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Dreweatts & Bloomsbury (Bloomsbury)
Los 167

Stevens (Wallace) - Harmonium, first edition, one of 215 copies, ink stamp to front endpaper, second state cloth-backed boards with blue, white, red and yellow striped pattern, some light rubbing and browning to head and foot, dust-jacket, spine browned, skilful repairs and restorations to head and foot, splits to upper fore-edge, some very light surface soiling, still in effect an excellent copy, 8vo, New York, 1923. The scarcest of the three states, especially with the dust-jacket.

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Dreweatts & Bloomsbury (Bloomsbury)
Los 168

Stevens (Wallace) - Harmonium, first edition, third state blue cloth, spine ends lightly rubbed and bumped, dust-jacket, repairs and restorations to head and foot and along joints and fore-edges, light surface soiling, still in effect an excellent copy, New York, 1923; and 2 others by the same, 8vo (3)

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Dreweatts & Bloomsbury (Bloomsbury)
Los 186

Meggendorfer (Lothar) - Lustiges Automaten-Theater, 8 colour plates with movable parts operated by levers, all in good working order, pages neatly repaired along gutter, original pictorial boards, light marks and rubbing, but an excellent example overal, folio, [1890].

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Dreweatts & Bloomsbury (Bloomsbury)
Los 20

Autograph letter signed "Renoir" to an unnamed correspondent, 2pp (Auguste, French painter, 1841-1919) Autograph letter signed "Renoir" to an unnamed correspondent, 2pp., in French, 8vo, [?Paris], 27th May 1909, making arrangements for him to visit his studio with his daughters, ( Dear friend, I think I ve decided I d be crazy not to see you. If your daughters would like to come before you, if that would be more practical for you or for them, and if they wouldn t mind, or if they want to stay longer"), directing his correspondent to the appropriate train, suggesting that they stop at Cannes to wait for the omnibus train, and noting that he has asked Mrs. Lestringuez s permission for her daughter to travel with his correspondent, but he doesn t yet know what she will say, and ending, ( I think that I have said all that is necessary. If. you have anything else to tell me, write and I will reply ), light adhesion marks to the reverse from former mounting, framed and glazed, overall 350 x 600mm. Renoir completed a portrait of Marie Lestringuez in 1912.

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Dreweatts & Bloomsbury (Bloomsbury)
Los 200

Pozzo (Andrea) - Rules and Examples of Perspective Proper for Painters and Architects, first English edition , engraved vignette titles in Latin and English, engraved frontispiece and 101 plates, partly-engraved dedication and full-page engraved illustration of drawing materials on verso of approbation leaf, numerous engraved pictorial initials, lacking engraved list of subscribers, light soiling and browning, titles and frontispiece a little frayed and chipped at edges, one plate with faint offsetting from old ink manuscript notes, old London legal library label on verso of English title, modern half calf, [Fowler 252; Harris 703], folio, B.Motte for J.Sturt, 1707.

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Dreweatts & Bloomsbury (Bloomsbury)
Los 202

Atlases.- Smith (Charles) - Smith's New General Atlas, title and 46 maps, including 2 double-page maps, hence numbered to 48, engraved maps with original hand-colouring, light surface dust and occasional marginal finger-soiling, contemporary half-calf over marbled boards, detached, edges worn, folio, 1816.

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Dreweatts & Bloomsbury (Bloomsbury)
Los 210

The Turkish History , 4 parts in 3 vol., titles to vol ( Sir Paul, editor ) The Turkish History , 4 parts in 3 vol., titles to vol.1 & 2 in red and black, 28 engraved plates, all but one portraits, frontispieces to vol.1 & 2 and title (torn) to vol.1 all laid down, portrait opposite p.297 in vol.1 slightly defective at outer margin up to plate-mark, frontispiece and title to vol.2 water-stained at upper edge, some light soiling and browning, uniform contemporary panelled calf, spines gilt, rubbed, spine ends and corners worn (some corners repaired), joints split, folio, [Atabey 1076 & 1077; Blackmer 1466; Wing K702, R2407, R2414a & R2408], folio, 1687-1700. The first collected edition by Rycaut which includes the 6th edition of Knolles's Generall Historie of the Turks , Rycaut's own continuation, his important The Present State of the Ottoman Empire and his one-volume supplement covering 1679-99. "Rycaut's history constitutes a fitting adjunct to Knolles' great work in an edition which brings together the two men most associated in the English literary world with Turkey." Blackmer

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Dreweatts & Bloomsbury (Bloomsbury)
Los 211

Picart (Bernard) - The Religious Ceremonies and Customs of the... World..., 7 vol. in 6., half-titles, titles printed in red and black, 161 engraved plates, 2 of these torn with loss, 2 duplicate plates loosely inserted (also defective), some folding or double-page, some worming affecting text and plates in part, light scattered foxing, a few pages with closed tears, some minor scattered foxing, a few contemporary marginal annotations, modern cloth with morocco labels to spines, lightly rubbed, folio, 1731-1737; sold not subject to return.

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Dreweatts & Bloomsbury (Bloomsbury)
Los 221

Stanford (Edward) - Stanford's Library Map of London and its Suburbs, large folding engraved map in 4 parts, each dissected and linnen-backed, hand-coloured in outline, light finger soiling and dusting, blue and gold paper covers with index map labels, each sheet measuring c.955 x 840cm, n.d. [pre-1868]. The 1868 edition appears to include additional docks and railwal lines, making this an earlier edition of Stanford's map.

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Dreweatts & Bloomsbury (Bloomsbury)
Los 233

Illustrations of the Duck Tribe , 9 engraved plates ( Sir William) Illustrations of the Duck Tribe , 9 engraved plates, some light foxing to title, contemporary half morocco, some light wear to spine, a little rubbed, 4to, [Nissen IVB 470; Zimmer, p.329], 4to, Privately Printed at the Expense of the Author, Dumfries, [c.1840]. Rare, including 4 plates by P.J.Selby, 1 by Jardine, 1 by James Stewart and 3 by Edward Lear.

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Dreweatts & Bloomsbury (Bloomsbury)
Los 33

of Cheriton. Flores Sermonum ac Evangeliorum Dominicalium… of Cheriton. Flores Sermonum ac Evangeliorum Dominicalium , title with woodcut of men working a printing press, woodcut criblé initials, p5-q5 misbound between q7 & q8, title with old ink inscriptions (a little soiled and smudged), one or two ink annotations to text, ink stains to b6 and o5 & 6, paper flaw hole to outer margin of c7, some other light soiling but generally clean, ex-library copy with old ink stamp on title and a few other leaves, old boards, rubbed, [Adams O53; Renouard I p.88 & III p.93], small 4to, [Paris], Josse Badius Ascensius, 1520. Extremely rare; the only printed edition of the sermons of the English monk Odo of Cheriton, who died in 1247. He was noted for his frequent use of fables and animal stories such as Reynard the fox to illustrate his sermons. No copy recorded at auction.

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Dreweatts & Bloomsbury (Bloomsbury)
Los 34

editor ) De memorabilibus et claris mulieribus editor ) De memorabilibus et claris mulieribus: aliquot diversorum scriptorum opera , title with woodcut printer's device, handsome woodcut criblé initials of various sizes, final f. blank, 17th century (and later) ink inscription and notes to title, some light foxing, water-staining to varying degrees to upper margins, handsome 17th century red armorial morocco , richly gilt spine in compartments with olive morocco label, central arms and triple gilt filet borders to covers, rubbed at extremities, g.e., [Adams R201; Renouard, Colines, p.20], folio, Paris, Simon de Colines, 1521. A handsome copy of this beautifully printed collection of texts on women, brought together by Jean Tixier de Ravisi. As well as texts by Plutarch, Jean de Pins, Battista Fregoso and Raffaele Maffei it includes the full text of Jacopo Filippo Foresti's De Claris Mulieribus . Provenance: Claude-Gabriel Pocquet de Livonnière, French lawyer and law professor (ownership inscription to title).

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Dreweatts & Bloomsbury (Bloomsbury)
Los 36

Anacreon. - Odae, text in Greek and Latin, title with woodcut printer's device, woodcut initial and head-pieces, lacking final blank, title working loose and with a few 17th century ink ownership inscriptions, some light browning, occasional spotting, 17th century speckled calf, gilt spine in compartments, joints split, but holding firm, spine ends chipped, rubbed and scuffed, [Adams A1001; Renouard, Estienne, 114:1; Schreiber 139], small 4to, Paris, Henri Estienne , 1554. Editio Princeps of the Odes and the first work published by Henri Estienne the younger. A handsomely printed work.

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Dreweatts & Bloomsbury (Bloomsbury)
Los 54

Foulis.- Homer. - Iliados; Odysseias [graece], edited by J. Moor and G. Muirhead, 4 vol. in 2, half-titles, vol.1 some staining to preliminaries, all vol. some spotting or mostly light foxing, contemporary calf, gilt spines in compartments and with brown morocco label, rubbed and marked, [Gaskell 319], folio, Glasgow, Robert and Andrew Foulis, 1756-1758 . A wide-margined copy of this handsomely printed work. Edward Gibbon wrote of this edition 'I read Homer with more pleasure in the Glasgow edition. Through that fine medium the poet's sense appears more beautiful and transparent'.

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Dreweatts & Bloomsbury (Bloomsbury)
Los 58

translator ) Homer. The Iliad and Odyssey, translated by William Cowper, 2 vol translator ) Homer. The Iliad and Odyssey , translated by William Cowper, 2 vol., first Cowper edition , list of subscribers, errata f., 3Q2 short tear and small hole at head within text with loss of 3 or 4 letters, but no loss of sense, some spotting or light foxing, contemporary red morocco, gilt, spines with double leather labels, spines slightly faded and darkened in places, rubbed, g.e., for J.Johnson, 1791; and c.25 others, Cowper editions, including a 4 vol. inter-leaved set of The Iliad and Odyssey, 1791, v.s. (c.27)

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Dreweatts & Bloomsbury (Bloomsbury)
Los 59

translator ).- Homer. The Iliad [and] The Odyssey, 11 vol translator ).- Homer. The Iliad [and] The Odyssey , 11 vol. (6 Iliad and 5 Odyssey), half-titles, engraved portrait frontispiece of Homer and folding plate of the shield of Achilles, offsetting, water-staining to head of portrait, occasional spotting or light foxing, handsome contemporary speckled calf by T. Barratt, gilt, spines with black morocco labels, vol.1 1 corner neatly worn, slightly rubbed, 8vo, by H.Baldwin, 1796.

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Dreweatts & Bloomsbury (Bloomsbury)
Los 60

A Vindication of Homer and of the Ancient Poets and Historians A Vindication of Homer and of the Ancient Poets and Historians, who have recorded the siege and fall of Troy. In answer to two late publications of Mr. Bryant , first edition , aquatint folding map of the Troad and 5 views printed in sepia, plates trimmed at foot, affecting the printed captions to varying degrees, lightly browned, [Abbey, Travel, 398; Atabey 840; Blackmer 1157], York, W.Blanchard for T.Cadell , 1798 bound with Bryant (Jacob) Some Observations upon the vindication of Homer, and of the Ancient Poets and Historians, who have recorded the Siege and Fall of Troy, errata slip pasted on final f., Eton, by M.Pote and E.Williams, 1799 and Morritt (John Bacon Sawrey) Additional Remarks on the Topography of Troy, as Given by Homer, Strabo and the Ancient Geographers; In Answer to Mr. Bryant's Last Publications, half-title, lacking map, for T.Cadell, Jun. and W.Davies, 1800 and Francklin ( Captain William) Remarks and Observations on the Plain of Troy, Made During an Excursion in June 1799 by William Francklin, Captain in the Service of the East India Company, and Author of A Tour to Persia, engraved folding map, hand-coloured in outline, light offsetting to title, for R.Faulder, 1800, together 4 works in 1 vol., occasional spotting, some light browning, 19th century marbled boards, vellum , cornes, rebacked in modern calf, 4to A good selection of works on Troy and its place in Homer.

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Dreweatts & Bloomsbury (Bloomsbury)
Los 63

The Geography and Antiquities of Ithaca, first edition, 2 engraved maps ( Sir William) The Geography and Antiquities of Ithaca, first edition , 2 engraved maps (1 folding), 13 engraved plates (most aquatint), a few plates window-mounted, water-stained, particularly at end, some spotting or mostly light foxing, contemporary half calf, rebacked, preserving original gilt backstrip, [Atabey 484; Blackmer 661; Abbey, Travel 133], 4to, 1807. 'Gell visited Ithaca in the spring of 1806 accompanied by Dodwell and Henry Raikes. He was the first to study seriously the topography of Ithaca for its Homeric associations . The work was reviewed by Byron in the Monthly Review for August, 1811' (Blackmer).

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Dreweatts & Bloomsbury (Bloomsbury)
Los 70

.- Homer. The Odyssey, one of 530 copies, designed by Bruce Rogers and... (T.E., translator ).- Homer. The Odyssey , one of 530 copies, designed by Bruce Rogers and printed on pale grey paper, title-vignette and head-pieces after Greek vase paintings printed as roundels in black on gold, short repaired tear to head of title, light offsetting, original black morocco, spine titled in gilt and with seven raised bands, t.e.g., others uncut, cloth slip-case, [Blumenthal p.128-134], 4to, printed and published by Sir Emery Walker, Wilfred Merton and Bruce Rogers, 1932. 'In the Odyssey, with complete sincerity, without tricks or accessory decoration, with a classic austerity akin to the timeless proportions of the Parthenon, with only type and paper and ink, with consummate skill, Rogers created a masterpiece' (Blumenthal p.134).

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Dreweatts & Bloomsbury (Bloomsbury)
Los 78

Seneca (Lucius Annaeus) - The Workes, translated by Thomas Lodge, first edition of Lodge's translation , engraved additional pictorial title, woodcut decorative initials, a few small ink stamps of Lincoln's Inn Library, b1-3 & 6 cancels (b4 & 5 misbound), lacking initial and final blanks, preliminaries lightly foxed, occasional spotting or light foxing elsewhere, contemporary calf, rebacked in 20th century morocco, covers worn, [STC 22213], folio, by William Stansby, 1614. Thomas Lodge's esteemed translation of Seneca. Lodge was an English physician, dramatist and author.

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Dreweatts & Bloomsbury (Bloomsbury)
Los 89

[Briscoe (C.W.)] - Clerimont, contemporary calf, spine with red morocco label, some light scuffing, Liverpool, Charles Wosencroft, 1786 § Carey (Henry) Cupid and Hymen: A Voyage to the Isles of Love and Matrimony, fifth edition, title in red and black, title browned at margins, and with ink ownership inscription of William Powell to head, contemporary calf, rubbed, Sold at the Exchange, Fleet-Street, 1748, 8vo (2) Both scarce, ESTC lists only 4 copies or less of each in the UK.

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Dreweatts & Bloomsbury (Bloomsbury)
Los 98

Dickens (Charles) - Master Humphrey’s Clock, 3 vol., first edition, 3 engraved frontispieces, 2 plates, illustrations, 1840-41; Memoirs of Joseph Grimaldi, 2 vol., first edition, second issue, engraved frontispieces and plates by George Cruikshank, some scattered foxing to endpapers and half-titles, 1838; American Notes for General Circulation, 2 vol., second edition, slight shelf-lean, light ring-mark to vol.1 upper cover, 1842, original cloth, spines lightly faded, spine ends and corners a little bumped, but generally in excellent condition overall ; and 7 others by the same, 8vo (14)

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Gardiner Houlgate
Los 142

Yamaha Pacifica PAC303-12 twelve string electric guitar, ser. no. OH08037, blue finish with some light surface marks, electrics appear to be in working order, soft case, condition: good

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Gardiner Houlgate
Los 146

Eko Ranger 12 twelve string acoustic guitar, made in Italy, finish with some light scratches, hard case, condition: good

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Gardiner Houlgate
Los 21

Vintage VEC380-12 electro-acoustic guitar, natural finish, some light wear, electrics appear to be in working order, condition: good

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Gardiner Houlgate
Los 22

Yamaha CJ-12 acoustic guitar, ser. no. Q10208006, finish with some light surface wear, missing heel strap button, condition: good

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Gardiner Houlgate
Los 230

Kramer Ferrington electro acoustic bass guitar, made in USA, ser. no. FC 1145, red finish with some light surface marks, electrics appear to be in working order, condition: good

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Gardiner Houlgate
Los 28

Roger acoustic archtop guitar, sunburst finish with a few light marks and blemishes, condition: good

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Gardiner Houlgate
Los 341

Hermann Hauser I Segovia model guitar, 1924, labelled Herm. Hauser, Lautenmacher in Munchen, signed H. Hauser, A.D. 1924, case *This guitar is one of the first Segovia models made by the famous luthier Hermann Hauser I and is signed with 'manu propria.' This is a very special detail, according to the dynasty's third-generation builder, Hermann Hauser III. Hauser I added the handwritten 'manu propria', which is a Latin expression meaning "by own hand", to the labels of some of the guitars that were very personal to him and were made by himself, without any help from his shop assistant. This guitar is in very good condition and fully playable. The top is made of very fine spruce and is framed by brown and light purflings. The top has only a fine hair-crack beside the fretboard, which does not influence the guitar's sound. There are some professionally repaired cracks on the back of the guitar, one is located just behind the label and has been reinforced with a cleat from the inside. The sound hole is richly decorated with mother of pearl and dark and light rings in between where rectangular and fishbone-like inlays can be found. The one-piece back, as well as the sides, are made of excellent Madagascar rosewood. The guitar is supplied with a certificate of origin from Hermann Hauser III which reads "This certified Hermann Hauser I guitar built in 1924 m.p. is one of the first Segovia models ever built. The spruce top which has its origin from Bavarian Alps came from the stock of his father Josef Hauser. At the time of manufacture the spruce top was then stopped for about forty years. Back and sides are made of Rio-Madagascar/Africa and was stopped at that time for around five years. The varnish is of Shelleck. Signed Hermann Hauser III, Reisbach, 12.5.2014" This Hermann Hauser I Segovia model is in performance-ready condition. Playability is ideal for both right and left hands. A truly remarkable and rare instrument from one the most important luthiers.

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Gardiner Houlgate
Los 50

Hofner Contemporary series CT500/1 violin bass guitar, black finish, some light surface wear, electrics appear to be in working order, hard case, condition: good

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Gardiner Houlgate
Los 64

Yamaha BB1100S bass guitar, made in Taiwan, ser. no. NJ16214, natural finish with some light scratches and blemishes, electrics appear to be in working order, condition: good

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Gardiner Houlgate
Los 647

Interesting mid 18th century violin from the Castagneri School, unlabelled, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain narrowing to the flanks and the varnish of a light reddish-brown colour, 13 3/4", 34.90cm

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Gardiner Houlgate
Los 653

French violin from and labelled Ch.J.B. Collin-Mezin, Luthier, Grand Prix-Exposition Universelle 1900, Paris, also signed to the inside back on the treble side, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm

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Gardiner Houlgate
Los 90

Manson Telecaster style electric guitar, finish with light marks and a significant blemish to the upper edge, some deterioration to the gold hardware, electrics appear to be in working order, hard case, condition: good

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W.H. Lane & Son
Los 239

Julius OLSSON (1864-1942) Oil on canvas Breakers, the evening light St.Ives 19” x 28.75” (48.3cm x 73cm) Provenance: Dr Robinson a friend who sailed with Julius Olsson, gifted to his housekeeper Mrs Mabel Hurst & to the vendor, her grandson by decent.

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W.H. Lane & Son
Los 286

* Allan BRACK Pastel ‘Lizard Light’ Cornwall Signed and dated 2001 9.75” x 8” (24.8cm x 20.3cm)

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W.H. Lane & Son
Los 338

* Carole HODGSON (b.1940) Black & white etching ‘Stone & Light Together’ Inscribed & numbered P1/P3 Signed in pencil Unframed 7” x 6” (17.8cm x 15.2cm)

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W.H. Lane & Son
Los 421

* Robert JONES (b.1943) Oil on board ‘Light on the water The North Cliffs Crane Island’ Inscribed, signed & dated 2001 to verso Signed with initials 25.5” x 37.5” (64.8cm x 95.2cm)

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W.H. Lane & Son
Los 43

Steve SLIMM (b.1953) Oil on board ‘The Clear Light of the North Coast’ (Cornwall) Inscribed to verso Signed 14” x 19.5” (35.6cm x 49.5cm)

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W.H. Lane & Son
Los 48

Jim WHITLOCK (b.1944) Oil on canvas ‘Morning Light – Scilly’ Inscribed on label Signed and dated (20)09 Unframed 11.75” x 11.75”(29.8cm x 29.8cm)

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W.H. Lane & Son
Los 49

Jim WHITLOCK (b.1944) Oil on canvas ‘Early Light – St Martin’s’ Inscribed on label Signed and dated (20)10 Unframed 11.75” x 11.75” (29.8cm x 29.8cm)

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W.H. Lane & Son
Los 557

Book: ‘Ruben Chappell Pier Head Painter’ by Robert Jones. Published First Light Gallery 2006 (New)

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Thomson Roddick Scottish Auctions
Los 19

Good Victorian glass claret ewer, diamond and hobnail cut with nicely engraved band of birds, flowers and spiders in webs, the gilt mount and cover embossed and engraved with birds and satyr mask spout foliage in the aesthetic taste, crested, by J Grinsell & Co Sons, Birmingham 1884 CONDITION REPORT: 24cm tall Gilded interior Some purple patina to the silver mounts Bubble inclusion in the foot rim Some light scratching but no significant problems

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Thomson Roddick Scottish Auctions
Los 2

Silver tea pot stand or waiter of rounded rectangular shape, pin struck, on scalloped feet by Urquhart & Hart, mark mis-struck 1806, and a waiter 1749, later embossed, 8oz (2) CONDITION REPORT: Stand:- Marks slightly rubbed Purple patina to underside Some shallow dents to the surface Slightly mishapen rim Light scratching Waiter:- Marks rubbed, scratched code to underside Feet cruedely attached (see images) Discoloured Light Scratching

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Thomson Roddick Scottish Auctions
Los 308

Pair of 19th century glass vases each with green body decorated with gilt bands and foliage, central vignettes depicting a boy and a girl raised on circular bases, 33cm tall CONDITION REPORT: Vase One:- Foot rim is smashed and is in three pieces, incomplete Gilding rubbed, light scratching to body Vase Two:- Gilding is rubbing throughout some loss of paint to vignettes

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Thomson Roddick Scottish Auctions
Los 34

Irish silver soup ladle, quite plain, by John Brady, Dublin 1797, 4.5oz CONDITION REPORT: No obvious repairs date letter hallmark quite worn Some light scratching Bowl slightly misshapen Dark patina

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Thomson Roddick Scottish Auctions
Los 370

Carved mottled green jade cat on stand, 7cm tall CONDITION REPORT: Half moon fissure on the chest Hole through body evident from images Light scratching to the body Two breaks to the feet of the stand, possible recarving Viewing advised

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Thomson Roddick Scottish Auctions
Los 373

Group of oriental ceramics including ginger jar and cover with four character mark to the base, pair of Chinese famille rose pickle dishes, ashet, plate, Kutani vase and a rootwood figures CONDITION REPORT: Ginger jar:- Lid smashed and restored Body with pitting scracthing and firing flaw to base Kutani piece:- Smashed and restored Rootwood figure:- Splitting to body Pair of leaf dishes:- Significant piece missing from rim, paint losses, gilding rubbed Blue and white ashet:- Stapled and chipped Large dish restored to rim Painting loss and light scratches

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Thomson Roddick Scottish Auctions
Los 397

Late 19th century or early 20th century Indian hanging panel, the blue silk ground heavily embroidered in gold thread, the central arched field with fan tail and hanging light design flanked by a pair of birds and scrolling foliage and flowerheads, fringed edge, 116cm x 234cm approx

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Thomson Roddick Scottish Auctions
Los 425

20th century Chinese famille rose ginger jar and domed cover decorated with multiple figures in procession with a 'dragon dance' and in a pavilion setting, 39cm CONDITION REPORT: Losses to the glaze at rim Some small nibbles out og the rim and foot rim Some pitting Light scratching to the body and some areas of paint loss Finial restored Viewing advised

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Thomson Roddick Scottish Auctions
Los 459

20th century interior painted glass box and cover with bird decoration and calligraphy, 6.5cm CONDITION REPORT: Some light scratching throughout SMall bubble in the base No obvious significant damages

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Thomson Roddick Scottish Auctions
Los 529

19th century Chinoiserie ebonised lamp table decorated with temple and figure scenes having frieze drawer raised on tapering square supports, 73cm tall CONDITION REPORT: Some light losses to edges and wear to gilding Requires some restoration Structurally sound

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Thomson Roddick Scottish Auctions
Los 537

Set of six Victorian walnut dining chairs with incuse carved flowerhead decorated rails, upholstered stuff over seats raised on turned and fluted supports CONDITION REPORT: Restored condition Upholstery is clean Two top rails are wobbly Frames are light Height to seat 46cm

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Martel Maides Auctions
Los 140

A set of two Dutch silver biscuit boxes 19th century, both with maker's mark for Pieter Pieterse, Amsterdam 1865 and retailer's mark of Bonebakker en Zoon, one of rectangular form, 5¾ x 3¾in. (14.5 x 9.5cm.), the other of circular form, 5in. (12.7cm.) diameter, the hinged covers with reeded rims, gross weight 30 tr.oz. (2) Condition: - Rectangular box: Two very small dings to one side and very small ding to front edge of lid. All marks clear. No other damage or restoration noted. - Circular box: Three small dings to back and left side and one larger dent to front. A few light scatches to sides. Marks clear. Original green baize to base of both boxes, which is faded and stained in places and has some wear to the edges (but no tears or holes).

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Martel Maides Auctions
Los 169

A George VI silver cigarette box Walker and Hall, Sheffield 1940, of plain rectangular form, centralised raised graduated thumbpiece to front, inscribed with letter 'A' to lid, 7 x 3½in. (17.8cm. x 8.9cm.). Condition: 5mm light dent to front left corner, several small indents appear to lid and sides of box.

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Martel Maides Auctions
Los 198

A pair of silver plated cluster column table candlesticks late 19th century, with fluted urn socles on four cluster columns to a flared square base, 5 7/8in. (15cm.) high. (2) Condition: Some light wear to plating to edges of bases. No baize to either base. No other damage or defects noted.

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Martel Maides Auctions
Los 263

A Japanese bronze figure of a lion late 19th century, three character mark to underside, dark brown patination, modelled standing with head raised and inclined to left, 10½in. (26.5cm.) long. Condition: Some spotted green oxidisation marks to back, and also to top of face. Small rust spot blemish to top of mane. Patination to upper surfaces matted and dulled. Small, light scratch to patination to back just behind mane.

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Martel Maides Auctions
Los 295

Alice E. Newling (British, fl. early 20th century) Vale Castle, Guernsey watercolour, signed and dated 1925 lower left 5½ x 12in. (14 x 30.5cm.) Condition: Some very minor light foxing and time staining to very edges where they contact mount. Two other faint vertical lines of time staining to centre of painting. In a period gilt frame with replaced stepped mount.

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Martel Maides Auctions
Los 296

Alice E. Newling (British, fl. early 20th century) Vale Church, Guernsey at sunset watercolour, signed lower left 5 x 11in. (12.7 x 27.9cm.) Condition: Light foxing across the painting. In a period gilt frame with replaced stepped mount..

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