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534297 Los(e)/Seite
Los 704
A Selection of 16mm Cine Lenses, comprising a Kodak Ektar II, f/1.4 22mm, barrel G, optics F-G with light fingus, a Bell & Howell Super Comat f/1.9 1inch, barrel G, optics F-G, a Taylor & Hobson f/1.9 1inch, barrel G, optics F-G, a Kern-Paillard Switar f/1.8 16mm, barrel G, optics G, and a Schneider-Kreuznach Tele-Xenar f/3.6 7.5cm, barrel G, optics F-G.
Los 695
A Selection of Large Format Lenses, comprising a Beck-Steinheil 6 inch, barrel G, optics F-G with haze, in a Volute shutter, working but speeds inaccurate, a Schneider-Kreuznach Repro-Claron f/9 210mm, barrel G, optics G with light haze, in a Synchro-Compur shutter, working but slow speeds sticky, a Rietzschel f/6.8 10.5cm, barrel F, optics F, in a Compur shutter, sticky at most speeds, and a Rudenberg f/6.3 16.5cm, barrel F, optics F, in a Compur shutter, speed setting seized.
Los 263
A Zeiss Ikon Contax D SLR Camera and Contessa SLK Rangefinder Contax silver top, body F-G, shutter slow to cycle with f/2 58mm Biotar lens, dust and cleaning marks to front. Contessa SLK silver, shutter works, rangefinder patch clear, light meter responsive. Also 3 folding cameras and a Werra 3, untested.
Los 194
A Selection of 35mm SLR Cameras to include a Pentax MX, silver, body F-G, shutter cocks but does not complete the cycle, metering not tested, with SMC Pentax f/2 50mm lens, barrel G, optics F-G with internal dust, an Asahi Pentax Spotmatic SP, silver, body G, shutter curtain misaligned, metering not tested, with Super Takumar f/3.5 35mm lens, barrel G, optics F, and a Chinon CS, silver, body G, shutter speeds all work and seem accurate, metering not tested, with auto-Chinon f/1.7 55mm lens, barrel G, optics f-G with light dust.
Los 316
A Canon F-1 35mm SLR Camera Outfit, black, serial number 584849, body G, minor mark and slightly concave prism housing, some brassing to top plate, shutter works, with a f/1.4 50mm FD lens, barrel F-G, slight dent to filter ring, optics F, some cleaning marks to front, and a f/5.6 100-200mm lens, barrel G, optics G, light dust, in rigid case.
Los 1125
Thomson's Pattern Dry Card Compass, By James White, Thomson's Pattern Dry Card Compass, By James White, the original light-weight compass card with eight magnet needles designed by Thomson (1824 – 1907) - later Lord Kelvin, the needles are attatched with 32 silk threads to the edge, in the original Mahogany case.
Los 1148
A Large 56lb Inspectors Beam Scale & Tripod, English, Dated 1960, the beam engraved 'AVERY DE GRAVE LONDON ENGLAND, COUNTY BOROUGH OF PRESTON TO WEIGH 56lb', all parts numbered 6185, the scale in a very large polished mahogany case with pans, and another with no case the same numbered 1684 with a light oak tripod, the case 76cm wide.
Los 445
A Sinar F Monorail Camera Outfit, comprising a Sinar F, black, body G, bellows G, not light tested, with a Sinaron S f/5.6 210mm lens, barrel G, optics G, in a Copal 1 shutter, working, a Schneider Kreuznach Symmar-s f/5.6 150mm lens, optics G with light haze, in a Synchro-Compur shutter working except for B, a Schneider Kreuznach Super-Angulon f/8 75mm lens, optics G with very light haze, in a Synchro-Compur shutter working, with accessories, a Horseman 120 film back, Polaroid film back, Calumet roll film back, bag bellows, and other items.
Los 293
A Group of Zeiss Ikon 35mm Film Cameras comprising a Contina III, body G, shutter works but sticky at slow speeds, light meter responds to light, body optics dusty, with Panta f/4 75mm lens barrel G, optics G, a Contina LK, body G, shutter slow, optics P, with shoe-mounted rangefinder, working, and a Werramatic, body F-G, shutter sticky at slow speeds, optics P-F.
Los 314
A Canon AE-1 35mm SLR Camera Outfit, black, serial number 3046207, body G, tripod mounting marks to bottom plate, shutter works, internal display works, appears to meter, with a f/1.8 50mm FD lens, barrel G, optics F-G with dust and haze, a f/4 35-70mm FD lens, barrel G, optics F-G with dust and light haze, and a f/4.5 70-150mm FD lens, barrel G, optics F-G with dust and light haze.
Los 532
A Selection of 35mm SLR Cameras comprising a Contax FBM, silver, body F-G, shutter escapement seems to work accurately, but shutter curtains are sticking, meter needle responds to light, with a Tessar f/2.8 50mm lens, barrel G, optics P, a Pentacon FBM, silver, body F-G, shutter escapement seems to work accurately, but shutter curtains don't open, meter needle does not respond to light, with a Tessar f/2.8 50mm lens, barrel G, optics P, in ERC, and a Nikkormat FT2, silver, body F-G, shutter speeds seem to work accurately, meter not tested,
Los 1254
Pasteur, Louis, Etudes Sur Le Vin, and Studies on Fermentation the Diseases of Beer, Etudes sur le vin. Paris: L'Imprimerie Imperiale, 1866, Pasteur Louis, 8vo. with 32 colored plates of microbes viewed through the microscope. 19th-century morocco marbled boards. wear to edges of spine and edges, full length split to side of spine and baord, foxing to title page and light foxing throughout and Studies on Fermentation the Diseases of Beer, Their Causes and the Means of Preventing Them, by L. Pasteur, London Macmillan & Co 1879,
Los 1253
Hooke, Robert, Micrographia, Hooke, Robert, Micrographia, or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses with Observations and Inquiries thereupon. By R. Hooke, Fellow of the Royal Society, London printed for James Allestry, Printer to the Royal Society and are to be sold at his shop at the rose and crown in Duck Lane. MDCLXVII (1667) Condition: no boards or spine present, text block complete, old damp throughout, minimal to no foxing, edges of pages lightly oxidised, all stitching failed, end papers still present. Plate Count: Plate I – missing Plate II – opposite page 2 Plate III – opposite page 6 Plate IV – Missing Plate V – opposite page 47 Plate VI – opposite page 61 Plate VII – opposite page 82 (loss to edge) Plate VIII – opposite page 88 Plate IX – opposite page 93 (water stain to top and bottom) Plate X – opposite page 107 (water stain) Plate XI – opposite page 112 (water Stain) Plate XII – opposite page 123 (water stain to top) Plate XIII -opposite page 131 (water stain and loose from stitching) Plate XIIII – opposite 141 (water stain) Plate XV – opposite page 142 (water stain to top) Plate XVI – opposite page 163 (water stain) Plate XVII – opposite page 152 (water stain) Plate XVIII – opposite page 153 (water stain) Plate XIX – opposite page 154 (water stain) Plate XX – opposite 156 Plate XXI – opposite page 162 (water stain, chip to edge) Plate XXII – opposite page 167 (water stain) Plate XXIII – opposite page 196 (water stain) Plate XXIV – opposite page 182 (the famous fly’s eyes, no water stains) Plate XXV – opposite page 181 (water stain, tear from corner 7cm) Plate XXVI - opposite page 183 (water stain) Plate XXVII - Opposit page 185 (water stain) Plate XXVIII – opposite page 193 (loose from stitching) Plate XXIX – opposite page 193 (water stain to top, loose from stitching) Plate XXX – opposite page 196 (loose from stitching) Plate XXXI – opposite page 198 Plate XXXII – opposite page 203 (water mark to top left corner) Plate XXXIII – opposite page 204 (loose from stitching) Plate XXXIV – opposite page 210 (the famous flea, tear to fold on bottom right leg, no loss, no water stains) Plate XXXV - missing Plate XXXVI – opposite page 214 Plate XXXVIII – opposite page 245 (tear from top to centre, no loss) Hooke’s Micrographia: or Some Physiological Descriptions of Minute Bodies Made by Magnifying Glasses. With Observations and Inquiries Thereupon. Is an important work by Robert Hooke, delving into his observations through an array of lenses. This historically significant book stands as the first to feature illustrations of insects and plants as observed through microscopes. It marked the first major publication of the Royal Society and swiftly emerged as the pioneering scientific best-seller of its time, sparking widespread fascination with the burgeoning field of microscopy. One of Micrographia's enduring legacies lies in its introduction of the term "cell" to the biological lexicon, inspired by Hooke's examination of plant cells, which bore a resemblance to the compartments of a honeycomb. Through meticulous prose and vivid illustrations, Hooke unveiled the intricacies of nature on a miniature scale, offering captivating depictions of insects and plants as seen through the lens of his microscope. The book's captivating copperplate engravings, notably its fold-out plates showcasing insects, conveyed the awe-inspiring power of the microscope. These plates, extending beyond the dimensions of the large folio, magnified the minute creatures to an astonishing scale, with the engraving of a louse unfolding to four times the size of the book itself. Yet Micrographia goes further than its microscopic prowess; it ventures into diverse realms of inquiry, touching upon topics ranging from distant celestial bodies to the wave theory of light and the organic origins of fossils. Hooke's meticulous observations extended beyond the natural world, encompassing human artifacts such as the jagged edge of a razor and the seemingly blunt tip of a needle under the microscope. Through such juxtapositions, he subtly contrasted the imperfections of human craftsmanship with the innate perfection of nature, echoing prevailing notions of divine creation. Published under the patronage of The Royal Society, Micrographia not only elevated Hooke's stature as a scientist but also bolstered the society's reputation as England's foremost scientific institution. Its enchanting illustrations and illuminating narratives captivated the public imagination, earning accolades from luminaries such as Samuel Pepys, who hailed it as "the most ingenious book" of his lifetime. In its pages, Micrographia unfurls a wondrous panorama of the microscopic realm, forever altering humanity's perception of the infinitesimal world that lies beyond the naked eye. The difference between the 1665 & 1667 editions. Micrographia was first published in 1665, its rapid popularity prompted reprints. This particular edition is a 1667 printing, printed by John Martyn, the Royal Society’s appointed printer. Micrographia, an early cornerstone of the Royal Society’s publications, played a pivotal role in bolstering the Society's reputation, extending its influence beyond the scientific comunity. Although the years 1665 and 1667 might suggest distinct editions, they actually denote different issues of the same edition. A close examination reveals that both were produced from identical typesetting, with the text remaining unchanged across both printings. However, differences arise in the title page and certain particulars of the engraved plates, especially plate 5 which is in reverse in the 1667 print. In the 1665 edition, the title page features red and black printing, a technique not replicated in the 1667 issue, where all letterpress appears in black. Both versions include an image of the Royal Society’s arms, printed from an engraved copper plate. This method was somewhat unconventional, as engraved plates required a separate rolling press for printing. This necessitated a meticulous alignment process to ensure proper registration between the image and the text. Moreover, employing dual-color printing, as seen in the 1665 edition, posed additional challenges, demanding multiple printings. This technique, while capable of producing visually striking results, often struggled to maintain precise registration between the two colours. Consequently, advancements in typography, particularly the development of new "titling" typefaces, gradually rendered the need for dual-color printing obsolete by the eighteenth century. The intricate process involved in combining copperplate imagery with letterpress printing led to its gradual abandonment by the late seventeenth century. Despite its initial allure, the expense and technical limitations associated with this method ultimately contributed to its decline in favor of more efficient printing techniques.
Los 539
A Pair of Canon 35mm SLR Cameras comprising a F-1 with power winder, black, body F-G, untested, appears jammed, with an FD f/1.8 50mm lens, barrel G, optics G, and an EF, black, body F-G, shutter speeds work but not tested below 1 second, with an FD f/1.8 50mm lens, barrel G, optics F, light fungus.
Los 327
A Group of F-series Canon 35mm SLR Cameras, comprising a FTB, serial number 304547, silver, body G, minor wear marks to base, shutter works, with a f/2.8 28mm FD lens, barrel G, optics G, an FTb QL, serial number 267182, black, body G, shutter working but sticky at 1 sec, with a f/1.8 50mm FL lens, barrel G, optics G, light dust, and a FT, serial number 427531, body G, silver, shutter not firing.
Los 387
A Rollei Rolleiflex Automat Medium Format TLR Camera black, circa 1938, serial no.587315 indicating a 1937-39 model that has been updated with a bayonet mount on the viewing lens, with a Carl Zeiss Jena Tessar f/3.5 7.5cm (75mm) lens, serial no.2058060, shutter working, body G, lens F-G, light haze, with lens cap and ever ready case
Los 117
A Zeiss Ikon Contax IIIa 35mm Rangefinder Camera chrome, 1954-61, serial no.R34836, late model with PC flash socket and red 100 to 1250 shutter speed numbers, with a Zeiss-Opton Biogon T f/2.8 35mm lens, serial no.1045108, shutter working but sticking open at slowest speeds, rangefinder patch faint but moving, body G-VG, lens F-G, light haze and dust, with maker's ever ready case
Los 1039
A Selection of Photgraphy Studio Accessories, Comprising a Yuyao C-218AS 16W Studio Light, working, battery tested, colour temperature 3200-5600K, condition VG, with charger, and fitted semi-rigid case, also a Calumet 10 inch Speedbox, a 10x11cm Coral Grad filter, a 10x11cm Polarising filter, and a Polaroid 545 Land Film holder.
Los 109
A Zeiss Ikon Contax IIIa 35mm Rangefinder Camera chrome, early 1950s, serial no.A62474, early-type flash sync socket, with Zeiss-Opton T Sonnar f/1.5 50mm lens, serial no.1052886, shutter sticking at slow speeds, body F-G, signs of corrosion to meter housing, lens F-G, light haze, slight fungus, meter reacts to light
Los 422
An Unbranded Large Format Camera, black, possibly a modified early Linhof, body G, bellows intact, not light tested, controls move freely, with a Meyer-Goerlitz Aristostigmat f/6.3 100mm, optics F-G with haze, in a Compur shutter, working but sticky at slow speeds, and a Carl Zeiss Jena Tessar f/4.5 15cm lens, optics G, with light haze.
Los 544
A Selection of Praktica 35mm SLR Camera Bodies to include an LLC, silver, body F, some lifting of leatherette on the back, meter needle responds to light, shutter speeds all work, an LLC, black, body G, meter needle responds to light, shutter speeds all work, and an EE2, black, body F-G, shutter works, speeds not checked
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534297 Los(e)/Seite