Richard Smith (British, 1931-2016). Color etching on two sheets of paper titled "Large Blue," each sheet depicting half of a blue rectangle, 1977. The sheets are stapled together - one staple on the top and one staple on the bottom - original to the artistic process. The work is pencil signed, dated, and numbered 42/60 along the lower left.Height: 27 1/2 in x width: 28 in.Condition: The item is in good condition with no visible tears or losses, or major creases. No visible sign of restoration under UV light. The color is bold and bright. Light creases throughout, particularly along the right margin. There is very light foxing along the upper left quadrant and to the upper left corner. Very light wear along the four margins; however, it appears that it is original to the artistic practice. Along the verso, there are a few scattered light handling marks; there is light skimming to the upper right corner; along the upper left corner, there are light brown accretions, possibly from old framer's tape.
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Reed Kay (American, b. 1925). Oil on canvas painting titled "Mill River Bank" depicting a riverfront home, 2003. Signed along the lower right.Sight; height: 17 1/2 in x width: 23 1/2 in. Framed; height: 23 in x width: 29 in.Condition: The painting is in excellent condition with no visible tears, creases, or losses. The surface is stable, and the color is bold and bright. No visible sign of restoration. Very light wear to the frame.
Oil on board impressionist French school painting, unsigned. Depicting figures strolling under trees in a park with the top of a dome just visible above the trees.Sight; height: 15 1/2 in x width: 11 1/2 in. Framed; height: 25 in x width: 21 3/4 in.Condition: The painting is in great condition with no visible tears, creases, or restoration under UV light. The surface is stable, and the color is bold and bright. Along the verso, the panel is toned; otherwise, clean verso. Light wear to the frame.
Warren MacKenzie (American, 1924-2018). Sudio pottery ceramic tripod bowl. Glazed stoneware with painted decoration along the inside of the bowl. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/4 in x diameter: 7 1/2 in.Condition: The bowl is in excellent condition with no visible losses, cracks, or chips. Light wear to the footrim, consistent with age and use. Along the underside, there is an area with a glazing flaw, original to the piece. When inspected under UV light, there is no visible sign of restoration.
Diego Romero (Cochiti Pueblo, b. 1964). Lithograph on paper titled "Fallen Angel" depicting a winged angel sitting at a bar with a coyote, 2013. Pencil signed and dated along the lower right; titled along the lower center; numbered 28/50 along the lower left. In addition to prints, he is well-known for his pottery, having collaborated with Navajo-Hopi ceramicist Nathan Begaye. His works often address difficult issues related to Native American politics, history, identity, war, and the effects of alcoholism and addiction.Unframed; height: 20 in x width: 25 1/2 in. Framed; height: 22 1/2 in x width: 28 1/4 in.Condition: The item is in great condition with no visible tears, creases, or losses. The item is floating on the frame, showing all four margins. The paper is slightly toned, though this may be the original color of the paper. No visible sign of restoration. Framed under plexiglass; not inspected out of the frame. Very light wear to the frame.
Wendy Vaughan (American, 20th/21st c.) Oil on board fantasy painting titled "French Hare" depicting a rabbit on a cushion looking out over a landscape with a bundle of carrots and radishes hanging just above its head, 2002. Signed and dated along the lower left.Sight; height: 23 in x width: 19 1/2 in. Framed; height: 34 in x width: 30 in.Condition: The item is in great condition with no visible tears, creases, or losses. The surface is stable, and the color is bold and bright. To the center by the hands, there are light brown accretions adhered to the surface. No visible sign of restoration under UV light. Light wear to the frame.
Paul Cadmus (American, 1904-1999). Ink sketch on paper depicting a standing nude male. Signed along the lower right.Provenance: Estate of Paul Cadmus; The collection of Jon Anderson; Private Minnesota collection.Height: 14 in x width: 5 3/4 in.Condition: The drawing is in good condition with no visible tears, creases, or losses. No visible sign of restoration under UV light. The paper is slightly toned as expected. Towards the feet, there is an area with minor handling marks. Along the verso, there is some minor soiling that does not affect the verso.
Warren Platner (American, 1919-2006) for Knoll International, New York, United States. Platner Collection Mid-century Modern coffee table, designed in 1966. Clear, beveled glass and chrome-plated steel.Provenance: Distinguished Corporate Collection, Minnesota.Height: 15 in x diameter: 36 in.Condition: The table is in good condition with no visible cracks, or major chips or losses. It is structurally stable, all components are present. The glass top is not attached to the base. Light wear throughout, as expected. Very light metal erosion along the metal components; however, it does not affect the overall appearance of the furniture. No visible cracks to the top; light scratches to the top. No visible sign of restoration.
Paul Caponigro (American, b. 1932). Silver gelatin print photograph titled "Running White Deer, County Wicklow, Ireland," depicting a blurred herd of albino deer running through a darkened pine tree landscape, 1967. Pencil signed along the lower right.Sight; height: 7 1/4 in x width: 19 in. Framed; height: 17 in x width: 30 1/2 in.Condition: The photograph is in great condition with no visible tears, creases, or losses. The emulsion appears smooth. When inspected under UV light, there is no visible sign of restoration. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Group of three Chinese porcelain vessels including one bowl, one tray, and one vase. The vase with a Qianlong mark along the underside. The bowl with a Qing Jiaqing mark along the underside. The tray with a Qing Tongzhi mark along the underside.Height ranges from 2 in to 5 in; diameter ranges from 2 1/4 in to 10 3/4 in.Condition: The items are in fair condition. Wear throughout; original firing and glazing flaws as shown in the listing image. As expected, there is fading to the glaze throughout. To the plate, capture lower center in the listing image, there are three minute chips to the rim; to the lower center, there is light brown staining as shown in the listing image; to the underside, there is adhesive residue. To the vase, upper left, no visible chips to the rim and the footrim; wear to the wooden base. The bowl, upper right, no visible chips along the rim; glaze loss throughout, most noticeably along the interior of the rim; there is an adhesive residue to the interior. All items do not show a sign of restoration under UV light; wear along the underside, is consistent with age and use.
Alfred Renaudin (French, 1866-1944). Oil on canvas painting titled "Potage et Verger au Pied des Ruines (Vegetable Garden and Orchard at the Foot of the Ruins)" depicting an orchard and garden amidst ruins, 1898. Signed and dated along the lower left. With two labels from Kurt E. Schon, Ltd. Fine Art affixed along the verso.Unframed; height: 18 1/2 in x width: 30 1/4 in. Framed; height: 23 in x width: 35 in.Condition: There are no visible tears, creases, or losses. The surface is stable, and the color is bold and bright. To the center of the right margin, there is an area of possible restoration. When inspected under UV light, there is no visible sign of restoration. Light wear to the frame; dust collected to the frame. The verso could not be inspected due to the nature of how the item is framed. The painting has been re-stretched.
Vintage or antique bronze mold, likely for toys, with a tin or lead figure, possibly a football player.Toy; height: 1 3/4 in x width: 3 1/2 in x depth: 1/2 in. Mold; height: 3 1/2 in x width: 8 in x depth: 1 3/4 in.Condition: The items are in generally fair vintage condition with no major cracks or losses. When inspected under UV light, there is no visible sign of restoration. Heavy wear throughout as expected. There are several scattered areas of dents and minute losses throughout; however, they do not significantly alter the overall appearance. Dust collected to the surface, particularly to the recessed areas.
William (Guillaume) Guerin, Limoges, France. Porcelain dinner set including six dinner plates, six salad plates, one tazza or compote, one tray, and one lidded tureen connected to a tray, ca. 1891-1932. Each marked twice along the underside. Each with blue rims and gilt decoration throughout.Height ranges from 1 in to 8 in; diameter 8 1/2 in to 9 3/4 in; width ranges from 11 in to 12 in; width ranges from 5 in to 6 in.Condition: All pieces are in generally good condition. For most there are no losses to the gilding or painted decoration. Very light wear throughout, mostly located along footrim. No signs of restoration. There is a small chip along the oblong platter that seems to be original to production and has been gilded over. There are losses to the gilt decoration of the lidded platter. There is a small crack measuring approx. 1 inch long along the interior of the lid. The underside where the mark is not glazed. The larger plates all have light wear to the footrim. One plate has numerous small chips to the footrim. One plate has a few small chips to the footrim. One plate has a large yellow accretion along the bowl of the plate. The small plates all have light wear to the footrims. One plate with one small spot lacking glaze, likely original to production, along the underside along the rim.
Rudolf Stoitzner (Austrian, 1873-1933). Oil on canvas painting depicting a still life with flowers and fruits on a table. The flowers on the right beautifully bloom in the vase and the plates on the left are full of ripe fruits. Signed "R. Stoitzner" along the lower left.Sight; height: 23 in x width: 31 in. Framed; height: 28 1/2 in x width: 36 in.Condition: The painting is in good condition in general with no visible losses, tears, or creases. When inspected under UV light, there is no visible sign of restoration. To the upper left quadrant, there is a scratch measuring approximately 1 3/4 in. From the verso, the canvas is toned. Wear to the frame.
Jack Portland (American, b. 1946). Acrylic on paper painting titled "Home Tonight" depicting an abstract geometric scene with vivid color composition. Signed along the right margin.Provenance: Distinguished Corporate Collection, Minnesota.Unframed; height: 27 1/4 in x width: 19 3/4 in. Framed; height: 30 1/4 in x width: 22 1/4 in.Condition: The item is in great condition with no visible tears, creases, or losses. The color is bold and bright. There is undulation to the upper margin. No visible sign of restoration when inspected under UV light. Framed under glass; not inspected out of frame. Very light wear to the frame.
Stephane Ruais (American, b. 1945). Oil on canvas painting depicting a bridge, 1997. Signed along the lower right; dated along the verso.He discovered his joy of painting at a young age and studied at the Ecole des Beaux-Arts from 1964-1974. In 1991 he was appointed the official painter of the French Navy and in 2000 he was appointed the official painter of the French Air Force. He frequently works en plein air and rarely paints in a studio.Sight; height: 19 1/2 in x width: 24 1/2 in. Framed; height: 26 1/2 in x width: 32 1/2 in.Condition: The painting is in great condition with no visible tears, creases, or restoration under UV light. The surface is stable, and the color is bold and bright. Along the upper margin, there is a minute paint loss against the frame. Light wear to the frame. Clean verso.
Group of four sterling silver picture frames including two Tiffany & Co. frames. Each marked along the the frame. Three with stands, one without.Height ranges from 6 1/2 in to 7 3/4 in. Width ranges from 5 in to 5 3/4 in. Gross weight of sterling: 9.625 Troy oz.Condition: The frames are in generally good condition with no major cracks, dents, or losses. Wear and light oxidation throughout. The square frame with M.H.H. impressed and the round frame has cracks to the edges of the glass; however, the cracks are not visible under the frame. No visible sign of restoration when inspected under UV light.
20th century Chinese carved jade bi in archaic form with russet inclusions and intricate piercework.Height: 1/8 in x diameter: 5 in. Weight: 146 g.Condition: The jade is in fair condition with no visible losses, or major cracks or dents. Along the edges, there are minute chips. Light wear throughout. When inspected under UV light, there is no visible sign of restoration.
Hamilton and Inches, Edinburgh, Scotland. Group of six sterling silver napkin rings decorated with pheasants in foliage. Each marked with maker's marks, city and country marks, and a date mark of 1896. With a custom silk-lined storage case.Gross weight of sterling: 4.545 Troy oz. Ornament on rings, height: 1 1/2 in x width: 1 in. Box, height: 2 in x width: 8 3/4 in x depth: 4 3/4 in.Condition: The items are in good condition with no visible cracks or losses. Light wear and light discoloration throughout, as expected. No visible sign of restoration when inspected under UV light. Wear to the case; the lock smoothly works.
Group of two modern Japanese woodblock prints including:Haku Maki (Japanese, 1924-2000). Cement mortar abstract woodblock print titled "Poem 71-38" depicting abstract shapes in black, red, yellow, and green. Artist seal along the bottom left. Pencil signed along the lower right; titled along the lower center; numbered 38/154 along the lower left.Ueno Nagoa (Japanese 20th c.) Woodblock print titled "Recollection of the Past" depicting layers of black, red, and white organic shapes against a blue ground, 1964. Signed and dated along the lower right; numbered 196/210 along the lower right.Recollection; image; height: 16 in x width: 12 1/4 in. Framed; height: 22 1/4 in x width: 18 1/4 in. Poem; image; 10 1/4 in x width: 17 in. Framed; height: 18 in x width: 23 3/4 in.Condition: Both items are in generally good condition with no visible tears, creases, or losses. Neither show a sign of restoration under UV light. The item with a blue background has toning and undulation along the margins; there is light foxing throughout. Although it is not inspected out of frame, it seems possibly that is has acidic burn, given that the margins of the mat is browned. The item with a white background has toning, browning, and foxing throughout. There is possible skimming to the center of the upper margin. Both items are framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Pair of Kangxi period Chinese export porcelain dishes with famille verte decoration depicting baskets of flowers. Marked along the underside with artemisia leaf marks in underglaze blue.(Each) Height: 1 1/4 in x diameter: 6 1/2 in.Condition: The plates are in generally good condition with no visible cracks or losses. Wear and loss to the decorations throughout. Along the top rim and footrim, there are minute chips. Wear to the underside, consistent with age and use. When inspected under UV light, the plate captured on the right in the listing image shows a sign of restoration attempts to chips along the exterior of the rim.
Tiffany & Co., New York, United States. Large glass and sterling silver flask. The cut glass decorated with ferns and etched "Tiffany & Co" along the underside. The bottom sterling silver sleeve monogrammed M.H.H. With maker's marks, maker's numbers 846 and 9396, sterling silver, and 6 1/4" gills along the underside of the sterling sleeve. The lid is marked with maker's marks, Pat. 1883, and sterling.Height: 8 1/2 in x width: 5 in x depth: 2 in. Gross weight of sterling (does not include the lid that is attached to the glass bottle): 7.120 Troy oz.Condition: The item is in good condition with no visible cracks or losses, or major chips. All components are present. Light wear throughout as expected. Light oxidation to metal components, particularly along the interior of the silver case; no visible dents to the silver components. There are a few scattered minute chips along where the glass meets the silver case. Discoloration to the interior of the lid. When inspected under UV light, there is no visible sign of restoration.
Chinese three platformed rosewood stand. Carved to resemble lily pads with undulating leaves underneath.Height: 7 in x width: 24 in x depth: 7 1/2 in.Condition: The item is in fair condition. Structurally stable and sturdy. Wear throughout as expected; dust collected. To the underside, there are several cracks. There are losses to the edge of the top panel; please see the listing image. There is another loss to the lower right panel. When inspected under UV light, there is no visible sign of restoration; however, there is an adhesive residue on the right side.
Chinese porcelain double gourd vase, decorated with a design of bats and shou symbols in famille rose enamels. Marked along the underside with a six character Yongzheng mark in underglaze blue.Height: 12 1/2 in x diameter: 8 in.Condition: The item is in good condition with no visible cracks, chips or restoration under UV light. No visible chips to the rim; there are losses to the gilt along the rim. Throughout the exterior, there are minute losses to the painted decoration as expected from age and use. Wear to the underside, consistent with age and use. There are four small felt tabs affixed along the underside.
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "The Raft," executed in 1930, depicting a woman steering a raft through the water with a pole. Silver gelatin print. Hand signed along the backing to the lower right of the photograph.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 12 3/4 in x width: 10 in. Matted; height: 20 in x width: 16 in.Condition: The item is in generally good condition with no visible tears, creases, or losses. The photograph is affixed the mat. When inspected under UV light, there is no visible sign of restoration. The emulsion appears to be smooth. There are a few areas with light surface stretches, visible at the critical angle. Along the left margin, there is adhesive visible. Along the upper margin of the mat. there is discoloration and foxing. The verso of the photograph could not be inspected due to the nature of how the photograph is attached to the mat.
Group of four German 800 silver condiments serving chalices and urns. With putti stems and profuse repousse decoration throughout. Pierced decoration along the bowls of the chalices and along the lids of the urns. The chalices with scalloped glass inserts.Glass covers; height: 2 1/2 in x diameter: 3 1/2 in. Servers with glasses, without glass; height: 5 1/2 in x diameter: 3 in. Servers with silver top, with top; height: 8 1/4 in x diameter: 2 1/4 in. Gross weight of silver (not including glass inserts): 717.1 grams.Condition: The items are in good condition with no visible cracks or losses, or major chips. When inspected under UV light, there is no visible sign of restoration. Dust collected to recessed areas; old polish visible, particularly along the interior of the underside. All parts are present. One of the glass bowls of the chalices has a minute chip to the rim; the other glass bowl has a minute chip to the exterior; both glass bowls have adhesive residue along the exterior.
Ernest Trova (America, 1927-2009). Painted welded metal sculpture titled "Untitled (Canto Series- geometric black sculpture)" from the canto series in a form of geometric composition. Provenance: Distinguished Corporate Collection, Minnesota.Height: 14 3/4 in x width: 32 1/4 in x depth: 14 1/2 in.Condition: The item is in fair condition in general with no major dents, visible cracks, or visible signs of restoration under UV light. Wear throughout; dust collected to the surface. Along the edges, there are several areas with paint loss. Along the base, there is an area with two paint loss side by side, each measuring 3/4 inch. Wear to the underside, consistent with age and use.
Jack Youngerman (American, 1926-2020). Silkscreen on paper titled "New School," depicting a geometric abstraction in red, yellow, and blue, 1969. Pencil signed along the lower right; numbered 68/144 along the lower left.Provenance: Distinguished Corporate Collection, Minnesota.Unframed; height: 34 1/4 in x width: 24 1/2 in. Framed; height: 39 1/4 in x width: 29 1/4 in.Condition: The item is in good condition with no visible tears, creases, or losses. The color is bold and bright. The paper is floating on the frame; all four margins are visible. There is undulation along the margins. There is a minute paint loss to the lower left margin, only visible under careful scrutiny. When inspected under UV light, there is no visible sign of restoration. Framed under plexiglass; not inspected out of frame.
Hiroyuki Tajima (Japanese, 1911-1984). Woodblock print titled "Impression of Small Monument," depicting an abstract scene, 1966. Pencil signed and dated along the lower right; titled along the lower left; numbered 45/50 along the lower center.Unframed; height: 19 1/4 in x width: 12 1/2 in. Image; height: 12 in x width: 9 1/2 in.Condition: The item is in good condition with no visible losses or tears, or major creases. No visible sign of restoration under UV light. The color is bold and bright. The paper is very lightly toned. There are light creases to corners and along the margins; however, the creases do not affect the center image. Along the verso, there is a few scattered areas with light handling marks; there is ink transmitted from the recto; there is light soiling, which does not affect the recto.
Richard Anuszkiewicz (American, 1930-2020). Lithograph on paper titled "Yellow Reversed" depicting a geometric abstract composition, 1970. Pencil signed, dated, and numbered 96/100 along the lower right. Anuszkiewicz was a practitioner of Op-art and was a student of Joseph Albers.Sight; height: 17 in x width: 11 1/4 in. Framed; height: 24 1/4 in x width: 18 1/4 in.Condition: The print is in excellent condition with no visible tears, creases, or losses. No visible sign of restoration under UV light. Not inspected out of frame. There is a crack to the lower left corner in the glass. Light wear to the frame.
Stephen Arnold Douglas Volk (American, 1856-1935). Oil on canvas painting depicting a portrait of a woman. Signed along the lower left.At the age of four Douglas entertained US President Abraham Lincoln while he posed for a bust for his father, sculptor Leonard Wells Volk. Later in life, he would paint numerous posthumous portraits of the president based on a life-mask his father made during that sitting. Though Volk spent his early years in Chicago, he would ultimately grow up in Europe where his family moved at the age of fourteen. He attended the Ecole des Beaux-Arts in Pairs between 1873-1879 where he was a pupil of Jean-Leon Gerome. At the age of nineteen, in 1875, he exhibited at the Paris Salon.Upon returning to the United States, he would go on to help found the Minneapolis School of Fine Arts (later renamed to the Minneapolis College of Art and Design - MCAD) and served as its director until 1893. He taught at several prestigious art institutions throughout his life and exhibited at several world's fair exhibitions such as the World's Columbian Exposition, the Panama-Pacific Exhibition, and the Louisiana Purchase exposition. One large work of his is displayed in the Governor's Reception Room at the Minnesota State Capitol.His wife, Marion Larrabee Volk, was a prolific weaver and would become the first instructor at the Minneapolis School of Fine Arts. Douglas Volk's students included Russell Cowles, Benjamin Orso Eggleston, Susan Ricker Knox, Ada Murphy, Ella Bennett Sherman, Adele Rogers Shrenk, and Helen Maria Turner. His works can be found in the collections of the Albright-Knox Art Gallery, The Montclair Art Museum, the Portland Museum of Art, and the Muskegon Museum of Art.Sight; height: 16 in x width: 15 in. Framed; height: 29 1/2 in x width: 28 in.Condition: The painting is in fair condition with no visible creases, major losses, or tears. Craquelure throughout. Along the upper margin, there is paint loss against the frame. There is minute paint accretion to the upper left and lower right quadrants. There is a minute dent to the upper right quadrant. To the left of the dent, there are two vertical lines of water damage as shown in the listing image. When inspected under UV light, there is a possible tear restoration to the lower center. Wear to the frame. From the verso, the canvas is toned.
Group of four sterling silver candle sticks in the form of Roman Doric columns. All marked sterling and numbered 766 along the underside. Two marked R.M. & L. and two marked Black, Starr, & Frost.Each; height: 10 in x diameter: 5 in. Gross weight of Sterling (including weighted bottoms): 101.505 Troy oz.Condition: The items are in good condition with no major dents, or visible cracks or losses. Light wear throughout. There are scattered a few dents throughout; however, they do not affect the overall appearance. Well polished. No visible sign of restoration when inspected under UV light. Along the underside, light wear visible consistent with age and use.
Mastercraft, United States. Pair of brass trilobi or triedri dining table bases. Each of a triangular lobed form and hollow along the interior. A suitable base for a plate glass dinner table.Each, height: 27 1/2 in x width: 19 in x depth: 20 in.Condition: The table bases are in good condition. Scratches throughout, mostly light, though there are a couple of deeper scratches, visible in the lot listing. There are a few areas of discoloration along the top of the bases. Wear and scratches consistent with age and use along the underside.
Christo (Bulgarian/American, 1935-2020). Lithograph with pencil, cloth, masking tape, plastic, and string on paper titled "Wrapped Champagne Bottle (Project for Happy Anniversary)" depicting a bottle wrapped in cloth, 2000. Pencil signed, dated, and numbered 20/30 along the upper edge. Published and printed by Landfall Press, Chicago as part of The Landfall Press 30th Anniversary Portfolio. With a stamp from Landfall Press along the verso.Height: 21 1/2 in x width: 16 1/2 in.Condition: The item is in good condition with no visible tears or losses, or major creases. Light wear along the margins. There is a minor crease to the upper right and left corners. To the center of the right margin, there is a minute accretion. To the verso, there are a few scattered light handling marks. No visible sign of restoration when inspected under UV light.
Chinese carved lapis lazuli sculpture depicting four figures including an immortal riding a ship. Attached to a wooden base and with a silk box.Lapis, with base; height: 8 3/4 in x width: 9 3/4 in x depth: 3 in. Box; height: 6 in x width: 15 in x depth: 9 1/2 in.Condition: The item is in generally good condition with no major cracks or visible losses. The sculpture is attached to the base. Light wear and natural lines throughout as expected. When inspected under UV light, there are five areas of possible restoration; one of the petals, right edge, head of a child in the middle, lower right, and hand of the person in the far left; under natural light, not visible. Wear to the base and underside, consistent with age.
Russian enamel and gilt silver cream pitcher, profusely decorated with shades of blue, yellow, and red. Marked along the handle and along the underside. Maker's mark CK, Moscow city mark, along with several other marks.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height: 3 1/4 in x width: 5 in x depth: 2 1/2 in. Weight: 134.4 grams.Condition: The item is in good condition with no major cracks or losses to the enamel. Light wear throughout. When inspected under UV light, there is no visible sign of restoration. Light metal erosion, most noticeable to the interior side of the handle. No visible dent along the rim. There are several scattered areas with gold gilding loss; several scattered areas of loss to enamel; however, they do not significantly affect the overall appearance of the piece. Light discoloration along the underside. Discoloration to the blue enamel near the handle.
Original 70mm NASA color positive transparency film display depicting Buzz Aldrin performing scientific experiments on the surface of the moon. Dated July 16, 1969 to July 21, 1969. From flight CSM-107 LM-5. Mounted in a frame.Sight; height: 2 1/4 in x width: 2 1/4 in. Matted; height: 8 3/4 in x width: 5 1/2 in.Condition: The transparency is in fair condition. The colors appear bold and bright when lit. When viewed at a critical angle and not lit, the transparency appears cloudy. There is a large area, possibly a chemical stain or residue, that appears shiny along the lower margin. Two smaller spots along the upper half of the work. There are a couple of spots with fingerprints along the surface. There are a few light scratches. Not inspected out of frame. The frame is in excellent condition with no tears, creases, or losses.
Set of five Japanese Arita Kutani ware porcelain dishes, each depicting a man leading an ox through a landscape. With a pseudo-Chinese six-character Chenghua mark in underglaze blue along the underside.Each; diameter: 8 1/2 in.Condition: The dishes are in good condition overall with no major chips, cracks, or losses that affect the overall work. As expected from age and use, there are several areas where the gilt has faded and wear throughout. No visible chips to the rim. Light crazing to the glaze. Some plates have a few areas that lost glaze. A few areas with original firing flaws. One of the plates has a minute crack to the sky. No visible sign of restoration under UV light. All plates show a line of minute chips and wear to the footrim, consistent with age and use; adhesive residue to the underside.
Ernest Trova (American, 1927-2009). Oil on canvas titled "Canto Profile Sections," depicting an increasingly close profile in twelve segments in red on black.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 37 in x width: 52 in. Framed; height: 37 3/4 in x width: 52 1/2 in.Condition: The item is in generally good condition with no visible tears, losses, or restoration under UV light. The surface is stable, and the color is bold and bright. To the upper right corner, there is water damage as shown in the listing image. To the upper right quadrant. there is a light white line mark, measuring 4 inches. Below the line mark, there is possible liquid damage, measuring 5 inches. To the left of the lower margin, there is a very light grey mark that is only visible under careful scrutiny, measuring 1 inch. To the lower left quadrant, there is an area with minute white unidentified accretions. Wear and losses to the frame. Clean verso; some paint accretions that are transmitted from the recto.
Whiting Manufacturing Co., United States. Sterling silver punch bowl decorated throughout with ornate vines with bunches of full grapes delicately dangling from the vines, 1884. A snake winds from the three feet and seemingly disappears into the bowl only to reappear winding through the vines along the upper rim. The hammered interior with a gold wash harkens to the scales of the serpent along the exterior. With a Whiting silver mark, "STERLING," and 1422A stamped along the underside. Additionally marked "Shreve Crump & Low, Boston, U.S.A.," along the underside. With a monogrammed "M" along the side.Height: 6 5/8 in x diameter: 12 1/2 in. Gross weight of sterling: 91.6 Troy oz.Condition: The bowl is in fair condition. Wear throughout, consistent with age and use. There are no visible losses. There is light oxidation throughout the bowl, particularly to its recessed areas. Along the underside, there is one major dent that measures 6 inches, visible in the lot listing. There is an additional dent near the larger aforementioned dent. Two of the feet have small dents. Along the interior of the bowl, there is wear and oxidation throughout, as expected. Along the rim, there are areas with minute dents that do not affect the overall appearance of the bowl.
Lucien Victor Felix Delpy (French, 1898-1967). Watercolor and gouache on paper landscape painting depicting a bridge over a river in Paris, 1934. Signed and dated along the lower left.Sight; height: 15 in x width: 19 in. Framed; height: 27 in x width: 31 in.Condition: The painting is in great condition with no visible creases, tears, or losses. When inspected under UV light, there is no visible sign of restoration. The surface is stable, and the color is bold and bright. Light wear to the frame.
Currier and Ives, United States. Group of three lithographs including:Arthur Fitzwilliam Tait (American/British, 1819-1905). "American Forest Scene: Maple Sugaring," 1856.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 0170, page 22."Mr. Wm. H. Vanderbilt's Celebrated Road Team, Lysander and Leander," 1879.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 4630, page 469.Frances "Fanny" Flora Bond Palmer (American, 1812-1876). "Winter Morning," 1861.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 2: O-Z (Gale Research Company: Detroit, 1984). Number 7277, page 754.Provenance: Distinguished Corporate Collection, Ohio.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.(Sight) height ranges from 9 3/4 in to 22 in; width ranges from 12 3/4 in to 29 in. (Framed) height ranges from 15 in to 35 1/2 in; width ranges from 18 3/4 in to 42 1/4 in. Margins: Lower right; top: 1 1/2 in x bottom: 1 1/4 in x right: 1 in x left: 1 in. Lower left: top: 1 in x bottom: 3 1/4 in x right: 1 in x left: 1 in. Upper; top: 2 in x bottom: 3 in x right: 2 in x left: 2 in.Condition: The print captured lower right in the lot listing is in fair condition with no major creases, tears, or losses. The paper is mounted on the mat. There is toning, foxing, and soiling throughout the recto. There is browning along the extreme edges. There is acidic burn visible. All margins are possibly trimmed. There are two vertical lines that are possibly transmitted from the verso- although since the paper is mounted on the mat, it is not possible to examine the verso, it seems possible that there are brown patterned marks on the verso, and it is transmitted to the recto. To the lower right corner, there is a mark, possibly water damage. To the left margin, there is a pencil inscription. Along the upper margin, there are a few areas of tear. The print is framed under plexiglass. Wear to the frame. The print captured lower left is in good condition overall with no visible creases or major losses or tears. The paper is toned and hinged along the upper margin with framer’s tape. There is very light foxing to the upper margin. There is acidic burn. There are some areas of chipping along the right margin. To the left margin, there is a loss and a tear that measures ¾ inch. There is a minute crease to the upper left quadrant. To the center of the lower margin, there is a mark, possibly from the verso. When inspected under UV light, there is no visible sign of restoration. Throughout the verso, there is toning, foxing, soiling, and acidic burn; towards the lower margin, there is a mark that does not affect the recto. To the left margin, there is a tape. Throughout the verso, there are networks of white bleaching spots. Framed under plexiglass; light wear to the frame. The print captured upper in the listing is in good condition with no visible losses, tears, or major tears. There is a tear to the right margin, which measures ½ inch. The paper is toned; there is acidic burn. To the lower margin, there is a tear that measures ¼ inch. Along the upper margin, there are a few areas with white bleaching spots. Throughout the verso, the paper is toned; there are a few areas with handling marks and vertical marks that are possibly from the previous backing. To the lower left quadrant along the verso, there is pencil inscription; along the upper margin, there is old framer’s tape. The print is framed under museum glass; light wear to the frame.
Group of two Chinese Qing dynasty Daoguang porcelain plates. Each with a Daoguang seal in iron-red along the underside. One plate depicting two figures in a courtyard surrounded by floral and foliate motifs and gilt decoration. One plate depicting three figures on horseback passing a soldier surrounded by floral and foliate motifs intertwined with butterflies and gilt decoration. Each with a turquoise blue glaze along the underside and decorated with four bats.Diameter: 7 3/4 in.Condition: No visible cracks or restoration under UV light. There is a chip to the footrim of the plate captured right in the listing, measuring 1/2 in; to the chip, there is a minute paint loss. No visible chips along the rim. Both plates have wear throughout as expected; they have scattered areas where the gilding has faded, consistent with age, which does not affect the overall work. The plate captured right in the lot listing has a minute green accretion to the rock; to the white building surface, there are areas that are discolored light grey; please see the listing image. Wear to the underside, consistent with age and use. Original firing and glazing flaws along the underside. No visible sign of restoration under UV light.
Group of two photographs depicting Native Americans including:Edward Curtis (American, 1868-1952). Photograph titled "A Nakoaktok Mawihl" depicting a Native American man in front of a painted canvas and a carved and polychromed wooden sculpture, 1914. Inscribed "From Copyright Photograph 1914 by E.S. Curtis."Don Allen (American, 19th c.) Photograph depicting 'Indian scouts' originally taken in 1865 depicting a group of Native Americans. With a stamp from Game, Fish, & Parks along the verso.Don Allen; sight; height: 6 3/4 in x width: 9 1/4 in. Matted; height: 11 3/4 in x width: 14 1/4 in. Edward Curtis; sight; height: 6 1/2 in x width: 8 1/2 in. Framed; height: 11 in x width: 14 in.Condition: The items are in fair condition with no major tears, creases, or losses. When inspected under UV light, both items do not show a sign of restoration. The photograph with a green mat is attached to the matte with framer's tape; therefore, the margins could not be inspected. Throughout the photograph, there are several scattered areas with creases, particularly along the right margin. Along the verso, there are pen inscriptions and skimming to the lower right corner. The other photograph is toned and adhered to the paper along the upper margin; the paper is affixed to the mat. There is minute loss to the lower right and left corners. Light creases along the margins. Foxing throughout. The verso could not be inspected due to the nature of how the photograph is matted.
Group of three Native American Inuit carved bone masks. Two dark brown or black masks with white inlaid bone eyes.Height ranges from 2 in to 3 1/2 in; width ranges from 4 3/4 in to 6 in; depth ranges from 7 in to 7 1/2 in.Condition: The items are in good condition in general. Due to the original design of items, it is difficult to discern whether there are minute chips. However, all components are present and it does not seem there is a loss that alters the overall appearance. The item captured lower right in the listing image has several areas, along the side, that suggest that the item was originally attached to something else; please see the listing image. To the left side of the item, there are two holes. No visible sign of restoration when inspected under UV light.
Original 70mm NASA color positive transparency film display depicting Buzz Aldrin on the surface of the moon with the lunar module in the background. Dated July 16, 1969 to July 21, 1969. From flight CSM-107 LM-5. Mounted in a frame.Sight; height: 2 1/4 in x width: 2 1/4 in. Matted; height: 8 3/4 in x width: 5 1/2 in.Condition: The transparency is in fair condition. The colors are bold and bright when lit. There are no tears, rips, or losses. The transparency is clouded throughout, possibly from the chemical process during production. There are areas of glossiness throughout, possibly a chemical stain or residue. There are light scratches throughout. Not inspected out of frame. The frame is in excellent condition with no tears, creases, or losses.
Charles Anfrie (French, 1833-1905). Bronze statue titled "Quana Vous Voudrez (Whenever You Want)" depicting a Chasseurs d'Afrique officer standing with his arms crossed with a map reading "France" unfurling at his feet, 1886. Titled, signed, dated, and inscribed "Salon Des Beaux-Arts" along the base.Height: 24 in x width: 8 in x depth: 6 1/2 in.Condition: The item is in generally good condition with no visible cracks or losses. Due to the original design of the item, it is difficult to discern whether there are dents or not; however, there is no visible dents that altar the overall appearance. Dust collected to the surface. No visible sign of restoration. When inspected under UV light, there is a sign of possible liquid exposure throughout. Wear to the underside, consistent with age and use.
Group of six sterling and silver compotes or tazzas and one basket. The basket is silverplate. The five compotes are sterling; all marked along the underside. Manufacturers include Gorham, J.S. & Co., and Preisner Silver Co. The basket and four compotes with pierced details; two compotes monogrammed along the bowl.Height ranges from 1 1/2 in to 6 1/4 in. Diameter ranges from 5 1/2 in to 9 in. Gross weight of sterling (including two weighted compotes): 27.560 Troy oz.Condition: The items are in generally good condition with no major dents, or visible losses or cracks. No visible sign of restoration when inspected under UV light. Discoloration as shown in the listing image. A few scattered areas with old polish as expected. Wear throughout. Second to the left in the back row has a minute dent to the underside; minute dents throughout the base; to the interior of the plate, there is an area that is very lightly bent. The compote, far left in the back row in the listing image, has an area that is very slightly bent.
Moritz Hacker, Austrian. Silver plated three-section serving tray. With Art Nouveau Jugendstil decoration along each plate depicting a woman in profile. Marked along the underside.Height: 2 1/2 in x diameter: 14 in. Total weight: 1,206.1 grams.Condition: The item is in generally good condition. There are scratches throughout, mostly light though there are a few deeper scratches - most notable along the surface of one of the plates. There is tarnish throughout, particularly along the recessed areas and along the underside. The knob appears to have lost some of the finer details due to repeated handling, likely wearing it down slightly.
Geza Jeno Ferenc Vastagh (Hungarian, 1866-1919). Oil on board painting depicting a lion and lioness. Signed along the lower left. With stickers from Christie's New York affixed to the verso.Provenance: Christie's, New York, Sale 8165: 19th Century & Impressionist, October 28, 1998, Lot 6; Private Minnesota Collection.Vastagh came from an artistic family. His father, Gyorgy Vastagh, was a painter, and his brother, Gyorgy, his niece, Eva, and his nephew, Laszlo, all became sculptors. He studied under Gabriel von Hackl at the Academy of Fine Arts in Munich, Germany. He initially rose to fame for his paintings of animals, notably cows, for which he was awarded a gold medal. A scholarship awarded to him in 1898 allowed him to travel to Algeria and Tunisia where he studied lions. He followed this interest in animals by studying creatures in zoos in Hamburg, Leipzig, and Berlin.Sight; height: 21 in x width: 27 in. Framed; height: 26 1/4 in x width: 32 1/2 in.Condition: The painting is in generally good condition with no visible tears, creases, or losses. The surface is stable, and the color is bold and bright. Along the upper left corner, the panel is not fully attached to the frame; there is a minor gap between the panel and the frame. When inspected under UV light, there is an area with a possible restoration to the lower left margin; the surface is not stable; please see the listing image. Verso was not inspected due to the nature of how the painting is framed. Wear to the frame.
Yongzheng period Chinese export porcelain undertray for a teapot, profusely decorated in famille rose enamels. In a hexagonal form with a scalloped rim, decorated with a central reserve of flowers surrounded by an elaborate border in blue, pink, and yellow, with three small reserves depicting floral scenes.Height: 1 in x diameter: 5 1/2 in.Condition: The item is generally in good condition with no visible chips, cracks, or losses. When inspected under UV light, there is no visible sign of restoration. No visible chips along the rim. Wear throughout. Losses to the painted decoration. Wear to the underside, consistent with age and use.
Nathaniel Dirk (American, 1895-1961). Watercolor on paper of an incoming sailboat to shore where three figures are seen wading in the water. Signed along the lower right. Inscribed "Shore Phantasy 825" in pencil along the verso.Height: 11 1/4 in x width: 15 1/4 in.Condition: The painting is in good condition with no visible tears or losses, or major creases. Light wear along the margins as expected. The color is bold and bright. Along the reverse, as shown in the listing image, there are two red marks and a sticker to the upper left corner and soiling throughout. No visible sign of restoration when inspected under UV light.
Lievore Altherr Molina for Arper, Italy. Eolo coffee table, designed 2004. Rounded oval laminate top with painted aluminum four-spoke base.Keywords: tulip table, Eero SaarinenHeight: 14 in x width: 42 1/2 in x depth: 35 1/2 in.Condition: Good condition with some light wear consistent with use.
Aaron Fink (American, b. 1955). Oil on linen painting titled "Korean Bonsai" depicting an abstracted bonsai tree, 2007. Signed, titled, and dated along the verso. With a label from Alpha Gallery in Boston, Massachusetts along the verso.Height: 40 in x width: 30 in.Condition: The item is in excellent condition with no visible tears, creases, or losses. No visible sign of restoration under UV light. The surface is stable, and the color is bold and bright. Along the verso, there is an area with paint accretion, which does not affect the recto.
Oscar Glatz (Hungarian, 1872-1958). Oil on canvas depicting two young girls in traditional dress. The older child plays with a doll while the younger watches from her perch beside her older sister. Signed along the lower right.Unframed; height: 25 in x width: 20 in. Framed; height: 30 1/4 in x width: 26 1/4 in.Condition: The artwork is in generally good condition. The surface is stable and the colors are bold and bright. There are no tears, losses, or restorations when inspected under UV light. There are a few minor spots of accretions to the surface of the paint: one area along the sleeve of the older girl; one network of minute spots of red paint along the left edge just above the skirt of the older girl, possibly original to the artistic process. There is minor wear along the rabbet. One horizontal crack to the surface of the paint along the lower right. Some wear to the frame.
Original 70mm NASA color positive transparency film display depicting Buzz Aldrin exiting the lunar module. Dated July 16, 1969 to July 21, 1969. From flight CSM-107 LM-5. Mounted in a frame.Sight; height: 2 1/4 in x width: 2 1/4 in. Matted; height: 8 3/4 in x width: 5 1/2 in.Condition: There are no tears, creases, or losses. The transparency is cloudy throughout. There are two glossy areas along the right margin, possibly chemical stains or residue. There are two areas with handling marks along the center and left margin. There are some light scratches throughout. Not inspected out of frame. The frame is in excellent condition with no tears, creases, or losses.
Timothy "Tim" Noble (British, b. 1966) and Susan "Sue" Webster (British, 1967). Scrap metal sculpture titled "Metal Fucking Rats with Heart Shaped Tail," 2007. Welded steel and light projector. When light is directed on the sculpture, a shadow of two amorous rats with their tails forming a heart can be viewed.The duo referred to as Tim Noble and Sue Webster are most often associated with the post-YBA generation of artists. Working with odds and ends to create sculpture installations, their work can be divided into two categories: light and shadow. The pair met in college while studying at Nottingham Trent University and became close friends due to their shared interests in music. After moving around for several years, they both moved to London while Noble started his MA in sculpture at the Royal College of Art.In 1996 they held their first exhibition called "British Rubbish" at the Independent Art Space. The success of this exhibition led to a multitude of follow-up exhibitions including their most well-known work, "Dirty White Trash (with Gulls)," which was created from six months' worth of garbage. When the light was shown on the heap the artists, Noble and Webster, could be seen sitting back-to-back.Their works have been included in exhibits around the world including shows at the Royal Academy London, the British Museum in London, and galleries in Berlin, Seoul, New York, Athens, Boston, and Moscow. Their artwork is held in the collections of the Arken Museum of Modern Art in Denmark, the National Portrait Gallery in London, and the Solomon R. Guggenheim Museum in New York.Since the late 1980's, Tim Noble and Sue Webster have been known for their shadow sculptures built using household objects, garbage, taxidermy, and scrap metal - like the sculpture offered here. Under directed light, these works cast recognizable shadows, sometimes self-portraits. Merging together form and anti-form, high culture and anti-culture, their anti-monuments explore human psychology and how and why we attach meaning to images.Height: 23 in x width: 25 in x depth: 7 in.Condition: The scultpure appears to be in excellent condition. Due to the nature of the sculpture, it is difficult to determine if there are any losses, bends, or breaks. The metal is patinated and has oxidized, though this may be original to the production of the sculpture as it was created from scrap metal. The projector runs and works but has not been tested for prolonged use.
Larry Stark (American, b. 1941). Group of three prints, including:Silkscreen titled "Boats" depicting boats floating on the water. Numbered 23/85 and titled along the lower left; signed and dated 1992 along the lower right.Silkscreen titled "More Boats" depicting boats floating on the water. Numbered 23/85 and titled along the lower left; signed and dated 1992 along the lower right.Photo-silkscreen titled "Orcas Four" depicting water currents and light reflecting on the water. Numbered 2/50 and titled along the lower left; signed and dated 1980 along the lower right.Provenance: Distinguished Corporate Collection, Minnesota. Image; height ranges from 19 in to 22 in; width ranges from 27 1/2 in to 30 1/2 in. Framed; height ranges from 32 in to 32 1/2 in; width ranges from 40 3/4 in to 41 1/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Chinese blue and white porcelain pilgrim flask. This moon or pilgrim flask (bianhu) decorated along either side with clouds and a dragon. With a circular body with a flat base, a narrow cylindrical neck and two arched side handles which join the neck to the body. The underside with an apocryphal six-character Qianlong mark in underglaze blue.Height: 14 in x width: 10 1/2 in x depth: 5 1/2 in.Condition: The item is in good condition with no visible chips, cracks, or losses. There is a minute chip towards the underside. Light wear and light crazing throughout, as shown in the listing image. There are several areas with a network of black dots, possibly an original firing flaw, which does not affect the overall appearance. No visible sign of restoration when inspected under UV light. Light wear to the underside.
Pair of silver cigarette cases, one sterling. One larger Russian case marked along the interior with an assay date mark of 1890, Moscow city mark, 84 Kokoshnik, and maker's mark. The smaller case marked 925 S.F. along the rim.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Big; height: 3 1/2 in x width: 2 1/2 in x depth: 1/2 in. Small; height: 3 in x width: 1 1/4 in x depth: 3/4 in. Gross weight: 206.1 g.Condition: The items are in good condition with no visible dents, cracks, or losses. As expected, oxidation throughout, most noticeably to the interior edges. Light discoloration due to oxidation. Wear throughout. The bigger case has a white sticker adhered to the interior of the case; see the listing image. No visible sign of restoration under UV light.
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