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534310 Los(e)/Seite
Los 780
A 19th century ceramic gilt decorated and pink rose painted part tea set; together with two similar cabinet plates and a matching dish Condition Report / Extra Information Pink & gilt tea set: most are numbered 3479. Some hairlines. Light wear to gilt throughout consistent with use & age. Milk jug more noticeably stained to interior.
Los 134
László Báró Mednyanszky (Ladislav Medňanský) (1852-1919)WALD IM ABENDLICHTAquarell und Teer auf Papier, 27x39 cm, links unten gestempelt: „Mednyánszky Hagyatékából 1919“ und signiert rechts unten „Mednyánszky“. Adjustiert auf Karton. Gerahmt, verglast.Zustand A.László Báró Mednyanszky (Ladislav Medňanský) (1852-1919)FOREST IN AN EVENING LIGHTWatercolor and tar on paper, 27x39 cm, stamped lower left „Mednyánszky Hagyatékából 1919“ and signed lower right „Mednyánszky“. Mounted on board. Framed, glazed.Condition A.
Los 414
APOTHEKERFLASCHESüdböhmen, Buquoy’sche Glashütte, 1. Drittel 19. Jh.Apothekerflasche aus schwarzem Hyalit-Glas mit leicht konkaven Seitenwänden, Oberteil geschliffen in breiten Facetten – inkl. Hals mit pilzförmigem Stöpsel. Auf der Schauseite weiß-Email-gemalte Inschrift „AQ: AROMAT: SP:“ und farbgemalten Zweigen, mit Bandschleife zusammengebunden.H. 22,2 cm.Zustand A/B.PHARMACY BOTTLESouth Bohemia, Buquoy Glassworks, 1st third of the 19th centuryPharmacy bottle made of black hyalite glass with slightly concave side walls, top cut into wide faces - including neck and stopper. White enamel painted inscription „AQ: AROMAT: SP:“ and painted branches tied with a bow. Due to the light impermeability, hyalite glass was often used for pharmacy bottles and was popular not only in the Czech lands.Height 22,2 cm.Condition A/B.
Los 508
GOLDRINGDamenring aus Gelb-Gold gesetzt mit länglichem hellblauem geschliffenem Stein, wohl Aquamarin. Punzamt-Zertifikat.Au ryzost585/1000.Gesamtgewicht (brutto) 4,50 g, davon Au ca. 3 g.Ringgröße 57.Zustand B.GOLD RINGYellow gold ring with light blue cut stone (probably aquamarine). Assay office certificate.Au ryzost585/1000.Gross weight 4,50 g.Size of the ring: 57.Condition B.
Los 716
DOSE INRÓJapan,19. Jh.Figuraletui für persönliches Siegelstock, Medikamenten oder Münzen mit abnehmbarem Gesicht, leichtes Holz, geschnitzt, intarsiert mit Bein und Perlmutt, mit Schnürchen zur figuralgeschnitzten Knoche (Netsuke) mit eingelegtem Perlmutt-Zeichen befestigt. H. (Dose) 9 cm, L. (Knoche) 21 cm.Zustand B.DOSE INRÓJapan19th centuryFigural dose for seal, pills or coins with removable face, light carved wood, inlaid with bone and pearl, cord attached to figural cut bone with pearl mark (netsuke). Height of dose 9 cm, length of bone 21 cm.Condition B.
Los 1240
FIVE WATERCOLOURS AND DRAWINGS to comprise `A Woman Sleeping`, by a follower of Thomas Gainsborough, coloured chalks, sheet 25 x 22cm.; `Figures by a Ruined Tower` by Myles Birket Foster, signed with monogram, 13 x 10cm.; `River Landscape`, circle of Copley Fielding, bears initials and dated 1809, 10.5 x 21.5cm.; `Landscape with a Caravan on a Country Road`, circle of David Cox (this allegedly presented to A. Gillingham by the artist, July 1st 1824), 21 x 16.5cm.; and `York Minster and the City Walls`, attributed to John Varley, 28 x 45cm., each but the last unframed (5) Provenance: Each with old label for Spink & Son Ltd, London; the `Gainsborough` ex. coll. of Victor Rienaecker ++ Each with some fading and/or light staining, markedly so in the Foster and the `Varley`
Los 1246
CIRCLE OF JOHN CONSTABLE, RA (1776-1837) HACKNEY WICK LANE, BOW Bears inscription as title, watercolour (on laid paper, watermarked C Ansell 1827), unframed 19 x 31cm. Provenance: Collection of Leonard G. Duke; London, The Fine Art Society Ltd Exhibited: Eton College, Drawings & Watercolours from the Duke Collection, 1946 (?), no. 23; Arts Council, Three Centuries of British Watercolours, 1951, no.27 ++ Mount burn at sheet edges; needs a light clean
Los 1334
FRANK WALTON (1840-1928) ON THE POOLE ROAD TO LAINE HILL, HOLMBURY ST. MARY, DORKING Signed, also signed and inscribed with title on a label verso, oil on canvas 39.5 x 49.5cm. Provenance: London, Christies, June 7th, 1996, lot 605 (hammer price £3750) ++ The canvas with a loose, black cloth lining verso; needs a light clean; period gilt frame
Los 1354
•SIR FRANK WILLIAM BRANGWYN, RA (1867-1956) THE OLD BRIDGE, ROME Etching with drypoint and plate tone, 1921, signed in pencil 30 x 35cm.; with another etching, `Une Pile du Pont Neuf (Petite Planche), 35 x 22cm., unsigned. (2) ++ The former good; the latter with some grazes, blemishes and light-staining
Los 1357
•IAIN MACNAB (1890-1967) DEYA, MAJORCA Wood engraving, 1932, signed, inscribed and numbered 12/40 24.5 x 20cm.; with another wood engraving of `The Canal Annecy`, signed, titled, numbered 14/30 and dedicated, 17.5 x 11.5cm.; a drypoint of a mountainous landscape, signed, 10 x 14.5cm.; an unframed reproduction of `Mill in the Cotswolds`, both by/after MacNab; and three colour woodcuts by his sister, Chica MacNab, each signed, each 16.5cm diam. (7) ++ `Deya` and `Annecy` each need a light clean; the examples by Chica with time/mat staining
Los 1369
•JOHN REGINALD BRUNSDON (1933-2014) OFF CHESIL BEACH Colour etching, signed an dated 1976, titled and numbered 73/150 22 x 30cm.; with a print from Eric Gill's book `25 Nudes`; and a wood engraving of `Little Owl` by James T. A. Osborne, 12 x 8.5cm. (3) ++ Brunsdon has light/mat staining; the others good.
Los 1404
•FOUR MODERN WORKS ON PAPER comprising `Girl Reclining on Pillows`, 1934, pencil, by John Buckland Wright, 31 x 21cm.; `Still Life`, watercolour, by Jean Marchand, 18.5 x 18.5cm.; `Eugenie` (nude study), 1989, conte crayon, by Bruce George, 31.5 x 29cm.; and `In the Chair`, 1985, crayon, by Henrietta Young, 38 x 28cm. (4) Provenance:(Wright), London, Blond Fine Art, 1983; (Marchand), London, Christopher Hull Gallery, 1982; (Young), London, New Grafton Gallery, 1987 ++ Marchand light-stained; the others generally good
Los 1409
WILLIAM MARK FISHER, RA (1841-1923) FLOWERS Signed, also signed and inscribed on a label on the stretcher, oil on canvas 59.5 x 44.5cm. Exhibited: London, Royal Academy Winter Exhibition, 1928, property of Mrs Charles Hunter, as `Flowerpiece` ++ Needs a light clean; a few very minor chipped losses
Los 1444
HOMER RANSFORD WATSON (Canadian, 1855-1936) THE COTTAGE BY THE POND Signed and dated 89, also signed and inscribed on a label on the frame (giving an address in Pittenweem, Fife), oil on canvas 34.5 x 44.5cm. Exhibited: London, The Royal Society of British Artists, 1889, no.397 ++ Lined; new stretchers; some craquelure; needs a light clean
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534310 Los(e)/Seite