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Los 661

Herbert Thomas Dicksee RE (1862-1942)Irish Wolfhound, lying downoriginal etching on paper, signed artist’s proof, circa 1918 (different detail and plate size to a limited edition of 125 of the same subject titled ‘Waiting’ published by Frost & Reed, 1918)plate 15 x 40cmProvenance: The Bryan Steele Collection.Condition report: The paper has discoloured to a light brown, more so on the left hand side, with some lighter dots. The paper is speckled throughout with dots of foxing. Not seen outside of frame.

Los 658

Herbert Thomas Dicksee RE (1862-1942)‘Bonnie Prince Charlie’, a King Charles Spaniel, seated. original etching on satin (very rare, a rich, well-defined image), signed artist’s proof, published by the Fine Art Society, London, 1902 (on vellum paper only), plate 24.8 x 19.7cmProvenance: From the artist’s grandson;the Bryan Steele Collection.Condition report: The satin is a light golden colour. Small scattered tiny flecks of black around the spaniel's head and in corners, possibly ink. Some pale grey scattered spots in right-hand background area and further small dots and flecks elsewhere. Not seen outside of frame.

Los 558

Jacob Huysmans (Flemish, c.1630-1696)Portrait of a young nobleman as King David, playing a harp, a sheep beside him, possibly the young Winston Churchill, died 1688, aged 20oil on canvas104 x 128cm, in a gilded frameProvenance: Acquired by the vendor's late husband at Christie's, London, in 1975;from a Kensington town house.By family tradition the sitter is believed to be Winston Churchill, younger brother of the first Duke of Marlborough, who died in battle aged 20. Winston Churchill died in 1672 at the age of 20 at the Battle of Sole Bay near Southwold, Suffolk. His brother, the future Duke, was also present at the Battle.The symbols in the painting are connected to the sitter's early death and are part of an apotheosis with the Harp of the Angels, the Lamb for the virtues of innocence, purity and humility and the Heavenly Crown. References to the sitter's death in battle could be the heavenly crown with the crossed swords and his quasi Roman decorative armour which became so fashionable on church monuments of the period.Condition report: Oil on canvas which has been lined. The paint layer has a slightly uneven surface and has suffered from wear and abrasion. There are some large passages of overpaint, mainly reinforcing darker, worn areas of the background such as the green leaves. The sitter’s face has a few small touches and some reinforcement in the shadow on the neck. The varnish is thick, glossy and fairly even. There are some yellowed drip marks across the surface and light dust layer. The gilded surface of the frame is worn and darkened. Christie's stencils to the reverse - 168 TY or 16S TY (or may be a V ?) and also 34 PE to the reverse

Los 121

9k gold tiepin with light blue stone, w: 2.29 grams, length 2”

Los 165

A collection of assorted ceiling lights to include; two painted metal three branch chandeliers with glass shades, painted metal glass pendant light, and two other ceiling fitted lights. Largest Measures; 82cm wide.

Los 289

A glass pendant drop and steel new boxed light fitting

Los 480

A boxed Mint set of Britains Soldiers, The '127' Balluch Light Infantry

Los 359

A set of lights to include a hanging light and table lamp both with milk glass shades. Table lamp measures; 38cm high.

Los 360

An oak bookcase with leaded light glazed doors, 159cm high

Los 538

§ Harold Mockford (1932-)oil on board'Brighton Church, March 77'signed, titled and dated verso48 x 36in.CONDITION: Oil on board in honest untouched condition, a little dusty with one or two light surface scuffs but essentially good order, stained pine slip frame.

Los 356

A Victorian mahogany twin pedestal partner's desk, with black leather skiver and eleven drawers opposing eleven further drawers, on plinth feet with concealed castors, W.4ft 10in. D.3ft 4in. H.2ft 7in.CONDITION: Overall in slightly neglected condition, top is of a good rich colour, skiver is old and with light scuffing and wear, minor dents and nicks around the frieze, turned knob handles have small chips and damages to the tips of the knobs, drawers are fitted with a Bramah lock but no key, one knob handle missing from the side drawers, overall rather dirty and dusty but should restore to good effect.

Los 500

§ James Brereton (1954-)oil on board'The Dawn Watch'signed23 x 28.5in.CONDITION: Oil on canvas laid on panel, in good honest condition, might benefit from a light clean but no other faults noted, housed in a gilt frame with title and signature of artist verso.

Los 69

After Pierre Jules Mene. A bronze group of a ghillie, pony and hounds, width 23in. height 20in.CONDITION: This is a late 20th century copy, the casting is reasonable but not fine, overall of a dull chocolate brown patination but raised sections such as the top of his hat and back of the horse have been polished to a light golden tone, white paint or dirt marks are scattered around the head of the fox and other crevices, on a black marble plinth.

Los 333

A mid-18th century Irish carved walnut folding top card table, with scallop and scroll carved apron and acanthus carved legs on stylised lion's paw feet, W.2ft 9in. D.1ft 4in. H.2ft 5in.CONDITION: Made of very heavy old Cuban mahogany, the top has a light brown to reddish tone, is a little faded and shows old marks, stains and scuffs commensurate with use, the underframe is more of a mid to chocolate brown tone, carving is a little shallow and may well be later, otherwise good.

Los 25

John Morton & Co. of Glasgow. A mahogany cased 2.5 day marine chronometer, with brass mounted case, silvered dial with up / down and seconds indicators, signed and numbered 201, unsigned movement with helical suspension spring and blued steel details, case 7.25 x 7.25in. height 8in.CONDITION: Case possibly repolished at some time, now with numerous small dents and knocks, ivory plaque to the front named and numbered to match, internally a Husun label to the back of the case, brass work with light spotting and wear to the lacquering, silvered dial in good order, one or two small areas of oxidisation spotting, movement in good running condition, brass work numbered 6816, original working key for the case.

Los 540

§ Harold Mockford (1932-)oil on board'Self portrait, February 84'signed, titled and dated verso47.5 x 35.5in.CONDITION: Oil on board in honest untouched condition, paint a little dirty and would benefit from a clean, one or two small paint splash marks showing white particularly around the sitters collar and a few light surface scuff marks, plain aluminium frame.

Los 300

A 19th century French Empire style ormolu mantel clock, modelled with a classical musician standing beside an urn, the case decorated with angels and foliate scrolls, unsigned eight day silk suspension movement, height 19.25in.CONDITION: Overall in somewhat neglected dirty condition, ormolu does have a good deep rich tone but as said is very dirty throughout with scattered spotting and light scuff marks, the main figure once had an instrument in his hands that is no longer present, top of urn may have had more to the finial, dial a little faded, movement looks to be complete but not tested, comes with a fine pendulum, associated key, the fixing for the bell at the back is loose.

Los 536

§ Harold Mockford (1932-)oil on board'Bouquet'signed, titled and dated '99 verso36 x 36in., unframedCONDITION: Oil on board in honest untouched condition, may benefit from a light clean but no real faults noted.

Los 403

English School (19th century)oil on canvas'The Patient'35 x 25in.CONDITION: Relined 20 - 30 years ago or more, canvas remains tight, paint looks very dirty with a fine craquelure running through most of the varnish, some paint flaking and craquelure in the paint, notably towards the lower right hand side, some blooming in the varnish particularly towards the upper left section, further crackling and lifting of the paint particularly in the top left corner in the green, some light surface scratching lower left corner, appears to be unsigned, housed in a later gilt scroll frame, no labels or inscriptions verso.

Los 472

Henri Gaudier-Brzescka (1891-1915)ink on paperHead of a woman, 1913Mercury Gallery label verso dated 19999 x 12in.CONDITION: Ink on paper in honest untouched condition, paper undulates and looks to be a little evenly discoloured to a light pink buffish tone, a number of small scattered fox and dirt marks throughout, paper is stamped W.& Co. lower left, housed in a plain card mount and silvered wood frame with Mercury Gallery labels verso.

Los 476

§ Edward Wesson (1910-1983)oil on prepared panel'Late Summer Flowers II'signed22.5 x 18.5in.CONDITION: Oil on board in honest untouched condition, may benefit from a light clean but no faults noted, housed in a scrollwork frame, details of work inscribed verso.

Los 299

A 19th century Louis XVI style ormolu and Sevres style porcelain clock garniture, the mantel clock of architectural form with urn surmount and porcelain panels painted with Cupid, lovers and a trophy, signed L. Levy, S. Marti eight day countwheel movement, height 14.5in. with a pair of matching five light candelabra, height 16.5in.CONDITION: Overall looks to be in honest untouched condition, a little dusty with a slightly matted finish to the ormolu, some scattered dirt spots mainly to the upwards facing surfaces, porcelain all looks good with original gilding intact, slight rubbing beneath the naming on the dial, movement intact, comes with pendulum and old key but not tested for timekeeping, candelabra may once have had sconces and are slightly wobbly at the joints but otherwise look good.

Los 444

Sir David Murray R. A. (1849-1933)oil on boardCoastal scene with a stone jetty, seated fishermen and lobster potssigned14.5 x 17.25inCONDITION: Oil on board in good recently cleaned condition, possibly a little light retouching to the top left corner but otherwise looks good, housed in a later gilt scroll frame which is in good order.

Los 114

An English or Dutch light baluster wine glass, c.1740, the funnel shaped bowl above a teardrop inverted baluster stem, on a folded foot, 17.2cm highCONDITION: Andrew Rudebeck collection.Condition - occasional minor scuffs to the bowl, otherwise good condition.

Los 594

A pair of late Victorian silver corinthian column four branch, five light candelabra by Carrington & Co, with scrolling arms and gadrooned borders, with engraved dates and two applied shields, one with engraved inscription, London, 1896, height 43cm, weighted. Arms only, gross 81oz.CONDITION: Engraved inscriptions quite tired. Numerous bumps and dings around the base rim and one has a small repair to one corner. Several minor nicks and dings to both in general. Decoration a little worn in places. All pieces hallmarked and clear although base marks are beginning to rub.

Los 295

A 19th century French ormolu and enamelled porcelain clock garniture, the eight day clock with arched architectural case flanked by a pair of urns, all decorated with scenes of medieval figures including Joan of Arc, Japy Freres movement, clock height 13.75in. urns 11.5in. overall on both plinths 17in.CONDITION: Somewhat neglected state, the ormolu is very dirty and rubbed particularly on one side of the top of the clock case, numerous small dirt and oxidisations spots throughout, arched top of the case looks to have two small foliate motifs (one from each side), dial dirty but otherwise looks good, hands rubbed but original, side panels equally in good order with just a little light rubbing to the gilding, movement looks dirty and neglected but thought to be complete, comes with pendulum but no key, one urn is a little wobbly at the joints, very dirty but otherwise good, the other urn with panel of knights on horseback has cracks running above their heads and a small chip, the left hand arm needs re-attaching at the bottom. All pieces sit on original gilt plinths and further ebonised plinths which at one time would have had glass domes.

Los 504

§ Gareth Parry RCA (1951-)oil on canvas'After the Storm', 'Rocky Coast'signed20 x 23.75in.CONDITION: Oil on original canvas in good untouched condition, paint remains clean and no damage noted, housed in the original ebonised frame which has a few light surface scratches, labels verso for the Thackeray Gallery including the original invoice at £2,500 in 2011.

Los 376

Gerald Summers design. A pair of Perspex armchairs, c.1970, W.2ft D.3ft 1in. H.2ft 4in.CONDITION: Both chairs with a few light surface scratches, most notably a scratch to the arms of each chair, otherwise minor scuffs elsewhere.

Los 351

A small Regency mahogany bowfront chest, of four graduated long drawers on swept bracket feet, W.2ft 6in. D.1ft 4.5in. H.2ft 9in.CONDITION: Overall in good clean condition, colour is a mid to light brownish mahogany tone with the top a little lighter, small old dents scuffs and scratches to the top commensurate with age, handles are later replacements, locks look to be original but no key present, second lock down is later replacement, minor old scratches and scuffs to the sides which have a more matted less polished tone, one small patched repair near the back left foot.

Los 419

Simon van den Berg (Dutch, 1812-1891) and Christiaan Immerzeel (Dutch, 1808-1886)oil on panelOpen landscape with figures, sheep, a cow, donkey and goatsigned by both hands lower left20 x 28.25in.CONDITION: Oil on panel in good original condition, possibly in need of a very light clean but no real faults noted, slight lines running through the sky in line with the grey of the panel and very minor rubbing marks around the edges, housed in probably the original gilt gesso frame which suffers from some losses, label verso for what looks to be a Christie's sale 20th June 2002 lot 113. A Director of the Mauritshuis Museum (1880-1889), Simon van den Berg, who was considered as one of Holland's leading animal-painters, often collaborated with his brother-in-law, Christiaan Immerzeel.

Los 58

A French Art Deco bronzed spelter table lamp, modelled as a kneeling dancer holding aloft a spherical marbled glass globe, on black marble plinth, height 21in.CONDITION: Metal figure had a golden bronze patination in the main but much of this has now been rubbed down to a darker blackish ground metal colour, in addition there are some light surface scuffs and scrapes, the globe may well be the original, certainly fits well and does look a little dirty, plinth very dusty but otherwise good.

Los 436

After Charles Spencelayhoil on canvas laid on boardThe Violin Maker34 x 27in.CONDITION: Oil on board with looks to be a laminated perspex cover, resulting in glossy patches showing through the paint where the varnish is reflecting light, fairly sketchily painted but with some areas of quality and overall having the appearance perhaps of an unfinished sketch, no sign of any signature, housed in a gilt gesso frame which has been gold painted but otherwise is in good order, no labels verso.

Los 373

Robert Thompson "Mouseman". An adzed oak centre table, with circular top and saltire underframe carved with a mouse, Diam.4ft 6in. H.2ft 4.5in.CONDITION: Overall of an even light golden to ginger tone with some light surface wear to the top, the top planks have separated and have warped and will require specialist attention, perhaps with leveling, by adzeing, then cleating? The underframe is rather dirty.

Los 226

A Chinese ruby ground jardiniere, Daoguang mark and of the period (1821-50), of ruyi head outline, painted to four reserves with landscape scenes and birds amid flowers and rockwork, on a ruby ground decorated with bats, pendants, flowers and scrolling leaves, the turquoise glazed base with iron red six character seal mark, 17cm wide, 6.5cm high, wood standCONDITION: Provenance - UK private collection, gifted to the vendor's late mother by her aunt before 1970.The jardiniere has been broken in half and crudely re-glued with some flaking to the glaze and enamels around the area, there is also a V shaped section of the rim missing where the jardiniere has been glued, the wood stand is not a perfect fit for the jardiniere however it has been on there some time as you can see where the wood is darker where it has been kept from the light, the stretchers of the wood stand have been re-glued.

Los 464

Claude Shepperson (1867-1921)oil on canvas boardTwo women in a puntsigned9.5 x 13.5in.CONDITION: Honest untouched condition, might benefit from a light clean but otherwise looks good, signed lower right, housed in an stylish white painted frame which now looks a little grubby, labels verso for canvas board James Bourlet and an inscription with the artist name and address 5 Mulberry Walk, Chelsea.

Los 70

Alfredo Pina (1883-1966). A bronze figure of Héraclès kneeling upon a rocky mound, signed on the stone, width 21in. height 20in.CONDITION: Overall a little dirty and dusty but otherwise looks to be in good order, a greenish dark brown patination evenly throughout, stamped Made in France on the underside of the left foot, signed in ink on the back of the rock which has light scuffs and scratches to the extremities, one small pin hole in the bronze by the right ankle.

Los 42

D. Brucciani & Co of London. An ebonised plaster bust of Augustus, with integral socle, height 27in.CONDITION: Thought to date from the mid 20th century but possibly a little earlier, black painted finish may well have been overpainted at some point but still looks effective and has a mostly matted tone, a few light areas of scuffing around the edges where the white plaster is showing through.

Los 507

Yuri Matushevski (Russian, 1930-1999)oil on boardOrthodox church in wintersigned and dated 196821 x 27in.CONDITION: Oil on board in honest untouched condition, some of the board is left unpainted and shows through as a dark tan tone particularly in the wall on the left, possibly needs a light clean but no other faults noted, plain bleached wood frame, no labels verso.

Los 59

Lucien Gibert (1904-1988) - an Art Deco silvered spelter figure of a female archer, standing with ivorine bow, on a signed marble plinth H. 26.5in. W. 22.5in.CONDITION: Good untouched condition, a little dirty with some light wear but essentially good order. Plinth has a few very fine chips to the edges.

Los 372

An Art Deco style mahogany and suede three piece suite, settee W.6ft 6in. D.3ft 4in. H.2ft 6in.CONDITION: Timber in high state of polish and good rich colour, one or two very light scuff marks in the varnish and a slight separation of the veneers on the arm of one of the chairs, upholstery with one or two small dirt spots but overall looks to be in good order, purchased from Futir Anterieur in 1994.

Los 405

Manner of George Chinnery (1774-1852)oil on panelMalabars counting coins15 x 12.75in.CONDITION: Oil on wooden panel which is now bowing backwards at the sides, paint rather dirty with a fine craquelure running throughout which looks like it is just starting to lift in the central areas and near the top right corners, otherwise some light surface scuffing and scratching throughout, no sign of any signature, housed in a later giltwood frame, no labels verso.

Los 451

William Minshall Birchall (1844-1941)pair of watercolours'Evening shadows, the Pool of London' and 'Towing out with the tide'signed and dated 192210 x 14in.CONDITION: Both works in honest untouched condition, probably a little faded but still retaining good strength of colour, 'Out with the tide' has some scuff marks in the top left corner and some light scattered foxing, the other again with some scattered fox and dirt specks, some of which are on the glass, both housed in the original plain gilt slips and moulded glazed frames.

Los 423

Sir John Ruskin (1819-1901)watercolour, pencil, heightened with gouache on blue paperArchitectural study of a castle, possibly Thun, Switzerland bearing two indistinct inscriptionsAbbott Hall Art Gallery 'showing only' label for 25-7-69 - 3-9-69 verso9.5 x 8.25inCONDITION: Watercolour on light blue toned paper which looks rather flat and may well be laid down, a few tiny dirt specks but essentially very good clean condition, recent mount in glazed oak frame by The Framing Centre of Plymouth, original Exhibition label from Abbott Hall Gallery Kendall dated 1969.

Los 49

A Louis XVI style bronze and ormolu fender, with putto and foliate scroll terminals, length 48in. height 24in.CONDITION: Light wear and general oxidisation to all of the gilt work, bronze putti of a dark blackish patination again with some rubbing and oxidisation to the scrolls that they hold, lower plinth section of a plain bronze colour with some spotting.

Los 290

A 19th Century French Empire style ormolu mantel clock, modelled with a figure of Odysseus standing beside a plinth with various other classical motifs, dial signed Foisse à Bologne, unsigned eight day countwheel movement, height 15in.CONDITION: Overall rather dusty but the ormolu in the main with a good gilt finish just some very light rubbing to the extremities, central eagle and sheet music mount is loose and not fixed in place, left hand trophy mount is a little loose, dial very dirty with hairline crack at 10 o'clock and chipping to the left hand winding hole, hands look original, movement complete and with a delicate pendulum but not tested for timekeeping, minor spotting around the lower part of the case, no back door.

Los 357

A 19th century French flame mahogany commode, with black granite top, divided frieze drawer and three further long drawers and a plinth drawer, on block feet, W.4ft 2in. D.1ft 10in. H.3ft 2in.CONDITION: Top is probably later but does have some age and also suffers from a number of light surface scratches particularly on the left, no key to any of the locks, top drawer has central divisions within it, next drawer down lacks it lock and has original handles, following drawer has lock but no handles and appears never to have had them, bottom drawer has lock and handles, overall good rich colour, some light scuffing around the escutcheons particularly on the middle drawer, a few vertical splits running up both sides.

Los 56

Max le Verrier. A pair of Art Deco patinated bronze bookends, modelled as seated medieval maidens, signed, on black marble plinths, height 6.75in.CONDITION: Both in good untouched condition, light blueish patination.

Los 429

Albert de Belleroche (1864-1944)oil on canvasPortrait of an auburn haired woman31 x 25in.CONDITION: Oil on original canvas in honest untouched condition, some slight undulation of the canvas and may well benefit from a light clean but no real faults noted, not signed, housed in a later gilt scroll frame, label verso stating purchased from Gordon Anderson of Brighton 2017.

Los 430

Albert de Belleroche (1864-1944)oil on canvasPortrait of a woman wearing a lace veil27 x 22.25in., unframedCONDITION: Oil on original canvas which is slightly undulating with stretcher marks showing down the sides, paint a little dirty with some light scuffing and rubbing around the edges, has been re-stretched relatively recently, label verso stating purchased from Gordon Anderson of Brighton in 2017.

Los 57

Brault. An Art Deco patinated bronze model of a prowling panther, with light green brown patination, on variegated marble plinth, width 29.5in. height 8.5in.CONDITION: Honest original untouched condition, some minor dirt specks and very light rubbing to the bronze but overall very good, minor nicks to the front two corners of the plinth.

Los 52

A pair of late 19th century French ormolu six light candelabra, with foliate scroll vineous branches, swagged stems and serpentine bases on toupie feet, width 13in. height 23.25in.CONDITION: Both in used but good condition, some rubbing and wear to the ormolu from polishing and use over the years so that the gilt finish is variable in state of polish and colour, traces of wax scattered throughout.

Los 303

Dwerryhouse & Carter of London. A Regency brass inset mahogany mantel clock, with architectural case and painted Roman dial, unsigned twin fusee movement, height 19.5in.CONDITION: Overall a little dusty but otherwise looks to be honest and untouched, mid to light brown mahogany tone, darker at the top and with some ebonised details, top finial slightly bent out of place, two slim cracks running in to each side of the dial through the main case, dial looks a little rubbed, hands probably original, two sections of brass stringing missing from the lower part of the front of the case, side handles and pierced brass grills with a dull bronze finish, silk lining to side panels very tired, key missing for the lock that holds the bezel in position but still fits tightly, no key for the back door which has very minor losses around the edges, movement looks to be in good condition, complete but not tested for timekeeping, comes with an adjustable pendulum but no keys.

Los 402

Antonio Senape (1788-1850)two ink on paper drawingsCastello di Provida and Castello di Padua?both inscribed7.25 x 10.5in. and 6.5 x 9.75in.CONDITION: Provida is the larger work with ink on light buff coloured paper which is undulating, a number of scattered fox and dirt marks and a darker sepia line running horizontally in line with the rowing boat which may be from being stuck or tabbed in the past, titled in pencil, washline mount and slim gilt frame, attribution to the artist verso, the other work looks a little flat and may be laid down, ink slightly faded to a brownish tone, a vertical sepia line running down the right hand side, title is ink with the date 1820, old washline mount and plain wood frame.

Los 440

J. Demski (19th C Russian)pair of oils on boardCossacks on country lanessigned8 x 12in.CONDITION: Both oils a little dirty and would benefit from a clean, some very light craquelure showing on the left side of the image without the wagon but otherwise both look to be in good untouched order, modern silvered frames, labels verso for Robert Williams of Eastbourne Picture Restorer's.

Los 30

A Victorian German walnut symphonion, with stencil decorated lid and gilt bronze handles, the interior of the lid inset with a photo-lithographic panel of cherubs, movement playing 12 inch discs, width 19.5in. depth 15in. height 9.25in.CONDITION: Case overall in honest untouched condition, a little faded to the top with light scuffing commensurate with use, gilding from handles has mostly worn away, a crack runs through the cherub panel inside the lid, movement in good working condition, comes with 36 discs which vary in condition.

Los 55

Claire Jeanne Roberte Colinet (1880–1950) - an Art Deco patinated bronze figure of a naked hoop dancer, on a pink and grey stepped marble plinth, height 22in.CONDITION: Honest untouched condition, some light wear to the golden green patination particularly at the extremities, signed at the back on the top of the plinth which has minor nicks and dents.

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