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Preisdatenbank abonnierenA Royal Worcester part dessert service, comprising two comports, two plates and shallow bowl. Comport diameter 23.5 cm. CONDITION REPORT: The circular plates have a number of scratches, the largest being a approximately 5 cm in length. One comport has restoration to the foot although this a quite a competent job and the other has light scratches to the top. Generally in good order.
A Regency mahogany sofa table, fitted with two frieze drawers and raised on a turned centre column with four downswept legs terminating in brass capped castors. Width closed 91 cm. CONDITION REPORT: Height 72.5 cm, Width with flaps down 91 cm, each flap drop 28.5 cm, depth 62 cm. The table is structurally sound and in generally good order. The top has old scuffs, scratches and watermarks and one very small old rectangular patch to the rear right hand corner. The drawers are in generally good condition with one minor cockbead repair to the left hand drawer which has been done professionally and a small veneer repair to the bottom right hand corner of the left drawer support. The centre column and legs are all in good order with no issues. The castors are very dirty and have lost their original lacquer but are original and sound. The table does not really require any repair or restoration but could do with a light clean.
Edward Hughes (1953-2006), a large olive glazed charger, with figure of eight decoration, impressed "EH" monogram. Diameter 43 cm (see illustration). CONDITION REPORT: This piece has two kiln marks at the base of the piece where the item must have been stuck to the kiln, these are approximately 1.5 cm. Emanating from these points are minor glaze crazing which is visible when the piece is turned to the light. The visible sections of the bowl are all first class.
An 18th century green glass bottle, club shaped. Height 18 cm. CONDITION REPORT: Generally very good condition, with no significant damage, no repairs and no restoration. The top lip has several very small old nibbles but no significant damage. The body of the piece is generally a little scuffed and dirty as one would expect but there are no real issues with the bottle. There is a star crack which appears to be radiating out at about 2 cm square. Other than this there are just light scratches commensurate with age.
Napoleonic Wars - solid cast Battle of Waterloo models, Netherlands, 2nd Regiment Belgian Infantry, Grenadiers; 30th Regiment Belgian, Jagers; Brunswick,2nd Infantry Regiment; Grenadiers 1st Prussian Infantry; Le Grenadier A-pied (Imperial Guard); 52nd Light infantry (Oxfordshire) etc others plastic qty
Diecast Soldiers - 1st Battalion "The Queens Royal West Surrey Regiment; 24th Foot South Wales Borderers; 1st Battalion North Staffordshire Regiment; 1st Battalion Lincolnshire Regiment; 2nd Battalion Worcester regiment; 1st Battalion Somerset Light Infantry; Band of the Border Regiment, with hand painted Regimental colours (40)
Diecast Soldiers - Duke of Wellington 33rd Foot Regiment; 1st Battalion East Kent Regiment (Bufffs); 1st Battalion Royal Dublin Fusiliers; 12th Foot Regiment East Suffolk; 34th Foot 1st Battalion The Borders Regiment; 1st Battalion Kings Own Yorkshire Light Infantry; with hand painted colours; R.C.M.P Equestrian Display Team (22)
Star Wars - a collection of seventy nine action figures comprising , Cloud Car Pilot, Bespin Security Guard, At-At Commander, Luke Skywalker (Hoth Battle Gear), R2-D2 (with sensor scope), Rebel Commander, Lobot, 2-1B, Yoda with Snake, Imperial Commander x2, At-At Driver, Leia Organa (Hoth Outfit), Lando Calrissian, Ugnaught, FX-7 Medical Droid, Han Solo (Hoth Outfit), Bossk (Bounty Hunter), Rebel Soldier (Hoth Battle Gear), IG-88 (Bounty Hunter), Bespin Security Guard, Imperial Stormtrooper (Hoth Battle Gear), Luke Skywalker (Bespin Fatigues), Leia Organa (Bespin Gown), Jawa, Princess Leia Organa, Luke Skywalker (slide out Light Saber), Han Solo, Boba Fett, Sandpeople, Star Destroyer Commander, Darth Vader, Greebo, Chewbacca, Walrus Man, R5-D4, Ben Kenobi, Luke Skywalker (X-Wing Pilot), Stormtrooper, Zuckess, Tie Fighter Pilot, Admiral Ackbar, Lando Calrissian (Skiff Guard), Chief Chirpa, Weequay, Logray, Ree Yees, Rebel Commando, Nein Numb, General Madine, Gammorean Guard, Biker Scout, 8D8, Han Solo (Trench Coat), Prune Face, Princess Leia Organa (Combat Poncho), Klaatu (Skiff Guard outfit), Wicket W Warwick, Bib Fortuna, Rancor Keeper, Luke Skywalker (Jedi Knight outfit), At-St Driver, Emperor, Emperor's Royal Guard, Klaatu, Princess Leia (Boushh Disguise), Nikto x2, B-Wing Pilot, Teebo, Squid Head, Imperial Dignitary, Anakin Skywalker, A-Wing Pilot, C3PO, Death Star Droid, Han Solo (Bespin outfit), 4-Lom, Dengar, most complete with accessories, and two posters (79)
Dinky Toys 230 Talbot-Lago Racing Car, light blue body, white driver figure, yellow racing number '4' to rear sides, light blue ridged hubs, grey tyres; Dinky Toys 234 Ferrari Racing Car, blue body, white driver figure, yellow racing number '5' to rear sides and yellow triangle to nose cone, yellow plastic hubs, grey tyres etc (4)
Freddy Bannister / Bath Festival / Led Zeppelin: Bath Books, Cambridge, 2000 First edition boxed set contains: hardcover book by Freddy Bannister, envelope of reprinted programmes, handbills, tickets & a spiral bound album containing colour photos of the Bath Festivals & the 1971 Lincoln Folk Festival, limited edition being no. 984 of only 1000 printed: signed by the author to a plate pasted to inside of box lid & to the book, light wear to box, all contents very clean, sold with There Must Be A Better Way - hard backed book signed by Freddy Bannister
A Doulton Lambeth stoneware jug, impressed with flowerheads and applied with floral roundels in relief, ribbed neck, reeded loop handle, silver mounted rim, 17.5cm, impressed marks, c,1900; an interesting Doulton Lambeth ovoid vase applied in light relief with an orchid roundel surrounded by miniature pineapple motifs, further applied with birds in flight, 15.5cm, monogrammed, impressed marks; others (5)
Jon Middlemiss, a vase of double winged form, blue, green and light brown, 17cm high impressed mark, together with another larger vase of double winged form in grey, cream and rust colouration, by the same hand, with catalogue and receipts and a studio pottery handkerchief vase CONDITION REPORT: Blue vase does not ring and has a small chip, the other two pieces are in good overall condition
An 18th century English delft polychrome decorated charger probably Bristol, decorated with a fence pattern with floral bands and line decoration, 33cm diameter CONDITION REPORT: fritting to the edge, surface scratches, no examined under a uv light, some discolouration, no obvious cracks or restoration, does ring when tapped
A pair of Royal Worcester porcelain cabinet plates, with a light pink and royal blue border, with gilt jewelling and scrolls, the centre painted on one with peaches and blackberries, the other with apples and grapes, both signed A Shuck, puce mark and date code for 1935, 23.5cm diameter CONDITION REPORT: surface scratches to the painted image, some gilding rubbing, some crazing,
Francis Campbell Boileau Cadell (1883-1937) - Iona, East Bay Oil on board Signed lower left Further signature and inscription on reverse: «sorbant ground never varnish/ Iona by F.C.B.Cadell/ (East Bay)' 37 x 44.5 cm. (14 1/2 x 17 1/2 in) Unframed Provenance: Gifted by the artist to present owner's father; Thence by descent. Having moved to Paris with his mother in 1899, Cadell, the youngest of the four painters known as the Scottish Colourists, had been exposed from a young age to the innovative use of colour and painterly handling in the works of Matisse, and other artists working in France before 1914.[1] Cadell and his fellow Colourists produced an innovative approach to these develpoments, where they rendered objects in space through a dramatic language of colour and form. "Iona presented Cadell and Peploe with the challenge of bringing [their] knowledge and experience to bear on a landscape of gentler, cooler and more subtler light " [2] The present painting is part of a larger body of work executed on the island of Iona, where Cadell was to explore the potential of a new painterly approach that was to flourish in the highly conducive natural environment of the island. It was in the summer of 1912 that Cadell made his first trip to Iona, a small island off the rugged West Coast of Scotland, and the artist was to return annually, often spending several months there at a time. In 1920 Cadell moved to Edinburgh, and in the summer of the same year made his first trip to the island of Iona with his friend and fellow Colourist Samuel John Peploe (1871-1935).[3] The crisp white beaches, the swift changes in light and shadow, and the remote landscape with little sign of human development, was to become a recurring source of inspiration that was to be continually explored thoughout Cadell's oeuvre. [1] Billcliffe, Roger, Scottish colourists (act. 1900-1935) , Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Oct 2007 [http://www.oxforddnb.com/view/article/64738, accessed 19 Oct 2015] [2] Christian, Jessica and Charles Stiller, Iona Portrayed; The Island Through Artist's Eyes, 1760-1960, 2000, p. 59 [3] Elliott, Richard, Arts: FCB Cadell - the elegant Colourist , The Actuary, 2nd February 2012, accessed 19th October 2015. We are grateful to The Lacy Gallery who have loaned the frame on this lot, which is available to purchase separately. Please contact the department for further information.
Waltham silver cased pocket watch, Dennison case Birmingham 1913, white enamel Roman dial, subsidiary seconds, case diameter 5.5cm, Waltham stem wind full plate movement model 1883, 14967728, (ticks, winds); a metal cased Goliath pocket watch (main spring faulty) in a silver fronted desk case; another silver fronted desk case; and a "Meteor Electric Light" watch case, mahogany with a silver bezel, London 1903.
Rolex Oyster Perpetual bi-metal wristwatch, 5045 / 658069, circa 1950, cream dial, gilt dagger numerals and hands, centre seconds, rose gold bezel, case width 30mm, bubble back, on a bi-metal Jubilee bracelet (ticks, winds, adjusts). *See clocks and watches proviso. Condition report: All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no-longer be correct at the time of sale or delivery. Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness.Ticks, winds, self-winds, adjusts; we have not removed the back; the back has light scratches, no gouges, the case has minor dents; the dial may have been restored; the bracelet links are quite loose; maximum bracelet length approx 18cm.
Hermes Arceau stainless steel automatic chronograph, 42mm, AR4.910 2349740, white arabic dial, centre stop seconds, subsidiary constant seconds, 12h and 30min timers; date at 4:30, on Hermes leather bracelet and flip lock clasp (ticks, winds, self-winds, adjusts, stops/starts) *See clocks and watches proviso. Condition report: All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no-longer be correct at the time of sale or delivery. Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness.Nicks and scratches to the bezel; light scratching to the case; crystal good; leather strap well used; Hermes stainless folding clasp with nicks and scratches
A very large pair of Old Sheffield plate candelabra, by Matthew Boulton, the bases rising from a stepped circular foot decorated with an acanthus band, supporting a knopped base gun barrel stem with flared socket with tongue and dart border, each with a coiled reeded wire four light branch with gadrooned nozzles and central detachable flambe, 62.5cm high, 47cm span (2) One branch has a repair with modern screws
An Edwardian silver table lamp, by Hawkesworth, Eyre & Co, Sheffield 1906, raised on a plain square foot below a square concave swept stem below a metal three light electrical fitting, 36.5cm high Silver lamp base in good condition , no splits, holes or repairs. Maker's mark slightly rubbed. Requires re-wiring
William Manners (British, 1860-1930) The End of the day - a pony and trap going home at sunset signed lower left "W Manners 1904" oil on board 19 x 26cm (7 x 10in) Paint layer appears to be in good condition. Under UV light dark patches are visible but this is probably related to specific paint/pigments rather than retouching.
Edward Charles Williams (British, 1781-1855) A rural landscape, near Weybridge, Surrey oil on panel 15 x 30cm (6 x 12in) Oil on panel. Some wrinkling in paint layer which has occured as the paint dried. Several areas of retouching (possibly quite extensive in the sky - has a strange appearance but difficult to be certain under UV light) Varnish is clear and even.
A loose ruby and four loose variously coloured sapphires, all oval to rectangular cushion cut and evenly-matched for size, the sapphires coloured light blue, pine green, golden yellow and lemon yellow; total weight 3.85cts; these stones have not been laboratory tested and it is possible that they are synthetic and / or have been treated (5)
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