JOHN BUTTS (c.1728 - 1764) A Mountainous Wooded Landscape with figures gathering woodOil on canvas, 94.5 x 128cm Provenance: Sotheby's, London, 6 July 1983, lot 250Exhibited: Dublin, Exhibition Palace, Arts, Industries and Manufactures (and Loan Museum of Works of Art), 1872.As one of the finest early Irish landscape painters, John Butts specialised in extensive woodland scenes, often based on his native county of Cork around the margins of the Blackwater river. His idealised and romanticised views reflect a particular stylistic tradition of landscape painting, greatly influenced by French 17th century artists' such as Claude Lorrain and Nicolas Poussin. Works by Butts are considerably scarce and large-scale landscape scenes, such as the present example are particularly important additions to the artist's known oeuvre. The early years of his career were spent in Cork, studying and painting from the environment around him, in which he was praised for his remarkable ability to render the breadth and variety of light and shadow in his compositions. While highly idealised views of the wild local environment, Butts handling of colour and the creation of distinctive atmospheric qualities established him as an artist of merit.In this work he captures the toil and hardship of the men at work, gathering large branches for building and fire wood, while the figure in the distant foreground, returning to the town, is bent over under the weight of his load. The centre of the composition is beautifully lit, the rocky cliff face bathed in the warm glow of the sun. Butts manages to create both a focused narrative in the foreground of the painting, while also alluding to the vast and expansive landscape and mountains in the distance. The sun breaks through the clouds, hitting the canopy of the forest and casting a dappled light over the entire scene. Little is known about his painting career, other than a move to Dublin in around 1757, where he was employed as scene painter for the Crow Street Theatre. Married and with a large family to provide for, Butts took on commissions for landscape and figurative paintings in order to supplement his income. Dogged by is penchant for alcohol, he struggled to maintain consistency in his work and this kept him and his family in near state of poverty. He resorted to selling ale house scenes, noted as 'grotesque assemblages' in Strickland, or painting signs for businesses and coaches. While his reputation is not as significant as other Irish landscape painters such as George Barrett or James Barry, the latter of which was a close friend and contemporary of Butts, the emergence of more works by him will help to establish his legacy as a key figure of 18th century Irish art.
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VaseDaum Frères, Nancy, um 1910 Farbloses dickwandiges Mattglas. Balusterform, abgesetzter Fuß. Grün-gelbe flockige Pulvereinschmelzungen. Dunkel- bis hellgrüner Überfang, gelber Unterfang. In mehreren Arbeitsgängen reliefierter Ätzdekor: Weinlaub mit Trauben. Auf der Wandung bez. Daum Nancy, Lothringer Kreuz (hochgeätzt). Kratzer am Fuß. H. 34,5 cm. A vaseDaum Frères, Nancy, circa 1910 Colourless thick-walled frosted glass. Green-yellow powder meltings. Dark to light green overlay, yellow underlay. Etched decoration in relief in several work steps. Inscribed Daum Nancy on the side, Cross of Lorraine (highly etched). Scratches on the foot. Height 34.5 cm.
Tischlampe "Schröder 2000"Max Schumacher für Werner Schröder, Lobenstein, 1934 Metall verchromt. Schwarz-rot emailliert. Einflammig. Am Boden Werkstattmonogramm MSW (ligiert). Gebrauchsspuren. Kabel erneuert. H. 41 cm. A "Schröder 2000" table lampMax Schumacher for Werner Schröder, Lobenstein, 1934 Metal, chromed. Black-red enamelled. 1-light. Workshop monogram MSW (ligated) on the bottom. Signs of wear and tear. Cable renewed. Height 41 cm.
Ein Paar Kandelaber, sechsflammigWohl Frankreich, 19. Jh. Bronze, vergoldet und grünlich patiniert. Untersatz mit drei Delphinen. Schaft mit korinthischem Kapitell und Kugel mit Rankenarmen, darauf Viktorie. Rest., Vergoldung stellenweise berieben. H. 213 cm. A pair of six-light candelabraProbably France, 19th century Bronze, gilt and with greenish patina. Restorations, partly minor rubbing. Height 213 cm.
Zweiflammiger Leuchter mit Spindeltaschenuhr, Meissenfigur und Vincennes-BlütenFrankreich/Meissen, 18. Jh. Vergoldete Bronze bzw. Porzellan mit Farb- und Goldstaffage. Auf durchbrochenem Rankensockel vor mit Porzellanblüten bestückten Blattranken und zwei Leuchtertüllen steht eine kleine Gärtnerin unter einer von einem Papagei bekrönten Rankenkartusche. Spindeltaschenuhr mit Emailzifferblatt und römischen Ziffern sowie ornamental durchbrochener Spindelbrücke. Gärtnerin mit blauer Schwertermarke. Schlüssel. Rest., besch. 32 x 28 x 13 cm. Two-light candlestick with a pocket watch, Meissen figure and Vincennes flowersFrance / Meissen, 18th century Gilt bronze / porcelain with coloured and gold decoration. Verge pocket watch with enamel dial and Roman numerals and bar. Gardener with blue crossed swords mark. Key. Restored, damaged. 32 x 28 x 13 cm.
Armreif, Anhänger und Ring mit Saatperlen und AchatgemmeFrankreich, um 1870-1880 und Anfang 20. Jh. Armreif: Gelbgold 750/-, gestempelt, französische Garantiestempel ab 1838 und 1847, Juwelierpunze. Anhänger: Gelbgold 750/-, gestempelt, französischer Garantiestempel für Goldfeingehalt ab 1838, Juwelierpunze. Ring: Gelbgold 750/-, getestet. Ring: Achatgemme. 20 hellgraue und 13 weiße Saatperlen. Armreif: ca. 5,77 x 4,89 cm (im Oval). Brosche: ca. 4,96 x 3,01 cm. Ringgröße: 50. Ca. 29,19 g. Der Anhänger ist auch als Brosche zu tragen. SvP A bangle, pendant and ring with seed pearls and engraved agate gemFrance, circa 1870-1880 and early 20th century Bangle: yellow gold 750/-, hallmarked, French guarantee stamp as of 1838 and 1847, jeweller's hallmark. Pendant: yellow gold 750/-, hallmarked, French guarantee stamp for fineness of gold as of 1838, jeweller's hallmark. Ring: yellow gold 750/-, assayed. Ring: engraved gem in agate. 20 light grey and 13 white seed pearls. Bangle: approx. 5.77 x 4.89 cm (in the oval). Brooch: approx. 4.96 x 3.01 cm. Ring Size: 50. Approx. 29.19 g.
Ein Paar Ohrgehänge mit Diamanten und Südsee-ZuchtperlenUSA, Schweifhaken mit Fassung: 1940er Jahre, Südsee-Zuchtperlen später Schweifhaken mit Fassung: Gelb- und Weißgold 750/-, getestet. 2 Diamanten im Altschliff, zus. ca. 0,70 ct., TCR (J), VS2-SI1-2. 2 tropfenförmige Südsee-Zuchtperlen, D. ca. 17 x 12,9 mm und 16,6 x 13,5 mm, Körperfarbe: weiß, Überfarbe: weiß-hellcreme, gutes Lüster. L. ca. 3,3 cm. Ca. 11,9 g. Goldschmiedetechnische Ausführung: die Südsee-Zuchtperlen wurden nachträglich an die historischen Schweifhaken angebracht. BK A pair of earrings with diamonds and cultured South Sea pearlsUSA, hook with setting: 1940s, South Sea pearls later Hook with setting: yellow and white gold 750/-, assayed. 2 old cut diamonds, totalling approx. 0.70 ct., TCR (J), VS2-SI1-2. 2 teardrop-shaped South Sea cultured pearls, diameter approx. 17 x 12.9 mm and 16.6 x 13.5 mm, body colour: white, overtone: white-light cream, good lustre. Length approx. 3.3 cm. Ca. 11.9 g.
Collier mit TopasenPforzheim, PETER BLÖDER Gelbgold 750/-, getestet und Silber, getestet. 14 Topase im tropfenförmigen und ovalen Facettenschliff, zus. ca. 280 ct. (errechnetes Gewicht), schönes leuchtendes helles Blau. Ca. 19,8 x 14,8 cm (im Oval), L. ca. 25,5 cm. Ca. 246,93 g. Das Collier war das Geschenk für eine Braut, die es nur an ihrem Hochzeitstag getragen hat. Die Farbe und auch der Edelstein wurden sehr passend ausgewählt, symbolisieren doch sowohl der Topas als auch die Farbe Hellblau Treue sowie Beständigkeit und Harmonie. August der Starke liebte diesen Edelstein besonders. Als am Schneckenstein Anfang des 18. Jahrhunderts ein bedeutendes Vorkommen von Topasen gefunden wurde, ließ der sächsische Kurfürst um den Felsen einen hohen Zaun ziehen. Seine berühmte Topasgarnitur wurde von dem Dresdner Hofjuwelier Johann Heinrich Köhler zwischen 1722 und 1734 gefertigt. Die dort verwendeten Steine sind allerdings farblos bis leicht goldfarben. Deshalb wurden sie auch sächsische Diamanten genannt, wovon einige Stücke Teil der Kronjuwelen Englands sind. Blaue Topase gibt es auch im sächsischen Erzgebirge an der Felsformation Greifensteine. Es wurden aber nur wenige Exemplare gefunden. Bis heute wird von den Topasen vom Schneckenstein folgende Legende erzählt. Inmitten des wald- und bergreichen östlichen Vogtlandes trieb in Vorzeiten ein böser Geist sein Unwesen und war der Meinung, unumschränkter Herrscher der Gegend zu sein. Eines Tages sah er aber, wie sich in dem klaren Wasser der oberen Mulde liebliche Nixen tummelten. Voller Wut darüber grub er den Nixen das Wasser ab. Diese konnten sich noch rechtzeitig in einen Stollen retten. Der Dunkelheit überdrüssig, feierten sie eines Tages vor dem Stollen ein Fest, bei dem sie durch den Geist gestört wurden. Daraufhin verbannte er sie wieder in den Schneckenstein und verwandelte sie zudem in weingelbe Topase. SvP A necklace with topazesPforzheim, PETER BLÖDER Yellow gold 750/-, assayed and silver, assayed. 14 topazes in teardrop-shaped and oval facet cut, totalling approx. 280 ct. (calculated weight), beautiful, bright light blue. Approx. 19.8 x 14.8 cm (in the oval), length approx. 25.5 cm. Ca. 246.93 g.
Armreif mit Diamanten und EmailIndien Gold 750/-, getestet. 44 Diamanten im Polki-Schliff. Weißes, mittel- und hellblaues opakes Email, grünes, rotes und blaues Transluzidemail auf graviertem Grund. 1 Diamant fehlt. Email min. best. Innendurchmesser: ca. 5,38 cm. Ca. 8,83 x 7,8 cm. Ca. 123 g. Der Reif endet in zwei Häuptern des Makaras, dem mythischen Symboltier des Liebesgottes Kamadeva. Der Gott Kamadeva weist deutliche Parallelen zum griechischen Gott Eros und zum römischen Gott Amor auf, denn auch er entzündet das Liebesverlangen mit einem Pfeil. Der Reif wird mit einem dreigeteilten "Schloss", in das eine Schraube greift, verschlossen. SvP A bangle with diamonds and enamelIndia Gold 750/-, assayed. 44 Polki cut diamonds. White, medium and light blue opaque enamel, green, red and blue translucent enamel on engraved background. 1 diamond missing. Minor damage to enamel. Inner diameter: approx. 5.38 cm. Approx. 8.83 x 7.8 cm. Ca. 123 g.
Ein Paar Girandolen, sechsflammigWohl Frankreich, 1. Hälfte 19. Jh. Bronze, vergoldet. Kannelierter Balusterschaft, Rankenarme. Elektrifiziert. H. 96 cm. Dabei: Lampenschirme. Feine Oberflächenbearbeitung. A pair of six-light girandolesprobably France, 1st half of the 19th century Bronze, gilt. Electrified. Height 96 cm. Additional: lamp shades.
"Abstrakte Form", 1960er JahreAmar Nath Sehgal (1922 Attock-2007 Neu-Dehli) Terracotta, hellbraun glasiert. Schwarzer Marmorsockel. Amorphe Form. Rücks. bez. 7/10 Seghal. H. (mit Sockel) 26 cm. Abstract Form, 1960sAmar Nath Sehgal (1922 Attock-2007 New Dehli) Terracotta, glazed in light brown. Black marble base. Inscribed 7/10 Seghal verso. Height (with base) 26 cm.
Four Cranberry and clear frosted glass light shades, and various other shades Provenance: The Late Dr Helen. E. C. Cargill Thompson Condition Report: All glass shades are in good condition with slight damage around the fitment hole. Four shades back right of the tray have rough rims and are badly chipped around the top hole.
A fur trimmed velvet coat and three sheepskin coats Provenance: The Late Dr Helen. E. C. Cargill Thompson Condition Report: velvet coat length: 120cm, shoulder to shoulder 38cm, sleeve length 60cm,. light sheepskin length: 92cm, shoulder to shoulder 46cm, sleeve length 67cm,. brown sheepskin length: 83cm, shoulder to shoulder 43cm, sleeve length 66cm,. Dark brown sheepskin: Label states to fit 46 in Chest (117cm) length 78cm, sleeve length 58cm.
A collection of Royal Copenhagen porcelain including two vases, handled vases, flower painted pots etc Condition Report: Handled vase decorated with iris has a crack at the top of the handle. butterfly decorated piece is a night light shade but has no base. small handled pot is missing lid. blue vase/pot similar to night light shade has a chip to rim. all other pieces are good.
A Copeland Spode Chinese Rose dinner service Condition Report: Meat dish, smaller oval dish, sauce boat and stand, two tureens and covers, one lid broken. 8 pudding bowls, 8 side plates, one chipped underneath rim, 8 soup bowls, medium plates and dinner plates. Unless noted all are in good condition. Have been used but have very light surface scratching.
A Denby Midnight dinner service with a set of Bohemia crystal glasses Condition Report: Eight large bowls, six small bowls - all have wear to the inside. eight side plates, seven medium plates, eight dinner plates, two casserole dishes, pie dish, eight cups and saucers, and a serving bowl. All items have been used and the plates have light to medium wear.
A Maling chrysanthemum plate and another in Primula pattern, two Maling bowls, Carlton Ware dishes, cream and sugar sets etc Condition Report: A Maling chrysanthemum plate crazed to back, and another in Primula pattern - nice condition. two Maling bowls - wear to the inside and crazing. Carlton Ware dishes - light crazing. cream and sugar sets by Crown Devon both ok, other dishes discoloured etc.
A 9ct gold moonstone set ring size J, together with a 9ct gold citrine set ring size L, weight combined 7.3gms Condition Report:Moon;- this moonstone does not have the best finished polish, some scratches are still visible, has good pale blue/white chatoyancy, mount all good, full UK hallmark. Citrine, wear to the surface facets visible with the naked eye, mount light general wear, partial uk hallmarks.
An 18ct gold sapphire and diamond dress ring, size K, weight 5.7gms Condition Report: A nice quality ring, the sapphires are blue rather than black, have inclusions indicative of sapphire, a few tiny flea bite chips to the extremities. Diamonds;- small and pave set appear clean and sparkly. Mount light wear.
A platinum sapphire and diamond ring, the central sapphire measures 7mm x 6mm x 3.8mm, surrounded with estimated approx 0.30cts of brilliant cut diamonds, size K1/2, weight 4.4gms Condition Report: Stamped with the full UK hallmark for platinum, mount light general wear, sapphire has zoning. One of the sapphire tapered baguettes has a slither out of the side but you can only see that with a 20x loope, you would never know by eye. Diamonds bright with a few carbon dots.
An 18ct gold ruby and diamond ring size J1/2, weight 3.7gms Condition Report: Has a full UK hallmark, the 750 is only just visible almost polished out. Rubies a nice colour, one natural surface reaching flaw (looks like a crack but isn't) NOT eye visible. No chips that i can see, all well protected by the amount of claws., diamonds appear bright. Overall the ring needs a good clean, not very scratched, light wear but full of soap. Approx diamond weight 0.16cts.
A white metal three stone diamond ring, set with estimated approx 0.40cts of brilliant cut diamonds, finger size P, weight 3.2gms Condition Report: No hallmark, very light wear to the edges from rubbing on another ring, wear to all the claws, will need attention soonish. Diamonds bright and clean.
Scarce Victorian Sword for an Officer of Mounted Police, slightly curved single edge blade cut with a single fuller and etched PARKER FIELD & SONS 233 Holborn London, stuck with government inspector’s stamp, regulation triple bar iron guard struck with broad arrow, wire bound fish skin covered grip, in its steel mounted leather scabbard. Blade 79cms. Good condition, hilt and scabbard mounts cleaned bright over some light wear.
Continental / Imperial Russian Pioneers Sidearm, slightly curved broad single edge blade cut with a single fuller, saw back edge, stamped with maker’s marks including H.K. one piece cruciform brass hilt dated 1837. Blade 49cms, overall 63cms. Good condition, blade cleaned bright with some wear and patches of light pitting.
Scarce Enfield Artillery Sword Bayonet, saw back straight single edge blade cut with a single fuller, struck with Enfield inspector’s mark, WD beneath broad arrow, and further assorted inspector’s marks etc, 2 piece rivetted chequered leather grips. Blade 65cms. Good condition, light to medium pitting overall.
16-Bore Percussion Sporting Gun by D. Egg, Late 18th Century, drum converted from flintlock, half octagonal twist barrel with EGG LONDON crowned gold poincon, inlaid breech line, signed stepped lock with elaborate dolphin hammer, engraved iron mounts, Egg chequered grip carved with typical flower in relief, silver escutcheon engraved with owner’s crest and initials RB, later brass tipped wooden ramrod. Barrel 91cms. Good condition, some light pitting and age wear to furniture.
Lighting - a mid 20th century chrome and clear glass 'bubble' ceiling pendant light; an Art Deco mottled glass shade, decorated with geometric patterns; other mid 20th century glass shades; a 1960's glass and teak ceiling light; white glass globes; an Endon Lighting brass effect three branch electrolier, boxed; etc
PURCHASER MUST BE 18 YEARS OF AGE OR OVER A Webley & Scott Ltd., Tempest, .177 Calibre Air Pistol, with blackened finish, in original box with a tin of pellets. . Action in good working order. Overall in good condition with only signs of light wear commensurate with age and use. The stand is not included in this lot.
A Quantity of Documents and Instruction Books, relating to the introduction of the 4.85mm Rifle, XL64E5 and XL68E2 (Individual Weapon), 4.85mm Machine Gun, XL65E4 and XL69E1 (Light Support Weapon), 5.56mm Rifle L85A1 and 5.56mm Machine Gun (Light Support Weapon) L86A1, including press releases and photographs, operating booklets, Drill Manual, Technical Folders, etc
After Alphonse de Neuville - The Wounded Ally, 17th Lancers, showing a trooper kneeling and bathing his horse's leg, coloured lithograph; G Salisbury - 17th Light Dragoons, Officers' Breakfast Mess Baggage arriving on Camp-ground''; Harris after Martins - 17th Light Dragoons (Lancers), coloured aquatints, all in glazed Hogarth frames with Parker Gallery labels to the reverse; also, two photographic colour prints after Simkin and Cuneo (5) Provenance:- Forcett Hall, North Yorkshire
A Dutch silver coloured perpetual calendar by Koninklijke Begeer, NGZK (Nederland Gold and Silver Room)1994, one side detailing the amount of days, daylight hours and zodiac sign of each month, the other revealing the weekdays and notable dates, 7cm (2 3/4in) diameter, 83g (2.65 oz) gross Condition Report: There are some light scratches to the outer case, the inner wheel has scratches from being turned Condition Report Disclaimer
An Art Deco silver four piece tea set by Mappin & Webb, Sheffield 1949 (1) and 1950 (3), the tea and coffee pots with shaped rectangular finials and on four bracket feet, 14cm (5 1/2in) high, 1278g (41.1 oz) gross Condition Report: Marks are well struck Handles and finials are missing Both hinges tight Both covers sit well Tea pot and milk jug slightly wobble No personal engraving Light scratches and wear commensurate with age and use Condition Report Disclaimer
A Victorian silver slightly tapering christening mug by Henry Holland, London 1876, with a loop handle, engraved with foliate swags and a monogram, 9cm (3 1/2in) high; and a silver waisted christening mug by Henry Williamson Ltd., Birmingham 1922, with a loop handle, engraved with a presentation inscription and on a circular foot, 9cm (3 1/2in) high, 311g (10 oz) gross Condition Report: Marks are clear Both slightly wobble Light scratches and wear commensurate with age and use Condition Report Disclaimer
A George III silver fiddle, shell and thread pattern fish slice, maker's mark for William Ellerby overstriking that of another, London 1813, engraved with a crest, the blade pierced and engraved with a grape vine band, 30.5cm (12in) long, 169g (5.4 oz) Condition Report: Maker's marks obscured due to overstriking, rest are clear Crest is crisp Light scratches and wear commensurate with age and use Condition Report Disclaimer
A late Victorian shaped glass and silver mounted decanter and stopper by Henry Matthews, Birmingham 1900, chased and pierced with C-scrolls and lattice decoration, 25.65cm (10in) high; a late Victorian green glass decanter and stopper with silver collar by William Hutton & Sons Ltd., London 1897, painted with coats of arms, 26cm (10 1/4in) high, with a matching drinking glass Condition Report: White glass decanter- some scratches to the glass, would benefit from a good internal clean, a few light scratches to the silver, one of the lattice panels has denting Condition Report Disclaimer
An Edwardian silver octagonal baluster sugar caster by Stokes & Ireland Ltd., Chester 1907, with a bell shaped finial to the pierced and domed cover, on an octagonal moulded spreading foot, 21.5cm (8 1/2in) high, 176g (5.65 oz) Condition Report: Maker's mark partially obscured, rest are clear No personal engraving Slightly wobbles Light scratches and wear commensurate with age and use Condition Report Disclaimer
A Victorian silver sugar bowl by Cartwright & Woodward, Birmingham 1862, with a swing handle, pierced and engraved with foliate swags, on four scroll feet, 11cm (4 1/4in) diameter, 185g (5.95 oz) Condition Report: Marks are lightly rubbed Stands well Split to the border No liner Light scratches and wear commensurate with age and use Condition Report Disclaimer
A George IV silver shaped oval sauce boat, mark's obscured, with a leaf capped flying scroll handle, engraved with a crest and on three shell and stepped pad feet, 12.5cm (5in) long; and a shaped oval sauce boat by Viner's Ltd., Sheffield 1932, with a loop handle and on three pad feet, 16cm (6 1/4in) long, 189g (6.1 oz) gross Condition Report: George IV - Marks are obscured, all three feet are pushed in to the body, crest worn, possible solder repairs, stands well Viner's Ltd. - Maker's mark is partially obscured, stands well Both with light scratches and wear commensurate with age and use Condition Report Disclaimer
A silver shaped circular salver by Barker Brothers, Chester 1919, with a raised moulded border, engraved J. DA S. 24.7.73, on four stepped pad feet, 20.5cm (8in) diameter, 334g (10.75 oz) Condition Report: Marks are clear Engraving is crisp Wobbles Light scratches and wear commensurate with age and use Condition Report Disclaimer
A silver shaped circular salver by Walker & Hall, Sheffield 1935, with a raised moulded border, engraved with a presentation inscription and on three scroll feet, 26cm (10 1/4in) diameter, 577g (18.55 oz) Condition Report: Maker's mark rubbed, rest are clear Engraving crisp Stands well Light scratches and wear commensurate with age and use Condition Report Disclaimer
A late Victorian silver gilt baluster sugar caster by Martin Hall & Co. Ltd., Sheffield 1896, with a bud finial to the pierced and domed cover, the body with a girdle, engraved 1864 -Sept 17th 1914, on a circular moulded spreading foot, 19cm (7 1/2in) high, 360g (11.6 oz) Condition Report: Marks are clear Gilding heavily worn Engraving clear Stands well Light scratches and wear commensurate with age and use Condition Report Disclaimer
Y A matched set of twelve French silver gilt dessert knives, nine with maker's mark LM, Paris 1819-38, .800 standard, three with maker's mark CB, 1838-1973, .800 standard, all with mother of pearl reeded handles, engraved JG to navette reserves, 20cm (8in) long, in a case Condition Report: Marks are generally clear Blades fit tightly to the handles Monograms crisp Mother of pearl in good condition Light scratches and wear commensurate with age and use Case coming apart Condition Report Disclaimer
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