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534297 Los(e)/Seite
Los 2174
Patek Philippe: A Very Rare Stainless Steel Automatic Wristwatch, signed Patek Philippe, Geneve, model: Calatrava, ref: 2585, circa 1956, (calibre 12-600) 30 jewel lever movement signed Patek Philippe & Co Geneve and numbered 766971, movement stamped twice with the Geneva seal, adjusted to heat, cold, isochronism and five positions, silvered dial with baton markers and signed, seconds dial, Patek Philippe crown, screw back stamped inside Patek Philippe & Co Geneve Swiss, case serial number 694416 and reference number 2585 35mm wide This very rare discovery, reference 2585, is a classic vintage Patek Philippe Calatrava dating back to the 1950's. Reference 2585 is powered by the high-quality calibre 12-600 and housed in a stainless steel case. Only a few Patek Philippe reference 2585 with this movement calibre in a waterproof stainless steel case are known to have been sold at auction.This is a rare opportunity for a watch collector to purchase this exquisite timepiece. Case with surface scratches, back cover with opening tool scratch marks which are slightly deeper than surface scratches, Patek philippe crown with PP logo, later strap and buckle are not by Patek Philippe, plexi glass with scratches, original finish dial discoloured throughout the dial from a silvered colour and now has a russet light brown coloured finish with lighter parts, hands with some staining marks visible under an eyeglass, hands with luminous discoloured, hand setting correctly, manual winding function is working, (automatic rotor is currently detached from the movement, this is due to a part missing and two screws, which would have held the automatic rotor in place), this is the original automatic rotor stamped PP 18K and with the underside of the rotor numbered 766971, movement plates are slightly dirty, movement in going order. This watch is sold with no boxes and no paperwork. It is the sole responsibility of the purchaser to contact Patek Philippe if they would require an extract from the archives.
Los 2154
Longines: An Interesting and Early Enamel Dial Wristwatch, signed Longines, circa 1916, (calibre 15.26) manual wound lever movement signed and numbered 3248835, enamel dial with Arabic numerals, seconds dial, nickel plated case with hinged back, hinged lugs, "onion" shaped crown, beneath bezel surround numbered 3248835, back cover stamped inside EFCo Longines and numbered 3248835, cuvette signed Longines and numbered 324883540mm wideSold with a photocopy of a letter written to the vendor by the Longines Museum curator in Switzerland, stating “The original serial number 3’248’835 identifies a wristwatch in metal, fitted with a Longines manually wound mechanical movement, caliber 15.26. It was invoiced on 29 January 1916 to the company Schwob, which was at that time our agent for Russia.”Case with light surface scratches, back cover with minor dents, later strap and buckle not by Longines, dial with minor scratches, dial otherwise in good condition, hand setting correctly, winding smoothly, movement is clean, movement in going order.
Los 2135
Omega: A Good 18 Carat Rose Gold Limited Edition Wristwatch, signed Omega, model: 1894 Centenary Collection, ref: 59503003, number 335 of a limited edition of 1894 pieces made to commemorate the 100th Anniversary of Omega, 1994, (calibre 269) manual wound lever movement signed and numbered 21103449, champagne coloured cross hair dial with Roman and dot hour markers, outer fifth of seconds track, seconds dial, case with a glazed back cover, case with convention gold mark 18k750, Omega strap and Omega 18 carat gold buckle, with Omega book form watch case, International Warranty card, Certificate of Authenticity and booklets36mm wideMade in a limited edition of 1894 pieces in 1994 to commemorate the 100th Anniversary of Omega.Case with light surface scratches, one very minor dent to the bezel edge at 8 which is only visible under an eyeglass, otherwise the watch is clean and in good condition, hand setting correctly, winding smoothly, movement in going order.
Los 2120
A Pair of Elizabeth II Silver Two-Light Candelabra, by James Dixon and Sons Ltd., Sheffield, 1968 each in the George II style, on shaped square base and with baluster stem which terminates in spool-shaped socket, the detachable branches reeded and each terminating in spool-shaped socket with plain nozzle, with a central flammiform finial, the bases filled29cm high, weight of branches 23oz 14dwt, 737gr (2)Fully marked on base and further part marked under base, on branches and nozzle. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. There is some bruising to the bases which causes the stems to lean slightly.
Los 2129
Omega: An 18 Carat Gold Automatic Wristwatch, signed Omega, Chronometer, model: Constellation, ref: 8299, 1968, (calibre 712) lever movement signed and numbered 26527713, adjusted to five positions and temperature, champagne coloured textured dial with baton markers, case with a snap-on back, inside back cover stamped Omega Watch Co and numbered 7853 8299 and a convention gold mark 18k0.750, Omega 18 carat gold textured integral bracelet32mm wideCase with light surface scratches, bezel outer edge with very minor dents in parts visible under an eyeglass, crown with Omega logo, bracelet with no splits and no damage, glass is clean, dial very slightly discoloured to the top side which is only visible under an eyeglass, hand setting correctly, movement in going order. Total watch weight 84.3g. Bracelet length including the watch case is 19cm approximately.
Los 2045
A Victorian Silver-Six Light Candelabrum, by T. Wilkinson and Sons, Birmingham, Probably 1862 on plain circular base with fluted stem, the lobed socket supports the detachable branches with five foliage-cast branches which each terminate in a lobed socket, the further central socket with detachable flammiform finial, the base filledtotal height 48.cm, weight of branches 55oz 8dwt, 1,724grPart marked on base, branches, socket, central nozzle and flammiform finial. Duty mark lacking. The marks with some wear but generally legible. There is some overall surface scratching and wear, consistent with age and use. The base later drilled for electricity. There are pegs on each branch which probably originally suspended chains which are now lacking.
Los 2124
Omega: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Omega, Chronometer, model: Seamaster, ref: 25013100, circa 2002, (calibre 1120) lever movement, silvered dial with baton markers and a wavy finished centre, date aperture, skeleton luminous hands, outer fifth of seconds track, protected screw down crown, screw back with the Seamaster logo and wavy decoration, behind one of the lugs numbered 80354632, Omega stainless steel bracelet with a concealed deployant clasp, with Omega boxes, International warranty, Chronometer certificate, Pictograms cards, instruction booklet, service paperwork dated 06/08/21, swing tag and three spare bracelet links 37mm wideCase and bracelet with light surface scratches, dial with one very minor dust particle resting on the surface between 5 and 6 o'clock, hand setting correctly, date changing correctly, movement in going order. Last serviced on 06/08/2021.
Los 2153
Jaeger Le Coultre: A Good 18 Carat Rose Gold Grande Size GMT 8-Day Power Reserve Reversible Wristwatch, signed Jaeger LeCoultre, model: Reverso Grande GMT, ref: 240.2.18, circa 2006, (calibre 878) manual wound 8-day power reserve lever movement, reversible sliding case with two dial displays, back cover signed and numbered 2218598, inside back cover stamped with convention gold mark 18k750, GMT adjustment buttons in the band, silvered dial with Arabic numerals, date and moonphase apertures, seconds dial, the reverse black dial with Arabic and baton markers, 8-day power reserve dial, two GMT sub dials, Jaeger LeCoultre strap and Jaeger LeCoultre 18 carat rose gold deployant clasp, with Jaeger LeCoultre boxes, certificate guarantee booklet, instruction booklet, adjustment pusher and purchase invoice29mm by 47mmCase with surface scratches, case with minor dents in parts, silvered dial side of the case with some slightly deeper scratches above the 12 o'clock position, crown with Jaeger LeCoultre logo, GMT adjustment buttons are working correctly, GMT adjustment pusher is working correctly, strap is slightly worn in parts, gold deployant clasp is slightly dirty, silvered dial side glass with one small scratch visible when tilting the watch to the light, the other side glass is clean, both dials are clean, hand setting correctly, date is changing, moonphase disc is changing, GMT functions are working, power reserve indicator hand is moving correctly when winding the watch, movement in going order.
Los 2288
A Diamond Cluster Ringthe central raised old cut diamond within a border of old cut diamonds, in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 2.10 carat approximatelyfinger size QThe ring is in good condition commensurate with age and light wear. It is stamped '18CT&P?' and in our opinion would test as gold and platinum. The cluster measures 13.90mm approximately. The approximate qualities of the diamonds are; colour H/I/J, clarity SI2/I1/I2. Gross weight 4.1 grams. CR made 29.05.24.
Los 2170
Rolex: An 18 Carat Gold Automatic Day/Date Centre Seconds Wristwatch, signed Rolex, Oyster Perpetual, Superlative Chronometer Officially Certified, model: Day/Date, ref: 1803, 1973, lever movement, light grey coloured "pie pan" dial with baton markers, day/date apertures, case with screw down crown, faceted bezel, convention gold mark 18k750, case serial number 3554006, Rolex 18 carat gold President bracelet with a deployant clasp, clasp with a London import gold mark for 1974, with Rolex boxes, blank guarantee paperwork, booklet, Rolex oyster booklet with price list for 1977, plastic card holder36mm wideCase and bracelet with surface scratches, case with minor dents in parts, bracelet links are evenly stretched, Rolex crown is screwing down correctly on the threaded tube, plexi glass with scratches, dial in good condition, hand setting correctly, calendars are changing correctly, movement in going order. Total watch weight 120g. Bracelet length including the watch case is 21cm approximately. Case back is very tight and I was unable to open the back cover to inspect the movement.
Los 2127
Longines: An Early and Unusual Shaped Wristwatch, signed Longines, circa 1906, (calibre 12.91) manual wound lever movement numbered 2292503, silvered dial with enamel Arabic numerals, hinged lugs, secured with four screws to the sides, case back with a Russian 56 gold stamp mark29mm by 45mmSold with a photocopy of a letter written to the vendor by the Longines Museum curator in Switzerland, stating “The serial number 2’292’503 identifies a gilded steel wristwatch for ladies, fitted with the Longines manufacture caliber 12.91, that was first produced in 1906. It was invoiced to Messrs Schwob & Sons in St Petersburg, who were for many years our agent for Russia, on 26.03.1910.”This watch was possibly re-cased in Russia circa 1910 from the original gilded steel as quoted in the Longines archives to this watch case which has the Russian 56 gold stamp mark.Case with surface scratches and very minor dents to the case back, case back with Russian gold mark rubbed, dial with light surface scratches in parts and small pieces of enamel missing to the surface of the Arabic numerals in parts, glass with light surface scratches, hand setting correctly, movement is clean and in going order. In our opinion this case tests as 14 carat gold.
Los 2097
An Edward VII Silver Four-Light Candelabrum, by Herbert Charles Lambert, London, 1903 and 1904 in the George II style, on square base with canted corners, the detachable branches with three scroll arms, each terminating in a spool-shaped socket and with plain wax-pan and nozzle, with a further central socket, engraved with a crest, the base filled46cm high, the branches 39oz, 1,212grFully marked on base, branches and nozzles. Further part marked underneath and stamped with maker's name. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. There is a bruise to the detachable nozzle on the base. There are the remains of lacquer in places. This has degraded and discoloured in some areas.
Los 210
A Pair of French Gilt and Patinated Bronze Six-Light Candelabra, in Louis XVI style, with foliate sockets and drip pans on leaf-sheathed scroll branches issuing from cornucopia supported by seated Bacchic putti on white marble columns hung with foliage swags and octagonal plinths76cm highIn overall good condition. The candelabra have previously been drilled for electricity, these alterations are all fairly descreet and around the rear. Gilding with some wear but to pleasing effect. Minor chips to marble edges.
Los 222
A Pair of Louis XV-Style Gilt Metal Two-Light Wall Appliques, of rococo cast form with acanthus leaves, the scrolled arms supporting candle holders and leaf-form drips, fitted for electricity36cm high, 36cm diameter (max)A Further Pair of Matching Three-Light Wall Appliques (4)Provenance: A Private Estate, North YorkshireBoth pairs wired with live and neutral and earthed directly to the bronze. The wiring is all accessible on the rear of the branches so could be replaced. Both pairs with vertical fixing points.No breaks or losses.
Los 128
A Chinese Porcelain Jar, late 16th/early 17th century, of baluster form, painted in underglaze blue with a continuous scene of figures on horseback within formal borders17cm highGood overall condition. No chips or cracks.Some scratches to the glaze and surface pitting.Top rim with a brown glaze, rounded and with pitting, the surface material is hard and shows no signs of repair under UV or strong transmitted light, however the form is unusual, no signs of re firing under the base, it is possible that the vase has been cut down and then re finished on the rim, also possible that the neck was damage and reduced during manufacturing.
Los 406
A Victorian Mahogany-Framed Window Seat, labelled Wallis & Co, Holborn Circus, London, 3rd quarter 19th century, recovered in close-nailed and buttoned light brown fabric, the overstuffed seat on turned and tapering forelegs140cm by 45cm by 43cmRecently recovered, so the fabric is in very good condition. Structurally sound, with the exception of the front-left leg, which has some very slight movement. The legs have some general scuffs and small faults consistent with age (see image). Please see further images.
Los 223
A Set of Four French Ormolu Three-Light Wall Appliques, late 19th/early 20th century, with ribbon-tied backplate supporting a quiver decorated with flowers, the three vine-decorated scrolled branches with leaf cast nozzles above cornucopia drip pans, the fluted base issuing further flowers and vines and decorated with laurel leaves 92cm high, 40cm wideProvenance: A Private Estate, North Yorkshire
Los 78
A Pair of English Porcelain Comports, probably Minton, circa 1860, of circular form, painted with birds perched on branches within blue and gilt borders, parian supports moulded as three cherubs and with animals on circular socles 23cm highProvenance: A Private Estate, North Yorkshire Good condition. No chips, cracks or repair. Some slight surface wear and scratches. Parian with light engrained dirt. Unmarked.
Los 119
A Vienna-Style Porcelain Charger, 2nd half 19th century, painted with "Geburt des Adonis" within a blue, pink, green and gilt border with panels of classical ornament, titled in red, shield mark in underglaze blue 39cm diameterGood condition. No chips, cracks or repair. Some very light wear.
Los 93
A Vincennes Porcelain Coffee Cup and Saucer, circa 1753, of fluted form, the bleu lapis ground with white reserves highlighted in gilt, cup with interlaced Ls in underglaze blue, both pieces with incised marksProvenance: Bears label for Klaber & KlaberSee Eriksen (Svend) & De Bellaigue (Geoffrey) Sèvres Porcelain, Vincennes and Sèvres 1740-1800, pg.276 for a similar example and it is there discussed that Jean Claude Thomas Duplessis received instructions to design a cup and saucer with flutes on 19th February 1753. His annotated drawing shows a cup that is broader and more bowl shaped than the present example, but these cups and their saucers have twenty-four flutes; his notes refer to them as Tasse Gaudrone and Souscope Gaudrone Hair crack to the rim of the saucer. Some light wear and scratches. Some loss to gilding, see images. From a private collection in the North of England.
Los 14
A Chelsea Derby Porcelain Twin-Handled Chocolate Cup and Trembleuse Saucer, circa 1775, of ogee form, painted in the manner of Edward Withers with sprays of flowers within gilt dentil borders, conjoined D and anchor marks in giltCover lacking. No chips, cracks or repair. Some light glaze wear.
Los 218
A Louis XV-Style Twenty-Eight-Light Gilt-Bronze Chandelier, late 19th century, the stem modelled as acanthus leaves and issuing naturalistic scrolled arms with candle holders and leaf-form drip pans, fitted for electricity drop 83cm, 100cm diameterProvenance: A Private Estate, North Yorkshire One branch with a break (see image). Otherwise appears to be structurally intact. Would need to be checked but was working in situ and removed by an electrician. With an associated gilt bronze section (see image)
Los 249
Peking Carpet, circa 1910The field depicting the gardens of The Imperial Palace with trees, hills and palatial buildings, enclosed by cloud borders.358cm by 280cmBoth ends with very minor losses. Slevedges complete and original. Pile is in fair condition, some black dye corrosion and light wear, requires cleaning.
Los 243
Kurk Kashan Carpet Central Iran, circa 1970 The deep indigo field with tree of life, birds and plants enclosed by dove grey borders of birds and animals, flanked by ivory meandering vine guard stripes. 309cm by 230cmProvenance: A Private Estate, North Yorkshire Both ends complete. One selvedge complete abd original and other original selvedge with section of light damage, approx. 5cm in length. Might benefit from washing.
Los 118
A Meissen Porcelain Figure Group, modelled by Friedrich Rentsch (1836-1899), as Bacchus with fruiting vines in his hair holding a goblet sitting on the back of a roaring leopard, on a rectangular plinth, Incised F Rentsch, crossed swords mark in underglaze blue and incised crossed swords within a triangle 40cm highHaving studied at the Dresden Art Academy, Rentsch became Professor of Ornamental and Figure Drawing at Dresden's Royal Saxon Polytechnic. He produced architectural sculptures for many buildings in Dresden as well as providing templates for wall paintings and designed a small number of models for the near-by Meissen porcelain factory Overall very good condition. No restoration. Gilding with very light wear. Some slight crazing detected under UV lighting only.
Los 410
Arthur Brett of Norwich: A Mahogany and Tulipwood-Banded Double Pedestal Dining Table, numbered 761401, of rounded rectangular form, with two additional leaves, raised on gun barrel turned supports and reeded legs with brass claw feet and castors 301cm by 123cm 74cm Table is generally in very good condition light surface scratches visible from certain angles but otherwise very good
Los 262
A French Ormolu and Porcelain Mounted Striking Mantel Clock Garniture, circa 1890, the imposing case surmounted by a classical infant in robes, side mask mounts, central blue porcelain urn shaped case, winged cherubs, loving birds and swag decorated base, porcelain painted dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, 74cm high, together with A Matching Ormolu and Blue Porcelain Mounted Urn Shaped Six-Light Candelabra Garniture, 73cm high, (3)Clock case with ormolu surfaces slightly discoloured, central porcelain body of the case with fine hairline cracks below the back door area, above the back door area with small chips to the edges, dial with small chips around both winding holes, movement is dirty, with later pendulum. Both garniture with the ormolu surfaces discoloured, one of the garniture with two light candelabra branches have come off and need securing, one of the detached branches with one sconce missing, same garnituire with one small chip. Some bolts to the joints are loose to each garniture and also the clock.
Los 233
Malayir KellehWest Iran, circa 1920The abrashed strawberry Herati field enclosed by stepped indigo spandrels and narrow yellow borders of stellar devices, flanked by boteh guard stripes.519cm by 201cmOne end with braided web approx. 17cm by 1cm missing, other end with embroidered web fraying and areas of damage into outer guard stripe, corners nibbled. Selvedges both original but with losses to the binding cords and small areas of minor damage into outer guard stripe. Pile is fair with one areas of light wear and one area of rucking, approx. 20cm by 1cm. Would benefit from washing.
Los 1070
Margaret H Collyer (1872-1945) Anticipation Signed and dated 1907, oil on canvas, 68.5cm by 88.5cmProvenance: A Private Estate, North Yorkshire Unlined, slightly lacking in tension. One key missing. Minor damages to the turnover margins. Dirt and debris behind bottom stretcher. The painting has moved slightly in the frame with a narrow gap at the bottom. Slight stretcher bar marks. Brittle age craquelure throughout, the larger scale cracks are slightly elevated and visible in a reflected light, particularly evident in the top left corner. These appear stable with no history of flaking. There are a few areas where the drying cracks have opened up slightly, for example the top left of the background. Possibly some very minor abrasion in a few other areas. One small area of damage, unrestored, to the left edge just above the signature where there has been some minor loss of paint.An old varnish has been unevenly removed, and remains yellow and ingrained in the troughs of the paint. Slightly yellowed upper varnish, glossy. Light surface dirt with a few matt splash marks to the left of the dog.
Los 1008
Frank (Frederick) William Scarborough (1860-1939)"A Fishing Haven, Coast of Fife" Signed and inscribed, watercolour heightened with white, 23.5cm by 33cm The paper is flat and even with no creases or tears. A tiny indentation with darker pigment in the sky top right, with a tiny dark mark below left. A feint greyish line up the left edge above the houses, and a feint brown makr above the middle chimney. A few brush hairs in the surface. Paper remains fairly light and bright, and colours fairly vivid. Frame is in good condition. 42x50cm
Los 1010
Frank (Frederick) William Scarborough (1860-1939)"Lower Pool, London"Signed and inscribed, watercolour heightened with white, 34.5cm by 52cm Very slight undulation in bottom right corner visible in raking light. No creases or tears. Some darkening/oxidisation of paper, particularly at edges where in contact with mount. A greyish haze in the texture of the paper at right - part of artist's technique? A few scattered brown foxing spots, one larger spot top centre, the rest very small. A few red lines in sky. Colours possibly a little muted.
Los 1095
Follower of William Hogarth (1967-1764) Portrait of Carlisle Spedding Esquire, of Whitehaven, head and shoulders, With inscribed label verso identifying the sitter, oil on canvas, 74cm by 61.5cm Carlisle Spedding (1685-1755) was principal Colliery Steward for the Lowther family from c.1730-1755, based at Whitehaven, West Cumberland Old, fairly stiff lining. Two keys missing, fair tension. Original tacking margins removed. Brittle age and impact craquelure throughout, and slight stretcher bar marks. All raised (see image in reflected light), but secure at present and not flaking. Crude, matte overpaint to top edge at left, down the left hand side, and a smaller patch bottom left. All ontop of the current varnish, and slightly smeared at top. Further scattered small older retouchings including to tiny losses at bottom edge and a small loss to the left of the right eye. Brushy, larger patches of overpaint to the dark 'knot' at the front of the necktie, and in patches at the top of the background. A little thinning/abrasion to the hair, and in places in the thinner parts of the background and drapery. Difficult to see in the darker areas due to opacity of old varnish.Old thick dirt and varnish ingrained in troughs of paint. Upper varnish is a bit yellowed, and a little scuffed/matte in places. Scratches in the surface at bottom right, along all edges and a patch in the top right corner, at right edge and in the cravat. A few matte splash/drip marks, light surface accretions.
Los 1098
British School (19th Century)Portrait of a gentleman, three quarter length standing, wearing a black cape, a view of a landscape beyondPortrait of a lady, three quarter length standing, wearing a white lace bonnet and a shawl with paisley pattern edgingOil on canvas, 88.5cm by 69cm and 89.5cm by 69.5cm respectively (2)Gent:Lined. All keys present. Good tension/support. Large passages of wide drying cracks throughout, mostly suppressed by a campaign of retouching but their texture is visible (see images in reflected light). Particularly noticable in the background top left, hair and collar. There are a few minor restored losses including a 1.5inch loss top right corner and scattered along the bottom edge. There has been fairly extensive abrasion and a brushy, broad campaign of overpainting, particlarly to the hair, parts of the drapery and parts of the background, with more delicated touches of overpaint in the face.There is old ingrained and partially removed yellowed varnish and a slightly uneven upper varnish. Somev ery minor matt splash marks and a light surface dirt layer. Lady:Lined, all keys present, good tension. Fine patches of brittle age craquelure - stable and not elevated. Passages of wide opened drying craquelure suppressed by retouching but the surface texture is visible in reflected light. The cracks are concentrated around the head, neck and surrounding background and in the shoulders. Widespread abrasion has been suppressed by broad brushy overpaint, as well as that to the drying cracks. Lighter touches of overpaint across the face. Ingrained old dirt and varnish, partially removed but left on in the darkest vulnerable passages such as the black drapery. A upper varnish layer, and light layer of surface dirt.
Los 1020
John Lamont Brodie (c.1824/1827-1898) Young girl and child at rest in a landscape Signed and dated 1858, mixed media, 74.5cm by 62cm According to an historical label, the sitters depicted include Anne Gertrude Beard (1849-1903) and her sister Marion Edith Beard (1854-1915), daughters of Joseph and Elizabeth Beard. Anne married Henry Hooper in 1870 and Marion Edith married Septimus Penny in 1886. This is the "Portrait of myself and sister Annie" which M E Penny referred to in her will. Lined. All keys present. Slighly lacking in tension. A little losse in the frame. Incipient brittle age craquelure in places in the background; cracks not visible but very slighly raised in raking light. All stable and no flaking. A few minor fresh scuffs and scratches, including to top left edge, through the hand on the back of the littler child, bottom right corner and afew further minor scuffs. There are a series of larger retouched scratches/damages in the rock below the seated child - one horizontal approx 4inches, and one diagonal below this of the same sort of size. A smaller one to the left of these. A few further minor scattered small retouchings. The painted flesh of the children has a slighly mottled/patchy appearance. It is not clear what has caused this but possibly broken up old varnish? An even surface gloss, with the varnish not appreciably discoloured. A few minor surface accretions. Glazed.
Los 1108
Hermanus Koekkoek Snr. (1815-1882) Dutch Provisioning a tall ship at anchor Signed, oil on canvas, 35cm by 57cm Provenance: MacConnal-Mason & Son Ltd, LondonLined, fairly stiff but good tension. All keys present. Brittle age craquelure and impact cracks throughout. Elevated (see raking light images) with a few lifting points, suggesting lining not adequately supporting painting but mostly stable. Fewer cracks above stretcher bars. Minor rubbing from the frame rebate in places along bottom and left edges. There has been a little abrasion in darker passages with delicate glazes, particuarly in the pier supports. The painting has been selectively cleaned in the past with an old varnish and dirt layer partially left on in the vulnerable darker passages, and these areas have less abrasion, for example the boats and figures. A good even, not too glossy upper varnish, not appreciably yellowed. There is a slightly dark, smudgy mark on the right side in the sky. No overpaint is visible in ultraviolet light.
Los 1028
William Mellor (1851-1931)"Stock Ghyll Force, Ambleside, Westmorland"Signed, inscribed verso, oil on canvas, 74cm by 48.5cmUnlined. All keys present but fairly slack tension. Minor distortion bottom right corner. A finescale brittle age craquelure throughout, not elevated and secure. Slight stretcher bar marks. One four-inch scratch, retouched, to the right of the top waterfall, and two retouched losses above the water on the right. Old ingrained dirt and varnish, mostly apparent in the sky. A matte varnish, a little yellowed, and light surface dirt.
Los 1047
William Miller Frazer RSA (1864-1961)Sheep and rustic figure at rest in a Summer landscape Signed, oil on canvas, 44cm by 54.5cm Provenance: Malcolm Innes Gallery, London and EdinburghUnlined. Fair tension, all keys present. Dirt and debris behind bottom stretcher. Slight distortion to canvas in top right corner. Brittle age and impact craquelure, mostly to the sky. Slightly elevated (see images in raking light). A few sharp lifting points but not actively flaking. A series of scratches/losses of upper layer of paint top centre - unrestored. Longest scratch approx. 3inches. Very minor gold transfer from rebate and a few fragments of debris at bottom edge. A few slighly matte patches from technique, but otherwise good varnish, not appreciably yellowed. Glazed.
Los 1042
James Hardy Jnr. (1832-1897)"In Charge"Signed and dated (18)86, oil on panel, 16.5cm by 24.5cm Provenance: A Private Estate, North Yorkshire. T Richardson & Co., London, Mandell's Gallery, NorwichThe panel has battens attached at all sides. V-shaped notches cut to accomodate old framing pins? Further minor losses at back of panel. No splits evident, flat and even. Fine brittle age/drying cracs in a few small areas - not elevated and all stable. One old filled and retouched damage top left edge, and an indented line at the far right edge, retouched. Even suface gloss, not very yellowed, with a few minor splashes/scuffs and light surface dust and accresions. A security mark is visible in ultraviolet light above the signature.
Los 1105
Jacob Silven (1851-1924) Swedish Nocturne scene with fishermanSigned and dated 1889, inscribed artist's name to frame on reverse, oil on canvas, 78cm by 119cm Unlined, one key missing, slightly lacking in tension. One corner draw/undulation in top left corner. Gap at the bottom of the canvas. One small puncture to the canvas from a blow from the reverse in the top left quadrant, with associated loss of paint and ground, unrestored. A futher larger dent in the top right quadrant. There is a network of raised brittle age craquelure and impact cracks.There are patches which have flaked. Some have been crudely/partially retouched. The paint and ground layers in these areas are not stable (see images). Notable areas include to the left of the moon and long horizontal impact cracks in the sea. Slight stretcher bar marks. Light abrasion/rubbing aroudn edges.There are futher passages of broad strokes of retouching to abrasion/opened cracks in the boat and figures, the bottom of the sky and touches in the water. The overpaint is slightly grey and matte. There is a futher patch of overpaint top left corner.There is a thick old varnish layer, yellowed and fairly matt. There are a few minor splashes and drips and one white patch in the sky.
Los 1084
James Miller (mid-19th Century) American "Still life" Signed, inscribed and dated 1849 verso, oil on board, 44cm by 53.5cm The reverse of the panel is painted brown. Minor knocks and scuffs to back of panel from past framings. One screw hole bottom right. Panel flat and even, with plane-marks on surface visable in reflected light. No splits apparent. Some patches of drying cracks/retraction cracks in a few passages, notably borad cracks in the glass of beer and smaller scale cracks in the dark shadows of the plates and knives, and the knife handles. The table is just a think glaze over the original wood of the panel, much of the rest of the painting is thinnly painted, with the grain of the wood showing through in the background in places.There has been some thinning/abrasion from age and cleaning in the past in passages, notably the knife on the plate, the shadows around the plates and bread, possibly to the foam on the beer, to the right hand plate, the bottom of the bottle and parts of the cheese, and left knife handle. Some of these areas have been a little suppressed with retouching - such as the knives, shadows of plates. There are futher minor patches of overpaint, likely to small damages, to the left and right edges of the table, to a small dent below the table top, to the right of the beer foam, and to small dents in the background. The varnish is slighly broken up from age, and is slighly opaque making it difficult to see if there is further overpaint in the background.Minor scuffs and knocks at the edges from movement in the frame. Scattered minor drips and scratches, including scratches to the bottle/cheese, and broader scratches under the table top.A fairly matte old varnish, likely a little yellowed. Light surface accretions.Most of the over paint is under the upper old varnish layer, and thus is not readily apparent under ultraviolet light.
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534297 Los(e)/Seite