the Sculpture of Terence Cuneo'bronze with light brown patination, stamped 'JACKSON' and numbered '4/9' with foundry mark to base, conceived c.2004 41cm highProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportDust and dirt to crevices. No obvious damage or restoration apparent. Overall in good aesthetic condition. Please see additional condition images.
â–² David Bailey (b.1938-) The Krays;Michael Caine;John Lennon and Paul McCartney;The Rolling Stonesfour gelatin silver prints, later copies of images from the 'Box of Pin-Ups' 196540 x 49.5cm, unframed (4)Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportLight handling creases. A small fold mark to the upper right corner of the Beatles image. All three prints present well overall.
â–² Stanley McMurtry aka 'Mac' (b.1936) 'Wait, lads. I'm getting help on Facebook...light fuse...yes, we've done that...now what do we do?'; 'Akela, I'll do my best...dyb, dyb, dyb, dob, dob, dob...';'We're off to the UK before they cut back on immigration and the human right to a family life'three original cartoons for the 'Daily Mail', the first dated '5.11.14', the latter published on 5 October 2011, pen and ink and watercolour heightened with white37 x 51.5cm and similar (3)Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 53 x 68cm, 56 x 71.5cm and 56 x 71cm.Well presented and ready to hang. Not viewed out of glazed frames.
â–² Brad Lochore (New Zealand-British, b.1960) 'Shadow No. 96'signed with initials, inscribed with title and dated '1996' verso, oil on canvas80 x 124cm, unframedExhibited: Brad Lochore solo exhibition, Base Gallery, Tokyo, Japan, 1996 and illustrated in the catalogue. Condition ReportAppears to be in good condition. Not examined under UV light, for a full report please contact the department.
â–² Henry Moore OM CH FBA (1898-1986) 'Pallas Heads'lithograph in colours, 1973, signed 'Moore' in pencil l.r.sheet 65 x 50cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportLight crescent shaped handling creases to the margins. The printed area appears to be in good condition.
â–² Fred Cuming RA (1930-2022) 'Rye Harbour'signed 'Cuming' l.l., oil on board 51.5 x 61.5cmProvenance: With Gallery 10 Ltd., London;Bonhams, London, 'Modern British and Irish Art', 27 March 2018, lot 74.Condition ReportFramed: 63 x 73.5cmA little rubbing to the extreme edges. Appears to be in otherwise good condition and ready to hang. Not examined under UV light, for a full report please contact the department.
▲ Ruskin Spear RA (1911-1990) 'The Witch’s Bar' pen and ink and felt tip heightened with white36.5 x 24.5cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 53 x 41cmTime staining and discolouration. The felt tip is a little faded. There is a watermark/ stain to the upper left corner where the ink has run. The inscription at the bottom is on a separate sheet that has been stuck down on top and is coming away slightly from the sheet below. Light creasing. Not viewed out of glazed frame.
â–² Ruskin Spear RA (1911-1990) 'Pot Black'signed 'Ruskin Spear' l.r., inscribed with title on label verso, oil on board41 x 56cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 41 x 56cmAppears to be in good order and presents well overall. There is a light abrasion to the wall above the player's head and it is unclear if this is original, please see images. The paint on the wall at the top has been more thinly applied than the paint in the foreground but this is believed to be deliberate rather than a later issue with condition. Examined under UV light no retouching shows.
â–² Fernandez Arman (French-American, 1928-2005) Fragments de Chinefour fragments of pottery, together with a copy of 'Arman: Fragments de Chine', published by Siwert Bergström, Malmö, Sweden, 1990, displayed together in a Perspex case39cm wide36cm deep25cm high overallProvenance: The Property of a European Collector.Condition ReportThe pottery is mounted in a frame measuring 21.5 x 19.5cm which is affixed to the base of the display case. There is a blob of glue where it appears one of the fragments may have been previously attached. Light scuffs and scratches to the cover of the book and the perspex case. There is a 6cm crack to one side of the case.
â–² Graham Sutherland OM (1903-1980) 'Clegyr-Boia 1 - Landscape in Wales'etching and aquatint, 1936, inscribed 'ARTIST'S PROOF' in pencil l.r.plate 20 x 15cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportSheet: 23 x 19.5cmTime staining with small creases to the corners. Light foxing to the reverse.
â–² Sir Eduardo Paolozzi RA (1924-2005) Untitledsigned and dated 'E PAOLOZZI 1975' l.c., pencil, pen and ink23.5 x 31cmProvenance: With Marlborough Fine Art, London.Condition ReportFramed: 25.5 x 33cmA little discolouration to the paper with some light smudges. There is a light brown stain to the lower left corner and a small faint brown stain to the lower right corner. The frame is unglazed.
â–² Bernard Leach CH (1887-1979) 'Bird Dish'lithograph in colours, 1973-74, signed 'Bernard Leach' in pencil l.r., outside main editionsheet 77 x 56.5cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportLight handling creases. A couple of very faint dirty smudges to the margins.The right edge has some light surface dirt with a vertical line/ slight crease mark running along the right edge 1cm in from the edge of the sheet. The printed area presents well.
â–² John Thomas Young Gilroy (1898-1985) Fisherman and salmon in a boatsigned 'Gilroy' l.l., pencil, watercolour and pastel22.5 x 33.5cmProvenance: The David and Pam McCleave Collection of Modern British Art.Exhibited: The Wingfield Sporting Gallery, Clapham, 'Hook, Line and Sinker', 9 March - 9 April 1988. Condition ReportFramed: 41.5 x 52cmSlight time staining with a little cockling. Under strong light there is a light crease visible to the centre of the left edge, please refer to additional images, however presents well overall. Not viewed out of glazed frame.
â–² Jean Dufy (French, 1888-1964) 'Buffons Musicals'signed 'Jean Dufy' l.l., oil on canvas 45.5 x 54cmCondition ReportFramed: 57 x 65.5cmThe canvas tension is a little loose to the touch with undulations and dips to the centre. Appears to be in otherwise good order. Examined under UV light no retouching is apparent.
â–² Julian Perry (b.1960) 'Long Running'signed with initials and dated '04' l.r., also signed, inscribed with title and dated verso, oil on board122 x 158cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportA tiny loss to the extreme bottom right edge in the corner. Appears to be in otherwise good condition. Not examined under UV light, for a full report please contact the department.
Paul Nash (1889-1946) Untitledinscribed 'Ruth from Paul' and dated 'Christmas 1938', photographic collage, watercolour and coloured crayon18 x 25.5cm, unframedProvenance: The Estate of Stanley Jones MBE RE.Condition ReportTime staining with a little light surface dirt. A small stain to the lower left corner. Minor crease marks to right edge and centre of the top edge. A couple of small dots of foxing to the lower edge on the right side. Please see additional condition images.
â–² Julian Trevelyan RA (1910-1988) Thames boatsigned 'Julian Trevelyan' l.r., inscribed 'Green/Blue/Black' verso, mixed media28 x 20.5cm, unframedProvenance: The Estate of Stanley Jones MBE RE.Believed to be a preparatory work for the lithograph 'Thames Boat', 1968.Condition ReportThe work appears to be a combination of brush and ink, watercolour, gouache and graphite over pencil. Foxing, light creasing and timestaining.
â–² Patrick Caulfield RA (1936-2005) 'Lampshade'screenprint in colours, 1969, signed 'Patrick Caulfield' in pencil and numbered '28/75' with stamped title versosheet 35.5 x 30.5cm, unframedCondition ReportA little foxing starting to emerge to the yellow printed area. Some light surface scuffs and superficial scratches are visible to the black printed areas under raking light. There is a small diagonal crease to the top left corner.
â–² John Clinch (1934-2001) Study for Diana Dors bronze with black and rich brown patination, signed 'John Clinch' on base, from an edition of 4 88cm highProvenance: Purchased directly from the artist;The David and Pam McCleave Collection of Modern British Art.Exhibited: Royal Academy Summer Exhibition, 1991, catalogue no. 1228.One of three studies for the sculpture 'Diana Dors, Film Star', 1991, commissioned for MGM cinemas.Condition ReportOverall in good aesthetic condition without any obvious restoration. The patina is rich and pleasing. Dust and dirt to crevices. There is a small area of light abrasion to the inner thigh and a little slight roughness around the shoes on the base, however in our opinion this is not overly distracting. Please see additional condition images.
â–² Dame Barbara Hepworth (1903-1975) 'Squares and Circles'lithograph, 1969, signed 'Barbara Hepworth' in pencil l.r.sheet 58 x 81cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThere is a faint line/ impression running parallel to the lower edge, 0.5cm from the edge of the sheet. A faint strip of discolouration to the left edge with a couple of very faint smudges to the margins. A light dirty mark to the bottom of the right margin. There is a light crease mark to the margin in the upper right corner. Light hadling creases visible to the reverse. The printed area appears to be in good condition.
Philip de László (Hungarian-British, 1869-1937) Portrait of The Hon. Elaine Augusta Hunter, half-length, in a blue dress and fur coat signed and dated 'de László/1935' l.r., oil on canvas 91 x 71cm The Hon. Elaine Augusta Guest, daughter of Ivor Guest, 1st Baron Wimborne, married Ernest Villiers in 1898 and the couple went on to have two sons and two daughters. Widowed in 1923, Elaine later married Robert Lewin Hunter (1852-1942) - de László painted Robert in 1932 and Elaine in 1935. This lot will be added to the online Philip de László Catalogue Raisonné of Works. Condition ReportFramed: 109 x 89cm Light surface dirt. The paint appears a little thin in places. Rubbing to the left edge. There are some small specks of dust and dirt trapped behind the glazing, however the painting itself does not appears to be affected. Examined under UV light there are a couple of small spots of retouching to the fur coat. Overall, presents well. Not viewed out of glazed frame.
â–² Mike McCartney (b.1944) three silver gelatin prints of The Beatles comprising:John Lennon, Paul McCartney, Pete Best and George Harrison backstage at the Tower Ballroom, early 1960s;Paul McCartney at Forthlin Road;John, Paul and George admiring George's Ford Anglia at Allerton Golf Course, Liverpool, 1962each with printed signature and inscription49 x 60cm and similar, unframed,together with two posters of the same subject, published by Nancy Miller Associates60 x 80cm, unframed (5)Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportA couple of faint dirty spots to the margins. Light handling creases. All three photographs present well overall. The posters have been stuck down on card and have some staining and dirty marks to the margins with small rips and tears and light surface abrasions.
â–² Ruskin Spear RA (1911-1990) 'A Thin Edge', 1989 oil on board20.5 x 61cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 31 x 72cmAppears to be in good condition. Well presented and ready to hang. Examined under UV light no retouching shows. Not viewed out of glazed frame.
â–² Banksy (b.1974) 'Er...' (Union Flag)screenprint in colours on cotton, a limited edition tea towel from an edition of 100043 x 67cmCondition ReportFramed: 58 x 80.5cmVertical folds and creasing. Light surface dirt to the unprinted areas. A brown stain to the upper left edge. Not viewed out of glazed frame.
â–² Jack Simcock (1929-2012) 'Cottage Mow Cop., No. 3'signed and dated 'SIMCOCK/66' l.l., inscribed with title on gallery label verso, oil on board20 x 30cmProvenance: With Piccadilly Gallery.Condition ReportFramed: 30 x 40cmSpots and speckles of light surface dirt. The paint in the sky has been more thickly applied created a textured finish with the appearance of cracking. In our opinion this is as intended by the artist rather than a later issue with condition, please see additional images. Presents well overall. Examined under UV light no retouching shows.
â–² Terence Cuneo (1907-1996) 'The Flying Cheddarman, Stilton Junction'signed and dated '.CUNEO./1962' l.r., oil on canvas77 x 102cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 93 x 118cmThe canvas tension is a little loose to the touch but in our opinion this is not apparent when viewed on the wall. The work appears to be in otherwise good condition overall without any obvious major condition issues or flaws. On close inspection there are a couple of small brush bristles beneath the paint. There is a very light superficial scratch crossing the face of the mouse hiding underneath the blue skirt in the lower right corner. The paint on one of the guard's feet appears speckled and we believe this to be intentional rather than a condition issue- the light speckles appear to have been painted on top rather than an issue with thinning or over cleaning. Please see additional images. Examined under UV light there is no obvious retouching.
â–² John Aldridge RA (1905-1983) 'Quince Tree by a Frozen Ditch'signed 'John Aldridge' l.r., also signed, inscribed with title and dated 'Winter 1956-57' verso, oil on board22 x 31.5cmCondition ReportFramed: 40.5 x 50cmAppears to be in good order. Seen under uv light - no obvious retouching showing.
â–² Ivon Hitchens (1893-1979) 'Tree Arch'signed and dated 'Hitchens 73' l.r., inscribed with title on artist's label verso, oil on canvas40 x 85cmProvenance: With Theo Waddington, London;Lord and Lady Moser.Condition ReportFramed: 108 x 62cmA little rubbing to the bottom edge but appears to be in otherwise good condition. Well presented and ready to hang. Not examined under UV light, for a full report please contact the department.
â–² David Bomberg (1890-1957) Russian Ballet study, 1919black chalk16 x 24cmProvenance: With Richard Salmon Gallery, London.Condition ReportFramed: 37.5 x 44cmThere are undulations to the paper along the top and bottom edges. The bottom left corner is a little rippled with light creasing and a small 5mm crease/ possible tear to the bottom edge, centre left. Not viewed out of glazed frame. Well presented and ready to hang.
â–² Bryan Organ (b.1935) Ophelia - after Millaislithograph in colours, signed 'Bryan Organ' in pencil l.r, inscribed 'Ophelia - after Millias [sic]', and dated '1974'sheet 57 x 77cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportThe left and right edges curl inwards slightly. There is a horizontal crease mark/ impression running parallel to the lower edge,1cm in from the edge of the sheet. A couple of light handling creases to the margins. The printed area appears to be in good condition.
â–² John Piper CH (1903-1992) 'St Nicholas, Liverpool: Smoke-Black Dockland Church' (Levinson 136)lithograph in colours, 1964, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones stampsheet 82 x 60cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportLight handling creases. Appears to be in otherwise good condition. The print is unnumbered.
â–² Elsie Marian Henderson (1880-1967) Green manoil on board58 x 69cmProvenance: Acquired from the artist's studio.Condition ReportFramed: 71.5 x 82cmCirca 1950s. A little rubbing to the extreme edges. Appears to be in otherwise good condition. Well presented and ready to hang. Not examined under UV light or viewed out of glazed frame, for a full report please contact the department.
â–² Dame Paula Rego RA (Portuguese-British, 1935-2022) 'Inspection'lithograph, 2001, proof, inscribed 'Dear Stanley I hope you can get this/lighter - Thank you Paula' in pencil l.c., also inscribed '16/4/ proof' l.l.sheet 53 x 38cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportLight half-moon handling creases to the margins. There are a couple of small faint marks/stains to the upper margin on the right side. The printed area appears to be in good condition.
â–² Robert Gibbings (Irish, 1889-1958) 'Clear Waters' woodcut, signed with initials in the block, from the suite 'Contemporary English Woodcuts' printed by the Baynard Press in an edition of 550 copies in 1922 image 21.5 x 11.5cm Condition ReportFramed: 37 x 34cm Light time staining. A couple of tiny speckles of foxing starting to emerge. Presents well overall and ready to hang. The initials are printed. Not viewed out of glazed frame.
â–² Charles Henry Chapman (1879-1972) 'Billy Bunter's Bull-Terrier'pen and ink, watercolour and bodycolour39 x 35cmProvenance: With Chris Beetles, London;The David and Pam McCleave Collection of Modern British Art.Exhibited: The British Art of Illustration 1800-1999, no.486Literature: lllustrated cover of 'Billy Bunter's Own' annual.Condition ReportFramed: 72.5 x 67.5cmSlight cockling. Small specks of light surface dirt. Not viewed out of glazed frame.
â–² Ruskin Spear RA (1911-1990) 'Green Light for Go'signed and dated 'Ruskin Spear/81' l.r., oil on board30 x 37cmProvenance: With Crane Kalman Gallery, London, where acquired by Lloyds Bank PLC, 9 May 1994;Bonhams, London, '20th Century British Art', 24 June 2003, lot 80;Private collection, UK;Bonhams, 'Modern British and Irish Art, 12 July 2023, lot 144;The David and Pam McCleave Collection of Modern British Art.Exhibited: Crane Kalman Gallery, London, 'Ruskin Spear RA, CBE, (1911-1990)', 10 March - 16 April 1994, illustrated on p.83 of the catalogue.Condition ReportFramed: 46.5 x 52.5cmAppears to be in good condition. Examined under UV light no retouching shows. Well presented and ready to hang.
â–² Ruskin Spear RA (1911-1990) 'The Boxers'signed 'Ruskin Spear' l.r., oil on board76 x 63cm, unframedProvenance: The Alton Gallery, London;The David and Pam McCleave Collection of Modern British Art.Condition ReportLight surface scuffs and scratches with a little light surface dirt. A couple of extremely tiny losses.There are some pencil marks in the lower left corner and it is unclear if these are original. There is a 25cm strip in the centre of the top edge where the paint is thinner, which is presumed to be the result of tape used and then removed during the making process. Please see additional condition images. Overall presents well when viewed on the wall. Examined under UV light no retouching shows.
â–² Henry Moore OM CH FBA (1898-1986) 'Four Reclining Figures', from 'Omaggio a Michelangelo' (Cramer 333)lithograph in colours, 1974-75, printer's proof, signed 'Moore' in pencil l.r., inscribed and numbered 'P./P.I', with Archive of Stanley Jones blind stampsheet 59 x 71cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportLight creasing. A little foxing starting to emerge to the margin in the upper left corner. A couple of small yellow spots and a faint dirty smudge to the lower left corner. The signature is a little smudged. The colour is strong.
â–² Dame Barbara Hepworth (1903-1975) 'Pastorale'lithograph in colours, 1969, signed 'Barbara Hepworth' in pencil l.r.sheet 81.5 x 59cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportA little discolouration to the right and lower edges. A very small faint dirty mark to the centre of the upper margin. Light handling creases visible to the reverse. There is a small v shaped indent to the edge of the sheet in the upper left corner. The printed area appears to be in good condition.
â–² Yannis Gaitis (Greek, 1923-1984) Three headspainted wood, the largest head signed 'Gaitis'largest 44.5cm high 60.5cm high overall on a wooden baseProvenance: The Property of a European Collector.Condition ReportBase 30.5cm wide, 19cm deep, 16cm high.Surface dust and dirt. A couple of tiny chips to the red paint. Light scuffs, scratches and abrasions to the base. Please see additional condition images.
â–² Ruskin Spear RA (1911-1990) 'In the Pub'signed 'Ruskin Spear' l.r., oil on canvas51 x 61cmProvenance: Sotheby's, New Bond Street, 'Modern British and Irish Art', 4 December 2002, lot 51;The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 68 x 78cmFine cracks starting to emerge in places, most noticeably to the lower centre and upper right. A light surface scratch to the centre of the top edge. Appears to be in otherwise generally good order. Not examined under UV light, for a full report please contact the department.
▲ Sir Peter Blake RA (b.1932) 'Marcel Duchamp's World Tour: Ballroom Set', 2015, comprising:'The Animals' Fancy Dress Ball';'New Year's Eve Parade'; 'DC Thomson Reunion at the Tower Ballroom, Blackpool'a set of three screenprints in colours with lithographic collage, each signed 'Peter Blake' in pencil l.r., two numbered '8/100' and the third numbered '9/100', printed at the Coriander and Curwen Studiossheet 74 x 88cm, unframed (3)Provenance: The David and Pam McCleave Collection of Modern British Art.Condition Report'New Year’s Eve Parade' has a diagonal crease to the top left and lower right corners. The bottom extreme bottom left corner has a very small tear. 'The Animal's Fancy Dress Ball' has a light handling crease to the margin in the lower left corner but appears to be in otherwise good condition. 'DC Thomson Reunion at the Tower Ballroom, Blackpool' has a diagonal creases to the bottom right corner. The bottom left and top right corners are a little dented. The printed areas appear to be in good condition and present well overall.
â–² Karolina Larusdottir (Icelandic, 1944-2019) 'The New Neighbours'signed 'K. Larusdottir' l.r., oil on canvas40.3 x 56.3cmCondition ReportFramed: 78 x 62.5cmThere are some spots and speckles to the reverse of the canvas, please see images, but the front of the work does not appear to be affected. Appears to be in otherwise good condition. Examined under UV light no retouching shows.
â–² John Caple (b.1966) 'Birdsong'signed 'John Caple' and inscribed with title l.r., mixed media on board24 x 24cmProvenance: With John Martin Gallery, London.Exhibited: John Martin Gallery, London, 'John Caple: The Light, The Dusk, The Dark', 1 December - 17 December 2011.Condition ReportFramed: 36.5 x 36.5cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.
â–² Dame Barbara Hepworth (1903-1975) 'Two Marble Forms (Mykonos)'lithograph in colours, 1969, signed 'Barbara Hepworth' in pencil l.r.sheet 82 x 60cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportA little faint discolouration along the upper edge and to the upper right corner, however presents well overall. Very light handling crease visible to the reverse.
â–² Terence Cuneo (1907-1996) A group of lithographs in colour, the majority signed 'Terence Cuneo' in pencil, and some from a limited edition75 x 91.5cm and smaller, unframed (13)Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportTime staining with a little light surface dirt. A couple of small nicks and tears to the extreme edges. Some small spots of foxing starting to emerge.
â–² Terence Cuneo (1907-1996) Duchess of Hamilton, Willesden Shed, 1989signed and dated '.CUNEO./JANUARY/1989' l.l., inscribed 'Duchess of Hamilton on Wilesdon [sic] Shed' on stretcher verso, oil on canvas61 x 92cmProvenance: Purchased from the artist's daughter in April 2007.The David and Pam McCleave Collection of Modern British Art.Cuneo had previously depicted this train in 1978, when the National Railway Museum in York brought the locomotive out of the museum after restoration. Following the detailed on-site drawings, the artist added a daytime Pennine landscape. For the present lot, he revisited the subject, but with a rather different atmosphere of the night-time marshalling yards.Condition ReportFramed: 82 x 122.5cmPresents well overall. A little light surface dust with some small speckles of surface dirt and minor superficial scuffs to the background. Retouching to the left of the steam at the centre of the top edge. UV light shows small spots of retouching to tracks lower centre. There is a small mark to the reverse of the canvas which on close examination to the corresponding area on the front appears to be a tiny repaired tear. Please see additional condition images.
Meir Pichhadze (Georgian-Israeli, 1955-2010) 'Tel Aviv'signed 'MEIR PICHHADZE' l.r., also signed and inscribed with title verso, acrylic on canvas90 x 120cmCondition ReportFramed: 92 x 122cmThere are some light surface scuffs and abrasions to the black border. A few tiny specks of light surface dirt. A small dark mark between the hand and the vase, please refer to illustration, however presents well overall.
â–² Wilf Roberts (1941-2016) 'Glan-y-Gors, Bodafon'signed, inscribed with title and dated '2001' verso, oil on canvas30 x 55cmCondition ReportFramed: 43 x 68cmAppears to be in good condition. Well presented and ready to hang. Not examined under UV light, for a full report please contact the department.
â–² Duncan Grant (1885-1978) 'Washerwoman I';'Washerwoman II'two lithographs in colours, 1973-74, both signed 'D Grant' in pencil l.r., and numbered '17/350' and '253/350' respectively77 x 55.5cm and 77 x 57.5cm (2)Condition ReportFramed: 95 x 72.5cmThe margins of 'Washerwoman' are uneven with some light creases to the left edge. A little discolouration to the extreme edges of the sheets.The printed areas appear to be in good order. Not viewed out of glazed frames.
â–² Ruskin Spear RA (1911-1990) 'One of the Regulars' signed 'Ruskin Spear' l.r., oil on board 82 x 64cm Provenance: The David and Pam McCleave Collection of Modern British Art.Exhibited: Royal Academy Summer Exhibition, 1988, catalogue no. 12. Condition ReportFramed: 92 x 74cm Some small scattered losses and light surface dirt however presents well overall. Not examined under UV light or viewed out of glazed frame. For a full report please contact the department.
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534297 Los(e)/Seite