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534310 Los(e)/Seite
Los 835
An Arts and Crafts oak bookcase in the manner of Shapland and Petter, of large proportions, with three quarter gallery top above a break front centre section, with four astragal glazed doors enclosing nine shelves, on shaped bracket feet, 167.5cm x 217cm W x 30cm D CONDITION REPORT: There are adjustable shelves to the inside of the bookcase, the brackets holding them in are not original. The lower right shelf is a little tight. One of the spindles has an old break and one does not fit fully into its socket at the top. The left hand corner of the top is scuffed. One of the escutcheon with a slight crack. genera light age wear patina throughout but overall of a good appearance. The missing panel of glass is present along with the beading for it. One of the moulding for the bracket foot is detached but present. The size above is for the height to the very top of the piece. Please note that the bookcase / display cabinet is not very deep and would not be able to take larger size books.
Los 837
An Arts and Crafts Liberty and Co style mahogany two tier occasional table in the manner of William Morris, with ring turned and tapered legs, 63.5cm H x 51cm W x 52cm D CONDITION REPORT: The table top had an old repaired split (see images) and there is a lesser hair line crack to the one side of this. Neither are immediately noticeable from the top but can be seen from the underside. One of the turned spindles is repaired and some of the others are glued back into their joints. General light age wear patina throughout.
Los 443
Playstation - Playstation 1 games console with controller and Namco Light Gun in original box, also included in the lot is a quantity of games comprising Tiger Woods PGA Tour 2000, Power Ranges Light Speed Rescue, Dancing Stage Party Edition, Crash Bash, Tom Clancys Rainbow 6 and similar, Est £20 - £40.
Los 478
Vinyl - 18 Uriah Heep LPs to include Look At Yourself, Sea of Light, Wonderland, The Magicians Birthday, Innocent Victim, Very 'Eavy, Sweet Freedom, Conquest, Salisbury, High and Mighty, Demons and Wizards, Return To Fantasy, Head First, Equator, Raging Silence, Fallen Angel, an Firefly, vinyl vg, sleeves gd-vg
Los 125
Vinyl - Collection of 9 x LP's to include The Rolling Stones LK 4605 (Light scratches to vinyl), Jimi Hendrix Experience - Smash Hits 2310 268, The Who - The Story Of 2683 069, Deep Purple - Deepest Purple EMTV 25, The Beatles - Beatles For Sale PCS 3062 (Light scratches to vinyl), The Beatles 1962-1966 PCSP 717 (Scratches to vinyl & torn inner sleeves), The Sex Pistols V2086 (Scratches to vinyl and missing inner sleeve), Pink Floyd - The Wall SHDW 411 (Scratches to vinyl), The Beatles - White Album PCS 7068 (Scratches to vinyl and very worn cover). Vinyl and sleeve conditions good unless otherwise stated.
Los 254
Vinyl - Pink Floyd - The Dark Side Of The Moon (SHVL 804) first press with solid light blue triangle, both stickers and both posters present, A-2 / B-2 matrix stamps in runout, sleeve variation has two openings and round sticker to rear. Original die-cut polythene lined black inner sleeve is in VG condition. Sleeve VG+ with some buffering to corners and spine. Vinyl EX
Los 385
The Eddystone Light 300th Anniversary FDC. Signed by Tony Bullimore. 24/4/1998 Plymouth postmark. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 650
Tirpitz Raider Les Burrows signed The Dam Busters, No. 617 Squadron, Royal Air Force. 45th Anniversary of the Dams raid. Cover design shows a Lancaster departing the breached Mohne Dam. light blue cover. Dam Busters Reunion postmark, cancelled Keswick, Cumbria, 17 May 1988. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 1870
DAVID COX (1783-1859) MORNING; EVENING A pair, watercolour and pencil Each 9.5 x 15cm approx. (2) Provenance: An old handwritten label on the new backboard reads: Morning and Evening painted by/ David Cox/ and bought from him by J Coape/ The above was written by my aunt Julia Coape, who died 1887/ the picture was brought ..... father James .... about 1840./ (F) Coape [indistinct]; Purchased from Pauline Norton Ltd, Birmingham, February 1977 ++ Some pale foxing and time-toning; each needs a light clean
Los 1885
JOSEPH EDWARD SOUTHALL, RWS (1861-1945) STUDY FOR `THE TOWER OF SAN VITALE, VENICE` (c.1937) Watercolour and pencil 16 x 10cm. Provenance: Stratford upon Avon, S. & K. Morris, Watercolours, Drawings and Prints by Pre-Raphaelites and Associated Artists, list no.14, no.895 (circa 1974) ++ Some fading and light-staining of the paper
Los 1907
ATTRIBUTED TO INNOCENZO FRANCUCCI, CALLED DA IMOLA (c.1490-1550) VIRGIN AND CHILD ENTHRONED WITH SAINTS AND ANGELS Oil on panel 33.5 x 26cm. Provenance: Milan, Collection of Benigno Crespi; his sale, Pris, Galeries Georges Petit, June 4th 1914, no.27; purchased by Duc de Mirepoix, by whom sold in the 1950's; Private Collection, Britain Literature: A. Venturi, La Galleria Crespi in Milano, 1900, p.44 (illustrated) * Works from the renowned Crespi Collection are now in the Metropolitan Museum. New York and elsewhere ++ Some craquelure; scattered light retouching
Los 1916
CIRCLE OF SIR THOMAS LAWRENCE, PRA (1769-1830) PORTRAIT OF A GENTLEMAN, BELIEVED TO BE ROBERT STEWART, 2nd MARQUESS OF LONDONDERRY, KG (1769-1822) Quarter length, wearing a dark coat, cream waistcoat and dark cravat, before a red swag Oil on canvas 74 x 61.5cm. Provenance: By 1838 M.B. Ingham, London as "an aged Robert Stewart, Viscount Castlereagh", then by family descent; By 1930 Mr. Walter Beebe, Chelsea, London; By 1945 R. Clarke, London and by descent to family in Atlanta, Georgia, USA. * Robert Stewart, 2nd Marquess of Londonderry was known all his life as Viscount Castlereagh, becoming 2nd Marquess of Londonderry in 1821 just before his death. He was a Irish/British statesman who became one of the most distinguished British Foreign Secretaries in British history (1812-1822). He was central in managing the Grand Alliance defeat of Napoleon and was the senior British diplomat at the Congress of Vienna which redrew the map of Europe in 1815. ++ Lined; some associated retouching; some craquelure; light graze near lower edge; needs a light clean
Los 1955
FRANCESCO LOJACONO (1838-1915) MONTE PELLEGRINO, BAY OF PALERMO, SICILY Signed, oil on canvas 48.5 x 75.5cm. * Lojacono was born in Palermo, Sicily and studied under his father, the history painter Luigi Lojacono (1810-1880). Early acclaim allowed the young Lojacono to move to Naples in 1856, where he was taught by Filippo Palizzi (1818-1899). Following imprisonment during the Revolution, he settled near Palermo and he developed a style remarkable for its clarity of light and the crisp neatness of its technique. He was appointed Professor at the Naples Institute of Fine Arts in 1872 and taught at the Palermo Academy of Fine Arts from 1896 to 1914. Lojacono exhibited in Austria and France and showed his work with great success in Palermo, including at a major exhibition there in 1891-1892. He was awarded Commendatore of the Order of the Crown of Italy and, alongside Michele Catti (1855-1914) and Antonio Leto (1844-1913), the three artists constitute a noble group of Sicilian landscape artists of the Belle Époque. The subject of Monte Pellegrino has a special significance for the people of Palermo. Wolfgang Goethe called it "the most beautiful promontory in the world"; the numerous prehistoric caves speak of its historical importance as an ancient settlement; and the sanctuary of St Rosalia, patron saint of Palermo, is located there. From its 606m summit, the whole city of Palermo can be seen. Provenance: Hugo Schwab (c.1898-1974), an Austrian art collector (notably of Old Master drawings) who established himself after the War in Britain as a businessman involved in the development of metal coat hangers. Schwab was a regular bidder at Sothebys from the 1960's until his death and it is likely that he purchased this lot at that time. This is possibly the lot (63), bought at Sothebys on February 28th 1973, described as `On the Neapolitan Coast` (£1000). It has passed by descent to the vendor.
Los 1962
•ELIZABETH KEITH (1887-1956) OUTSIDE CHANG MAI, SOOCHOW; OLD CHINESE HOUSE, MALACCA; PEWTER SHOP, SOOCHOW; NIGHT SCENE, MALAYA Four, colour woodcuts, each inscribed with title, the first also signed and numbered 13/73 Each 37 x 25cm approx. (4) ++ Generally good condition; slight light-staining
Los 1971
•EDWARD WESSON (1910-1983) A DORSET LANE Signed and dated 72, watercolour with pen and black ink 30.5 x 49cm.; with a watercolour study of a tortoiseshell butterfly upon a bramble, by Gordon Beningfield, 27.5 x 21.5cm. (2) Exhibited: (Wesson) London, The Mall Galleries (no date, c.1972) ++ Each in good condition; Beningfield slightly light-stained
Los 1982
ANN HAYWOOD (Fl.1931-1938) THE BATHERS Signed and dated 1932, signed and inscribed on two labels on the new backboard, giving the title as `The River Nymphs` and `The Bathers`, watercolour on silk 48 x 38cm. Exhibited: probably London, The Royal Academy, 1933, no.777 (as `The River Nymphs`) ++ Needs a light clean to remove some light staining
Los 2061
•A BOX OF 21 ASSORTED PRINTED BOOKS by Virgil, Goethe, H. James, M, Proust, A. Swinburne, R. Southey etc, mainly 20th Century editions, all but one with an original crayon or pencil sketch by James Wood on the flyleaf (figures studies, portraits, town scenes etc), many of the volumes signed and/or annotated by him (21 vols) * James Wood (1889-1975), or Jas as he was always known, was a painter and writer, an aesthete who read history at Cambridge before studying painting in Paris and Munich. A remarkable man of wide-ranging interests, he co-wrote The Foundations of Aesthetics with C K Ogden and I A Richards, and the autobiographical New World Vistas (1926). In the 1930s he made a detailed study of Persian art, learnt Persian and became art adviser to the Persian government. He was fascinated by colour harmony and much influenced by Kandinsky, but was no mere theoretician, as the works gathered here amply demonstrate. A hugely inventive painter, he took everyday subjects and investigated them in terms of light and colour while ensuring they retained their identity as real things. He painted landscape, portraits, the urban scene, and was a key member of the Carline circle of artists to which Stanley and Gilbert Spencer belonged. (Stanley painted Jas lying on a tomb in The Resurrection, Cookham, 1924-7.) He exhibited infrequently, but had solo exhibitions at Zwemmer, the Leicester Galleries and Blond Fine Art. Far less known than he deserves, this is a rare opportunity to acquire a fine example of his work. Andrew Lambirth These pictures have been consigned for sale by the artist's family. ++ Some with broken spines and shelf wear
Los 2075
HENRY SCOTT TUKE (1855-1928) PICKING CARNATIONS Signed and dated 1892 (possibly amended from 1890, see footnote below), oil on canvas 80 x 44.5cm. Exhibited: Plymouth, Harris's, 1890; London, The New Gallery, Summer Exhibition, 1894, label on frame; Manchester City Art Gallery, 1895 This painting features Elizabeth Jane Fouracre (1857 - 1916), standing in the walled garden at Pennance Cottage, Swanpool in Falmouth. Falmouth bay and the Roseland peninsula with St. Antony's lighthouse are visible in the distance. Mrs Elizabeth Fouracre was the artist Henry Scott Tuke's housekeeper at Pennance Cottage from 1885 until her death in 1916. Tuke rented the cottage from the Fox family who were Quakers like his family. This picture was painted in the summer of 1890 according to Tuke's register of paintings but altered in 1892. It would have been painted outdoors and it shows Tuke's lively brushwork but with close attention to detail in the rendering of the hands and face. He originally sold it to his artist friends William Ayerst Ingram and John Eva Downing for £30 in a lot worth £80, but he then puts in brackets "(not paid) This bargain was annulled and I took them back." Ingram and Downing were later to establish the first Falmouth Art Gallery with Tuke in 1894. Tuke then exhibited the picture at Harris's in Plymouth in 1890, and at Manchester City Art Gallery in 1895. He then sold it to a W.H.Wood of Lindley, Huddersfield. According to Maria Tuke Sainsbury's autobiography of her brother's life and work, he also exhibited the painting in London at the New Gallery in April 1894 where it was hung "on the line" (`Henry Scott Tuke; A Memoir' by Maria Tuke Sainsbury, published by Martin Secker 1933 page 111) The next painting listed in Tuke's register also dated summer 1890 is a rare still life of the carnations that Mrs Fouracre was about to pick in this picture, now in the RCPS Tuke collection managed by Falmouth Art Gallery. Tuke loved gardens and carnations were his favourite flowers. Tuke undertook another painting featuring Elizabeth Fouracre, this time with her two sons Georgie and Richard in 1890 titled, 'The Message' is also in Falmouth Art Gallery's collection. Both 'Picking Carnations' and 'The Message' reflect Tuke's connection with the Newlyn School in their subject matter of a female servant in a rural community, a theme frequently used by his fellow Newlyn painters such as Walter Langley. The paintings of Elizabeth Fouracre reflect a period of domestic peace and calm for Tuke at Pennance Cottage. The previous family, the Jewells, who had lived there had left in March 1887, much to Tuke's relief and Mrs Fouracre made Tuke feel "as if I had a home to go to." Maria, Tuke's sister, described Mrs Fouracre as, " the most devoted and faithful housekeeper a man ever had." ('Henry Scott Tuke; A Memoir' by Maria Tuke Sainsbury, published by Martin Secker 1933 page 84) We are very grateful to Catherine Wallace for her assistance with the cataloguing of this picture. ++ Unlined; a little craquelure; needs a light clean; period exhibition gilt frame
Los 2397
KASHMIR CARPET, North West India, second half 20th century, silk piled, the aquamarine field with a central field Herati lozenge framed by spandrils and ivory borders of samovar motifs flanked by multiple guard stripes, 286cm x 187cm Condition: ends and selvedges complete, pile fair but low/worn in areas, light staining.Further images available here:https://www.dropbox.com/sh/829m2u6j2d74ac0/AAAyCXNctRLj5Zng7mp89AgTa?dl=0
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534310 Los(e)/Seite