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534297 Los(e)/Seite
Los 525
A set of four mid Century light oak curve and splat back dining chairs with leather finish seats and tapering legs by Greaves & Thomas, 'Put-U-Up'. (4) (B.P. 21% + VAT) Seats have been re-upholstered, leather scuffed with expected wear and tear. One chair has small split to arm/top of back. Wood has wear and watermarks as expected. Overall structure appears sound.
Los 98
The Fourth Protocol Hardback Book by Frederick Forsyth. Published by Hutchinson & Co 2007 ISBN 0091586305. Dust jacket has light interior discolouration and book in good condition. Sold on behalf of the Michael Sobell Cancer Charity. We ship worldwide and combine shipping on multiple lots to keep costs as low as we can.
Los 95
A William & Mary carved giltwood wall mirror, circa 1690, the pierced frame incorporating putti, flowers and birds, the surmount centred by the arms of the Most Noble Order of the Garter, 103cm high, 75cm wideProvenance: Private Collection, The Manor House, Stanford in the Vale, OxfordshireThe Most Noble Order of the Garter is the oldest and most senior Order of Chivalry in Britain, founded by Edward III in 1348. Knights of the Garter are chosen personally by the Sovereign to honour those who have held public office, contributed significantly to national life, or have served the Sovereign personally.Condition Report: Marks, scratches and abrasions comensurate with age and use. Some old chips and splits. Old cracks and chips to the surface. Various wear and losses to the surface (see images) The surface is a dull colour in natural light. It may possibly be largely be original surface. Some old glue repaired breaks to the frame. Where the surmount of the frame has an old cracks across it, some small supporting sections have been used to secure from the reverse (see images) The mirror plate is a later replacement but has some age and depletion in form of grey spotting, particularly towards the lower edge of the plate. The rear panels of the mirror plate are later replacements and later tape secures the edges. Please refer to the additional images for visual reference to condition. Condition Report Disclaimer
Los 1
A Flemish tapestry panel with birds in a garden, early 18th century, possibly Lille, with a hawk, parrot and chickens in a formal garden setting showing rose bushes, a pond and view to a sprawling parterre beyond, later backed, 168 x137cm overall including later light blue selvedgesA tapestry which features a similar group of fighting birds and onlooking parrot before a comparable garden setting is in the National Trust collection at Packwood House, Warwickshire. Condition Report: The tapestry bears the usual minor marks, nicks and wear overall consistent with age.The colours are well-preserved to the lower part of the scene, however the sky and architecture are a little more faded. There is also an area of reweaving/repair to the sky.Some stitching along colour joins particularly the foliage, and one or two old repairs/restorations to grass, though quite subtle and minimal.Condition Report Disclaimer
Los 108
A companion pair of Italian giltwood altar sticks adapted as standard lamps, probably 18th century and later adapted, the circular tops descending to baluster and lobed stems, above triform scroll bases and raised on paw feet, presented with large crewelwork shades, the lamps 158cm high including later fitments and excluding shades Provenance: Private Collection, The Manor House, Stanford in the Vale, OxfordshireCondition Report: Both with marks, knocks, scratches and abrasions commensurate with age and use. Various old chips and splits. Feet are later associated. Both lamps have been fitted for electricity, they will need to be re-wired by a qualified electrician before use. Some losses to the 'wax' of the simulated candle fixtures. Both have been re-gilded at some point and have rubbing and losses to gilding throughout. Old glued repairs to splits of both stems (see images) with some splits opening in places. Evidence of old worm to the bases and undersides. Both shades with some wear and 'pulls'. Both have some old tears (see images). One of the wire supports for the shades has a break where it meets the light fixture. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Los 174
A pair of Bow white porcelain models of a lion and lioness, circa 1752, approx. 10cm in lengthCf. Anton Gabszewicz, Bow Porcelain (1982), no. 248, p. 149 for a coloured pair.Condition Report: Some spots of brown staining. Occasional minute surface chips and light wear commensurate with age. Small firing faults.Condition Report Disclaimer
Los 195
A Swansea porcelain blue-ground and gilt part tea service, circa 1814-26, painted with panels of flowers, comprising: a teapot, cover and stand; a sugar box and cover; a milk jug; a slop bowl; eleven sandwich plates; two muffin dishes and a cover; seven teacups and eleven saucers and five coffee cups and ten saucers, iron-red printed SWANSEA marksCondition Report: PLEASE ASK THE DEPT. FOR SUPPORTING IMAGES SO THAT YOU ARE HAPPY ALL PIECES ARE SWANSEA. SOME PIECES WITH IRON-RED SWANSEA MARK BUT NO PATTERN NUMBERS. Note: This lot IS available to view in person by appointment. Flower painting and gilding would appear to be by the hand or associated group throughout, whether marked pieces or unmarked.Teapot, cover & stand: Finial has been off and glued back. Hairline crack most of the way around the well of the teapot at the bottom. Rattles a bit when tapped. Slight wear to top side of stand. Base of teapot with iron-red SWANSEA mark.Sugar box and cover. Slight rubbing to the gilding of tip of finial. Box marked in iron-red SWANSEA.Slop bowl: No serious issues noted, un-marked.Milk jug: lightly fritted to the interior, iron-red SWANSEA mark.Two muffin dishes and cover: The cover has three manufacturing faults, marks through the blue ground near the top, also a firing crack to the join of the finial. light scratching to the wells of the dishes, all pieces with iron-red SWANSEA mark.Plates: One (marked) plate with old fashioned rivetted repair, it and four others with iron-red SWANSEA mark, all plates with some stacking wear to the gilding of the wells so none in trade commercial condition.Coffee cups and saucers: None of these are marked. No saucers cracked but all with slight rubbing to the gilding but two have rubbed rims more noticeable than the others. One coffee cup cracked, one with cracked handle.Tea cups and saucers: None marked. Four teacups cracked, all with fritting to the interior. One saucer cracked.Reasonable service overall but in no way A1 trade condition with some wear throughout. Condition Report Disclaimer
Los 306
A giltwood and composition overmantel wall mirror, the frame late 18th or early 19th century, with marine oil on canvas scene, signed F Swaine (lower left) above a mirror plate, 114cm x 129cm overallCondition Report: Mirror- Frame with marks, knocks, scratches and abrasions commensurate with age and use. Frame has been re-guilded, possibly in the late 19th century. Gilt surface with various chips and losses. Surface is fragile and has crumbled away in areas. Mirror plates have some age but they are later replacements. They bear some minor depletion and grey spots. Backboards appear original. Later metal bracing to the rear of the mirror to all corner joins. Old screw holes to the back of the mirror from previous fixtures. Paining- The canvas has been re-lined. Fine surface cracking, stretcher marks and minor paint flaking is visible. There are sever possible old repaired punctures in the sky. Under UV light there are some washes or restoration in the sky and spots of toughing in the foreground, these are most notable along the edges of the canvas. Indistinct signature in the lower left corner. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Los 356
A pair of Continental patinated bronze models of the Townley Vase, after the Antique, second half 19th century, after a circa 2nd century AD original, of typical form, mounted to square section rouge griotte bases, 31cm high overall, 17cm wideCondition Report: Chocolate brown patination with some variegation/lightening to the extremities, raised figures and edges of socle, nibbling/slight chipping to marble bases. One of the bases has a small loss to one of the corners, the other has an area of filling to the side. The patina inside the liners is a little more irregular.Would benefit from a light dusting as there is some dirt in the recesses.Condition Report Disclaimer
Los 357
Two Italian Grand Tour souvenir models of the Tomb of Scipio, after the Antique, 19th century, the smaller model in marmo giallo, the larger example in stone and with red inscription, presented with card for V. L'Hote, Consul the France, inside; each with a removable cover, the largest model 33cm high, 19cm wide; the smaller one 7cm high, 12cm wideCondition Report: The larger model has some shallow losses/minor nibbling to the edges and top, and a section of the lower front ledge has some infill. The reverse also has a section of plaster-like substance likely where it was affixed to the base. Small sections of loss to top rear corner (right side), front right corner (middle moulding), and left side, though this may have been designed to be commensurate with the ancient prototype, which is also lacking sections of moulding.The smaller model bears the usual minor marks, knocks and scuffs overall consistent with age particularly to the inner edges of the cover, and some very light fading to lettering. The marble is naturally veined and therefore has irregular colouring. Condition Report Disclaimer
Los 440
A pair of George IV gilt and patinated bronze rhyton colza oil lamps, circa 1820, in the manner of Thomas Messenger, each cast with a boar mask raising a light fitment, 26cm highCondition Report: These lamps actually have cast maker's plaques for Bright & Co, Bruton St, to the light fitments, which was not detected at the time of cataloguing.The lamps each bear the usual minor marks, knocks and scuffs overall consistent with age, and have been later adapted for electricity.The gilding looks as though it's possibly been refreshed.One of the tops doesn't sit entirely straight, and the other has a slight coppery tinge, likely from wear to the gilding.They would benefit from a gentle clean and will need to be tested by a certified electrician prior to use, but overall appear to be in perfectly presentable condition.Condition Report Disclaimer
Los 472
A pair of George IV patinated and parcel gilt bronze rhyton colza oil lamps, circa 1820, attributable to Thomas Messenger, each handled body cast with a dolphin's mask raising the light fitment, both 26cm high Condition Report: The lamps bear the usual minor marks, knocks and scuffs overall consistent with age and use.Both have been adjusted for electricity.One of the arms is loose, and there is some radial movement between the light and the dolphin. The other has a handle which is slightly looser.The gilding looks as though it's been refreshed, and there is some slight wear to the dark patination of the body and the gilding on the covers and light fitments. Condition Report Disclaimer
Los 529
A pair of English cut glass ten light chandeliers, attributable to the manufactory of F and C Osler, Birmingham, early 20th century, the baluster stems issuing alternating upright and downcast scrolled branches, hung with faceted beads and chains overall, 98cm high, 60cm diameter Provenance: By repute, Maharaja Bahadur, Sir Prodyot Coomar Tagore, KCIE Bengal, India. Private Collection, London, EnglandCondition Report: Chandeliers will need to be checked by a qualified electrician before use. Some small chips and 'nibbles' to edges. One chandelier with repaired crack through sphere at centre of stem (see images). The same chandelier with two drops lacking to the bottom of the stem and one drop lacking to one of the downturned arms. The other chandelier with two drops to one downturned arm lacking and one drop to upturned arm lacking. Chips to tips of drops. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Los 563
A large and fine gilt bronze six light chandelier in Regence style, 19th century, in the manner of designs by Andre Charles Boulle, the baluster stem with masks and acanthus leaves, issuing scrolled arms with further foliage and flowerheads, approximately 101cm high, 94cm wideFor a similar example, see Christie's Paris, 10 December 2000, FRF 99,875 (approximately £13,000)Condition Report: Later wired, probably adapted from oil.Usual minor marks, knocks and scuffs overall consistent with age and use. The gilding is a little rubbed in places, particularly the terminal, and the faces of the putti.The foliate adornments have been separately cast and applied to the stem, and there is some radial movement between these parts and the body. One or two of the arms appear to be slightly askew, though the chandelier overall appears symmetrical. Please have tested by a certified electrician prior to use. Condition Report Disclaimer
Los 569
A modern Herend 'Fruit and Flowers' pattern part dinner service, comprising: sixteen dinner plates; fourteen breakfast plates (one with a slightly different ozier-moulded border); fourteen soup plates; sixteen side plates; a pair of oval serving dishes; a double-lipped two-handled sauce boat and an oval serving dish or stand, blue printed factory marksCondition Report: This service has had light use so there are some minor knife scratches to a few pieces.One soup plate with sizeable rim chip to underside of rim.One dinner plate with sizeable rim chip to top side of rim.This is not necessarily exhaustive so if you are interested in this lot please ask the Dept. to double check it.Condition Report Disclaimer
Los 576
A pair of fine George III artificial 'Coade Stone' urn finials, late 18th century, stamped for Coade, Lambeth, the fluted ovoid bodies with domed integral covers and acorn finials, with waisted circular socles; one with stamp COADE LAMBETH 1794, the other with indistinct stamp COADE LA...; presented on square section artificial stone plinths cast with rams' masks and swags; approximately 120cm high overall, the plinths 34cm squareCoade stone is a vitrified ceramic or stoneware body developed by Mrs Eleanor Coade during the 1770s. Known components of the recipe for this distinctive pale orange material include ball clay from Dorset or Devon, flint and sand, though there was some secrecy about the exact proportions of ingredients used.Eleanor Coade and her daughter, who was also called Eleanor, ran a successful and prolific manufactory in Lambeth, and produced statuary and ornament for many royal and aristocratic houses, including by appointment to King George III, and the Prince Regent.The design of the present urns appears in Coade's 1778 trade catalogue, no. 94 (plate marked N. 2 in the Sir John Soane museum copy of the catalogue).A pair of finials of identical design, in that case not presented on plinths, were sold at Christie's, the Michael Roberts Collection of Garden ornaments, 27 September 2004, lot 278 (£35,850).A pair of similar Coade stone pedestals with rams' masks to the corners, though now lacking the swags it once had, supports a pair of vases after the Antique at Chiswick House, London. One is illustrated in John Davis, Antique Garden Ornament, the Antique Collectors' Club, 1991, p. 167, plate 4:6 Condition Report: The urns and plinths bear the usual minor marks, knocks and scuffs overall consistent with age and use.The surfaces have some mottled greyer areas, likely dirt or possibly evidence of a previous finish. The exposed edges are a little chipped in places including the fluting to the ovoid bodies, as is to be expected from the lot's age and brittle material. Losses and nibbles to edges of plinths (tops and bases), one with hairline cracking to top. Surfaces of plinths quite weathered in places. Small and quite subtle restorations in a number of areas, including to the edges of the fluting on one of the domed covers, the circular top edges, and to an extent, the bases and socles. The acorn finials have darker areas to the leaves, possibly repairs/retouching. However, despite the issues stated above, the urns retain their shape and integrity of design, and remain in highly presentable condition.There is evidence of a light brown residue near one of the socles, suggesting a possible repair. Condition Report Disclaimer
Los 586
A set of three stone composition garden urns on plinths, 20th century, the fluted and everted bodies loosely of thistle form, raised on waisted socles and stepped square section bases, 109cm high, 60cm diameterThese unusual vases recall the 'Lotus' and 'tulip' shapes popularised by stone composition manufactory of Austin and Seeley during the later years of the 19th century. Vases of this type appear as early as the 1840s trade catalogue of the firm. Condition Report: Each of the surfaces worn and slightly weathered commensurate with age and outdoor exposure, including some lichen/moss.Each vase body has two long cracks running down each side.One has an old repair between the body and waisted socle, where light brown residue is visible. Some loss of definition to the leaf motif due to weathering, and minor nibbles to edges of plinths.The vases each have an identical plinth and the plinths appear to have been with these vases for some time, perhaps even from the outset.The interiors are partially filled with leaves and have not been inspected to the lowermost part.Condition Report Disclaimer
Los 59
Manner of Hans Jakob Bair (Augsburg, 1574-1628), and after the painting by Hans von Aachen (German 1552-1615), a silvered bronze or lead relief plaquette of Minerva presenting Painting to the Liberal Arts, with figures before an elaborate architectural backdrop within a palmette border, circa 27cm diameterPlaquettes in lead and pewter attributed to the workshop of Augsburg master silversmith Bair are in the collection of the Rijksmuseum, Amsterdam (BK-1958-74), and the Victoria & Albert Museum, London (A.45-1927).Related literature: Ingrid Weber, Deutsche, Niederländische und Französische Renaissanceplaketten, Munich 1975, circa pp. 336-340Condition Report: The plaquette bears the usual minor marks, knocks and scuffs overall consistent with age. The silvered finish is worn with some light scratching, and the underlying metal colour shines through in places. The lower left corner of the scene has some more coppery patches, possibly from a previous finish. There are also some minor darker marks the recesses of the border as well as to the background of the scene. The plaque is a little bit bent at the edges, though overall appears to be in perfectly presentable condition.The reverse has not been fitted with any implements for mounting.The metal of the substrate may be bronze or lead as catalogued, though we are not at present certain of its exact composition. Condition Report Disclaimer
Los 60
A Continental patinated bronze Biblical relief plaque of Noah Leaving the Ark, after Raphael, possibly 17th century, with the figures standing before the large vessel beyond and with descending pairs of animals, 45.5 x 36 cmThe present relief takes after a scene in Raphael's Loggia in the Apostolic Palace, in the Vatican. During the 17th century, the composition was reproduced in engravings including by Cornelis Visscher in Northern Europe (note for example Fine Arts Museum of San Francisco, 1963.30.37060). It is likely that the present plaque, which is possibly Flemish in origin, is derived from such a source. Condition Report: Patina mid brown, with lighter sections to the raised parts and minor patches of verdigris oxidisation to edges, more so to reverse where there are also areas of light wash possibly result of previous mounting. Minor nicks and losses to sides, some possibly result of previous drilling/mounting. Some flattening to Noah's nose and some surface dappling (likely due to casting) to the upper backs of lowermost animals. The plaque is slightly bent. Please refer to additional images for visual reference to condition Condition Report Disclaimer
Los 61
Georg Lemberger (German C.1490-1537)Portrait of a cleric, half-length, in a brown fur-trimmed coat and white chasuble, holding a beretinscribed ANNO DNI/ MDXIII (upper left) and AETATIS SVE/ANNO XXXX (upper right)oil on panel41 x 26.5cm. (16 x 10.1/2in.) ProvenanceProperty from the estate of the late Betty, Lady GrantchesterRichard F. Sterba, his inventory no.82.Sotheby's, New York, 1 June 1990, lot7 ($55,000, as attributed to Lemberger, when accompanied by a photo-certificate from M.J. Friedländer dated Amsterdam, 18 July 1948, stating it to be fully by Lucas Cranach the Elder).Sotheby's, London, 6 July 2000, lot 16 (£44,200)Condition Report: Some old woodworm holes are visible on the reverse of the panel and it is supported by an elaborate wooden cradle. The surface is slightly uneven and several fine vertical cracks are visible, but these have been stabilised by the cradle. The paint layer has areas of shrinkage and surface cracking but appears to be stable. Under UV light fine spots of retouching a visible on the sitters face. There are also several lines of retouching on the vertical cracks in the lower left corner and in several background areas. There are minor chips and abrasions to the edges. Old discoloured varnish is visible under a new varnish layer. Condition Report Disclaimer
Los 62
A gold mounted and citrine vinaigrette, circa 1810, unmarked, oblong, the cover set with a faceted oblong semi-translucent citrine, with engine-turned sides and base, the grille with a bright-cut and matte textured lute and foliage, with garland border and a later added suspension loop 1⅛in. (29mm.) long, 17.7g gross Provenance: Property from the estate of the late Betty, Lady GrantchesterAnonymous sale; Bonhams & Brooks, 30 October 2001, lot 17. Condition Report: UnmarkedBoth hinges goodNo splits to the grilleEngine turning goodSuspension loop later addedCitrineSome slight colour bandingSome small nicks to the facetted edges Some very light scratches to the tableCondition Report Disclaimer
Los 65
Claude-Joseph Vernet (French 1714-1789)A gorge with fishermen resting by a cascade, a monastery on a cliff beyondoil on canvas56.5 x 64.7 cm. (22.1⁄4 x 25.1⁄2 in.) Provenance:Property from the estate of the late Betty, Lady GrantchesterDu Catal collection, no. 39 (according to an old inscription on the stretcher).Christie's, London, 3 December 1997, lot 52. (£41,000)Condition Report: The canvas has been lined and it appears that the artist has extended it with a 4 inch wide strip along the upper edge. There is some surface cracking along the join in the canvas and some retouching. There is also fine cracking across the image and several small spots of retouching in the foreground. The varnish layer is flat and slightly uneven and would benefit from a light clean and a new layer of varnish. Condition Report Disclaimer
Los 68
An Italian ebony veneered, ebonised and hardstone specimen table top casket, probably Florence, possibly 18th century, inset with panels of lapis lazuli and Sicilian jasper, strung with Siena, the tapered sarcophagus form body with bold scrolls and a tiered finial, raised on bun feet, the front opening to reveal a softwood interior with fragmentary red wax seal inside, 51cm high, 44cm wide, 31cm deepThe present casket, with its bold scrolls and architectural outline, shows similarities to examples created in Italy, particularly Rome and Florence, during the 17th and 18th centuries. Its forms echo tabernacle frames of the time, such as the renowned pietra dura inset example in the Church of San Lorenzo, Florence. This example is discussed in Anna Maria Giusti, L'arte delle pietre dure da Firenze all'Europa, Le Lettere, 2005, p.31Condition Report: Some old splits and small sections of repair to the veneers overall, including the corners surrounding the panels and the top scrolls, and possibly the finial. The casket may also have a lacquer of sorts as it is very shiny, and deposits of a lacquer like substance are visible between the lower mouldings. Two or three corners of the light stringing have been filled. One section of lapis appears to have been repaired/restored.The specimens are naturally variegated in colour and therefore not entirely uniform throughout. One of the panels is a little loose inside the frame.The surface of the wood is a little scratched. Two old splits to the underside of the casket.Please refer to additional lot images for visual reference to condition.The casket opens by pressing a subtle button, and while the writer of the report has been able to do so on one occasion, the mechanism is a little tough and requires some finesse.Condition Report Disclaimer
Los 97
Aquamarine and sapphire bar brooch, one end set with an oval mixed cut aquamarine, 7mm x 4.80mm x 4.40mm, featuring four light blue sapphires, channel set towards the aquamarine, approx 0.002ct each, stamped 750 and WK, 5.5cm long with foreign mark to outer pin, French 18ct owl import mark, 1893-1990
Los 10
A pair of marble, gilt and patinated bronze candelabra,French, 19th century, by Barbedienne, each with nine lights raised on scrolling arms on urn supports, with mesh handles to either side and decorated with classical figures, on a stepped and fluted rouge marble base and gilt bronze paw feet, signed to the urn,88cm high (2)Condition report: Sconces lacking, minor frits to edge of marble bases, light oxidization to bronze and light pitting to the gilt elements. Only four adapted sconces present. One loop attachment missing, and swag detail being affixed by wire (see photo). Some looseness in joints. Sconces drilled. Some small chips to some corners and edges of marble. Cleaning fluid residue present.
Los 112
A pair of wingback armchairs,20th century, in the 18th century style, upholstered in silk damask and raised on cabriole supports, 76cm wide70cm deep123cm high (2)Condition report: Overall in fair order. Upholstery relatively clean although one is frayed to the arms. Springs ok. Joints solid. Some light wear to legs.
Los 158A
A rosewood reclining library armchair, c.1840, by Jeanselme, the reclining back seat, arms and pull-out footrest upholstered in red leather, raised on reeded tapering legs and brass and leather castors, stamped with maker's name to the underside of the seat rail, 70cm wide 86cm deep 105cm highThe French cabinetmakers Jeanselme, were founded in 1824 by Charles-Joseph-Marie Jeanselme and supplied furniture to Louis-Philippe and Napoleon III.Condition report: Leather cracked in places but free from holes, old dents, marks and staining in places, knocks and light marks consistent with age and use, slight shrinkage to the leather at edges of seat and back under brass studs old worm to the underside, slight play in the action of the movement , could perhaps be tightened
Los 163
A pair of walnut armchairs,19th century, French, the upholstered backs with pierced gallery over the open arms with ball finials, overstuffed upholstered seats and raised on fluted legs united by stretchers,64cm wide62cm deep102 cm high (2)Condition report: Recently reupholstered, light restoration and repolishing carried out to a high standard.
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534297 Los(e)/Seite