Bible [English]. The Bible: that is, the Holy Scriptures conteined in the Old and New Testament. Translated according to the Ebrew and Greeke, and conferred with the best Translations in diuers Languages, Imprinted at London: by Robert Barker, 1610, [i.e. 1611], blank leaf before general title present (bearing letterpress signature 'A') with early inscription to verso, general title and New Testament title (imprints dated 1610) present within woodcut border, Apocrypha present, few woodcut illustrations, maps and decorative initials to text, first leaf of Genesis excised across upper 3cm, lower outer corners of P1 & P2 torn away with slight loss of marginal note, 3D2 torn with text loss of lower 10 lines of text, 3F2 and 3F6 misbound after 3F3 and 3F7 respectively, lower outer corner of 3O8 torn away with slight text loss, 3R2 misbound before 3R1 and 3R3 misbound after 3R4, occasional early ink underscoring and annotations throughout, bound with at front The Genealogies Recorded in the Sacred Scriptures, According to every Famiyl [sic] and Tribe. With the Line of our Saviour Jesus Christ observed from Adam to the Blessed Virgin Mary, by J[ohn]. S[peed], including double-page woodcut map, genealogies lacking four leaves and nine leaves strengthened to fore-margins, bound with at rear an incomplete The Booke of Psalmes..., London: Imprinted for the Company of Stationers, 1615, some finger and dust-soiling, occasional spotting and few marks throughout volume, edges frayed, modern light brown calf, 4to in 8s (21.2 x 15 cm), in purpose-made book box, also containing original Bible binding of contemporary calf covered boards and spine, and with associated pieces of binding material, related letters and notesQTY: (1)NOTE:Herbert 306; Darlow & Moule 237; STC 2212. Geneva-Tomson-Junius version. With John vi. 67: Judas for Jesus. The date 1611 is present on the colophon leaf. Leaf 196 is incorrectly numbered 181.The inscription to the reverse side of the initial leaf in the Bible reads 'Be it known unto all men by this presents(?) that I Henry Roper of Morton and county of Derby do ...my gift to be in deed unto Samul Inshfolds(?) parish saving the sum of twenty guineas'.
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Maurier (George Du). Trilby, A Novel, Large Paper copy, London: Osgood, McIlvaine & Co, 1895, signed by the author to limitation page, frontispiece, vignette title, full-page black and white illustrations, further smaller illustrations to text, top edge gilt, remainder untrimmed, original quarter vellum gilt, lightly marked and rubbed, 4to, 145 of 250 copies, together with:Loftie (W.J, Yoshio Markino). The Colour of London, London: Chatto & Windus, 1907, signed by Markino to limitation page, colour frontispiece, full-page colour illustrations (with captioned tissue guards), top edge gilt, remainder untrimmed, original pictorial vellum gilt, a few marks to spine, large 8vo, 89 of 250 copies, withFrazer (James George). The Golden Bough, 3rd edition, 13 volumes, London: Macmillan & Co, 1925-36, publisher's advertisement leaf at rear of each volume, occasional light toning, top edge gilt, original green pictorial cloth gilt, a few light marks, a few headcaps frayed, 8voQTY: (15)
Morgan (Sylvanus). The Sphere of Gentry: deduced from the principles of nature, an historical and genealogical work of Arms and Blazon; in four books, London: printed by William Leybourn, 1661, engraved plates and examples of Arms, some hand coloured, later endpapers, pp.119 detached, some toning & damp damage throughout, rear board partially detached, spine absent, boards rubbed & marked, folio, sold as seen, together with:The Irish Unionist Alliance, publisher, Irish Unionist Alliance, Publications, 4 volumes, Dublin, circa 1893, bookplates to the front pastedowns, some light marginal toning, original uniform gilt decorated blue cloth, spines slightly faded, boards & spines lightly rubbed to head & foot, 8vo, plusChristian (Edward), Charges delivered to Grand Juries in the Isle of Ely upon libels, criminal law, vagrants, religion, rebellious assemblies, &c &c. for the use of magistrates and students of the law, 2nd edition, London: printed for W. Clarke and Sons, 1819, some light toning throughout, contemporary gilt decorated half calf, boards & spine slightly rubbed, 8vo, and other mostly 19th & early 20th-century law & bibliography reference, some leather bindings, mostly original cloth, G/VG, 8vo/folioQTY: (6 shelves)
Rosimov (Georgij). Neoby?ajnoe puteÅ¡estvìe PetruÅ¡ki na Lunu [Petrushka’s unusual journey to the moon], Berlin: I. Ladyžnikov, [1922?], Cyrillic text throughout, 8 full-page colour lithographic illustrations [by Alfred Zangerl], minor spotting and light browning, staples rusted and text-block now loose in original cloth-backed pictorial boards, rubbed and soiled, a little edge and corner wear, oblong folioQTY: (1)NOTE:A rare and unusual Russian children’s book by the Russian emigré Georgij Rosimov (1894-1967), who wrote a series of books for the Berlin publishing house. The illustrator is identified by the monogram ‘AZ’ on the third plate. Only one copy found at auction (Ketterer Kunst, 2009) and two copies noted on Worldcat: Deutsche Nationalbibliothek Leipzig and Staatsbibliothek zu Berlin.
Gregory (G.). The Works of Thomas Chatterton, 3 volumes, London: printed by Biggs and Cottle, 1803, 3 engraved frontispieces, bookplates to the front pastedowns, later front endpapers, gutters taped, volume 2 lacking 1st contents page, some marginal toning & spotting throughout, later gilt decorated calf spines retaining contemporary boards, slightly rubbed with some minor loss, 8vo, together with:Montagu (Mary Wortley), The Works of the Right Honourable Lady Mary Wortley Montagu. Including her correspondence, poems and essays, 5 volume, London: printed for Richard Phillips, 1803, portrait frontispiece to volume 1, folding facsimile letters, bookplates to the front pastedowns, some marginal toning & spotting throughout, uniform gilt decorated full green calf, some boards detached/partially detached, spines toned with some loss, boards slightly toned to the edges, slightly rubbed to head & foot, 8vo, plusFairfax (Edward), Tasso's Jerusalem Delivered: or Godfrey of Bulloign. An Heroic Poem, 4th edition, London: printed by J. Purser, 1749, bookplate to the front pastedown, some light marginal toning, all edges gilt, later gilt decorated green full morocco, boards & spine slightly toned & rubbed, 8vo, and other mostly 19th-century poetry, including English Poets, 21 volumes, London: printed for J. Johnson et al, 1810, contemporary half calf, 8vo, many leather bindings, some original cloth, overall condition is generally good, 8voQTY: (3 shelves)
Juvenalis (Decimus Junius). The Satires of Decimus Junius Juvenalis. Translated into English Verse. By Mr. Dryden, and several other eminent hands. Together with the satires of Aulus Persius Flaccus. Made English by Mr. Dryden, with explanatory notes ... To which is prefix'd a Discourse concerning the original and progress of satire..., London: Jacob Tonson, 1693, half-title, occasional spotting to margins, endpapers renewed, contemporary calf, rebacked, folio, board corners worn, folio, together with:[Sidney, Philip], [The Countesse of Pembrokes Arcadia: written by Sir Philip Sidney Knight. Now the sixth time published, with some new additions. Also a supplement of a defect in the third part of this historie, by Sir W. Alexander. London: Printed by W. S. for Simon Waterson, 1627], title provided in facsimile, long closed tear to B4 and shorter closed tear to 2D2, some worm holes to margins, light staining at head, hinges crudely repaired, contemporary blind panelled sheep, old reback, joints split, folio, plus four other 17th-century antiquarian including Weever (John), Ancient Funerall Monuments within the united Monarchie of Great Britaine, Ireland, and the Islands adiacent..., London: Printed by Thomas Harper, 1631; Seneca, The Workes of Lucius Annaeus Seneca, both Morrall and Naturall..., Translated by Tho. Lodge, D. in Physicke, London: Printed by William Stansby, 1614; Cowley (Abraham), [The Works ..., 7th edition, London: Printed by J. M. for Henry Herringman, 1681], title provided in facsimile, and one other defective volumeQTY: (6)
Coulomb (Charles Augustin). Théorie des Machines Simples, en ayant égard au frottement des leurs parties et a la roideur des cordages, nouvelle edition, Paris: Bachelier, Libraire, Quai des Augustins, 1821, half title, 10 folding engraved plates, occasional light spotting, modern half calf gilt, 4toQTY: (1)NOTE:Norman 528: "A collection of Coulomb's memoirs on mechanics, first published in 1809... it includes the "Therie des machines simples", "Essai sur une application des regles de maxims et minimis a quelques problemes de statique", "Resulat de plusiers experiences destinees a determiner la quantite d'action que les hommes peuvent fournir par leur travail journalier, " his study of ergonomics, and three other papers on friction and mechanics."The first printing of Coulomb's prize-winning essay on friction was in 1785. "Coloumb showed that in general there is an approximately linear relationship between friction and normal force; but he extended the investigation considerably to show complex effects due to difference in load, materials, time of repose, lubrication, velocity and other considerations" (DSB).
Grahame (Kenneth). The Wind in the Willows, 1st edition, London: Methuen and Co., 1908, frontispiece by Graham Robertson, some small wormholes to a few leaves front and rear and to pastedowns, occasional light spotting, small blue Colonial Library ink stamp at foot of title, previous owner signature of H. Hawkins to front endpaper, endpapers toned, top edge gilt, original cloth gilt, small wormtracks to margins of covers and edges, 8voQTY: (1)
Edwards (Sydenham). The New Flora Britannica, 2 volumes in one, London: John Stockdale, 1812, half-title, 61 engraved plates with tissue guards (plates 18 & 19 partly hand-coloured), continuous pagination, bound without title to vol.2 (as often), occasional light toning and minor spotting, later near contemporary half calf with later cloth covering, upper board detached, worn, 4to, together with:Moore (Thomas), The Florist and Pomologist: A Pictorial Monthly Magazine of the Flowers, Fruits, and General Horticulture, London: Journal of Horticulture, 1876, 23 chromolithograph plates (including 2 folding), wood engraved illustrations, some toning and scattered spotting, hinges repaired, contemporary cloth, later leatherette spine and corners, 8voQTY: (2)NOTE:1. Nissen BBI 480; Dunthorne 107; Great Flower Books p.93.
Architecture. A large collection of architecture reference & related, including Select Designs For Public Buildings Consisting Of Plans Elevations, Perspective Views, Sections And Details Of Churches, Chapels, Almshouses, Gasworks, Markets And Other Buildings Erected For Public Purposes, by Brooks, Thomas Kelly, 1842, bookplate to the front pastedown, some light spotting, contemporary half calf, slightly rubbed to head & foot, 8voEnglish Neo-classical Architecture: Studies in Architecture, 2 volumes, 1988, original cloth in dust jackets & slipcase, 8voThe History of the Squares of London Topographical & Historical, by Beresford Chancellor, Kegan Paul, 1907, ex-library copy with associated marks, rebound in library cloth, 8vo, & architecture, urban & landscape design, reference, mostly original cloth, some in dust jackets, G/VG, 8vo/4to Approximately 100 volumesQTY: (5 shelves)Please note that lots 375-430 are off-site in Bourton-on-the-Water and can only be viewed online and any purchases collected from there by prior arrangement.
Detmold (Maurice and Edward). Pictures from Birdland, with Rhymes by E.B.S. [Edward Shuldham], 1st edition, London & New York: J.M. Dent & E.P. Dutton, 1899, 24 fine colour plates, contents detached (gutta-percha perished), original pictorial boards, light edge wear, a few small marks, 4to QTY: (1)NOTE:The first book illustrated by twins Maurice and Edward Detmold, aged 15, with verses by Dr Shuldham, a physician, family friend and friend of Lewis Carroll, sharing a common interest in homoeopathy. Tragically, Maurice Detmold committed suicide in 1908, followed years later by his brother Edward in 1957.
Austen (Jane). Pride and Prejudice, 2nd 'Peacock' edition, London: George Allen, 1895, illustrations by Hugh Thomson, including frontispiece with tissue guard, half-title with contemporary ownership inscription, occasional light spotting (mainly to preliminaries), all edges gilt, original dark green cloth with peacock design in gilt to spine and upper cover, spine a trifle frayed at head and with gilt slightly dulled, some light spotting and faint marks to lower cover, 8voQTY: (1)
Ewart (J. M.). Story of the North West Frontier Province, Peshawar: Government Printing and Stationery Office, North West Frontier Province, 1930, ten plates after photographs, single folding plan (not listed in the list of illustrations), a few minor spots, original green cloth, spine and upper cover lettered in white, lightly rubbed, together withSkeen (General Sir Andrew). Passing It On, short talks on tribal fighting on the north-west frontier of India, 2nd edition, Aldershot: Gale & Polden, [1932], 136 pp, original light brown cloth, some minor marks, 8vo, plusGovernment of India Press. Frontier Warfare-India (Army and Royal Air Force), Delhi: Government of India Press, 1939, eight folding military diagrams at rear, original khaki cloth, rubbed and some marks, small 8vo, andHyde Baker (Major L. S.). The Sowars' Pocket Book. A Manual of Cavalry Drill in an easy for native ranks by Major Hyde Baker, 3rd Punjab Cavalry, Ludhiana: Ludhiana Mission Press, 1898, title, preface leaf, 115pp., with list of contents to verso of final leaf, some near-contemporary annotations in ink and pencil, inner margin between title and preface leaf restrengthened with brown paper, ownership signature of Lieut. R. Scott 3rd Punjab Cavalry to front pastedown, original yellow cloth lettered in black to upper cover, some marks and soiling, plusThring (Lt.-Col. R. H. D.). Standing Orders for the 27th Light Cavalry, Jubbulpore: Edward Press, 1910, title and 34 pp., interleaved with blanks, contemporary black cloth with printed paper label to upper cover with ownership signature of Captain W. F. S. Casson in red ink, small 8voQTY: (5)
Turner (Joseph Mallord William). An Antiquarian and Picturesque Tour round the Southern Coast of England, London: M. A. Nattali, 1849, 49 engraved plates (including frontispiece), engraved vignette to title and numerous illustrations on India paper, tissue-guards, light damp stain to upper margins of few plates, occasional scattered spotting, contemporary dark green half morocco, joints and extremities worn, large 4toQTY: (1)
Johns (W.E). Biggles Flies Again, London: John Hamilton, [circa 1936], colour frontispiece, 4 black and white illustrations, 36 pp. publisher's advertisements dated autumn 1936, half-title verso with 14 'Ace' titles, a few light spots, top edge blue, original blue cloth, lettered in gilt, lightly rubbed, dust jacket, priced 3/6 to front flap, professionally restored with head and tail of spine re-coloured and lettered, closed tear to spine archivally repaired to verso, 8voQTY: (1)
Halifax (George Savile, Marquis of). A Character of King Charles the Second: and political, moral and miscellaneous thoughts and reflections, London: Printed for J. and R. Tonson and S. Draper in the Strand, 1750, title with short closed tear to lower margin, light dust-soiling and scattered spotting, contemporary calf, gilt decorated spine lacking title label, joints cracked, extremities rubbed, 8vo, together with:Booth (John), A Short Statement of Facts, relative to the Duel which took place at Aberdeen, on the 26th of June, 1805, between Ensign Livingston, of the Stirlingshire Regiment of Militia; and Lieut. A. Booth, of the First Regiment of Aberdeen Volunteers, Aberdeen: Printed by J. Burnett 1806, modern maroon morocco, slim 8vo,Willis (Browne), A Survey of the Cathedral Church. Of Bangor; and the edifices belonging to it..., London: Printed for Robert Gosling, 1721, two folding engraved plates and one folding plan, 19th-century half calf, extremities rubbed, 8vo, plus Scott (Walter), The Lady of the Lake, Edinburgh: John Ballantyne and Co, 1810, engraved portrait frontispiece, additional engraved title with imprint dated 1811, 6 engraved plates, some toning and scattered spotting, contemporary half morocco with vellum corners, gilt decorated spine, upper board detached, 4to, and few other 18th-19th century antiquarian volumes (some odd and incomplete volumes), together with Old Christmas, by Washington Irving, London: Hodder & Stoughton, 1908, colour and monochrome plates, front free endpaper signed by the illustrator Cecil Aldin, original cloth, 4to plus other miscellaneous mostly 20th-century books including Folio Society volumes, biographies, history, literature, art reference and general interest etc.QTY: (3 cartons)
Johns (W.E). Biggles - Air Commodore, 1st edition, London: Oxford University Press, 1937, colour frontispiece, 7 black and white illustrations, light spotting to preliminary leaves, original grey pictorial cloth, dust jacket, priced 3/6 to front flap, a few light water-stains to verso, extremities rubbed (a few small losses), rear panel faintly marked, 8voQTY: (1)NOTE:An excellent copy in a bright, unrestored dust jacket.
Johnson (John & Strickland Gibson). Print and Privilege at Oxford to the Year 1700, reprinted, Oxford: University Press, 1966, monochrome illustrations, original cloth in dust jacket, covers lightly marked & rubbed with a minor tear to the head of the front cover, 8vo, together with:Ramsden (Charles),French Bookbinders 1789-1848, reprinted, London: Batsford: 1989, monochrome illustrations, original cloth in dust jacket, covers slightly rubbed & worn, 8vo, plusGuilland (Harold F.), Early American Folk Pottery, 1st edition, Philadelphia: Chilton Book Company, 1971, numerous monochrome illustrations, some light toning, original cloth in dust jacket, covers slightly toned & rubbed to head & foot, 8vo, and other art & craft reference & related, mostly original cloth in dust jackets, some paperbacks, G, 8vo/folioQTY: (6 shelves)
Forster (Edward Morgan). The Celestial Omnibus, 1st edition, London: Sidgwick & Jackson Ltd., 1911, half-title with contemporary ownership 'G[ilbert]. Beith May 1911', 3-page publisher's adverts at rear, occasional light spotting, pictorial endpapers (short split at foot of upper hinge), top edge gilt, original gilt-blocked brown cloth, slightly frayed rubbed to extremities, 8vo, together with:Forster (E. M.), Pharos and Pharillon, 1st edition, Richmond, Surrey: Printed and Published by Leonard and Virginia Woolf at the Hogarth Press, 1923, occasional scattered spotting, front free endpaper with ownership 'Gilbert Beith, Hollywood, Gomshall, 1929', original blue cloth-backed patterned boards, printed title label to spine, some light toning to boards, extremities slightly rubbed, 8vo, plus Forster (E.M.), The Eternal Moment and other Stories, 1st edition, London: Sidgwick & Jackson Ltd., 1928, front free endpaper inscribed 'Gilbert Beith, May 12th 1928, from Brian and George', original maroon cloth gilt, spine a little faded, extremities slightly rubbed, 8voQTY: (3)NOTE:Gilbert Beith was a member of a group called The Launderers formed in the 1920s, which was a less well-connected, less affluent and flamboyant group living parallel lives to the Bright Young People (aka Bright Young Things). Supposedly the name The Launderers came about due to the members being committed to washing each other’s clean laundry in public, an apparent reference to their desire to promote, rather than denigrate, each other. They often held these 'Laundries' at the home of Gilbert Beith, known as Hollywood, in Gomshall, Surrey. The group concentrated on the theatre district in London’s West End, and they wrote and performed plays in small theatres and other private venues, most commonly in a restaurant called The Cutty Sark. Members included Brian Hill and George Harvey who most likely inscribed the third title listed above to Gilbert Beith. The group’s activities were recorded from 1924-1930 by Joanna Elder Giles, a young Australian woman from a wealthy and influential family. She became acquainted with The Launderers through a friend, and quickly met one of the group’s members; her soon-to-be writing partner, Brian Hill, with whom she wrote mystery novels under the pseudonym of Marcus Magill.
Dulac (Edmund, illustrator). The Sleeping Beauty and other fairy tales, retold by Sir Arthur Quiller Couch, London: Hodder & Stoughton, [1910], 30 tipped-in colour plates, occasional light spotting, publisher's prospectus loosely inserted, presentation inscription, 1911 at front, original russet cloth gilt (upper cover slightly bowed, glassine wrapper (tears and losses), contained in original box, right side flap of lid splitting, edges rubbed, some soiling, 4to QTY: (1)
Quarles (Francis). The Shepheards Oracles: Delivered in certain Eglogues, 1st edition, London: printed by M. F. for John Marriot and Richar Marriot, 1646, period inscription to the reverse of the title page detailing the authors son, 'John born in Essex... a good poet and great royalist' who 'at length he dyed of the plague in London in 1665', loss to the foot of the title page and to the margin of A3, lacks the last page of text [pp.143], some toning & light spotting throughout, later endpapers, modern quarter calf to cloth boards, 4to, together with:Pennant (Thomas), Some Account of London, 2nd edition, London: printed for Robert Faulder, 1791, engraved frontispiece, title page & 11 plates including 2 folding plates, front gutter split, some water damage to the frontispiece & title page, some light toning, spotting & offsetting, contemporary full calf, hinges cracked, boards & spine rubbed with some minor loss, 4to, plusSkrine (Henry),, A General Account of all the Rivers of Note in Great Britain:..., 1st edition, London: printed by T. Bensley, 1801, monochrome maps, lacking half-title & folding frontispiece, some light spotting & toning, some margin annotations in pencil, contemporary full calf, hinges cracked, boards & spine slightly rubbed with some minor loss, 8vo, and other 17th-19th-century literature & reference, mostly leather bindings, some odd & defective volumes, overall condition is fair/good, 8vo/4toQTY: (6 shelves)
Austen (Jane). Pride and Prejudice: a novel, 3 volumes, 2nd edition, London: T. Egerton, 1813, half-titles, first 4 leaves of volume 3 torn to upper right-hand corner (neatly restored, not touching text), two small marginal tears to B3 of volume 1, occasional light spotting (a few leaves slightly heavier), bound to style in modern blue half morocco over brown marbled boards, spines divided into compartments by gilt borders, 2 compartments lettered in gilt, 4 compartments with small devices in blind, 12moQTY: (3)NOTE:Gilson A4; Keynes 4.Published in the same year as the first edition. 'No alterations were made in this edition by the author, though a few obvious misprints have been corrected' (Keynes). 'The size of the edition is not known. Sales, as with the second edition of SS, do not seem to have been brisk' (Gilson).
Bakst (Leon). The Decorative Art of Leon Bakst, appreciation by Arsene Alexandre, notes on the balletts by Jean Cocteau, translated from the French by Harry Melvill, London: Fine Art Society, 1913, portrait frontispiece, 77 mounted plates, including 50 colour, a few minor marginal stains, stitching stained, hinge split before contents leaf, bookplate of R.H. Leefe, light spotting to endpapers, top edge gilt, original half vellum gilt, vellum lifting at spine, a few tears and losses to marbled paper, some soiling, folio 40 x 27 cmQTY: (1)
New Naturalist series. 116 volumes, a broken run, 1945-2016, comprising numbers 1-22, 24-29, 31-35, 38, 41-45, 47-50, 52, 55, 57-58, 61-63, 67-69, 72-75, 77-133, of which numbers 1, 3-4, 6, 20, 22-23, 25-26, 42, 44-45, 50, 55, 58 & 62 later impressions or reprints, duplicate of number 82 (one a 2nd edition) colour and monochrome illustrations, occasional light spotting, a few early copies ex-libris with the usual shelf numbers and stamps, a few previous owner inscriptions, original cloth, light fading to a few, dust jackets, a couple of early titles with adhesive tape marks to flaps, a few small chips and tears to early titles, some fading to a few spines, no jackets for numbers 5, 8, 13, 35 & 42, plus two New Naturalist monographs QTY: (119)
Doré (Gustave, illustrator). Fairy Realm. A collection of old tales... told in verse by Tom Hood, London: Ward, Lock, and Tyler, [1865], 24 full-page black and white plates, occasional light dust-soiling, a few leaves slightly frayed to margins, 20th-century gift inscription to head of front free endpaper, front hinge tender, all edges gilt, original maroon cloth gilt, some wear with a few marks, 4to, together with:Lee (Sidney L). Stratford-on-Avon, from the earliest times to the death of William Shakespeare, London: Seeley & Co, 1885, 14 full-page black and white plates by Edward Hull, smaller black and white illustrations in text, scattered spotting, a few additional preliminary leaves bound-in, lithographic plate mounted to front free endpaper, original blue cloth gilt, rubbed, 4to, withAtkinson (J. Beavington, et al). English Artists of the Present Day, Seeley, Jackson, and Halliday, 1872, 13 mounted illustrations by various artists including Millais and Landseer, a few light spots, front hinge cracked, original cobalt blue cloth gilt, some wear, 4to, with 26 others related including The Sermon on the Mount [1865], E.V.B's A Dream Book (1870), Turner's Celebrated Landscapes (1870), Illustrations of the Life of Martin Luther (Day & Son, 1862)QTY: (29)
Eliot (T. S.). The Confidential Clerk, London: Faber and Faber, 1st edition, 1954, original cloth, spine slightly faded, dust jacket, spine toned with small tear and chips at head, 8vo, presentation copy, inscribed to title "Inscribed for Charles Monteith by T.S. Eliot, 16. iii.54.", together with The Elder Statesman, 1st edition, London: Faber and Faber, 1959, light partial offsetting from flap to endpapers, original cloth, two dust jackets (top one spine toned with tear and split), 8vo, presentation copy, inscribed to title: "Inscribed for Charles Monteith with grateful appreciation (first time my Co. director has wanted my autograph) by T.S. Eliot, 14. iv. 59." , with three others: The Waste Land, facsimile, edited by Valerie Eliot, 1971, limited edition of 500, this copy unnumbered, signed to title by Valerie Eliot, and uncorrected proofs for Collected Poems 1909-1962, 1963 (with 'Miss Goad' in ink to upper cover), and Knowledge and Experience in the philosophy of F. H. Bradley, 1963, (? proof copy)QTY: (5)NOTE:Provenance: from the library of Rosemary Goad, the first female director of Faber and Faber.
Blake (William, illustrator). The Grave, A Poem. By Robert Blair. Illustrated by Twelve Etchings, executed from Original Designs. To which is added a life of the author, London: Printed by T. Bensley, for the proprietor, R. Ackermann, 1813, engraved portrait frontispiece of William Blake by Schiavonetti after Thomas Phillips (dated March 1813), additional engraved title by Schiavonetti after Blake (dated 1813), printed title, list of subscribers, and 11 engraved plates, by Schiavonetti after Blake, some light spotting to plates, mainly to outer margins, marbled endpapers, top edge gilt, contemporary black half morocco over marbled boards, gilt decorated spine, joints a little rubbed, covers rubbed and with some discolouration, large 4to QTY: (1)NOTE:Bentley, Blake Books 435 for the 1808 edition.
McRae (Colonel H. ST. GM). Regimental History of the 45th Rattray's Sikhs, volume 1, 1856-1914, for private circulation only, Glasgow: Robert Maclehose, 1933, photographic portrait frontispiece of Captain Thomas Rattray, ten maps and plans, original black cloth gilt, some marks and wear to edges with a little fraying to joints and minor loss to head of spine, together with Anderson (R. H.). Regimental History of the 45th Rattray's Sikhs now with changes to during the Great War and after. 1914-1921, for private circulation only, London: Sifton Praed & Co., 1925, 16 folding maps, original dark blue cloth gilt, rubbed and spine faded, plusMacMunn (Lieut.-Colonel Sir George). The History of the Sikh Pioneers (23rd, 32nd, 34th), 1st edition, London: Sampson Low, Marston & Co., [1936], colour frontispiece, 2 folding maps, monochrome plates after photographs, map endpapers, original red cloth, gilt, lightly rubbed and a little fading to spine, large 8vo, and Birdwood (Colonel F.T.). The Sikh Regiment in the Second World War, privately published, [1947], 9 folding maps and plans in pocket at rear, light foxing to endpapers and fore edges, original red cloth gilt, very lightly rubbed, thick 8vo QTY: (4)
Dodgson (Charles Lutwidge, 'Lewis Carroll'). Alice's Adventures in Wonderland, London: Macmillan and Co., 80th thousand, 1886, half-title with mounted presentation inscription in blue ink by Lewis Carroll: 'Maggie Savile-Clarke from the Author Nov. 5./86', illustrations by John Tenniel, tissue-guard to frontispiece, p.71 with light stain to upper blank margin, all edges gilt, original red cloth gilt, some stains, spine darkened and a little frayed at ends, 8voQTY: (1)NOTE:Williams, Madan, Green 46e.Margaret (Maggie) Savile-Clarke was one of the daughters of Henry Savile-Clarke, a minor playwright, who wrote to Dodgson asking him for permission to make a two act operetta based on Alice in Wonderland and Through the Looking-Glass. Alice in Wonderland: A Dream Play for Children took to the London stage in 1886. The collaboration sparked a correspondence between Savile-Clarke's family, particularly Maggie and her sister Katherine (Kitty), and Dodgson. Tragically Maggie died in 1894, aged twenty-two, from tuberculosis.
Jones (David). In Parenthesis. Seinnyessit e gledyf ym penn mameu, 1st edition, London: Faber & Faber Ltd., 1937, three monochrome plates, pale blue top edge, light spotting to endpapers, original buff cloth, title to spine on blue ground in gilt frame, minimal fraying to extreme head and foot of spine, in dustwrapper (with price 10s 6d, not price-clipped), frayed with some small chips to upper edges, pale discolouration to spine and rear wrapper, 8voQTY: (1)
Coleridge (Samuel Taylor). Christabel &c., 2nd edition, London: printed for John Murray by William Bulmer, 1816, half title, bound without the 4 pp. advertisements, some light spotting, modern half morocco, 8vo, together with Letters, Conversations and Recollections of S.T. Coleridge, [edited by Thomas Allsop], 2 volumes, 1st edition, London: Edward Moxon, 1836, half titles, advertisement leaf at end of volume I, Eton gift inscription, dated 1843 at front of volume I, all edges gilt, later calf gilt, a little rubbed with light stains, 8vo, plus The Dramatic Works of Samuel Taylor Coleridge, edited by Derwent Coleridge, new edition, 1857QTY: (4)
* Cornwall. Daniell (William), A collection of 27 views from 'A Voyage Round Great Britain, 1825, aquatints with contemporary hand-colouring, occasional duplicates, including five early proofs before letters, titles and printed borders, each approximately 225 x 300 mmQTY: (27)NOTE:The views consist of, Falmouth, New Mullyan Cove, Boscastle Pier, The Entrance to Portreath, Penzance, St. Michael's Mount, St Michaels Mount Cornwall, Mullyan Cove, The Lizard Light Houses, Port-Looe, Gorran Haven, Mevagissy, Mevagissy Cornwall, Polkerris, Fowey Castle, Fowey from Bodenick, Polperro, East Looe (2), Port Wrinkle, The Lands-End (2 copies), The Lands-End Cornwall and five proofs.
Henty (G.A). The Treasure of the Incas, a tale of adventure in Peru, 1st edition, London: Blackie & Son, 1903, 8 full-page black and white illustrations, map of Peru, 32 pp. publisher's advertisements at rear, contemporary gift inscription to half-title, scattered spotting, all edges green, original green pictorial cloth gilt, rubbed and marked, 8vo, together with:At Agincourt, a tale of the white hoods of Paris, 1st edition, London: Blackie & Son, 1897, 12 black and white illustrations, 32pp. publisher's advertisements at rear, occasional light spotting, all edges green, original green pictorial cloth gilt, rubbed, 8vo, withBoth Sides of the Border, a tale of Hotspur and Glendower, 1st edition, London: Blackie & Son, 1899, 12 full-page black and white illustrations, 32pp. publisher's advertisements at rear, occasional light spotting, all edges green, original blue pictorial cloth gilt, lightly rubbed, 8vo, with 21 others including 14 by Henty, all in original pictorial clothQTY: (24)
Potter (Beatrix). The Tale of the Flopsy Bunnies, 1st edition, London and New York: Frederick Warne and Co., 1909, colour illustrations, very light mark to p.51, pictorial endpapers, original boards with inset colour illustration to upper board, slightly rubbed at head of spine, 12mo, together with, Potter (Beatrix), The Tale of Johnny Town-Mouse, 1st edition, later issue, London and New York: Frederick Warne and Co., [1918], title imprint with final letter 'n' of 'London' present (initial copies printed with last 'n' lacking), colour illustrations, pictorial endpapers, original boards with inset colour illustration to upper board, 12mo QTY: (2)NOTE:Quinby 16 & 25.
Lewis (C.S). Prince Caspian, The Return to Narnia, 1st edition, London: Geoffrey Bles, 1951, colour frontispiece, map to front free endpaper & pastedown, black & white illustrations throughout, neat ownership inscription to half-title, a few light spots, original blue cloth, a few small stains to boards, dust jacket, price-clipped, lightly rubbed to extremities, rear panel faintly marked, 8voQTY: (1)
Rackham (Arthur, illustrator). A Midsummer-Night's Dream, by William Shakespeare, London: William Heinemann, 1908, 40 tipped-in colour plates, some light spotting, original cloth gilt, spine neatly repaired, a few light marks, 4to, together with Peter Pan in Kensington Gardens, by J.M. Barrie, new edition, London: Hodder & Stoughton, [1912], 50 tipped-in colour plates, a little light offsetting and a few spots, presentation inscription, 1919 at front, original green cloth gilt, spine neatly repaired, 4to, plus The Rhinegold & the Valkyrie, by Richard Wagner, 1st edition, 2nd impression, November 1919, 34 tipped-in colour plates, some light spotting, small label over previous owner inscription at front, original cloth gilt, spine repaired with some fading, 4to, with eight others illustrated by Arthur Rackham in variable condition including The Springtide of Life. Poems of Childhood by Algernon Charles Swinburne, 1918, Siegfried & the Twilight of the Gods, reprint edition, circa 1924, the Tempset, 1926, and The Complete Angler, 1931 (in chipped dust jacket)QTY: (11)
Nielsen (Kay, illustrator). Fairy Tales, by Hans Andersen, London: Hodder and Stoughton, [1924], 12 tipped-in colour plates, occasional light spotting, top edge gilt, original vellum gilt, slipcase (small split along one fold, a few stains), 4toQTY: (1)NOTE:Limited edition 194/500, signed by the artist. A bright copy.
St. Dominic's Press. Hermia and some other poems by W. H. Shewring, 1st edition, Ditchling: St. Dominic's Press, 1930, wood engraved vignette to title and full-page wood engraving by David Jones, errata leaf after title printed in red, additional printers slip regarding the publication loosely inserted, original publishers cloth-backed blue boards, a little rubbed and slight fraying to extreme head and foot of spine, a little discolouration to board edges, 8vo, limited edition 68/240, together withGregynog Press. The Praise and Happinesse of the Countrie-Life written originally in Spanish by Don Antonio de Guevara, put into English by H. Vaughan, Silurist, reprinted from the edition of 1651, with an introduction by Henry Thomas, and wood engraving by Reynolds Stone, Newtown Greynog Press, 1938, wood engraved illustrations by Reynold Stone, some light spotting to final leaves, period bookplate of Geoffrey Russell, original red half morocco gilt, with paper label to upper cover, small 8vo, limited edition 254/400QTY: (2)
Glas (George). The History of the Discovery and Conquest of the Canary Islands, 1st edition, London: R. and J. Dodsley, 1764, 4 maps (1 folding, 2 on 1 leaf), scattered spotting, toning, Brooklyn Public Library stamps to maps and title, endpapers and blanks renewed, modern red half morocco gilt, 4to, together with:Bishop (Mrs J.F., née Isabella L. Bird). Korea & Her Neighbours, A Narrative of Travel, with an account of recent vicissitudes and present position of the country, 2 volumes, 1st edition, John Murray, 1898, 2 folding coloured maps, 24 monochrome plates after photographs, wood-engraved illustrations, publisher's advertisement leaf at rear of both volumes, occasional light spotting, original publisher's decorated blue cloth gilt, rubbed, 8vo, withThe Yangtze Valley and Beyond, an account of journeys in China, chiefly in the province of Sze Chuan and among the Man-Tze of the Somo Territory, 1st edition, London: John Murray, 1899, folding map at rear, 116 monochrome illustrations, top edge gilt, original green cloth gilt, worn and stained, 8vo, with approximately 30 other volumes related to travelQTY: (approx 35)
Nielsen (Kay, illustrator). Hansel & Gretel and other stories by the brothers Grimm, New York: George H. Doran, [1925], 12 tipped-in colour plates, bookplate, light water stains to fore edges, original cloth, upper cover illustration edges a little rubbed and chipped at lower right corner, 4to, together with Sous le Signe du Rossignol, by Henrey Jaques, Paris: L'Edition d'Art, 1923, 19 mounted colour plates by Kay Nielsen, original wrappers, 4to, limited edition 1447/1500QTY: (2)
Johns (W.E). The Black Peril, A "Biggles" Story, London: John Hamilton, [circa 1936], colour frontispiece, 4 black and white illustrations, 35 pp. publisher's catalogue at rear dated Autumn 1936, neat ownership inscription to front free endpaper, light scattered spotting, original blue cloth, dust jacket, priced 3/6 to front flap, rubbed to extremities, 8voQTY: (1)NOTE:An excellent copy in a bright, unrestored dust jacket.
* Heaney (Seamus, 1939-2013). Christmas card, privately printed for the author by Peter Fallon/The Gallery Press, 1996, folded light blue card with the poem 'Jesus and the Sparrows' printed in black inside, woodcut by Timothy Engelland to front, inscribed in black fibre pen by Heaney beneath poem, 'To Rosemary, With love, as ever, Seamus + Marie', 8voQTY: (1)NOTE:Provenance: from the library of Rosemary Goad, the first female director of Faber and Faber.One of 175 copies.
Campbell (Dugald). Wanderings in Central Africa, 1st edition, London: Seeley, Service & Co., 1929, folding map, half-tone illustrations, advertisements, endpapers a little toned, original cloth gilt, 8vo, together with Burnaby (Fred). A Ride to Khiva: Travels and Adventures in Central Asia, 1st US edition, New York: Harper & Brothers, 1877, folding map contained in front and rear pockets (one split along one fold), a little light toning, original cloth gilt, spine slightly darkened and rubbed at ends, 8vo, plus Selous (Frederick Courteney) Sport and Travel East and West, 1st edition, London: Longmans, Green and Co., 1900, half-tone illustrations, publisher's catalogue at end, previous owner inscriptions at front, original cloth gilt, slightly rubbed, 8vo, with four others: A Journal of the Disasters in Affghanistan 1841-2, by Lady Sale, 1st edition 1843, Sunshine and Storm in Rhodesia, 2nd edition, 1896, and The Induna's Wife, 1898, and The Ruby Sword, 1899 by Bertram MitfordQTY: (7)
Khayyám (Omar). Rubáiyát, rendered into English Verse by Edward Fitzgerald, with decorations by Fish, London: John Lane The Bodley Head Ltd, 1922, 20 full-page colour plates (including frontispiece), preliminary and rear leaves spotted and toned, original black cloth-backed boards gilt, rubbed and bumped, 4to, together with:Ingoldsby (Thomas). The Ingoldsby Legends or Mirth & Marvels, illustrated by Arthur Rackham, London: J.M. Dent, 1907, mounted colour frontispiece, full-page colour mounted illustrations throughout (with captioned tissue-guards), smaller illustrations to text, a few light spots, top edge gilt, remainder untrimmed, original pictorial green cloth gilt, lightly rubbed, 8vo, withBarrie (J.M). Quality Street, a comedy in four acts, illustrated by Hugh Thomson, London: Hodder and Stoughton, 1901, mounted colour illustrations throughout (with tissue-guards), small illustrations to text, pictorial endpapers and pastedowns, lightly toned and spotted, original pictorial purple cloth gilt, lightly rubbed, with 14 others relatedQTY: (17)
Bible [English]. The Holy Bible containing the Old Testament, and the New, Newly Translated out of the Original Tongues, and with the former Translations diligently compared and revised, by His Majesties special Command, London: Printed by Charles Bill, and the Executrix of Thomas Newcomb deceas'd, 1698, engraved title by L. Lucas (with view of London, gutter torn at foot), letterpress New Testament title with imprint dated 1699, bound with Book of Psalms, The Psalms of David in Meeter. Newly Translated, and Diligently Compared with the Original Text..., Allowed by the Authority of the General Assembly of the Kirk of Scotland; and appointed to be sung in Congregations and Families, Edinburgh: Printed by Evan Tyler, 1698, blank leaf between end of New Testament and Book of Psalms inscribed 'Mary Temple her Book in the year 1735', some light toning throughout, two blank free endpapers at front bearing early ownership signature of Mary Temple and also inscription 'A present from Mrs Mary Palmer of Bewdley to Joseph Stanfield September 23rd 1800' and 'Joseph Stanfield born July 2nd 1795', Dutch gilt pastedowns (without Dutch gilt free endpapers), all edges gilt, contemporary gilt decorated calf, extremities worn, 18mo (12.2 x 6.7 cm), together with a late 16th/early 17th century defective French New Testament (lacking all before C1)QTY: (2)NOTE:Darlow & Moule 668; Herbert 851.
Haggard (H. Rider). The People of The Mist, 1st edition, London: Longmans, Green, and Co., 1894, monochrome illustrations, original green cloth, boards & spine lightly rubbed, 8voBlack Heart and White Heart, and other stories, 1st edition, 1900, monochrome illustrations, some light spotting & toning, original green cloth, boards lightly rubbed, 8voAyesha, The Return of She, later edition, London: Ward Lock & Co, circa 1910, original cloth in dust jacket, covers rubbed with some minor tears, 8vo, plus other mixed edition works by H. Rider. Haggard, together with:Crompton (Richmal), Just William, 39th impression, London, George Newnes, 1953, monochrome illustrations, previous owner marks to the front & rear end papers, some light marginal toning, original cloth in price-clipped dust jacket, covers rubbed with some loss, 8voWilliam the Fourth, 29th impression, 1948, monochrome illustrations, some light marginal toning, original cloth in dust jacket, covers lightly rubbed with some minor tears to the head & foot, 8voStill William, 26th impression, 1953, monochrome illustrations, marginal toning throughout, original cloth in dust jacket, covers rubbed with some minor loss, 8vo, plus other mixed edition 'William' novels, mostly original cloth, some in dust jackets, overall condition is generally fair/good, 8voQTY: (3 shelves)
Johns (W.E). Biggles Hits The Trail, 1st edition, London: Oxford University Press, 1935, colour frontispiece, 6 black and white plates, a few light spots, original pictorial green cloth, backstrip faded, a few light marks, dust jacket, priced 3/6 to front flap, neat archival tape reinforcements to verso, head of spine worn with some loss (affecting top of title), extremities rubbed, light dust-soiling to rear panel, 8voQTY: (1)
Johns (W.E). The Cruise of the Condor, London: John Hamilton, [circa 1933], colour frontispiece, 4 black and white illustrations, frontispiece rehinged, original blue cloth, lettered in red, a few light marks to backstrip, dust jacket, price sticker to spine (price unclear), price-clipped, tape reinforcements to verso, extremities rubbed (with small occasional loss), 8voQTY: (1)NOTE:An early reprint of the second Biggles title with the scarce dust jacket in excellent condition.
Tolkien (J.R.R.). The Hobbit or There and Back Again, 1st edition, 2nd impression, London: George Allen & Unwin, 1937, 12 illustrations (4 in colour), cartographic endpapers & pastedowns, gift label to front blank, a few light spots, tape residue to pastedowns lower margins, original green pictorial cloth, residue of tape to spine overlapping to boards, rear joint & spine extremities worn with loss, 8voQTY: (1)NOTE:Published in the same year as the first impression. The second impression is however the first with illustrations.
* Clarke (Joseph Clayton,'Kyd', 1856-1937). A collection of 32 original watercolour illustrations to Pickwick Papers and Oliver Twist, by Charles Dickens, circa 1900-30, 32 mounted pen and ink and watercolour drawings, all signed & titled by the artist, occasional light spotting & toning, 18.5 x 12.5 cm, contained in handsome custom-made red quarter morocco gilt clamshell boxQTY: (1)NOTE:Kyd's illustrations to the characters of Dickens' novels were immensely popular in the early 20th century, with the British Museum acquiring 598 of them in 1910. In 2012 six of Kyd's illustrations were issued as stamps by the Royal Mail to mark the 200th anniversary of Dickens's birth.
Icelandic & Viking. 30 volumes of Icelandic, Viking & Norse reference, including Skja, Iceland's Largest Volcano, With a Description of the Great Lava Desert in the Interior, and a Chapter on the Genesis of the Island, 1st edition,by Locke, published by the author, 1881, folding map to the front with a minor tear to the hinge, some light spotting, original boards, 8voLetters on Iceland: Containing Observations on the Civil, Literary, Ecclesiastical, and Natural History; Antiquities, Volcanos, Basaltes, Hot Springs; Customs, Dress, Manners of the Inhabitants &c, &c, by Banks, G. Perrin, 1780, folding map frontispiece, some light toning & spotting, new endpapers, modern brown cloth, boards slightly marked, 8vo Islendinga Sogur vols I-XII, 12 volumes, by Jonsson, Islendingasagnutgafan, 1946..., Icelandic text, bookplates to the front endpapers, some toning & spotting, contemporary black quarter calf, volume 6 cracked to one edge with loss to the head & foot 8vo, & further early medieval history and Icelandic topography reference, mostly original cloth, V/VG, 8voQTY: (30)Please note that lots 375-430 are off-site in Bourton-on-the-Water and can only be viewed online and any purchases collected from there by prior arrangement.
Hours Press. Twenty Poems Less, by Laura Riding, Paris: Hours Press, 1930, original calf-backed photo montage boards by Len Lye, light wear to spine and edges, folio, limited signed edition 136/200, together with Lowenfels (Walter). Apollinaire. An Elegy, Hours Press, 1930, previous owner inscription at front, original calf-backed yellow boards by Yves Tanguy, spine worn, a little rubbed with small stains, folio, limited edition 88/150QTY: (2)
Lewis (Wyndham). One-Way Song, 1st edition, Faber, 1933, title page and part-title designs by Wyndham Lewis, top edge gilt, remainder untrimmed, original vellum gilt with yapp fore-edges, light discolouration (generally a very good copy), 8voQTY: (1)NOTE:Morrow and Lafourcade A21a. Limited edition of 40 copies on hand-made paper, signed and numbered, this copy numbered 26.
Childers (Erskine). The Riddle of the Sands. A Record of Secret Service Recently Achieved, 1st edition, London: Smith, Elder & Co., 1903, folding map frontispiece, 3 other maps, 4 pp. advertisements at end, a few light spots, contemporary ownership inscription to front pastedown, original cloth, lower joint split, small loss at head of spine, tears and chips at ends, 8vo QTY: (1)NOTE:Binding candidate.
Hope (Anthony). Rupert of Hentzau, 1st edition, presentation copy, Bristol: J. W. Arrowsmith, [1898], inscribed by the author to half-title 'To A. W. Lublin - all good wishes - Anthony Hope Hawkins', frontispiece, 7 black & white plates, bookplate of A. W. Lublin & bookshop ticket to front pastedown, occasional light spotting, original green cloth gilt, lightly rubbed, 8vo, contained in custom green cloth slipcaseQTY: (1)
* Heaney (Seamus, 1939-2013). Christmas card, published for the author by Peter Fallon, 1987, single light grey thin card sheet with 3-line printed verse, 'Dangerous pavements', inscribed in black ink by Heaney beneath, 'Dear Rosemary - Haiku rather than carol, but then I was in Japan in August. Love, Seamus, Marie & the clan', 8voQTY: (1)NOTE:Provenance: from the library of Rosemary Goad, the first female director of Faber and Faber.
Gregynog Press. The Misfortunes of Elphin, by Thomas Love Peacock, Newtown: Gregynog Press, 1828, wood-engravings by Horace Walter Bray, original buckram-backed boards, some fading to spine, 8vo, limited edition of 200, this copy unnumbered, together with George Herbert, Sundrie Pieces, Gregynog Press, 2003, illustrations, original morocco-backed boards, some fading to spine, slipcase, folio, limited edition 107/200, plus Caneuon Ceiriog Detholiad, Gregynog Press, 1925, illustrations by R.A. Maynard and H.W. Bray, Welsh text in red and black, original cloth-backed boards, a few light marks, 4to, limited edition 139/370, the first book from the press in Welsh, plus 5 others: The Singing Caravan by Robert Vansittart, 1932, 160/250 copies, The Curate of Clyro, extracts from the diary of the Reverend Francis Kilvert, 1983, limited edition 20/250, The Ladies of Gregynog, by Eirene White, 1984, limited edition 86/105, The Gregynog Press by Thomas Jones, OUP, 1954, (one of 750 copies), and Gwasg Gregynog, 1990, limited edition 536/755 QTY: (8)
Kerr (Judith). The Tiger Who Came to Tea, first edition, 1968, colour illustrations (by the author) throughout, some minor surface abrasions to lower margin (A4), original pictorial boards, dust-jacket, price clipped, light toning to panels and spine, a near-fine example otherwise, 4toQTY: (1)NOTE:This book is rare, especially in the dust jacket.
Bacon (Francis). The Historie of the Raigne of King Henry the Seventh, London: Printed by W. Stansby for Matthew Lownes, and William Barret, 1622, engraved portrait frontispiece (upper outer blank corner torn and lined to verso), title within decorative woodcut border and bearing early ownership 'Henrie Calverley his book' and upper margin with signature of John Yonge Akerman 1829, several leaves with marginal notes possibly in the hand of John Yonge Akerman, early front free endpaper with inscription 'Dear Sir, As you are curious in historical books, be pleased to accept of this history of Henry VIII, from your sincere friend Wm. Cobbett Jr.' (lined with verso), endpapers renewed, 19th-century calf with contemporary calf leather laid down to boards, small folio, together with:Herbert of Cherbury (Edward Herbert, Baron), The Life and Raigne of King Henry the Eighth, London: Printed by E. G[riffin II and others] for Thomas Whitaker, 1649, engraved portrait frontispiece cropped to image and lined to verso, title in red and black with early ownership of Peter Perkins 1751 (dust-soiled, marked and lined to verso), some browning throughout, final leaf lined to verso, 19th-century half calf, rubbed, small folio,Bacon (Francis), Resuscitatio, or, Bringing into Publick light severall pieces, of the Works, Civil, Historical, Philosophical, & Theological, hitherto Sleeping, London: Printed by Sarah Griffin, for William Lee, 1657, engraved portrait frontispiece with ownership names to verso 'ex libris Patricii Gordonii 68' and 'F. Morley 1712' (short closed tear to lower margin), title with signature 'ex libris P. Gordonii' and with excised signature to upper blank margin, with errata on leaf 2O2, light dust-soiling, occasional spotting, modern half calf, small folioQTY: (3)NOTE:1. STC 1159. In this edition page 3 line 12 has 'Souldiers'.2. Wing H1504.3. Gibson 226; Wing B319.

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