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An antique brass Engineers & Shipbuilders plaque bearing the name 'William Allsup & Son, Preston'. From an old irish light ship. Part of the collection of the late Colin MacFarlan who worked for the Commissioners of Irish Lights from the 1930s to 1986 when he retired as Secretary of the Company.
A DISPLAY OF THE NAVAL FLAGS OF ALL NATIONS, 1838, hand-coloured frontispiece and 15 hand-coloured plates of flags, fore-margin of frontispiece and following 2 leaves reinforced, occasional light soiling, modern half-cloth, London, H. Fisher and P. Jackson. A collection of 240 flags including those of Arabia, Batavia, Mahrattas, Mecca and Morocco., Despite being one of the first popular flag guides available at relatively low cost, copies of this title are surprisingly scarce.,
A PAIR OF 7 X 50 KRIEGSMARINE U-BOAT BINOCULARS BY CARL ZEISS, JENA, CIRCA 1943, RECOVERED FROM U-236, 1945the tubes with original light green finish, rubber covered back plates, stamped with maker's code blc and numbered 52934, the eyepieces with Bakelite cover inscribed Benutzer / Okulare / Testgestellt / Nicht / Verdrehen on elasticated Benz -- 8in. (20cm.) high; together with a contemporary media photograph showing U-236 approaching to surrender(2) Provenance: Lt. T. Naughton, 1945, and thence by descent; Private collection. U-236 surrendered to the Royal Navy at Eriboll on 11th May, 1945. These binoculars were liberated by Lt T. Naughton who is marked with an 'X' on the accompanying photograph, and who is aboard the previously-surrendered U-826, now flying the White Ensign. Naughton's father served in the RN in World War I and liberated the binoculars forming lot 98. Literature: Seeger, Dr. H.T.: Militärische Ferngläser und Fernrohre in Heer, Luftwaffe und Marine, Druck und Verarbeitung, Hamburg 1995, pp373-9.
A 19TH-CENTURY SEAMAN'S CHEST, constructed in yellow pine, the lid painted inside with depiction of a trading ship under full sail and inscribed under As She Shone In The Light of Declining Day: Each Sail Was Set and Each Heart Was Gay, inset ditty box with painted lid, the ends with rope Beckett-type handles, -- 16½ x 36 x 16in. (42 x 91.5 x 44.5cm.) overall, folder of data., By tradition, this chest is associated with the clipper Taranaki, launched 1870 by Robert Duncan.
THREE EARLY 20TH-CENTURY ROYAL COPENHAGEN SPIRIT(?) FLASKS, each depicting a famous contemporary vessel, comprising Jylland under full sail, rev. Danish arms; Emden under steam, rev. German arms; and Imperator Pavel at sea, rev. Russian arms -- all 6.75in (17cm) high and in excellent condition, (3), Jylland was an iconic wooden-hulled screw frigate of 1860 and is now preserved as Denmark's equivalent of Nelson's Victory. Emden was a German light cruiser of 1907 sunk in the Cocos Islands by H.M.A.S. Sydney in a classic action in November 1914. Imperator Pavel was a Russian battleship of 1907 which survived the Great War and was broken up in 1923.
DR. LIVINGSTONE'S WASHSTAND AND PORTABLE DESK, BELIEVED TO HAVE BEEN USED IN THE SOUTHERN AND CENTRAL AFRICA EXPEDITION, 1852-1856, probably regionally made in mahogany and comprising a patinated hinged lid with period provenance label framed within, together with additional cutting, fitted interior with vacant recesses, dummy drawer to front, turned legs and iron securing loops (old wear overall, lacks accessories for compartments, 'drawer' handles missing) -- 30 x 26 x 20in. (76 x 66 x 51cm.), David Livingstone and James "Paraffin" Young, the Scottish pioneer of chemical engineering became friendly at Anderson's College (now Strathclyde University). Having discovered its potential, Young took out a patent in 1850 for the production of paraffin oil which went on to make him a fortune and in 1858 he set up a nationwide network of shops to sell both oil and lamps, each run by local managers. The McHaffies were a long established family of lamp dealers who had started as ironmongers, and can be found at several addresses up until the 1880s living in the East End of London. Young's friendship with Livingstone never waned and he not only part-funded his expeditions, but also some of the searches for him when Livingstone disappeared. When he learnt of Livingstone's death, he paid for his servants to be repatriated and funded a statue still present in George Square, Glasgow., This washstand is not thought to be of European manufacture and is likely to be something Livingstone acquired on arrival in Cape Town. He famously travelled "light" by contemporary standards, and whilst to modern eyes it seems inconveniently large, a combined writing surface and toilette area may have been one of his few concessions. It may also have been used on his explorations of Southern and Central Africa between 1852-56 and then returned with him in 1857 before it was deposited with his other equipment at Young's premises in Oxford Street, London. Later on it seems to have passed to Alfred Marsh, a House Furnisher who was still at the 116-118 Kentish Town Road address in the 1891 census.
A BINNACLE COMPASS, BY H.S.M.I. CO., HULL, the 7in. reverse-printed translucent card signed as per title and mounted within a liquid-filled gimballed bowl, mounted within a brassed hood with side light housing and top glass -- 18in (45.5cm.) high, Provenance: Purchased from the MoD in 1990.,
A 19TH-CENTURY SIMPLE MICROSCOPE, unsigned, threaded column with platform mirror, contained in fitted case with accessories including two eyepieces, platform pincers, light disc etc. -- 5in. (12.5cm.) diameter; together with an unsigned student's microscope in box; and a spectrometer by John Browning, London, in box, (3)
A GOOD MONOCULAR COMPOUND MICROSCOPE BY W.J. SALMON, LONDON, CIRCA 1855, the lacquered brass frame signed on the back W.J. Salmon, 100 Fenchurch Street, London, 8½in. main tube, rack and pinion adjustment, mechanical platform, double mirror, secured to sliding wooden base within case, the case containing a bull's eye condensing lens to rear, and lower draw with accessories including five eyepieces, live box, platform light adjusters, platform pincer etc.; together with two sales brochures for "Davon Patent" microscopes, issued by S. Davidson & Co. -- 14¼ x 8¾ x 9¼in. ( 35.5 x 21 x 22.5cm.), (3)
A FINE 5IN. RADIUS VERNIER REFLECTING CIRCLE BY EDWARD TROUGHTON, LONDON, CIRCA 1820, the 10¾in. diameter lacquered brass lattice frame signed and numbered on the index arms Troughton London 210, inset silvered scale, vernier magnifier with light diffuser, wooden handles with threaded holes for mounting, removable bulbous handle, six shades, two mirrors, contained within original fitted box of issue with accessories including four sighting tubes and two eyepiece shades -- 7 x 11½in. (17.8 x 29cm.),
A RARE 1IN:32FT SCALE WATERLINE MODEL OF H.M.S. HAWKINS MODELLED BY NORMAN OUGH, 1926, the hull carved from the solid with painted sides and natural deck, carved and painted fittings including capstan, bitts, anchors with painted chains, main and secondary armament, bridge with fire control, masts with radio aerials and signal lanyards, stayed funnels, covered boats in davits, and other details, mounted on raised cloth-covered plinth with maker's plate, name and scale plates, and contained within ebonised wood glazed cover with exhibition label to one corner. Cased measurements -- 6½ x 23½ x 6½in. (16.5 x 60 x 16.5cm.), Norman Ough (1898-1965) was principal model maker to both the National Maritime Museum and Imperial War Museum and made commissions for many others as well as private clients. A considerable eccentric, he was sometimes found half-starved having forgotten to eat for days being so wrapped in his work. His models are considered amongst the finest evocations of the genre, capturing the essential spirit of the ship and, at an age when few, if any short cuts were available, did not see the need to over-crowd detail. This model was presumably a private commission for someone connected to Hawkins, another example of this ship is held in the Imperial War Museum, Catalogue No. MOD1637., H.M.S. Hawkins was one of the five 'Cavendish' class cruisers ordered in 1915. Designed primarily for trade protection, Hawkins was built at Chatham where she was laid down in June 1916. Displacing 9,750 tons (12,190 deep loaded) and measuring 605 feet in length with a 65 foot beam, she could steam at 30 knots and carried a surprisingly heavy main armament of 7-7.5in. guns. Launched in October 1917, she was not completed until after the end of the Great War and her first tour of duty was as flagship to the 5th Light Cruiser Squadron on the China Station where she served from 1919 - 29. After a spell in the East Indies, she was rearmed in 1939 just in time for active duty in the Second World War during which she initially served as Flagship to Rear Admiral Sir Henry Harwood immediately after the Battle of the River Plate; She was scrapped in 1947.,
AN ATTRACTIVE UN-RIGGED MODEL OF THE FAMOUS RACING YACHT AMERICA (1851), POSSIBLY CIRCA 1901, the 25½in. hull carved from the solid with bow decoration and stern eagle, painted deck with cut-away bow-sprit and masts, covered hatch, finely modelled capstan, deck light, companionway and circular cockpit, mounted to two turned columns on wooden base -- 11 x 31½in. (28 x 80cm.), Arguably the most celebrated racing yacht ever built, America was commissioned by a syndicate of New York businessmen who engaged George Steers to design them a schooner based upon the lines of the city's distinctive pilot boats. Launched on 3rd May, 1851, she measured 95ft in length and was constructed of five different woods, mostly white oak. She left American waters in June and, after a brief call at Le Havre, arrived at Cowes on 1st August where she caused an immediate sensation. The now famous race for which the Royal Yacht Squadron had put up a handsome new Hundred Guinea Cup took place amidst great excitement on 22nd August, 1851. Commencing at 10 o'clock, the 58 mile course was around the Isle of Wight and, after a disappointing start, America took the lead at 11.30. She crossed the finishing line at 8.37 that evening, eight minutes ahead of the nearest challenger and, in that instant, achieved the fame which was to remain hers long after her timbers had perished away.,
A Panerai Type D Model 3646 Military Wristwatch With Rolex 17 Rubis movement, with stainless steel body and lugs, circa 1945 with Brevet crown, and Plexi glass, serial no 260611. The Outer case engraved Kampf-Schwimmer which is the German Commando force 'frogmen'. L.K.700- LehrKommando 700 which is the headquarter of the German frogmen units located at the island of Sylt, which was occupied by British Forces at the end of WWII and initials of HW or WH. Provenance: This watch has been in the northeast of England since the early 1960's when the vendors late father swapped the watch for a carriage clock, it has remained in the family since that date, the watch was serviced by a local jeweller on 20/5/88 for the sum of £28 and the watch has never been used since that date. CONDITION REPORT: The watch was last serviced from a local jeweller on 20/05/88 for the sum of £28 and has been left in a drawer since, light scratches and marks to outer case and U-shaped crack to plexi-glass, minor bending to large fingertip, minor chipping to hands, light wear/use marks throughout around back outer case, green colour around edges, crown partly releases, unable to move the fingers with crown, a simple shake and the watch starts to tick for around 10 seconds, not complete with original led seal.
A George IV silver sugar sifting spoon Fiddle and Thread pattern, the spoon bowl profusely pierced, crested by Francis Higgins II, London 1827, length 16.5cm, weight 1.8 troy oz CONDITION REPORT: Generally good condition no damage with light wear marks, minor bending/not perfect circular shape. The crest is an arm holders 3 crosses and not double struck
Edward VII Art Nouveau hallmarked silver and enamel photograph frame Of square form with four green and blue enamel corners depicting Art Nouveau flower heads with easel support, possibly designed by Kate Harris, made by William Hutton & Sons, London 1903, impressed Rd 404507 18x18cm NB: Victor Arwas, Art Nouveau from Mackintosh to Liberty Andreas Papadakis, page 162 for a comparable frame by William Hutton & Sons. CONDITION REPORT: The size is 18x18cm, each corner of enamel with minor edges or ends missing, light scratches and minor wear and marks slightly rubbed, see images, The frame has three embossed circles to the top this doesn't look like damage.
Crown Devon Stockholm pattern service Forty eight pieces to include two tureens twelve bowls, three meat platter each with printed marks to base. CONDITION REPORT: Sauceboat - with minor staining to base and light craze lines to interior?, each tureen - with very faint glaze crazing to interior, large meat plate - wear to paintwork, medium sized meat plate - with minor line glaze crazing, 1 medium sized plate - with glaze line to reverse 1 saucer - with rubbing to paintwork handled sauceboat - minor wear to paintwork 1 side plate - minor glaze crazing, see images
Bernard Moore flambé pedestal bowl Having internal SH monogram surrounded by foliate, the outside with moto 'Behold I Bring You Tidings of Great Joy' signed Bernard Moore to base, height 11.5, diameter 26cm (af) CONDITION REPORT: Crack to rim, impressed Mintons to base light wear and scratches to internal and external body, see images.
Three hallmarked silver and gold-plated Montblanc pens Comprising a meisterstuck number 416 fountain pen, two further ball point pens, each with an inscription, complete with two leather cases. CONDITION REPORT: Each pen engraved, light wear/use marks, fountain is number 146, small ballpoint minor dent to body.
Art Nouveau, Zsolnay Pecs pedestal vase Eosin glaze, decorated with two semi-nude mermaids surrounding an urn vase on a lustrous ground, embossed marks and numbered 6735, height 17cm CONDITION REPORT: Very light and minor crazing, tiny scratch to lower body approx an inch long but no chips, cracks or restoration, the scratch is not very deep.
Walter Moorcroft pottery beaker of wasted cylindrical form Decorated in the pomegranate pattern on a grey and blue ground, impressed factory marks to base, height 9cm CONDITION REPORT: Light crazing to body, small area of restoration to top rim, approx 3cm long, also restoration to bottom rim.
A William Moorcroft Florian ware vase of cylindrical form Decorated in the peacock feathers pattern on a salmon and light green ground, printed factory marks and green signature to base, height 18cm CONDITION REPORT: Light all over crazing, two very faint hairline cracks to top rim, minor glaze chips/roughness to base, see images.
Walter Moorcroft pottery Flambé vase of bulbous form with flared neck Decorated in the Columbine pattern on a light flambé ground, impressed factory marks to base, height 10cm CONDITION REPORT: very light crazing to body, no chips, cracks or restoration, minor scratch to lower body, approx. 1mm long.

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