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534297 Los(e)/Seite
Los 388
Arthur BRISCOE(1920-1997) The Wheel, 1927 Etching, signed and numbered 1/75, plate 22.6 x 35.3cm, sheet 28.6 x 35.5cm (mounted 41 x 51cm)Collectors NoteHurst 196. 9 x 10 (sheet 11 1/4 x 16 5/8). File copy, apart from the edition of 75. A rich impression with tonal wiping. Printed on the full sheet of cream laid paper with deckled edges. Signed and annotated 'file copy' ink. Illustrated: Print Collector's Quarterly 25 (1938): 292 THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Overall this charming etching is in good condition, with no particular areas of concern. There are a number of very light marks to the perimeter of the piece, yet these appear to be very faint finger prints of ink, from the artists hand.
Los 43
Mary FEDDEN (1915-2012) Red Throated Diver, 1997 Oil on board, signed and dated, 60 x 75cm, framed 71 x 86cm Royal West of England Academy (label to verso)Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This oil is in wonderful original condition with no damage and no restoration. An examination under UV light shows no anomalies.
Los 468
Follower of Fülöp LASZLO (1869-1937) Portrait (said to be Saidie Slingsby) Oil on canvas, unfinished, 75x60cm and 92x77cm including frameThis painting has been re-stretched. Historically a supportive strip of canvas has been added to the back of the lower third of the canvas (see images). A slip of paper tucked into the stretcher reads 'At some time, this painting has been cleaned and varnished to protect the original and then, an attempt to finish the painting has been made. This process allows the over painting to be removed to return the picture to its original state' There is a little blistering in places (please see additional images). Some light restoration is visible to the extreme edges under UV light.
Los 396
Edmund BLAMPIED (1886-1966) Loading Vraic, St Malo, 1927 Drypoint, signed, inscribed and numbered 91/100, plate 17.5 x 25.7cm, sheet 25.3 x 39cm (mounted 41 x 51cm)Appleby 122. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Overall this charming etching is in good condition, with no particular areas of concern. There are a number of very light marks to the perimeter of the piece, yet these appear to be very faint finger prints of ink, from the artists hand. The etching is bonded to the backing by two hinges located in the top two corners of the sheet.
Los 555
James Edwin MEADOWS(1828-1888) A fishing smack entering harbour, a frigate standing off Oil on canvas, lined, signed, 60x106cm and 76x123cm including the frameThis impressive oil is striking and ready to hang. Under close inspection, restoration is evident - the painting has been lined and re-stretched, when examined under UV light there is evidence of overpainting predominantly within the sky and to the extreme edges, the signature is partially obscured by overpainting (see images).
Los 39
Dod PROCTER (1891-1972) Penberth Valley Oil on board, signed and inscribed to verso, 25 x 30.5cm, framed 47 x 51cmSold at Sotheby's, London, November 1986This oil is signed on the back. We have seen that it was sold at Sotheby's, London, November 1986. It comes to us from a collector and is in excellent condition with no sign of restoration under UV light.
Los 496
David CARR (1915-1968) The Artist's Dream Oil on canvas, signed, further signed and titled to verso, 63 x 76cm, framed 76 x 89cmOverall this bright painting is in very good original condition and is ready to hang on the wall as it is. There is a little surface cracking with some radial impact cracks (see images), however, the surface of the painting appears stable with no losses. It may benefit from a light clean as there are a few flecks of dirt and some superficial surface mould.Provenance - The estate of a local enthusiast/collector.
Los 561
James Edwin MEADOWS (1828-1888) Fishing smack in a stiff breeze Oil on canvas, 44 x 79cm, 61 x 97cm framed.This apparently unsigned work has been lined and re-stretched. There is evidence of historic restoration when examined under UV light, this is particularly evident in the lower quadrant. Moulding loss to the top left corner of the frame (see image).
Los 452
Robin TANNER (1904-1988) Easter, 1970 Etching, signed and numbered 44/50, plate 39 x 26.5cm, sheet 51 x 44cm, mounted THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Light foxing is present throughout, as is some minor yellowing to the sheet. The etching is signed, but not numbered.
Los 508
Edward Brian SEAGO (1910-1974) Evening Haze, Bay of Porto Cervo, Sardinia Oil on board, signed, 40 x 60cm, 57 x 77cm framedPieter Wenning Gallery label to verso. Pieter Wenning Gallery, Johannesburg. This oil is in wonderful original condition. Uncleaned, but not dirty. UV light reveals no overpainting. The frame has various knocks.
Los 491
Thomas Todd BLAYLOCK (1876-1929) The Dancer on the Beach by Moonlight Oil on board, signed and dated 1901, 24 x 34.5cm, 42 x 53cm framed.Overall this work is in good condition. There are no obvious areas of overpainting visible under UV light. There is a little crazing to the varnish layer (see images). At some point, this work has been re-framed and as a result, there is a strip of around 1cm in width visible to the left and the bottom edges showing where the previous mount sat (see images).
Los 539
Gyrth RUSSELL (1892-1970) Topsham Oil on canvas, signed and inscribed, 29 x 39cm, 46 x 57cm framed.This unglazed bright and well-presented work is ready to hang and is in good, lined and restored condition. When examined under UV light there is evidence of light overpainting in areas, predominantly in the sky. When inspected closely in natural light, historic craquelure is visible throughout, this has been professionally stabilised and the surface of the work is secure and stable with no areas of flaking or loss.
Los 105
Garstin COX (1892-1933) Cornish Beach View Oil on board, signed, 30cm x 50cm, 33cm x 53cm framed.This oil is in original unrestored condition. There are some blemishes, a chip approximately 3mm x 3mm and a rub, see images. The signature is weak due to a fugitive pigment. It would benefit from a light clean.
Los 226
David JAMES (1853-1904) View from Bosigran Castle Promontory Fort, Looking Towards Commando Ridge (1887) Oil on canvas, signed and dated 1887, 62 x 125cm, 75 x 139cm framed.This impressive oil has been lined, re-stretched and professionally cleaned with some light restoration, resulting in a bright and stable work ready to hang. Additional images of this charming piece hanging in our sale room have now been uploaded to our website.
Los 278
VINTAGE BRASS CASED SHIP'S BINNACLE COMPASSthe gimbal compass card with fleur-de-lis and crown at due north, the brass bezel numbered '7428/SIS/R/427' and '6605-99-460-6389', with glass viewing window and enclosed oil burner light to one side, raised on circular wooden plinth and with carrying handle, 30cm high
Los 2317
Ex Nasa - a pair of George Nelson mid-century Loose Cushion Series lounge chairs. This range was produced by Herman Miller between 1956 and 1967. This pair of chairs were part of the original furniture installed in the NASA Manned Spacecraft Center when it opened in 1963 in Houston, Texas, This centre was renamed the Johnson Space Center in 1973. One chair retains the original NASA Manned Spacecraft Center Metal Asset Label to the front leg, height 80cm, width 80cm, depth 80cm Good condition, some light wear to fabric
Los 2011
A French Louis XV style walnut veneered and satinwood strung bombe commode chest of three drawers, with marble top, brass mounts and inlaid foliate decoration. 121x82x50cm.Generally good used condition. Some very slight rippling to veneer, and light surface scratches to marble top. Drawers run smoothly but no key present.
Los 2071
TURNRIDGE OF LONDON - A mid-century teak bar, with Formica top and locking cabinets. Overall 148x161x80cm.Depth of bar 39cm. Generally good condition, apart from light surface scratches and use related marks, small knock to side panel and some signs of having been stored somewhere damp. No maker's mark. Raised side unscrews and this piece could be used without, with only three small screw holes visible when removed.
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534297 Los(e)/Seite