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Los 21

A silver hot water jug,by R F Mosley & Co, Sheffield 1909, the bulbous body engraved with foliate decoration, on four paw feet,26cm high21oztCondition ReportSurface scratches and light tarnishing commensurate with use, but no apparent dents or repairs.

Los 211

A marble and gilt bronze mounted Corinthian column table lamp,20th century, raised on gilt bronze claw feet, complete with its shade,56cm high to the top of the columnCondition ReportLight fixing loose to the top. Pat Test Failed

Los 212

A pair of Alex Light reading lights, modern, with adjustable shafts,81cm high (2)Condition ReportNo obvious flaws. Minor surface wear and scuffs. Pat Test Passed

Los 227

â–´ Trevor Chamberlain ROI RSMA (b.1933)'First light, September, Waterford Marsh'signed and dated 'T. Chamberlain '80' l.r., further signed and inscribed with title verso, oil on canvas25 x 36cmCondition ReportFramed: 37 x 47cmSome areas of craquelure with a rippled texture to the surface throughout.

Los 229

â–´ Trevor Chamberlain ROI RSMA (b.1933)'Fishing from a Punt'signed 'T. Chamberlain' l.l., further signed and inscribed with title verso, oil on board16.5 x 19cmCondition ReportFramed: 20 x 22.5cmIn good condition. Under UV light there is no retouching visible. Well presented and ready to hang.

Los 238

â–´ Paul Millichip (1929-2018)'Quainton Church Porch'signed 'Millichip' l.l., inscribed with title and dated '1978' on a label verso, oil on canvas59.5 x 60cmCondition ReportFramed: 62 x 61.5cmLight surface dirt. Unexamined under UV light, for a full report please contact the department.

Los 240

â–´ Andrea Savino (Italian, b.1958)A pair of Italian harbour scenes the first signed 'A. Savino' l.l., the second 'Andrea Savino' l.r., both signed and stamped verso, oil on canvas 20 x 80cm (2)Provenance: The Estate of Mrs Althea Lloyd.Condition ReportOverall 36 x 96cm (2)Generally good condition. Not viewed under UV light, please contact the department for a full report.

Los 243

After Pablo Picasso'Hommage a Rene Char'lithograph in colours, from a drawing in coloured chalk made in 1964, published by Mourlot, Parissheet 75 x 52cmCondition ReportFramed: 95 x 71.5cmTime staining with light rippling to the paper.

Los 244

...Niemirska(?)Still life of a vase of flowers and paintbrush potsindistinctly signed and dated '83' l.r., oil on canvas69.5 x 100cm, unframed Condition ReportUnlined canvas with light surface dirt but in otherwise apparently good condition. Unexamined under UV light, for a full report please contact the department.

Los 250

â–´ Eileen Cooper RA (b.1953)'The Healer'etching and aquatint in colours, printer's proof, signed and dated 'Eileen Cooper 1989' in pencil l.r., inscribed with title and numbered 'pp1/8'sheet 59 x 75.5cm,unframedCondition ReportThe print has deckled edges and the top edge has some light surface dirt. Some light spots of foxing to the top half.

Los 261

â–´ Charles Bronson (b.1952)'Death-Chamber'signed and dated 'Charles Bronson/XMAS 2.005' l.r., inscribed 'For my Old Buddy Joe.../2006 A Winner Dad x/I'm On My Way Home!' l.c., with a letter to Joe Pyle verso, pen and crayon41 x 29cmCondition ReportFramed: 55 x 43cmLight creasing with some smudges of dirt verso, please see images.

Los 264

â–´ Ciro Canzanella (Italian, b.1948)Grand Canal, Venicesigned 'CIRO CANZANELLA' l.l., further signed and indistinctly inscribed verso, oil on canvas30 x 40cmProvenance: The Estate of Mrs Althea Lloyd.Condition ReportOverall 36 x 55.5cmGenerally good original condition.Not examined under UV light. For a full report please contact the department.

Los 265

Matthew Perceval (Australian, b.1945)Lake scene with a figure in a rowing boatsigned 'Matthew Perceval' l.r., dated '1966' l.l., oil on canvas39 x 50cmProvenance: The Estate of Mrs Althea Lloyd.Condition ReportOverall 51.5 x 62.5cmIn generally good conditon with some very minor cracks to the surface of the paint in parts. See images.Not inspected under UV light. For a full report please contact the department.

Los 266

English School, 19th/20th centuryStudy of a St Bernardoil on canvas53 x 41cm, unframedCondition ReportThe canvas is unlined. There are several small patches to the reverse with corresponding retouching to the recto. Some varnish discolouration, craquelure and stretcher marks apparent. Unexamined under UV light, for a full report please contact the department.

Los 267

Leo J Saxton (20th century)Study of a young boysigned and dated 'Leo.J.Saxton/1940' l.r., further inscribed by the artist on a label verso, oil on canvas40.5 x 30.5cmCondition ReportFramed: 55 x 45cmSpots and speckle of surface dirt with some staining to the upper right corner and right edge, please see images. Stretcher marks starting to emerge. Unexamined under UV light, for a full report please contact the department.

Los 269

â–´ Enrico Campagnola (Italian, 1911-1984)A man in a hat;A woman holding her necklacetwo, each signed 'Campagnola', oil on canvas73 x 61cm (2)Condition ReportCraquelure to both. Not viewed under uv light, please contact department.

Los 270

â–´ Paul Millichip (1929-2018)Figure with outstretched armssigned and dated 'Millichip '56' l.l., oil on canvas76 x 61cmCondition ReportFramed: 94.5 x 79cmLight surface dirt. Unexamined under UV light, for a full report please contact the department.

Los 274

J Fermor (20th century)'Tennis Match, Whitby'signed 'Fermor' l.r., inscribed with title and dated '1901' verso, oil on canvas51.5 x 76cmCondition ReportFramed: 73 x 98.5cmSome light spots and speckles of surface dirt but in otherwise good condition. Unexamined under UV light, for a full report please contact the department.

Los 275

â–´ Paul Millichip (1929-2018)'Farm Buildings, Addington'signed 'Millichip' l.l., inscribed with title and dated '1978' on a label verso, oil on canvas31.5 x 47cmCondition ReportFramed: 39.5 x 54.5cmWell presented and ready to hang. Unexamined under UV light, for a full report please contact the department.

Los 277

David Levine (American, 1926-2009)'Westport Beach Scene, Connecticut'signed 'D. Levine' l.l., inscribed with title on artist's label verso, watercolour9.5 x 18cmCondition ReportFramed size 34 x 40cmDiscolouration to the paper. Light fading with some small brown speckles of staining to the lower left corner, please see images.

Los 279

English School, 20th centuryBull terrieroil on board33 x 46cmCondition Reportoverall: 57.5 x 69.5cmLight surface dirt. Unexamined under UV light, for a full report please contact the department.

Los 281

Mary Ensor (fl.1863-1897)Birds Nest and Flowers'signed 'M.Ensor' l.r., titled verso, oil on board33 x 41cmCondition Reportoverall: 50 x 57.5cmLight discolouration to the varnish but appears to be in otherwise generally good order. Unexamined under UV light, for a full report please contact the department.

Los 284

Granville Eliot (fl.1891)A steeplechase signed 'G.Eliot.' l.r., oil on canvas46 x 79cmCondition Report54 x 85.5cm overall.Canvas is unlined, some craquelure emerging, some varnish discolouration and some surface dirt.Not examined under UV light. For a full report please contact the department.

Los 287

â–´ Richard Barrett Talbot Kelly RI (1896-1971)'Merganser'signed with a monogram u.l., gouache61 x 46cmProvenance: With the Wildlife Art Gallery.Condition Reportoverall: 86.5 x 67.5cmNot viewed out of glazed frame. 15cm fold line visible to upper left corner. Light abrasion to lower right side. Light brown staining in places including neck and water. Surface dirt on glass. Please see additional images on the website.

Los 288

Edward Robert Smythe (1810-1899)Horse and donkey beside a campfiresigned 'E.R Smythe' l.r., oil on canvas51 x 76cmCondition Reportoverall: 64 x 89cmThe canvas has been lined, there is some craquelure throughout including deep craquelure to the lower left and centre. Viewing under UV light shows areas of retouching throughout the picture. Light surface dirt, may benefit from light clean. Please see additional condition images on the website.

Los 289

â–´ Neil Cawthorne SEA (1936-2022)Exercise on a winter morningsigned and dated 'Neil Cawthorne '88' l.r., oil on canvas50.5 x 65.5cmCondition Reportoverall: 68 x 83cmIn good condition and ready to hang. Unexamined under UV light, for a full report please contact the department.

Los 291

â–´ Raymond John Vandenbergh (1889-1960)'Indian Python'signed with initials, inscribed with title and dated '1923' l.r., pencil and watercolour,together with four other studies of snakes14 x 32.5cm and smaller (5)Condition Reportoverall: 35 x 53cm and smaller.Light handling creases and rippling to all.

Los 368

A copper lantern,mounted on a cast aluminium wall bracket, with an electric light fitting,122cm high70cm longProvenance: The collection from the estate of the late Roy CarterCondition ReportOverall good. It will need re-wiring and in a modern light fitting.Perspex sides.

Los 136

Trombetta,(A.).: Opus doctrinae Scoticae in Thomistas. Venedig, Hieronymus de Paganinis, 1493. Folio. 30 x 20 cm. 99 (von 102) Blätter, 69 Zeilen, gotische Schrift. - Beigebunden: Boethius (Anicus manlius Torquattus Severinus) Inter latinos Aristotelis interpretes... Dialecta. Venedig, I. Gryphius, 1580. Mit einigen Holzschnitt-Diagrammen. Prgt. d. Zt. (Gelenke gerissen, Rücken mit Alterssp.). I: ISTC it00462000. - Frühe Tintenmarginalien, es fehlen 2D2, 2D5 und L8, Teile des Werkes sind ungeordnet gebunden, [*]1-2 auf Papierstreifen montiert und am unteren Rand repariert, D1 an der inneren Ecke mit Verlust von 3 Zeilen eingerissen, einige Blätter mit leichten Wasserflecken, 2 oder 3 mit stärkerer Verschmutzung. - 99 (of 102) leaves, 69 lines, gothic letter, early ink marginalia, lacks 2D2, 2D5 and L8, parts of the work bound out of order, [*]1-2 mounted on stubs and repaired at lower margin, D1 torn at inner corner with loss to 3 lines, a few leaves with light waterstains, 2 or 3 with heavier soiling. - BOETHIUS (ANICIUS MANLIUS TORQUATUS SEVERINUS) Inter latinos Aristotelis interpretes... Dialecta, a few woodcut diagrams, Venice, I. Gryphius, 1580, 2 works bound in one vol., seventeenth century vellum, joints cracked, spine worn.

Los 467

Schellhammer,M.S.: Die wol unterwiesene Köchinn Das ist: Unterricht, Wie man allerley wolschmeckende Speisen aufs füglichste zubereiten, schmackhafte Suppen, Potagen, Tarten... Fleisch, Fische, Garten-Früchte... sampt vielen... Kunst-Griffen, so in der Koch-Kunst ihren... Nutzen haben. 3. Aufl. Brschwg. Fickel 1704. 4°. Mit 20 auf 18 Kupfertaf. 14 (von 15) Bl., 599 S. - â•”Angebunden: Dies.â•— Der wohl-unterwiesenen Köchinn zufällige Confect-Taffel, Bestehend In Zubereitung allerhand mit Zucker eigenmachten Früchten, Säfften, Weinen, Aquaviten, Brandteweinen, Bieren, Essigen und dergleichen etc. Nun zum andernmahl herausgegeben, mit vielen Stücken vermehret, verbessert und von Druck-fehlern gesäubert. Ebda. 1706. Mit gest. Front. u. 2 Kupfertaf. 4 Bl., 224 S., 5 Bl. Neuer flex. Prgt. mit hs. Rtitel. Weiss 3377 u. 3379. - Umfangreiches Kochbuch mit einer großen Abteilung über das Anrichten und die Folgen der Speisen am Anfang. - I. Ohne das gest. Front. Das fehlende Titelbl. in Hs. eingeb. Tls. leicht wurmspurig u. gering fleckig. II. Front. ob. knapp beschn. - (201) - - I.: Without the engraved frontispiece. The missing title page added by hand. Some light worming and spotting. II.: Frontispiece slightly trimmed at the top.

Los 133

A 19th Century Victorian 13th (Somerset Light Infantry) Regiment of Foot Glengarry cap badge. The badge depicting a stringed bugle, mural crown and JELLALABAD scroll.

Los 82

A vintage 1930s Art Deco bakelite and glass table desk lamp light comprising of a opaline glass shade over a brown bakelite lamp base stem raised on a hexagonal base with flip switch. Sold as untested. Measures approx. 42cm x 13cm diameter. 

Los 409

A retro 20th century plexiglass light up shop display advertisement sign for Chilprufe underwear shop. Blue text on white plexiglass sign. Measures approx. 15cm x 61cm x 12cm. 

Los 17

Ercol - A vintage retro late 20th century Ercol light elm coffee table having rectangular top over magazine rack with slanted spindles and shaped supports. Measures approx. 50cm x 55cm x 36cm.

Los 548

A vintage late 20th century painted metal work desk / table lamp light finished in an orange colourway. The lamp having a conical shade over an oval base. Measures approx. 46cm tall.

Los 166

Ercol - A vintage retro late 20th century Ercol light elm coffee table having rectangular top over magazine rack with slanted spindles and shaped supports. Measures approx. 50cm x 55cm x 36cm.

Los 569

Dar Lighting - SANO323 - A contemporary Dar Lighting gilt metal & fabric ceiling pendant light. The light having a gilt metal structure with cobalt blue fabric circular shade. Measures approx. 45cm x 45cm. 

Los 659

A vintage 20th century Art Deco floor standing uplighter / standard lamp light having a copper mount atop fluted glass column. All raised on a circular mirrored base. Sold as untested. Measures approx. 177cm x 35cm diameter.

Los 179

Hadrill & Horstmann - A retro 20th Century industrial counterbalance anglepoise office desk table lamp light. The lamp with adjustable counterbalance arm and conical shade raised on a square weighted base. All finished in a cream colourway. Sold as untested. Measures approx. 63cm x 41cm.

Los 496

Laura Ashley - Model 3566051 - A contemporary hanging ceiling light chandelier having a painted wire worked scrolled frame with glass droplets and faceted cut swags. Label present. Measures approx. 51cm x 50cm diameter.

Los 10

Signed with monogram and dated `MP. [conjoined] fecit./ 1679 Inv 24 april..`, pen and black ink applied in a stippled technique, unframed 31.5 x 20.5cm. Provenance: Collection of P. von Baldinger-Seidenberg; Collection of Professor John Isaacs; London, Sothebys, January 28th 1965, lot 135. *Condition: Some foxing and light creasing.

Los 104

Signed `J Van Couver` (the artist's pseudonym), oil on board 19.5 x 29.5cm. *Condition: Some craquelure; needs a light clean.

Los 106

Signed and dated `H. A. Dahl/ 29.6.1915`, oil on card, unframed 40.5 x 30.5cm. *Condition: Slight chips to board edges; a few minor blemishes; needs a light clean.

Los 11

Dated `1719 Junius`, pen and sepia ink with grey wash, on old washline support sheet, unframed Image 20.5 x 31.5cm. Provenance: Collection of Eric Hancock; London, Sothebys, July 20th 1967, lot 75 (£15). *Condition: Ink smudge in centre; needs a light clean.

Los 117

Mixed media on card or paper 25 x 35cm. *Condition: Good condition; needs a light clean.

Los 122

Inscribed `To Pam from B 19.July 47`, pencil with sepia and grey washes, a sketch 27 x 15.5cm.; with a pencil and wash sketch of Mevagissey, 1932, attributed to Dugald Sutherland MacColl, 16 x 24cm. (2). *Condition: Dunstan in good condition; MacColl fair, small rubbed damage lower left, needs a light clean.

Los 133

Two, oil on canvas, unframed 30 x 35.5cm; and 40.5 x 30cm. (2) Provenance: By descent in the family of the artist. *Condition: The former with retouching lower right, some chipped losses, needs a clean; the latter generally good, needs a light clean.

Los 137

Signed and dated 1915, bears later inscription verso by another hand (`Kaiser Franz Joseph/ Jubilee/ Opera House`), oil on board This is a view of the Rathaus (City Hall) on the Ringstrasse, Vienna, with the Rathausplatz in front of it.23 x 32.5cm. *Condition: Scattered retouching; a few minor surface grazes; needs a light clean.

Los 138

Signed and indistinctly dated (03?), remains of exhibition label verso, oil on board 29 x 44.5cm. *Condition: Some retouching apparent in sky; needs a light clean.

Los 144

Signed with initials, oil on canvas 52 x 62cm. Provenance: London, Ernest Brown & Phillips Ltd (label verso, no date). *Condition: Good condition; needs a light clean.

Los 149

Bears signature recto and verso, oil on board 38.5 x 59.5cm. *Condition: Some retouching in sky; needs a light clean.

Los 154

Signed and dated 1942, oil on canvas 58.5 x 50cm. *Condition: A few minor flaked losses; needs a light clean.

Los 163

Signed and dated `-1 29`, oil on canvas 32 x 42cm. Exhibited: London Artists' Association; London, The Leicester Galleries, `Exhibition of the Collection of the late Sir Hugh Walpole, part 2`, possibly May 1945 Provenance: Hugh Walpole; R. H. Boyd; thence by descent * Hugh Walpole was an eager collector of Grant's work and this subject is typical of the artist's work in the late 1920s and early1930s, executed in this swift and spontaneous manner. The lidded vase is a familiar motif in compositions from this period but this is more probably a London subject or one painted at Vanessa Bell's house in Cassis than at Charleston. We are very grateful to Richard Shone for his assistance with cataloguing this lot. *Condition: Good condition; in need of a light clean.

Los 38

Signed and dated 95, watercolour heightened with white 24 x 40cm. *Condition: Good colour; may benefit from a light clean.

Los 40

Signed and inscribed with title, watercolour with pen and black ink, heightened with blue bodycolour (and/or chalks) and scratching out 20.5 x 28.5cm. *Condition: Some browning of the paper evident; some slight scuffs/light grazes.

Los 62

Quarter length, wearing a pale grey dress with light blue mantle affixed with pearl clasp, also wearing pearl jewellery, within a painted oval, oil on canvas 74.5 x 62.5cm. Provenance: By descent in the family of the sitter. *Condition: Unlined; four patched repairs verso; some flaked losses; some wear; some craquelure and scattered retouching.

Los 66

Oil on panel, within a painted circle 13.5 x 13.5cm approx. * An old handwritten inscription on the reverse of the frame suggests that this is a portrait of the `Prince of the Belgians` (presumably intended to mean Leopold I, 1790-1865). *Condition: Slight craquelure; needs a light clean.

Los 70

Seated half length, wearing a russet dress and ochre mantle, seated upon a sofa, a swag and pillar beyond, distant landscape, oil on panel 34 x 28cm. Provenance: By descent in the family of the sitter. The sitter inherited the estate of Naseby in Northamptonshire and was renowned for her beauty as much as her wealth. She married her cousin John Purcell and, conventionally, took his surname until 1818. In that year, her husband changed his own surname to Fitzgerald whereupon she became Mrs John Fitzgerald. Her son, Edward (1809-1883), who translated `The Rubaiyat of Omar Khayyam` in 1859, disliked it: `I somehow detest my own scrolloping surname`. *Condition: Some slight craquelure; needs a light clean; slight paint separation on sitter's right hip.

Los 72

Oil on canvas# 60 x 73.5cm. *Condition: Lined; some paint separation; scattered retouching; some craquelure; needs a light clean.

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