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Lyon & Turnbull
Los 646

An 18th century style gilt metal hall lanternof tapering octagonal design with leaf scroll brackets above bevelled panes headed by swags and scallop shell crestings enclosing a rococo style six light fitting59cm wide, 95cm high, 59cm deep #200-300 647. A late 19th century Anglo Indian rosewood extending dining tablethe underside stamped 'Wrenn, Bennett & Co. Madras', the moulded rectangular top with rounded corners over a plain frieze, raised on cabriole legs with claw and ball feet, ceramic castors; including a single leaf210cm long (extended) 76cm high, 107cm wide

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Mallams Ltd. - Cheltenham
Los 42

A BAROQUE STYLE GILT METAL CENTRE LIGHT with eight scroll branches, with leaf and mask head design, 30" diameter x 29" high approx. (see illustration)

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Mallams Ltd. - Cheltenham
Los 367

A PAIR OF TALL BRASS ALTAR CANDLESTICKS, 20" high, a pair of copper port and starboard light, 9 1/2" high and a pair of spelter figures

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Mallams Ltd. - Cheltenham
Los 373

CORGI 246 CHRYSLER IMPERIAL with red chassis with light blue interior in original box

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Simon Chorley Art & Antiques Ltd
Los 187

A pair of Corinthian column candlesticks, spirally swagged with oak leaves and acorns and raised on square gadrooned bases, 16cm (6.25") high, Sheffield 1892 by J K Bembridge, drilled for electric light

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Simon Chorley Art & Antiques Ltd
Los 267

A mahogany box, with hinged lid containing a variety of vintage light bulbs, 47cm (18") wide

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Simon Chorley Art & Antiques Ltd
Los 279

A pair of 20th Century gilt metal and glass two-light wall appliques, the scrolling arms and central glass arm issuing from an oval wall mount, all hung with cut glass drops

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Simon Chorley Art & Antiques Ltd
Los 300

A Salter's brass roasting jack, a brass oil lamp, a small lantern light and sundries

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Simon Chorley Art & Antiques Ltd
Los 315

A 19th Century brass night light, together with another, similar, and two gilt metal hinged sconces

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Simon Chorley Art & Antiques Ltd
Los 372

A ship's copper lamp, Not Under Command by Tung Woo, Hong Kong, another, Anchor by Harvie, Birmingham and another Not Under Command light

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David Lay F.R.I.C.S.
Los 185

MICHAEL BROIDO Evening light. Oil on canvas. Signed, inscribed and dated 1980 to the reverse. 20 x 15ins., unframed.

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David Lay F.R.I.C.S.
Los 278

CLAUDE ROWBOTHAM Godrevy light. Etching aquatint. Signed. 3 1/4 x 2 1/2ins

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Mallams Ltd (Abingdon)
Los 276

Seven various brass swan neck wall light fittings and a quantity of glass bowl shaped shades.

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David Duggleby Scarborough
Los 326

Ercol light oak armchair, green floral upholstery

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David Duggleby Scarborough
Los 327

Ercol light oak armchair, green floral upholstery

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David Duggleby Scarborough
Los 398

Corner shower unit with multiple jets, foot massage, radio, fan, light (as new, unused)

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Charterhouse Auctioneers
Los 206

A 1978 Rolls Royce Silver Shadow II, registration number XYT 326T, metallic gold/bronze with cream leather interior and leather head lining, with sheep skin over mats, front and rear head rests and rear foot rests, cruise control, radio cassette, electric windows and central locking, and fog lights and head light wipers, V5C document, MOT to July 2008 See illustration

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Charterhouse Auctioneers
Los 329

A Budgie Toys Leyland Hippo Coal Truck, 206, green cab and chassis, light brown tipper, Coal and Coke, boxed

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Charterhouse Auctioneers
Los 337

A Moko Lesney Matchbox Series Major Pack Jennings Cattle Truck, M7, dark red cab, with light tan box trailer, and knobbly grey plastic wheels, boxed

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Lyon & Turnbull
Los 145

Heraldry-Magny, le marquis de Livre deor de la noblesse de France. Paris: Secretariat du College Heraldique, 1844-47, 4 volumes, [1-4th Registre], 4to, chromolithographed plates, wood-engraved illustrations, original black cloth gilt, occasional light spotting, neatly rebacked

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Lyon & Turnbull
Los 150

Hues, Robert Tractatus de globis coelesti et terrestri. Frankfurt-am-Main: D. & D. Aubrios & C. Schleichium, 1627, 12mo, contemporary vellum, light browning, spine ends worn with slight loss; Pechlin, J.N. De purantium medicamentorum facultatibus exercitatio nova. Amsterdam: J. Wolters, 1702, 8vo, title printed in red and black, engraved frontispiece, contemporary calf, once rebacked, worn, cover detached; Arbuthnot, John Essai sur la nature, et le choix des alimens. Paris: G. Cavelier, 1741, part 1 only, 12mo, contemporary calf, some early marginalia, rubbed; Cheyne, George Regles sur la sante et sur les moyens de prolonger la vie. Brussels: J. Leonard, 1727, 12mo, title printed in red and black, contemporary red morocco-backed boards, spine gilt, slight spotting, extremities rubbed; Tissot, Samuel De la sante des gens de lettres. Lausanne: J.F. Bassompierre, 1769, 12mo, contemporary mottled calf, spine gilt, neat repair to head of spine and corners; Rapou, T. Essai sur leatmidiatrique. Paris: Gabon, 1819, 8vo, 2 engraved plates, contemporary calf-backed boards, vellum corners; Monge, Gaspard Traite elementaire de statique. Paris: Courcier, 1810, 8vo, 5 folding engraved plates, recent calf-backed boards (7)

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Lyon & Turnbull
Los 158

Justinian Les institutes imperiales... joinctes avec la Iurisprudence Franoise mise ˆ la marge deicelles. Paris: Guillaume de la Nou‘, 1580, 12mo, contemporary vellum, yapp edges, some light dampstaining of preliminary leaves, binding a little soiled Note: Not in Adams.

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Lyon & Turnbull
Los 179

Picerli, Silverio. Specchio secondo di musica, nel quale ... Canto figurato, e fermo. Naples: Matteo Nucci 1631. First edition, 4to. pp. (viii) 196 (viii), frontispiece engraving of Apollo (?) added, printeres dragon woodcut device within red-printed Cardinales hat on titlepage, musical scores throughout, contemporary limp vellum gilt, stamped in gilt on coves with eight hedgehogs within ornate oval frame, gilt border with one hedgehog at each corner, lower outer margin of D2-E4 slightly chipped, tears to two leaves [no loss], light lamp-oil stain to one gathering, occasional early manuscript annotations, a few leaves unopened Note: Second song manual written by Fr. Picerli and dedicated to Cardinal Boncompagno, Archbishop of Naples. The year before, Fr. Picerli had presented Cardinal Boncompagno with the first ÔSpecchio di musicae. A third one was expected to be published soon, as the Apostolic censor noted in his imprimatur on verso of titlepage, but no copy has been located. Fr. Silverio Picerli was a C16 Italian music theorist, a theologian and a Franciscan friar. He was successively Superior of the monastries of S. Maria Maddalena and of S. Chiara, in Naples. The depiction of hedgehogs (Ôriccie in Italian), on the binding, implies that the first owner belonged to an Italian family with this surname, perhaps the ÔRiccie family of musicians from Naples. BM STC It. C17 II p. 683. ÔLibrary of Congress. Catalogue of Early Books on Musice p. 209.

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Lyon & Turnbull
Los 184

Primasius Briefue et fructeuse exposition sus les Epistres Sainct Paul. Paris: pour Estienne Rosset, 1540. First edition, 8vo., ff. 251 (i), contemporary French calf gilt, triple ruled central panel with gilt florets at each corner, larger floret in centre, five smaller on spine, some very light spotting of printeres ink, mostly marginal., two bands very slightly holed at upper joint Note: First edition of the first French translation of Primasiuse commentary on the Epistles of St. Paul, by Jean de Gaigny, who had published the Latin text, also for the first time only three years earlier. The volume is a lovely example of early Renaissance French book production with the repeated use (technically difficult and laborious) of elegant and contrasting types. Not in BM. STC Fr. or Adams. Brunet IV 876. Provenance: Printed record, Prat, 5 Soldi 1771 on endpaper.

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Lyon & Turnbull
Los 205

Stencilled colour printing-Griffie, E. et Chaffary, P. Livre contenant des antiennes pour tierces des divers tems de leannee, des messes de solemnites, des Benedicamus [&c.]. Ville-moustausson, 1802, large folio (47.5 x 31cm.), one leaf, title-page and text stencilled in red, blue, black and gold, numerous two-line initials in colour, many with coloured borders, musical staves ruled in MS, panelled mottled calf, rubbed, corners soft, some margins thumbed, a little light soiling Note: Stencils were used, in the Low Countries and the South of France, for printing service-books in the eighteenth and early nineteenth centuries. These were usually produced for a single church of abbey, in limited numbers, requiring minimal mechanisation, in the scriptorium. The implication of the title of this work however is that it was intended for wider publication but at the same time it is intended to resemble a manuscript. The title has capitals in red and blue in two sizes with three typographic ornaments in red. The first chant, for Jan. 1st, has eight lines of MS stave with stencilled text and music and two four-line initials in red with red & blue ornamental borders. As the work proceeds different borders appear and yellow is added to the intitials. The contents follow the churches year, but there is also a Messe Republicaine, Messe Imperiale and the work finishes with Lame[n]tationes Jeremiae. No copy has been traced.

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Lyon & Turnbull
Los 207

Theocritus. Theocriti siracusani Bucolicu seu potius Aepolicum carmen... a philetico traductum. Paris: Jean Petit, 1510, 4to, title-page with woodcut device of Jean Petit, recent calf with plain blind-ruled outline, decorative paper wrappers with some minor loss at foredge corners, bound in, minor adhesion damage to inner margin of title page just affecting two letters, slight dusting and some light spotting Note: Not in Adams.

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Lyon & Turnbull
Los 220

Zeiler, Martin Itinerarium Galliae. Strasbourg: Inverlegung Lazari Zetzners S. Erben, 1634. First edition, 8vo., Black letter, text in German, portrait of the author and cityscape on engraved first title, printeres woodcut device on second title, topographical headpieces and ornaments, contemporary vellum over boards, edges rubbed, late 17th century presentation inscription and early shelfmark on upper pastedown, library stamp on title-page, very slight fraying on first two leaves in blank margins, some browning and foxing, light waterstaining in lower outer blank corners, very small tear in M1, edges somewhat soiled Note: BM STC 17th century German Books Z81. Not in Brunet or Graesse. This German guidebook to France forms the first part of a combined work on both France and Britain; the present copy contains a second title-page headed ÔItinerarii Galliae, et Magnae Britanniae, pars prima.e The second part, devoted to Britain, was again published separately in 1674.

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Lyon & Turnbull
Los 221

Bible - New Testament - Greek Concordantiae Testamenti Novi, Graecolatinae. [Geneva] Henri Estienne, 1594, folio, edited by Robert and Henri Estienne, Theodore de Beze & others, Greek and Latin text in three columns, title printed in red and black with woodcut device, fine modern period-style blindstamped panelled calf, raised bands, fore-margin of title strengthened on verso, light damp-staining at fore-edge of final leaves

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Lyon & Turnbull
Los 222

[Mary Queen of Scots]-[Blackwood, Adam] Martyre de la royne deEscosse, douairiere de France. Contenant le vray discours des trahisons ˆ elle faictes, ˆ la suscitation deElizabet Angloise. "Edimbourg: Jean Nafeild" [but Paris], 1589, 12mo, seventeenth century calf, one sidenote cut close, some light discolouration, binding worn; [Causino, Nicolo] Historia de Maria Stuarda, regina de Francia e di Scotia. Bologna: Carlo Zenero, 1645, 12mo, engraved portrait on verso of A4 (shaved), contemporary vellum, lower margin slightly dampstained at end (2)

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Lyon & Turnbull
Los 223

[Thresor de St. Denys] Abbrege de leinventaire du thresor de St. Denys ou les pieces sont mises en leordre suivant. Paris: [no publisher], 1662, 8vo, woodcut of saint on title, recent cloth lettered in gilt on upper cover, a few light spots Note: The only copy of this edition we have been able to trace is in the GVB Union Cat. of Northern Germany. No copy recorded on COPAC or through the Bibliotheque National de France.

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Lyon & Turnbull
Los 230

Artillery-Siemonovich, Casimir The great art of artillery. London: J. Tonson, 1729, first English edition, folio, translated by George Shelvocke, engraved frontispiece and 22 folding engraved plates, title printed in red and black, fine modern period style panelled calf, raised bands, red morocco lettering piece, some spotting and light discolouration, small holes to 3U1 affecting a few letters Note: The only English translation of this important early work on artillery, fireworks and gunpowder, which for more than 150 years was the standard work on the science of artillery. This milestone of 17th century science contains the first known treatise on the rocket in military history.

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Lyon & Turnbull
Los 275

Napoleon-Bourienne, M. de Memoirs of Napoleon Bonaparte. London: R. Bentley, 1836, 4 volumes, 8vo, engraved portrait, contemporary half calf, red and black lettering pieces, two volumes neatly rebacked with original spines laid down; [Napoleon Bonaparte] Copies of the original letters and despatches of the generals, ministers... at Paris to the Emperor Napoleon at Dresden. London: J. Murray, 1814, 8vo, red half morocco, uncut, rubbed, upper joint split; Clery, M. Journal of occurrences at the Temple, during the confinement of Louis XVI. London: sold by the author, 1798, 8vo, 16pp. list of subscribers, 2 engraved plates, recent period-style calf, occasional spotting and light marking (5) Provenance: Junior Carlton Club Library, bookplates.

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Lyon & Turnbull
Los 344

Hardy, Thomas Far from the madding crowd. New York: Henry Holt and Co, 1874. First American edition, 8vo, published in the ÔLeisure Hour Seriese, frontispiece and 11 plates, original cream cloth lettered and decorated in black, red advertising endpapers dated 2 April 1875, collectores cloth folding box, light spotting to title-page, traces of label removed from verso of title, binding somewhat soiled, some wear to extremities Note: Purdy, pp.17-18 The first American edition of Far From the Madding Crowd "has sometimes been described as the true first edition of the novel, but the claim to priority rests solely on the evidence of advertising endpapers, dated in a few instances 17 November" (Purdy). The novel was first published in England on 23 November 1874, having been first printed anonymously in the Cornhill Magazine from January to December 1874.

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Lyon & Turnbull
Los 345

Hardy, Thomas A Laodicean, a story of to-day. London: Macmillian and Co, 1903, 8vo, 8vo, volume XI of Macmillanes reprint of The Wessex Novels, inscribed by Edward Dugdale to his daughter Florence Dugdale (later Hardyes wife) ("F.E. Dugdale. | From E.D. | January 12th 1906"), map of Wessex and advertisements at the end, original dark blue cloth, TH monogram medallion in gilt on upper cover, spine lettered in gilt, light browning to endpapers, extremities rubbed Provenance: Florence Hardy (nee Dugdale), presentation inscription from her father on upper pastedown. Florence Emily Dugdale (later to become Hardyes second wife), was one of the five daughters of the schoolmaster Edward Dugdale, who ran a small bookshop in Enfield for a time and encouraged his daughteres early love of literature. She had been an admirer of Hardyes novels for some time before their first meeting in August 1905 (initiated by her), and scarcely a week before she received this book from her father on 12 January 1906, she had received an encouraging letter from Hardy: "...I do not think you stayed at all too long, & hope you will come again some other time...". "From the very first Hardy felt attracted to Miss Dugdale by her quiet seriousness, her large solemn eyes, her literary ambitions, and, not least, her open admiration of him as a great author" (Michael Millgate, Thomas Hardy: A Biography Revisited, p.410). Edward Dugdale was one of only three people present at the marriage ceremony of his daughter and Thomas Hardy on 10 February 1914.

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Lyon & Turnbull
Los 346

Hardy, Thomas Far from the madding crowd [in] The Cornhill Magazine. Vol. XXIX. January to June 1874 [and] Vol. XXX. July to December 1874. London, 1874, 2 volumes, first printing, in 12 anonymous instalments (January to December 1874), 12 full-page illustrations and vignette initials by Helen Allingham, contemporary purple cloth decorated in blind and lettered in gilt, [Purdy, p.14], spines faded; Ibid The return of the native [in] Harperes New Monthly Magazine. Volume LVI. December 1877 to May 1878, [Volume LVII. June to November 1878]?[Volume LVIII. December 1878 to May 1879]. New York: Harper & Brothers, 1878-9, 3 volumes, first American serialisation, in 12 instalments (February 1878 to January 1879), contemporary half-morocco over marbled boards, [Purdy, p.26], extremities worn; Ibid Hearts insurgent [Jude the obscure] [in] Harperes New Monthly Magazine, December 1894-November 1895, first printing of Jude the Obscure, in 12 instalments entitled "Hearts Insurgent" (the first entitled "The Simpletons"), 12 illustrations by W. Hatherell, contemporary half-morocco, [Purdy, pp.89-90], extremities worn; [together with:] How I Built Myself a House [in] Chamberses Journal, 18 March 1865, first printing of the authores first published piece, pp.161-4 bound in red cloth, label on upper cover "First Writing of Thomas Hardy 1865", [Purdy, pp.293-4], very light browning; Ibid Wessex folk [in] Harperes Monthly Magazine. European Edition. December 1890 to May 1891 [and] June 1891 to November 1891. London, 1891, 2 volumes, first printing, in four instalments (March-June 1891), headpiece by Alfred Parsons and seven illustrations by Charles Green, contemporary half morocco, spines gilt in compartment, slipcase, [Purdy, pp.82-83], covers slightly rubbed; Ibid "The science of fiction" [in] The New Review, April 1891, vol. IV, no. 23, pp315-9, original wrappers, [Purdy, p.300]; Ibid The pine-planters [in] The Cornhill Magazine. New Series. Vol. XIV. January to June 1903. London, 1903, first printing, pp.721-2 contemporary red cloth with design in blind and lettered in gilt, [Purdy, p.145-6], light spotting, spine faded; Ibid The preservation of ancient cottages. An Appeal by the Rt. Hon. Stanley Baldwin, M.P. With a note by Thomas Hardy. The Royal Society of Arts, [1927], original wrappers, [Purdy, p.323]; and 6 others; chiefly 8vo (18)

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Lyon & Turnbull
Los 421

Stair, James, Viscount The institutions of the law of Scotland. Edinburgh: G. Hamilton & J. Balfour, 1759, folio, third edition, contemporary calf, very slightly rubbed; Reynolds, Susannah Frances & W.E. Hall The household book of practical receipts, 1847, 8vo, interleaved copy with a few receipts added, contemporary half calf, rubbed, some light spotting; Goldsmith, O. Dalzieles illustrated Goldsmith, 1865, 4to, green half calf gilt; Wakefield, W.W. & H.P. Marshall Rugger, 1930, 8vo, plates, original cloth; Brook, A.J.S. Old Scottish hall-marks on plate, 1892, 4to, contemporary half morocco, rubbed (5)

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Lyon & Turnbull
Los 432

Sowerby, James and James Edward Smith English botany, or coloured figures of British plants. London: for the author, 1790-1846, volumes 1-36 bound in 18 volumes , 4 supplementary volumes and index volume, first edition, 8vo, 2960 hand-coloured engraved plates, and an additional 20 plates (numbered 1-20) bound in volume 2 of the Supplement, contemporary green half calf, brown morocco lettering pieces, very slight offsetting to some plates in volumes 13-14 and 27-32, plate 1257 misnumbered 1256, spines slightly faded and very slightly rubbed Note: A very clean, soundly bound, set with only a little light offsetting to a few plates.

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Lyon & Turnbull
Los 475

Sporting - Macgillivray, William A history of British water birds. London, 1852, 2 volumes, 8vo, 7 engraved plates, illustrations in text, original green cloth gilt, rubbed, corners bumped, foxing [especially to early leaves and plates]; Lloyd, L. Field sports in the north of Europe... London, 1831, second edition, 2 volumes, 8vo, frontispiece in each volume, two maps [one folding], 2 plans, 7 plates, contemporary green cloth gilt, rubbed, gutta loose on both volumes, foxing, ink inscriptions; Lacy, Captain The modern shooter. London, 1846, 8vo, frontispiece, engraved title, illustrations in text, contemporary green cloth gilt, backstrip faded, some foxing; Forester, Frank Field sports in the United States. London, 1848, 2 volumes, 8vo, contemporary green cloth gilt, rubbed, some light spotting, ink inscriptions; Simeon, Cornwall Stray notes on fishing and natural history. Cambridge, 1860, 8vo, frontispiece, original red cloth gilt, stained, foxing throughout, ink inscription; Macgillivray, William Descriptions of the rapacious birds of Great Britain. Edinburgh, 1836, 8vo, 2 plates, contemporary green cloth gilt, backstrip faded, interior clean, ink inscription (9) Provenance: Ink inscription of John Kerr of Greenock in several volumes, one dated 1861.

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Lyon & Turnbull
Los 478

Argyll & the Highlands - Campbell, Lord Archibald Records of Argyll. Edinburgh, 1885, 4to, number 403 of limited edition, plates, original red cloth gilt, backstrip faded; Bede, Cuthbert Argylles highlands. Glasgow, 1902, 8vo, illustrated, inscribed by John Campbell on title, original green cloth gilt; Campbell, John Popular tales of the West Highlands. Edinburgh, 1860, 4 volumes, 8vo, original cloth gilt, backstrips faded, some light foxing; Mitchell, Dugald A popular history of the Highlands and Gaelic Scotland. Paisley, 1900, 8vo, frontispiece, original blue cloth gilt; Cameron Lees, J. A history of the county of Inverness. Edinburgh, 1897, 8vo, folding map in pocket, original red cloth gilt, foxing at page edges and 3 others (11)

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Lyon & Turnbull
Los 493

Gilpin, William Observations relative chiefly to picturesque beauty...particularly the Highlands of Scotland. London, 1789. First edition, 8vo, 2 volumes, 5 maps, 31 plates, contemporary calf gilt, rebacked, some light foxing to page edges, offsetting, bookplates; Burt, Edward Letters from a gentleman in the north of Scotland to his friend in London. London, 1822, fifth edition, 8vo, 2 volumes in 1, frontsipieces, later half calf gilt, rubbed at edges, offsetting to titles (3)

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Lyon & Turnbull
Los 14

Italian architecture-Granjean de Montigny, A. & A. Famin Architecture Toscane, ou palais, maisons et autres edifices de la Toscane. Paris: Salmon, 1846, folio, engraved title and 133 engraved plates, contemporary red half morocco, spine gilt, t.e.g., little light spotting to a few plates, rubbed

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Lyon & Turnbull
Los 21

Old Master etchings-Schoen, Martin Meisterwerke von Martin Schoen (Schongauer)... durch A. Petrak. Ratisbon: J.G. Mans, 1857, 4to, 31 fine etchings, contemporary half vellum, spine gilt, t.e.g., occasional light spotting Note: Rare. Bookplate of John Charrington, Shenley Grange, Herts., bookplate

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Lyon & Turnbull
Los 22

Palladio, Andrea The architecture of A. Palladio, in four books... revised, designed and published by Giacomo Leoni, a Venetian... the third edition corrected, with notes and remarks of Inigo Jones. London: A. Ward, S. Birt, D. Browne [& others], 1742, 2 volumes, large folio, engraved allegorical frontispiece by B. Picart after Sebastiano Riccio, engraved portrait of the author by Picart after Paolo Veronese, title in vol.1 printed in red and black, 215 engravings on 207 sheets, 15 double-page, by John Harris, Bernard Picart, Michael Vandergucht and John Cole, contemporary calf, head and tail of spines repaired, joints cracked, a few light spots Note: This edition is the third and best edition of Leonies English edition of Palladio; for the first time it includes notes taken from Inigo Joneses annotated copy which had recently been deposited at Worcester College, Oxford. Harris 685; this edition not in Fowler

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Lyon & Turnbull
Los 27

Vitruvius Pollio, Marcus-William Newton The architecture of M. Vitruvius Pollio, translated... by W. Newton, architect. London: I. and J. Taylor, R. Faulder &c., 1791, 2 volumes, large folio, engraved frontispiece portrait after Robert Smirke and 46 plates engraved by James Newton, contemporary half calf, neatly rebacked, spine tooled in gilt and blind, new marbled sides, light dampstaining to extreme lower corner of a few plates, volume 1 bound without the preface (pp. [iii]-viii) found in some copies Note: A very good copy of William Newtones edition. In 1771 Newton published an English version of Vitruviuses De architectura so that - as he explained in the preface - England might not be the only "polished nation" that did not possess Vitruvius in its own tongue. In this copy the plates of Volume I are numbered and there is no alteration slip pasted onto the imprints. Many of the plates have been re-engraved and some of the figures enlarged. This two-volume edition was published by James Newton who states in his notice "To the Public" that all of Volume I and part of Volume II were printed before his brotheres death in 1790. Brunet V, 1331; Cicognara 736; Fowler 428.

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Lyon & Turnbull
Los 33

Gordon, Robert & Blaeu, Joan Scotia antiqua. Amsterdam, 1654, hand coloured in outline and cartouche, approx 43 by 56cm, text on verso, framed and glazed; Ibid. Scotia regnum. Amsterdam, 1654, hand coloured in outline and cartouches, approx 43 by 56cm, text on verso, some light browning and spotting, framed and glazed [glass broken], mount stained; Ortelius, A. Scotiae tabula. Antwerp, 1574, hand coloured, approx 40 by 54cm, text on verso, framed and double-glazed, heavily stained at left edge, foxing (3)

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Lyon & Turnbull
Los 44

Ross, Alexander Pansebeia: or, a view of all the religions in the world .. the third edition, enlarged and perfected ... To which are annexed The lives, actions, and ends of certain notorius hereticks with their effigies in copper-plates. London: for John Saywell, 1658. 8vo., 2 parts, engraved portrait frontispiece, engraved emblem on the titlepage (repeated on the titlepage to the Lives), 17 engraved portraits in the second work contemporary calf, later rebacking, edges rubbed, general light paper discolouration, inner joints cracking Note: Wing R1973; Sabin 73315. First published in 1653, it includes an account of the religions of both North and South America on pp. 102-120.

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Lyon & Turnbull
Los 46

Qurean MS, 300 leaves, 18.5x11 cm, written in a minute naskh script, probably from Syria or Palestine and dated 1289 AH [1872], the surat al-fatihah set within panels and rondels, elaborately decorated in red, blue, green and gold, both pages within a green border of stylised palmettes, the text set within gilt panels, the surat headings written in white within gold panels, with gold rondel verse dividers and orthographical marks in red, with some marginal ornaments, and the final leaf with text set within a rondel enclosed within a gilt and green panel with palmettes at the corner, contemporary red morocco binding, the boards with central panel infilled with dots, once gilt, but now worn, the flap with corresponding gilt border and parallel ornaments, outer margin of the first leaf damages (affecting the decorated border), general light paper discolouration throughout, lower corners a little soiled from frequent turning, repair to inner margin of last leaf and to the lower margins of another couple of leaves

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Lyon & Turnbull
Los 48

New Testament, Syriac Novum ... Testamentum Syriace, , cum punctis vocalibus, & versione Latina Matthaei ita adornata ... accurante Aegidio Gutbirio ... Clavis operas, lexicon, grammaticam syr. & notas complexa, seorsim prodit. Hamburg: typis & impensis authoris, 1664-67. 8vo., 3 works in 1 volume, contemporary calf, a.e.g., rubbed, lacking upper board, general light paper discolouration throughout and some occasional spotting Note: Darlow & Moule 8966(d).

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Lyon & Turnbull
Los 60

Qurean Al-Coranus S. lex islamitica Muhamedis filii Abadllae pseudoprophetae, ad optimorum codicum fidem edita ex museo Abrahmi Hinckelmanni. Hamburg: ex off. Schultzio-Schilleriana, 1694. 4to., title-page in red and black, with both Latin and Arabic half-titles, original paper boards, edges uncut, boards worn and crudely repaired, pastedowns renewed, lower outer corners dog-eared, lower inner joint broken, tear at inner margin of preliminary signature e, general light paper discolouration throughout and some spotting Note: For long considered to be the first edition of the Qurean for which moveable types were used until the discovery of a unique surviving copy of the Venice edition of 1537. Prior to this copies were produced using block-print and specimens survive both of the wooden blocks as well as printed sheets from as early as the 10th century.. The orientalist Abraham Hinckelmann explains in his preface that his objective in publishing this edition is not to promote the Muslim religion, but to assist with the study of the Arabic language in the general framework of Eastern languages including Hebrew.

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Lyon & Turnbull
Los 72

Lane, Edward William An Arabic-English lexicon. London: Williams & Norgate, 1863 -93 First edition, 8 parts in 2 volumes, large 4to., contemporary half morocco, cloth boards, raised bands and edges rubbed, some light foxing Note: Monumental work by the noted Arabic scholar William Edward Lane, translator of The Thousand and one nights and author of An account of the manners and customs of the modern Egyptians, it occupied his life from 1842 until his death in 1877. Part 6 issued in the year of his death is prefaced by a Memoir composed by the compileres nephew Stanley Lane Poole which includes extractes from Lanees diaries of his visits to Egypt where he worked on source material for the Lexicon. Part 8 completed publication of the materials left by Lane, but Book II which was to contain words and explanations was abandoned due to the paucity of articles left by Lane.

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Lyon & Turnbull
Los 73

Pococke, Edward Specimen historiae arabum ... accessit Historia veterum arabum ex Abuel Feda: cura Antonii I. Sylvestri de Sacy; edidit Josephus White. Oxford: e Typographeo Clarendoniano, 1806. Second edition, 4to., engraved portrait frontispiece, engraved vignette on the titlepage, text in Arabic and Latin, with the corrigenda slip at the end, original quarter cloth, paper boards, printed paper label, edges uncut, edges with a little wear, upper inner joint splitting, offsetting from the portrait to the title, some light paper discolouration Note: Barker 35 Edward Pococke or Pocoke (1604-91) acquired his knowledge of oriental languages at Aleppo where he was chaplain to the Turkey Merchants from 1630-1636, He was appointed to the new chair of Arabic by Archbishop Laud in 1636 who also sent him again to the East in search of manuscript material. The Specimen, of which this is the second edition and which was originally published in 1650, is a series of essays attached to a thirteenth-century description of the Arabs. The extensive use of Arabic and some Hebrew types probably drew on the type purchased at Leyden for the University Press in 1637. See Baker The Oxford University Press and the spread of learning, p.11-13.

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Lyon & Turnbull
Los 81

Aeronautics-Hettinger, Philippe La navigation aerienne. Aeronats, aeroplanes, machines volantes. Paris: A. Quillet, 1910, 4to, with 6 card models with overlaying flaps on 3 colored plates, illustrations, original pictorial cloth, 4pp. loose, a little light spotting Note: One of the coloured models is an early model of the Wrightse airplane.

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Lyon & Turnbull
Los 93

Bible-New Testament, polyglot Le nouveau testament... the New Testament... het Nieuwe Testament. Amsterdam: Steven Swart Jacobus vander Deyster en Aert Dircksz Oofsaen, 1684, 12mo, engraved title with architectural border, printed in three columns in French, Dutch and English, nineteenth-century light brown morocco, double gilt fillet on sides, neatly rebacked retaining original spine Note: A polyglot New Testament in three modern languages. Herbert 795; D. & M. 626 Provenance: Baptist College Bristol, presentation inscription from Jon. E. Ryland; Baptist College, Bristol, bookplate

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Lyon & Turnbull
Los 98

Browne, Sir Thomas. La religion du medecin. [No place], 1668, 12mo, first edition in French, engraved frontispiece, contemporary vellum, light marginal dampstaining to preliminary leaves. Provenance: Lord Sinclair, armorial bookplate and crest at foot of spine.

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Lyon & Turnbull
Los 109

Costume plates & Le Rire satirical magazine Braun & Schneider, publishers Zur Geschichte der Costume. Munich, [c.1886], 4to, 112 (of 125) double-page coloured costume plates, original cloth-backed pictorial boards, boards a trifle soiled, internally clean; La belle assemblee. London: J. Bell, 1806, engraved title, 42 plates (2 coloured); [Ibid.] 1810, 8vo, wood-engraved title and 47 plates (30 coloured), both contemporary half calf, worn; Juven, F. & A. Aledandre Le rire. Journal humoristique, 1re annee (nos. 1 ˆ 52), 1894, 4to, numbers 1-52 bound in one volume, coloured wrappers to each issue, illustrations by Toulouse-Lautrec, Valloton & others, publisheres blue half cloth, some light paper discolouration, a few issues becoming loose (4)

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Lyon & Turnbull
Los 114

Divkrovic, Matie Nauke Karstianski ... Divitse Marie. Venice: Pietro Maria Bertano, 1611. First edition, 2 parts in 1 volume, 8vo, lacking titlepages, woodcut illustrations and occasional decorations, contemporary calf, spine in four compartments each containing a large blindstamped floret, covers ruled in straight and chain-patterned lines into a large central diamond, with a triangular compartment at each corner in which a floret, larger entwined floral pattern at centre, light rubbing to edges, clasps intact, with contemporary (?) signature at beginning in a cursive Slavonic script, later Slavonic annotation here and elsewhere, some paper discolouration, a few small stains and marginal worm holes, larger only towards beginning (repaired on first two leaves), a few leaves strengthened at inner margin towards end Note: BM STC 17th century Italian Books p. 304. First edition of the first printed translations in old church Slavonic from the Doctrina Christiana by Cardinal Robert Bellarmine, this rare and singular example of early Slavonic printing (the only recorded from this printer) carries woodcut religious images very much in the contemporary Latin or Italian style. The ÔDoctrinae were a laymanes catechistical guide by Europees leading Jesuit theologian and were widely disseminated in languages including Congolese and Chaldean. The quite early production of the present edition was perhaps due in part to the well-established ties between the printing capital of Venice and the Dalmatian and Istrian coasts.

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Lyon & Turnbull
Los 138

Goethe, Johann Wolfgang von Zur farbenlehre (erklarung der zu Goethees farbenlehre gehorigen tafeln). Tubingen: J.G. Cotta, 1810, 3 volumes, 8vo and 4to , 17 engraved plates, 12 of which partly coloured by hand, plates mounted on guards, contemporary marbled boards, 7 plates from a shorter copy, a few very slightly trimmed at fore-edge without loss, occasional light spotting in text, boards slightly rubbed at edges and joints, spine of atlas slightly torn at head and foot Provenance: W. Kahl, early signature on title-pages; Robert Lenkiewicz (1941-2002), artist. Note: Wallis (1977) 210; Hagen 347. first edition. The culmination of Goethees work on optics, this work was a savage, and ultimately unsuccessful, criticism of the demonstration by Newton that white light is composite. Goethe took a psychological view of colour and his chapter on physiological colours (those that depend on the condition of the eye rather than illumination) is considered the most successful part of the work.

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Gilding's Auctioneers
Los 183

Centre Light Fitting, glass Decanters, etc., (1 box).

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Gilding's Auctioneers
Los 406

Victorian coloured glass and leaded Hall Light Shade, in brass frame.

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