Josef Albers (German/American, 1888 - 1976). "Occupied: Homage to the Square [miniature edition]". Original color silkscreen. 1962. Printed 1965. Signed in pencil with the initial and dated on the print, lower right. Probably a PP or TP from the miniature edition of unknown size, presumed small. Very light cream wove paper. Ample margins. Fine impression. Fine condition; affixed to support sheet, as issued. Provenance: Private collection, New Canaan, Connecticut, acquired directly from Sewell Sillman of Ives-Sillman, the firm who printed/published many Albers editions. Overall size: 6 1/2 x 6 1/8 in. (165 x 156 mm). An authentic silkscreen, hand-printed with the approval of Josef Albers. Printed by Wyss & Hunter, Affoltern am Albis, Zurich, Switzerland, for the Gimpel & Hanover Galerie, Zurich. NB: according to “Gordon’s” the most recent sale of a “mini-Albers” is a set of two miniature screenprints (unsigned) which sold for $1,875 at Swann Auction Galleries, New York City, May 16, 2019, lot #111. Image copyright © The Josef and Anni Albers Foundation - Artists Rights Society (ARS), New York. [29144-1-300]
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Andy Warhol (American, 1928 - 1987). "Mao [ad announcement]". Color offset lithograph. 1972. Signed in black marker, lower center. Edition unknown, presumed large. Smooth wove light cream paper. The full sheet. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann II.93. Overall size: 12 x 9 in. (305 x 229 mm). Unusually scarce magazine advertisement, highly sought after since the set of 10 Mao editioned screenprints fetched $2,538,592 at Sotheby's London in 2012. Our example, the advertisement announcement, is rarely at auction. Original and published prior to the publication of the Mao silkscreen set of ten. The color brochure mentioned in the ad is the Mao Announcement, offered also in this auction. As can be seen from the price list (illustrated but not part of this lot), the portfolio was available for $4,500 to the public, $2,400 by subscription. The edition was co-published by Multiples, Inc., New York, and Castelli Graphics, New York and printed at Styria Studio. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28488-2-600]
Jean-Michel Basquiat (American, 1960-1988). "Acque Pericolose - Poison Oasis". Color offset lithograph. 1981. Printed 1984. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Very good condition. Overall size: 7 1/4 x 7 3/4 in. (184 x 197 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean Michel Basquiat – Paintings, 1981-1984" at the Museum Boijmans Van Beuningen (the exhibition ran from February 9th to March 31st, 1985). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by The Fruitmarket Gallery. Printed in the Netherlands by Lecturis bv. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [28995-2-800]
Fortunato Depero (Italian, 1892-1960). "Motociclista". Pencil and watercolor drawing on paper. 1948. Signed lower right. Light cream wove paper. Good condition; foxing verso, visible recto. Overall size: 10 x 7 1/4 in. (254 x 184 mm). A study for Depero's Indian ink on paper of the same title. He was an Italian futurist painter, writer, sculptor, and graphic designer. Image copyright © The Estate of Fortunato Depero. [28769-1-1600]
Andy Warhol (American, 1928 - 1987). "Chiroptera: Bat". Color offset lithograph. 1986. Signed in black marker, lower right. Very light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Feldman/Schellmann IIIB.51.71. Overall size: 10 7/16 x 10 1/4 in. (265 x 260 mm). A proof from the lithograph edition of unknown size published in October of 1986, which was based on the "Vanishing Animals" silkscreen series of the same year. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28575-2-800]
Leonard Tsuguharu Foujita (Japanese/French, 1886 - 1968). "Chaton assis". Pencil drawing on paper. c1931. Signed in pencil, lower right. Light cream wove paper. Good condition; minor foxing; a few very minor handling creases; presents very well. Overall size: 12 x 9 1/8 in. (305 x 232 mm). Foujita, born in Tokyo, applied Japanese drawing techniques and mediums to Western style paintings. His portraits of cats are especially well known. Image copyright © Artists Rights Society (ARS), New York. [29855-2-2400]
Andy Warhol (American, 1928 - 1987). "Blackglama (Judy Garland) [announcement]". Color offset lithograph. 1985. Signed in black marker, lower margin. Edition unknown, presumed small. Light cream smooth wove paper. Full margins. Fine impression. Good to very good condition; sticker removed from verso; very small indentation lower left, barely visible in the raking light. Literature/catalogue raisonne: Undoubtedly to be included in the forthcoming revised edition of the catalogue raisonne of Warhol's ephemera by Paul Marechal; cf. Feldman/Schellmann II.351. Overall size: 6 x 4 1/4 in. (152 x 108 mm). No auction records located. The image of this scarce announcement was issued as one of the silkscreens in Warhol's famous 'Ads' portfolio, one of his most sought after series. Published by Ronald Feldman Fine Arts, New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29521-1-600]
Andy Warhol (American, 1928 - 1987). "The New Spirit (Donald Duck) [announcement]". Color offset lithograph. 1985. Signed in black marker, lower margin. Edition unknown, presumed small. Light cream smooth wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Undoubtedly to be included in the forthcoming revised edition of the catalogue raisonne of Warhol's ephemera by Paul Marechal; cf. Feldman/Schellmann II.357. Overall size: 6 x 4 1/4 in. (152 x 108 mm). No auction records located. The image of this scarce announcement was issued as one of the silkscreens in Warhol's famous 'Ads' portfolio, one of his most sought after series. Published by Ronald Feldman Fine Arts, New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29520-1-800]
Andy Warhol (American, 1928 - 1987). "Elvis I [postcard edition]". Color offset lithograph. 1964. Printed 1981. Signed in black marker, lower margin. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Overall size: 5 7/8 x 4 1/8 in. (149 x 105 mm). No auction records located. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28730-1-600]
Jean-Michel Basquiat (American, 1960-1988). "Side View of an Oxen's Jaw". Color offset lithograph. 1983. Printed 1986. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 8 1/16 x 7 3/8 in. (205 x 187 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the Kestner-Gesellschaft, Hannover, Germany (the exhibition ran from November 28th 1986 to January 25th 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Kestner-Gesellschaft and printed in Hannover by Frenzel & Heinrichs. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29068-1-600]
Jean-Michel Basquiat (American, 1960-1988). "Hollywood Africans in Front of the Chinese Theater with Footprints of Movie Stars". Color offset lithograph. 1983. Printed 1984. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Very good condition. Overall size: 4 9/16 x 8 1/8 in. (116 x 206 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean Michel Basquiat – Paintings, 1981-1984" at the Institute of Contemporary Arts, London (the exhibition ran from December 14th, 1984 to January 27th, 1985). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by The Fruitmarket Gallery. Printed in the Netherlands by Lecturis bv. This work was titled “Chinese” at the exhibition. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [28989-1-600]
Pablo Picasso (Spanish, 1881 - 1973). "Dibujos de Picasso - Barcelona [Sala Gaspar]". Original lithograph. 1961. Signed in pencil, lower right. Edition of 500. Light cream wove paper. The full sheet. Very fine impression. Very good condition; a few dimples and a few fox marks along left margin, else fine. Literature/catalogue raisonne: Bloch 1292; Czwiklitzer 43 (1970 ed.);Czwiklitzer 44 (1981 ed.); Rodrigo 108; Mourlot 337. Overall size: 27 5/8 x 19 3/4 in. (702 x 502 mm). Image size: 23 x 18 1/4 in. (584 x 464 mm). Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Printed by Foto-Repro S.A., Barcelona. Image copyright © Artists Rights Society (ARS), New York. [27398-5-600]
Karima Muyaes (Mexican, b.1960). "Energy Mandala". Gouache on paper. 2011. Signed and dated lower right. Light cream heavily-textured hand-made San Augustin (Oaxaca) paper. Fine condition. Provenance: Estate of a private collector, Brussels, Belgium. Overall size: 16 1/4 x 20 1/4 in. (413 x 514 mm). Image size: 16 1/4 x 20 1/4 in. (413 x 514 mm). A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2020. Muyaes’s work has sold at Sotheby's (New York City), Swann Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas). In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [25752-0-900]
Josef Albers (German/American, 1888 - 1976). "Set Off: Homage to the Square [miniature edition]". Original color silkscreen. 1960. Printed 1973. Signed in pencil with the initial and dated. Probably a PP or TP from the miniature edition of unknown size, presumed small. Light cream wove paper. Ample margins. Fine impression. Good condition; very light and subtle surface scrathes in the image, visible in the raking light. Provenance: Private collection, New Haven, Connecticut, acquired directly from Sewell Sillman of Ives-Sillman, the firm who printed/published many Albers editions. Overall size: 8 3/4 x 8 3/4 in. (222 x 222 mm). Image size: 8 1/16 x 8 1/16 in. (205 x 205 mm). An authentic silkscreen, hand-printed with the approval of Josef Albers. Printed by Trautwein KG, Recklinghausen, Germany. Image copyright © The Josef and Anni Albers Foundation - Artists Rights Society (ARS), New York. [29346-2-400]
Roy Lichtenstein (American, 1923-1997). "Little Big Painting [Toyko]". Color offset lithograph. 1965. Printed 1976. Signed in pencil, lower right. Edition unknown, presumed small. Very light cream wove paper. The full sheet. Fine impression. Very good to fine condjtion. Literature/catalogue raisonne: Doering/Von der Osten 117. Overall size: 40 1/2 x 28 1/2 in. (1029 x 724 mm). A rare poster. No auction records located. For the exhibition at the Seibu Museum of Art, Tokyo, Japan. Image copyright © Estate of Roy Lichtenstein. [28896-6-1600]
Andy Warhol (American, 1928 - 1987). "Ingrid Bergman: With Hat (06)". Color offset lithograph. 1983. Signed in black felt tip pen, center left; signed in the plate. Edition unknown, presumed very small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IIB.315. Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm). Scarce, and rare signed. A signed impression from this series sold for $1,248 at Pierre Cornette de Saint Cyr, Paris, June 25, 2012, lot #420. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. Apparently there were very small quantities of this lithograph (our example) printed for distribution on opening night and they went quickly. This image of Bergman, one of the "trial proof unique prints," is based on a movie still from "Casablanca." Published by Galerie Borjeson AB, Malmo. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28337-2-600]
Roy Lichtenstein (American, 1923-1997). "Bananas and Grapefruit". Color offset lithograph. 1973. Signed in pencil, lower right. Edition unknown, presumed small. Thin coated light cream wove paper. Full margins. Fine impression. Good to very good condition; some rippling but no hard creasing; removed from old mount with no loss of paper fibers; no tears, holes, foxing, etc. Literature/catalogue raisonne: Unknown to Doering/Von der Osten. Provenance: Estate of a private collector, Venice, California. Overall size: 25 x 32 in. (635 x 813 mm). Image size: 21 x 30 in. (533 x 762 mm). A lifetime impression and a very scarce/rare poster. No auction records in the past 25 years have been located. Unknown to Doering/Von der Osten. It was published for the Lichtenstein solo exhibition at the Greenberg (now Greenberg Van Doren) Gallery, St. Louis, Missouri, in 1973. Image copyright © Estate of Roy Lichtenstein. [26558-6-2000]
Roy Lichtenstein (American, 1923-1997). "Modern Painting with Sun Rays". Color silkscreen. 1967. Printed 1972. Signed in pencil, lower right. Edition unknown, probably small. Very light cream smooth sturdy wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Unknown to Doering/Von der Osten. Overall size: 30 x 40 in. (762 x 1016 mm). A rare poster - no auction records located. Printed by the New York Graphic Society Ltd. for The Joseph H. Hirshhorn Collection. Image copyright © Estate of Roy Lichtenstein. [28894-7-1600]
Andy Warhol (American, 1928 - 1987). "Bighorn Ram [announcement]". Color offset lithograph. 1983. Signed in black marker, lower margin. Edition unknown, presumed small. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Undoubtedly to be included in the forthcoming revised edition of the catalogue raisonne of Warhol's ephemera by Paul Marechal; cf. Feldman/Schellmann II.302. Overall size: 6 x 4 1/4 in. (152 x 108 mm). No auction records located. The image of this scarce announcement was issued as one of the silkscreens in Warhol's famous 'Endangered Species' portfolio, one of his most sought after series (published by Ronald Feldman Fine Arts, New York City; printed by Rupert Jasen Smith, New York City). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29440-1-600]
Andy Warhol (American, 1928 - 1987). "Lighthouse Footwear Reptile Shoes". Original color offset lithograph. 1979. Signed in black marker, lower left. Edition unknown, presumed small. Thin light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Paul Marechal, "Andy Warhol: The Complete Commissioned Posters, 1964-1987," #12. Overall size: 30 x 45 in. (762 x 1143 mm). A scarce poster. Only three auction records in the past 25 years located. As Marechal states, "Warhol's zoomorphic creation for Lighthouse Footwear, combining a shoe with a snake, is as original as it is unexpected. Warhol's pen molded the snake into a shoe, making them one - an advertising tour de force uniting product and origin." Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28645-8-600]
Alberto Savinio (Italian, 1891-1952). "Studio per il Dipinto "Le pére eternal contemple le maquette du paradis terrestre"". Original conte crayon drawing. c1920s. Signed lower left. Light cream wove watermarked paper. Overall condition good. Provenance: Estate of a private collector, Rome. Overall size: 8 9/16 x 6 1/4 in. (217 x 159 mm). Image size: 8 x 6 1/16 in. (203 x 154 mm). Alberto Savinio, born Andrea Francesco Alberto de Chirico, was an Italian writer, painter, musician, journalist, essayist, playwright, set designer, and composer. He was the younger brother of 'metaphysical' painter Giorgio De Chirico. His work often dealt with philosophical and psychological themes, and he also was heavily concerned with the philosophy of art. Image copyright © The Estate of Alberto Savinio. [26526-1-800]
Jasper Johns (American, b.1930). "Technics and Creativity II - Target 1970". Color offset lithograph. 1970. Signed in pencil, lower left; signed in the plate, lower left. Edition of 22,500, of which few have survived intact (brush present, with hairs, w.c. pads unused). White wove paper. Full margins. Fine impression. The print is in fine condition. Very light soil to plastic case. Scarce thus. Provenance: Private collection, Los Altos, California. Image size: 10 5/8 x 8 in. (270 x 203 mm). An unsigned impression sold for €616 ($973) on 03-30-2008 at PIASA in Paris. Another unsigned impression was offered at auction with a pre-sale estimate of $4,000/5,000 (starting bid $2,000) at RoGallery, August 11, 2010, lot 259. Plastic case containing a catalogue with 364 illustrations (20 in color) and a specially commissioned multiple by Johns (a two-color offset lithograph), along with watercolor pads and a brush. The pads are intact and, along with the brush, never used. Produced by Gemini in conjunction with "Technics and Creativity: Gemini G.E.L," an exhibition at The Museum of Modern Art, New York. Image copyright © Licensed by VAGA, New York, NY. [19894-3-800]
Rufino Tamayo (Mexican, 1899 - 1991). "Ojo y Serpiente". Color lithograph. 1952. Signed in pencil, lower right; editioned lower left. Print "R" from the HC edition of 20. Light cream wove paper. Full margins. Fine impression. Fine condition with no issues. Literature/catalogue raisonne: Pereda 46. Provenance: Private collection, Mexico City. Overall size: 9 7/16 x 7 1/2 in. (240 x 190 mm). Image copyright © Tamayo Heirs/Mexico/Licensed by VAGA, New York, NY. [27660-1-1000]
John Wilson (American, 1922-2015). "La Calle". Original color lithograph. 1951. Printed 1965. Signed and titled in pencil, lower margin. Edition unknown, presumed small (the original edition was 22). Light cream wove paper. Ample margins. Fine impression. Fine condition. Overall size: 6 x 8 3/16 in. (152 x 208 mm). The original edition of this lithograph was printed by Wilson in Mexico City in 1951. In 1965 he authorized and supervised a second edition in a reduced format, of which our example is part. An impression of the original edition sold for $6,000 at Swann Auction Galleries, New York City, December 15, 2015, lot #39. John Woodrow Wilson was an African-American artist who initially studied at the School of the Museum of Fine Arts, Boston. In 1950, he received a John Hay Whitney scholarship, enabling him to move to Mexico, where he spent the next six years. While there, he enrolled in La Esmeralda School in Mexico City to study mural painting, like Charles White and Elizabeth Catlett before him. In Mexico he also completed a small group of lithographs depicting Mexican manual laborers working in the streets, of which “La Calle” is one. Image copyright © The Estate of John Woodrow Wilson. [21812-1-600]
Jean-Michel Basquiat (American, 1960-1988). "AAAAAA… [Untitled]". Color offset lithograph. 1981. Printed 1986. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 8 1/16 x 7 3/4 in. (205 x 197 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the Kestner-Gesellschaft, Hannover, Germany (the exhibition ran from November 28th 1986 to January 25th 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Kestner-Gesellschaft and printed in Hannover by Frenzel & Heinrichs. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29050-1-600]
Keith Haring (American, 1958 - 1990). "Circus [Untitled 1985]". Color offset lithograph. 1985. Printed 1985. Signed by Haring in black marker, lower right. Edition unknown, presumed very small. Light cream smooth wove paper. Ample margins. Fine impression. Fine condition. Overall size: 6 11/16 x 8 in. (170 x 203 mm). Rare. No auction records located. Issued to promote the “Keith Haring: Peintures, Sculptures, et Dessins” exhibition at the capc Musee d’art contemporain, Bordeaux, France. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from December 15th 1985 to February 23, 1986. Printed by l’Imprimerie Union, Paris. Image copyright © The Keith Haring Foundation. [29203-1-600]
Leonard Tsuguharu Foujita (Japanese/French, 1886 - 1968). "Fille avec chat". Ink drawing on paper. c1930. Signed in pencil, upper right. Light cream wove paper. Very good condition. Overall size: 11 3/4 x 8 5/8 in. (298 x 219 mm). Foujita, born in Tokyo, applied Japanese drawing techniques and mediums to Western style paintings. His portraits of cats are especially well known. Image copyright © Artists Rights Society (ARS), New York. [29825-2-2400]
Josef Albers (German/American, 1888 - 1976). "Lone Stele: Homage to the Square [miniature edition]". Original color silkscreen. 1962. Printed 1965. Signed in pencil with the initial and dated on the support sheet, lower right. Probably a PP or TP from the miniature edition of unknown size, presumed small. Very light cream wove paper. Ample margins. Fine impression. Very good condition; affixed to support sheet, as issued. Provenance: Private collection, New Haven, Connecticut, acquired directly from Sewell Sillman of Ives-Sillman, the firm who printed/published many Albers editions. Overall size: 6 5/8 x 6 3/16 in. (168 x 157 mm). An authentic silkscreen, hand-printed with the approval of Josef Albers. Printed by Wyss & Hunter, Affoltern am Albis, Zurich, Switzerland, for the Gimpel & Hanover Galerie, Zurich. NB: according to “Gordon’s” the most recent sale of a “mini-Albers” is a set of two miniature screenprints (unsigned) which sold for $1,875 at Swann Auction Galleries, New York City, May 16, 2019, lot #111. Image copyright © The Josef and Anni Albers Foundation - Artists Rights Society (ARS), New York. [29145-1-300]
Marino Marini (Italian, 1901 - 1980). "Cavallo rosso e nero". Gouache drawing on paper. 1952. Signed and dated lower right. Painted on cream wove paper. Good condition; water staining left and lower edges; scuffing visible only in the raking light; still presents well; would have been estimated much higher save for the condtion issues. Overall size: 10 11/16 x 7 1/2 in. (271 x 190 mm). Marini was an Italian sculptor. Although he never abandoned painting, Marini devoted himself primarily to sculpture from about 1922 onwards. Image copyright © The Estate of Marino Marini. [29896-2-6000]
Roy Lichtenstein (American, 1923-1997). "Thinking Nude". Color relief print. 1994. Printed in 1994. Signed in pencil, lower right. Edition of 500. Very light cream smooth sturdy wove paper. Ample margins. Fine impression. Fine condition. Literature/catalogue raisonne: See Corlett 289 for the full-size limited edition relief print. Overall size: 6 3/8 x 9 3/8 in. (162 x 238 mm). Published in 1994 by Tyler Graphics, who printed and distributed the full-size limited edition relief print. Image copyright © Estate of Roy Lichtenstein. [27655-1-800]
Andy Warhol (American, 1928 - 1987). "Four Marilyns". Color offset lithograph poster. 1985. Signed in black marker, lower right. Edition unknown. Light cream smooth wove paper. The full sheet. Fine impression with fresh colors. Very good to fine condition. Overall size: 37 x 24 in. (940 x 610 mm). Image size: 29 1/4 x 24 in. (743 x 610 mm). According to 'Gordon's Art Reference' another impression of this poster sold at auction for $3,680 (Swann Galleries, 11/17/2005, lot #325). Gordon's lists only three sales of this poster since its creation. For the Walker Art Center exhibition "Selections from the Ilena and Michael Sonnabend Collection: Works from the 1950s and 1960s," November 23, 1985 to March 9, 1986. Undoubtedly to be included in the forthcoming catalogue raisonne of Warhol's non-commissioned posters by Paul Marechal. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28398-6-1600]
Andy Warhol (American, 1928 - 1987). "Myths Suite [the complete set of 10 announcement/invitation cards, accompanied by the specification card, in the original printed folder enclosed in the original envelope - a "mini portfolio"]". Color offset lithographs. 1981. Each signed in black or white marker by Warhol; cover signed by Warhol. Edition unknown, presumed small (250?). Light cream stiff wove paper. Printed to the edge of the sheet. Fine impressions. Very good to fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no. 36; cf. Feldman/Schellmann II.258-267. Overall size: (each) 6 7/8 x 6 7/8 in. (175 x 175 mm). Image size: (each) 6 7/8 x 6 7/8 in. (175 x 175 mm). This "mini-portfolio" is unusually scarce and highly sought after, especially since the set of 10 Myths editioned screenprints fetched $1,085,000 at Christie's New York (November 13, 2014, lot #387). Our example, the announcement set, is rarely seen and we could not find a record of a signed set at a “brick and mortar” auction. A signed set was offered for $10,000 by Live Auctioneers, New York City, in July of 2019. An unsigned set sold for $7,000 at Leslie Hindman Inc., Chicago, 5/24/2016, lot #251. A single card ('Superman') from another set sold for $2,375 (including premium) on April 28, 2015, at Doyle New York, lot #197. Each card is identified verso with the title, date, etc. The images in the portfolio are Dracula, Howdy Doody, Mammy, Mickey Mouse, Santa Claus, Superman, The Shadow [Warhol], The Star, The Witch, and Uncle Sam. When the portfolio was released, Ronald Feldman commented "The Myths [that] Warhol presents are well known. Their roots are in ancient beliefs, folklore, allegorical tales, and are based on traditional stories and media creations. They represent fantasies, dreams, hopes and fears. Most of Warhol's myths are derived from photographs he has taken especially for this series." Together with the original envelope, rarely encountered. Printed by Rupert Jasen Smith, New York City. Published by Ronald Feldman Fine Arts, Inc., New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28872] |5000| {R100} (TL3) azzz~rzzz. [28872-3-5000]
Andy Warhol (American, 1928 - 1987). "Marilyn [Louisiana]". Color offset lithograph. 1986. Signed in black marker, lower right. Edition unknown. Light cream wove paper. The full sheet. Fine impression. Very good condition. Overall size: 33 1/2 x 24 1/2 in. (851 x 622 mm). Image size: 22 x 22 in. (559 x 559 mm). Based on Warhol's 1967 "Marilyn". Published by the Louisiana Museum of Modern Art, located in Humlebaek, 35 km (22 mi) north of Copenhagen, Denmark. It is the most visited art museum in Denmark. This poster will presumably be included in the forthcoming catalogue raisonne of Warhol's posters by Paul Marechal. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28397-6-1200]
Andy Warhol (American, 1928 - 1987). "Truck #3 [announcement card]". Color offset lithograph. 1985. Signed in black marker. Edition unknown, presumed small (500?). Light cream wove paper. Printed to the edge of the sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no. 38(c); cf. Feldman/Schellmann II.369. Overall size: 6 3/4 x 6 3/4 in. (171 x 171 mm). Image size: 6 3/4 x 6 3/4 in. (171 x 171 mm). Published by Hermann Wunsche, Bonn, Germany, in cooperation with the Bundesverband des Deutschen Guterfernverkehrs to announce and commemorate the XXth World Congress of the International Road Transport Union. Printed by Rupert Jasen Smith, New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29008-1-800]
Matt Groening (American, b.1954). "The Simpsons". Original marker drawing on paper. c2011. Signed lower right. Drawn on light cream wove paper. Very good to fine condition. Overall size: 8 3/8 x 8 1/4 in. (213 x 210 mm). Matthew Abram "Matt" Groening is an American cartoonist, screenwriter, producer, animator, author, musician, and voice actor. In addition to “The Simpsons” he is the creator of the comic strip “Life in Hell” (1977–2012) as well as two successful television series, “The Simpsons” (1989–present) and “Futurama” (1999–2003, 2008–2013). Image copyright © Matt Groening. [29845-1-600]
Andy Warhol (American, 1928 - 1987). "Queen Margrethe (#1)". Color offset lithograph. 1985. Signed in black felt tip pen, upper left. Edition unknown, presumed very small. Light cream wove paper. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann II.342. Image size: 7 x 5 9/16 in. (178 x 141 mm). Very scarce, and rare signed. Issued to promote the portfolio "Reigning Queens" published by George Mulder, Amsterdam. The portfolio consists of 16 separate images of each of four reigning queens: Queen Elizabeth II, Queen Beatrix, Queen Margrethe II, and Queen Ntombi Twala, all printed by Rupert Jasen Smith, New York. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The reception was held in the late afternoon of September 20th, 1985 at Castelli Uptown and the exhibition ran from September 21st to October 12th. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28664-1-500]
Andy Warhol (American, 1928 - 1987). "Van Heusen (Ronald Reagan) [announcement]". Color offset lithograph. 1985. Signed in black marker, lower right. Edition unknown, presumed small. Light cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Undoubtedly to be included in the forthcoming revised edition of the catalogue raisonne of Warhol's ephemera by Paul Marechal; cf. Feldman/Schellmann II.356. Overall size: 6 x 4 1/4 in. (152 x 108 mm). No auction records located. The image of this scarce announcement was issued as one of the silkscreens in Warhol's famous 'Ads' portfolio, one of his most sought after series. Published by Ronald Feldman Fine Arts, New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28597-1-800]
Jean-Michel Basquiat (American, 1960-1988). "To Repel Ghosts [1985] [print]". Color offset lithograph. 1985. Printed 1986. Signed in black marker, lower left. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Very good to fine condition. Overall size: 8 5/8 x 3 13/16 in. (219 x 97 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean Michel Basquiat – Bilder, 1984-1986" at Galerie Thaddaeus Ropac, Salzburg, Austria, July-August, 1986. Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by Galerie Thaddaeus Ropac. Printed in Salzburg by Valenta + Valenta, Ges.m.b.H. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29024-2-600]
Andy Warhol (American, 1928 - 1987). "Trucks Suite [the complete set of four cards in the original printed folder - a "mini portfolio"]". Color offset lithographs. 1985. Each signed in black marker by Warhol. Edition unknown, presumed small (500?). Light cream stiff wove paper. Printed to the edge of the sheet. Fine impressions. Very good to fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no. 38; cf. Feldman/Schellmann II.367-370. Overall size: (each) 6 3/4 x 6 3/4 in. (171 x 171 mm). Image size: (each) 6 3/4 x 6 3/4 in. (171 x 171 mm). This "mini-portfolio" is scarce and sought after, especially since the set of four ‘Truck’ editioned screenprints fetched $118,750 at Christie's, New York (October 27, 2015, lot #301). The set is rarely seen and ‘Gordon’s’ does not record a signed example at auction. The only record of an unsigned set in ‘Gordon’s’ is a sale for $3,250 at Rago Arts & Auction on November 17, 2012, lot #668. Published by Hermann Wunsche, Bonn, Germany, in cooperation with the Bundesverband des Deutschen Guterfernverkehrs to announce and commemorate the XXth World Congress of the International Road Transport Union at Frankfurt, Germany, June 2 to June 6, 1986. The set of four works was exhibited at Hans Schuller, Bonn, Germany, from July 3 to August 23, 1986, and the invitation/announcement cards were also used on that occasion. Printed by Rupert Jasen Smith, New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29005-1-4000]
Andy Warhol (American, 1928 - 1987). "Ingrid Bergman: Herself (03)". Color offset lithograph. 1983. Signed in black felt tip pen, center right; signed in the plate. Edition unknown, presumed very small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IIB.313b. Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm). Scarce, and rare signed. A signed impression from this series sold for $1,790 at Pierre Cornette de Saint Cyr, Paris, June 20, 2011, lot #412. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. The portfolio consists of three separate images of Bergman. Apparently there were very small quantities of this lithograph printed for distribution on opening night and they went quickly. This image, one of the "trial proof unique prints," is based on an early publicity photograph. Published by Galerie Borjeson AB, Malmo. Image copyright © 2001 Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28157-2-600]
Andy Warhol (American, 1928 - 1987). "Endangered Species Suite [the complete set of 10 announcement/invitation cards in the original printed folder - a "mini portfolio"]". Color offset lithographs. 1983. Each signed in black marker by Warhol. Edition unknown, presumed small (250-500?). Light cream wove paper. Full margins as issued. Fine impressions. Very good to fine condition. Literature/catalogue raisonne: Undoubtedly to be included in the forthcoming revised edition of the catalogue raisonne of Warhol's ephemera by Paul Marechal; cf. Feldman/Schellmann II.293-302. Provenance: Property of a New York City (Brooklyn) collector. Overall size: 6 x 4 1/4 in. (152 x 108 mm). This "mini-portfolio" is unusually scarce and highly sought after, especially since the set of 10 ‘Endangered Species’ editioned silkscreens fetched $3,150,000 at Christie's, Shanghai, China (April 25, 2015, lot #122). The “announcement” set is rarely seen – “Gordon’s Print Prices” lists only two sales of a signed set, the most recent auction being Swann Auction Galleries, New York City, May 22, 2018, lot #189, realized $6,750 including premium. Our example with “legible” signatures as requested of Warhol by our consignor when purchasing three regular edition silkscreens from the portfolio. The lot includes the seldom seen vinyl pouch and the almost never seen sales sticker (5 9/16 x 8 9/16 inches). Each card is identified verso with the title, date, etc. The images in the portfolio are: African Elephant, San Francisco Silverspot, Orangutan, Pine Barrens Tree Frog, Giant Panda, Bald Eagle, Siberian Tiger, Black Rhinoceros, Grevy’s Zebra, and Bighorn Ram. Printed by Rupert Jasen Smith, New York City. Published by Ronald Feldman Fine Arts, Inc., New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29004-2-5000]
Andy Warhol (American, 1928 - 1987). "10 Statues of Liberty". Color offset lithograph. 1986. Signed in black marker, lower right. Edition c500. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Overall size: 39 1/4 x 26 3/4 in. (997 x 679 mm). Image size: 27 x 26 3/4 in. (686 x 679 mm). According to 'Gordon's Art Reference' the auction record for this poster (signed, as is our example) is $6,437 at Revolver Auctions, 2/16/2014, lot #103. Apparently Warhol's last poster. Created for an exhibition at Galerie Lavignes Bastille, Paris, April 8 - May 30, 1986. Undoubtedly to be included in the forthcoming catalogue raisonne of Warhol's non-commissioned posters by Paul Marechal. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [27499-6-2400]
Afro [afro basaldella] (Italian/American, 1912-1976). "Untitled". Acrylic and watercolor on paper. 1970. Signed lower right. Light cream wove paper. Overall very good to fine condition. No staining, foxing, holes, tears, etc. Overall size: 8 x 12 in. (203 x 305 mm). Afro was a member of the expressionist school of artists, Scuola Romana. He was generally known by the single name Afro. Image copyright © The Estate of Afro Basaldella. [28767-2-3000]
Andy Warhol (American, 1928 - 1987). "Guns #11". Color offset lithograph. Printed 1982. Signed in black marker, lower left. Edition unknown, presumed very small. Light cream wove smooth coated paper. The full sheet. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIA.34[a]. Overall size: 8 9/16 x 8 3/8 in. (217 x 213 mm). Rare. No auction records located. Issued to promote the 'Andy Warhol: Guns, Knives, Crosses' exhibition at the Galeria Fernando Vijande, Madrid, Spain. The show consisted of dozens of separate images of Warhol's renditions of guns, knives, and crosses. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went fast. The reception was held on December 19th and the exhibition ran from December 20th, 1982 to February 12, 1983. Printed by Grafex, Madrid. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29384-2-600]
Jean-Michel Basquiat (American, 1960-1988). "Future Sciences Versus the Man [invitation]". Color offset lithograph. 1982. Printed 1983. Signed in black marker, lower right. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Very good condition; tape remains verso. Very rare invitation for the opening night of the exhibition entitled "Jean-Michel Basquiat" at the Larry Gagosian Gallery, Los Angeles, California, March 8th to April 2, 1983. Note that the invitation’s title for its cover image is “Future Science Verses (sic) the Man.” Dimensions: folded 6¾ in. by 5 in.; opened 6¾ in. by 10 in. Image copyright © Estate of Jean-Michel Basquiat/Artists Rights Society (ARS), New York. [29000-1-1600]
Roy Lichtenstein (American, 1923-1997). "Blonde Waiting". Color offset lithograph. 1964. Printed 1995. Signed in pencil, lower right. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Doering/Von der Osten 159. Provenance: Private collection, La Canada Flintridge, California. Overall size: 33 x 23 1/2 in. (838 x 597 mm). Image size: 23 3/8 x 23 1/4 in. (594 x 591 mm). Poster image copyright © Estate of Roy Lichtenstein. [26198-5-2000]
Keith Haring (American, 1958 - 1990). "Yellow Forms [Untitled 1984]". Color offset lithograph. 1984. Printed 1985. Signed by Haring in black marker, lower right. Edition unknown, presumed very small. Light cream wove paper. Ample margins. Fine impression. Fine condition. Overall size: 6 11/16 x 7 13/16 in. (170 x 198 mm). Rare. No auction records located. Issued to promote the “Keith Haring: Peintures, Sculptures, et Dessins” exhibition at the capc Musee d’art contemporain, Bordeaux, France. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from December 15th 1985 to February 23, 1986. Printed by l’Imprimerie Union, Paris. Image copyright © The Keith Haring Foundation. [29204-1-600]
1969 Jaguar E Type FHC Registration number: BGU 148G Date of first registration: 1969 VIN number: 1R25759 Engine number: TR4069-5 MOT expires: 15 04 2020 V5C present listing 6 former keepers Current mileage shown: 49,506 4235 cc Black Introduced in 3.8-litre form in 1961, the Jaguar E-Type caused a sensation when it appeared, with instantly classic lines and a top speed of 150mph. Nowadays it would be impossible for a single model to cause such a stir but here was a civilized production sports car that looked like a Le Mans prototype and could outperform just about anything else on the road. The first significant upgrade occurred in October 1964 with the launch of the 4.2-liter version. Along with the bigger engine came a user-friendlier gearbox and servo brakes. From September 1968 Series II E-Types, incorporating safety upgrades previously fitted only in America, were released worldwide. In addition to revised lighting and switchgear, the front air intake was larger and sat behind a full-width bumper. Tennants are proud to offer this wonderful example of a series 2 Jaguar E-type. Built and registered in 1969, it has been the subject of a comprehensive restoration. Finished in striking black, the coupe to the purest represents the best lines of any E-type, with lower roofline and shorter wheelbase than the 2+2. This example also sports the prettier series one bonnet, a conversion often made by the discerning enthusiast with took the lines back to the original couple built in the early 1960s. On inspection the car has been treated to a full ground up restoration by Philip Welch of Dunnington (see separate condition report), the original car being stripped and professionally painted in deep black to an excellent standard. There is evidence of a comprehensive mechanical overhaul backed up by a large file of receipts and invoices. This includes engine rebuild top and bottom end, rebuilt running gear, clutch and exhaust. The engine bay has been detailed to a high standard and shows many new and refurbished components under the bonnet. The interior has been treated to a professional re-trim in good quality light tan leather, new carpets, headlining and the chrome work is in wonderful condition. Buyer's premium of 12% inclusive of VAT @ 20%. Major overhaul carried out by Philip Welch of Dunnington, York, including new radiator, heater motor and all new silicon hoses. Suspension overhaul with new bushes front and rear. Complete new braking system all pipes, hoses servos and cylinders with copper craft callipers with vented discs, new rear callipers. Fully overhauled limited slip differential. The engine and gearbox were removed and stripped down and completely rebuilt by a known and respected specialist classic car mechanic, fully balanced, recorded with new pistons, new timing chains and tensioners so, new harmonic balancer. The crankshaft was converted to a rear slip seal. Cylinder head and carbs fully stripped down and over hauled. Transmission checked and overhauled as necessary. The original black interior was beginning to show its age and was completely retrimmed. All new wire wheels and tyres instruments overhauled where necessary. The heritage certificate shows the body number and engine number to be original, though the body was restored, and we assume the bonnet was replaced.
1936 Vauxhall 14hp DX Light Six Tourer, Coachwork by Tickford Registration number: CBY 132 Date of first registration: 01 12 1936 VIN number: 658201 Engine number: 4633 MOT expires: N/A V5C present listing 1 former keepers Current mileage shown 1701 cc Green Introduced for 1933, the Vauxhall Light Six came with either a 1,530cc 12hp or 1,781cc 14hp overhead-valve engine and would prove an enormous success, more than 23,000 being made up to the end of 1934 when the model was redesigned and re-styled along Big Six lines, gaining a new X-braced chassis equipped with Dubonnet coil-sprung independent front suspension, four-speed synchromesh gearbox and mechanical brakes. Models offered were the 12hp DY and 14hp DX, a further 59,000-or-so of which were manufactured up to the end of 1938. This model of car also appears in the BBC film ''I Capture the Castle''. This extremely rare Vauxhall Light Six tourer was purchased new by the manager of Carbodies Limited, Coventry and first licensed in 1937. At some time during the early 1940s the car was acquired by a Christopher Charles Ancil of Weston-on-the-Green, Oxfordshire, who used it regularly until it was laid up in the 1980s. The car remained unused thereafter until Mr Ancil's death when it was left to his nephew who commissioned an extensive body-off restoration. Undertaken by Wychwood Vintage & Classic Cars of Ascott-under-Wychwood, Oxfordshire, the rebuild took approximately four years to complete and was finally finished in June 2000 when the car was MOT'd. Since completion 'CBY 132' has covered very few miles and is in impeccable condition mechanically and cosmetically with excellent paintwork, re-trimmed leather interior and new hood. It's strong six cylinder engine pulls well and gear selection is smooth. A superb four-seat post-Vintage thoroughbred tourer designed by one of the countries most forward thinking and innovative coach builders, the car is offered with old-style logbook and Swansea V5. Also with the car is a large history file including restoration receipts and even a black and white photo of a previous owner. Buyer's premium of 12% inclusive of VAT @ 20%
Honda CB500 Four RC181 Replica Registration number: N/A Date of first registration: N/A Frame number: CB500 266729 Engine number: CB500E 2158094 MOT expires: N/A No V5C present Current mileage shown: N/A 500cc Silver\Red Mike Hailwood RC181 Race Replica based on a 1972 Honda CB500/4 Modifications and build include: Weismman Rims with stainless steel spokes Triumph front brake drum with twin leading shoes Honda rear hub and drum Rask Foot pegs and hangers incorporating Gear change lever and Rear brake pedal Koni adjustable rear sprung shocks CNC machined headstock Adjustable forks with new oil seals New inlet rubbers and velocity stacks on carbs New rocker box gaskets Fibreglass Fairing and Fibreglass tank and seat pod New Avon road tyres Condition is good consistent with light use, few scratches to fairings but no cracks to any of the fibreglass. Exhausts show wear consistent to usage around foot pegs and exhaust tips. Witnessed running briefly on fuel left in Carbs upon delivery.

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