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534325 Los(e)/Seite
Two Irish spoons with commemorative marks,+ including one with a fluted circular bowl, by William Egan (of Cork) with the "Sword of Light" marks for The 50th anniversary of 1916 Rebellion, Dublin 1966 and one by The Royal Irish Silver Company with special "Gleninsheen collar" marks for Irelands year of entry into The EEC, Dublin 1973. (2)
Dame Laura Knight (nee Johnson), R.A., R.W.S., R.E., R.W.A., P.S.W.A. (1877-1970) "A STAITHES COTTAGE INTERIOR", WITH A GRANDMOTHER AND CHILD READING BY CANDLE LIGHT, A CAT RESTING IN THE FOREGROUND. Inscribed with the artist's name and her dates together with a later inscription verso, pencil, watercolour and bodycolour with wiping out, 40.5cm by 46.5cm (16in by 181/4in)
A Nicole Freres Fortepiano Cylinder Musical Box, Swiss, circa 1860, No.33310, the 33.5cm cylinder playing on two combs, each stamped "Nicole Freres", playing six airs including "The Light O'the Days", "Alice Grey", and "Then You'll Remember Me", named on the tune sheet pinned to the lid underside, contained in a marquetry inlaid rosewood case with strapwork tablet to the lid within three string lines, 51. 5cm wide
Japanese colour woodblock. A typical small port in Kishu, by Hiroshige, late 19th c./early 20th c., col. woodblock, tipped - on to card, with printed text beneath, approx. 370 x 250 mm, together with a late 19th c. colour woodblock of a young woman carrying sticks, by Hokusai, and two early 20th c. Japanese woodcut books, one of landscapes, the other with a variety of floral, figure and landscape subjects, each containing twelve images, bound concertina - style, both in orig. light blue silk boards, rubbed and minor soiling, book form size, approx. 250 x 185 mm (4)
Renison (William, 1893 - 1938). Rustic scene showing a haycart with two figures passing alongside an estuary with fields and rocky cliffs on the far side, c. 1920s, original ethcing, some light browning across plate impression, 190 x 285 mm, together with another etching by the same artist, showing a few boats and figures on the seashore, 100 x 140mm, mounted, both etchings signed in pencil lower right (2)
Rushbury (Sir Henry George, R.A. R.E., 1880 - 1968). St. Martins - in - the - Fields, 1944, Horse - Guards Parade, together two uncol. etchings, both signed in pencil, the second with some light overall browning, together with three other etchings by Rushbury, including two scenes of wartime London, one showing St. Pauls in the background, the other with the tower of a London church, and one other landscape etching of buildings on a rocky outcrop, all signed in pencil, approx. 300 x 260 mm, or 240 x 280 mm, or similar, all in matching gilt frames, glazed (5)
Dicks (P.R.). Mazda 'The Midnight Sun'. Always Ask for Mazda Coiled Coil Lamps, together with Ecko Lamps Make Homes Look Bright Again, and Philips Coiled Coil Lamps. As Light as Light Can Be, c. 1940s, together three orig. gouache poster designs on artists board, signed, image size approx. 37 x 24 cm. and slightly smaller (3)
Dicks (P.R.). Freedom. It Depends on your Production, together with Osran. 'The Midnight Sun'. Osran Coiled Coil Lamps Give More Light, and Touch and Go. Shell for Quick Starting. You Can be Sure of Shell, c. 1940s, together three orig. gouache poster designs on artists board, signed, image size approx. 30 x 20 cm. and similar (3)
Miro (Joan). Quelques Fleurs pour des Amis, avec un coup d'oeil sur le jardin par Eugène Ionesco, Paris, pub. Société Internationale d'Art XXe Siècle, 1964, three publisher's samples only of colour pochoir illustrations (by Daniel Jacomet) after Miro, each with autograph inscription and signature in pencil by Miro, each with light ink stamp to lower right corner 'Specimen Gratuit', some overall foxing to each (one only lightly affected), and damp discolouration (particularly affecting right margin of one print), each approx. 380 x 280mm, loosely contained in orig. printed card folder, with title and edition details to first leaf, slim folio. Three stencilled colour reproductions, issued as samples by the publishers, each of which is signed and inscribed by Miro, to André Pieyre de Mandiargues, Louis Broder, and Louis G. Clayeux. (1)

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