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534297 Los(e)/Seite
â–´ Trevor Chamberlain ROI RSMA (b.1933)'First light, September, Waterford Marsh'signed and dated 'T. Chamberlain '80' l.r., further signed and inscribed with title verso, oil on canvas25 x 36cmCondition ReportFramed: 37 x 47cmSome areas of craquelure with a rippled texture to the surface throughout.
â–´ Trevor Chamberlain ROI RSMA (b.1933)'Fishing from a Punt'signed 'T. Chamberlain' l.l., further signed and inscribed with title verso, oil on board16.5 x 19cmCondition ReportFramed: 20 x 22.5cmIn good condition. Under UV light there is no retouching visible. Well presented and ready to hang.
â–´ Andrea Savino (Italian, b.1958)A pair of Italian harbour scenes the first signed 'A. Savino' l.l., the second 'Andrea Savino' l.r., both signed and stamped verso, oil on canvas 20 x 80cm (2)Provenance: The Estate of Mrs Althea Lloyd.Condition ReportOverall 36 x 96cm (2)Generally good condition. Not viewed under UV light, please contact the department for a full report.
...Niemirska(?)Still life of a vase of flowers and paintbrush potsindistinctly signed and dated '83' l.r., oil on canvas69.5 x 100cm, unframed Condition ReportUnlined canvas with light surface dirt but in otherwise apparently good condition. Unexamined under UV light, for a full report please contact the department.
â–´ Eileen Cooper RA (b.1953)'The Healer'etching and aquatint in colours, printer's proof, signed and dated 'Eileen Cooper 1989' in pencil l.r., inscribed with title and numbered 'pp1/8'sheet 59 x 75.5cm,unframedCondition ReportThe print has deckled edges and the top edge has some light surface dirt. Some light spots of foxing to the top half.
â–´ Charles Bronson (b.1952)'Death-Chamber'signed and dated 'Charles Bronson/XMAS 2.005' l.r., inscribed 'For my Old Buddy Joe.../2006 A Winner Dad x/I'm On My Way Home!' l.c., with a letter to Joe Pyle verso, pen and crayon41 x 29cmCondition ReportFramed: 55 x 43cmLight creasing with some smudges of dirt verso, please see images.
â–´ Ciro Canzanella (Italian, b.1948)Grand Canal, Venicesigned 'CIRO CANZANELLA' l.l., further signed and indistinctly inscribed verso, oil on canvas30 x 40cmProvenance: The Estate of Mrs Althea Lloyd.Condition ReportOverall 36 x 55.5cmGenerally good original condition.Not examined under UV light. For a full report please contact the department.
Matthew Perceval (Australian, b.1945)Lake scene with a figure in a rowing boatsigned 'Matthew Perceval' l.r., dated '1966' l.l., oil on canvas39 x 50cmProvenance: The Estate of Mrs Althea Lloyd.Condition ReportOverall 51.5 x 62.5cmIn generally good conditon with some very minor cracks to the surface of the paint in parts. See images.Not inspected under UV light. For a full report please contact the department.
English School, 19th/20th centuryStudy of a St Bernardoil on canvas53 x 41cm, unframedCondition ReportThe canvas is unlined. There are several small patches to the reverse with corresponding retouching to the recto. Some varnish discolouration, craquelure and stretcher marks apparent. Unexamined under UV light, for a full report please contact the department.
Leo J Saxton (20th century)Study of a young boysigned and dated 'Leo.J.Saxton/1940' l.r., further inscribed by the artist on a label verso, oil on canvas40.5 x 30.5cmCondition ReportFramed: 55 x 45cmSpots and speckle of surface dirt with some staining to the upper right corner and right edge, please see images. Stretcher marks starting to emerge. Unexamined under UV light, for a full report please contact the department.
J Fermor (20th century)'Tennis Match, Whitby'signed 'Fermor' l.r., inscribed with title and dated '1901' verso, oil on canvas51.5 x 76cmCondition ReportFramed: 73 x 98.5cmSome light spots and speckles of surface dirt but in otherwise good condition. Unexamined under UV light, for a full report please contact the department.
â–´ Paul Millichip (1929-2018)'Farm Buildings, Addington'signed 'Millichip' l.l., inscribed with title and dated '1978' on a label verso, oil on canvas31.5 x 47cmCondition ReportFramed: 39.5 x 54.5cmWell presented and ready to hang. Unexamined under UV light, for a full report please contact the department.
David Levine (American, 1926-2009)'Westport Beach Scene, Connecticut'signed 'D. Levine' l.l., inscribed with title on artist's label verso, watercolour9.5 x 18cmCondition ReportFramed size 34 x 40cmDiscolouration to the paper. Light fading with some small brown speckles of staining to the lower left corner, please see images.
Mary Ensor (fl.1863-1897)Birds Nest and Flowers'signed 'M.Ensor' l.r., titled verso, oil on board33 x 41cmCondition Reportoverall: 50 x 57.5cmLight discolouration to the varnish but appears to be in otherwise generally good order. Unexamined under UV light, for a full report please contact the department.
Granville Eliot (fl.1891)A steeplechase signed 'G.Eliot.' l.r., oil on canvas46 x 79cmCondition Report54 x 85.5cm overall.Canvas is unlined, some craquelure emerging, some varnish discolouration and some surface dirt.Not examined under UV light. For a full report please contact the department.
â–´ Richard Barrett Talbot Kelly RI (1896-1971)'Merganser'signed with a monogram u.l., gouache61 x 46cmProvenance: With the Wildlife Art Gallery.Condition Reportoverall: 86.5 x 67.5cmNot viewed out of glazed frame. 15cm fold line visible to upper left corner. Light abrasion to lower right side. Light brown staining in places including neck and water. Surface dirt on glass. Please see additional images on the website.
Edward Robert Smythe (1810-1899)Horse and donkey beside a campfiresigned 'E.R Smythe' l.r., oil on canvas51 x 76cmCondition Reportoverall: 64 x 89cmThe canvas has been lined, there is some craquelure throughout including deep craquelure to the lower left and centre. Viewing under UV light shows areas of retouching throughout the picture. Light surface dirt, may benefit from light clean. Please see additional condition images on the website.
â–´ Raymond John Vandenbergh (1889-1960)'Indian Python'signed with initials, inscribed with title and dated '1923' l.r., pencil and watercolour,together with four other studies of snakes14 x 32.5cm and smaller (5)Condition Reportoverall: 35 x 53cm and smaller.Light handling creases and rippling to all.
Trombetta,(A.).: Opus doctrinae Scoticae in Thomistas. Venedig, Hieronymus de Paganinis, 1493. Folio. 30 x 20 cm. 99 (von 102) Blätter, 69 Zeilen, gotische Schrift. - Beigebunden: Boethius (Anicus manlius Torquattus Severinus) Inter latinos Aristotelis interpretes... Dialecta. Venedig, I. Gryphius, 1580. Mit einigen Holzschnitt-Diagrammen. Prgt. d. Zt. (Gelenke gerissen, Rücken mit Alterssp.). I: ISTC it00462000. - Frühe Tintenmarginalien, es fehlen 2D2, 2D5 und L8, Teile des Werkes sind ungeordnet gebunden, [*]1-2 auf Papierstreifen montiert und am unteren Rand repariert, D1 an der inneren Ecke mit Verlust von 3 Zeilen eingerissen, einige Blätter mit leichten Wasserflecken, 2 oder 3 mit stärkerer Verschmutzung. - 99 (of 102) leaves, 69 lines, gothic letter, early ink marginalia, lacks 2D2, 2D5 and L8, parts of the work bound out of order, [*]1-2 mounted on stubs and repaired at lower margin, D1 torn at inner corner with loss to 3 lines, a few leaves with light waterstains, 2 or 3 with heavier soiling. - BOETHIUS (ANICIUS MANLIUS TORQUATUS SEVERINUS) Inter latinos Aristotelis interpretes... Dialecta, a few woodcut diagrams, Venice, I. Gryphius, 1580, 2 works bound in one vol., seventeenth century vellum, joints cracked, spine worn.
Schellhammer,M.S.: Die wol unterwiesene Köchinn Das ist: Unterricht, Wie man allerley wolschmeckende Speisen aufs füglichste zubereiten, schmackhafte Suppen, Potagen, Tarten... Fleisch, Fische, Garten-Früchte... sampt vielen... Kunst-Griffen, so in der Koch-Kunst ihren... Nutzen haben. 3. Aufl. Brschwg. Fickel 1704. 4°. Mit 20 auf 18 Kupfertaf. 14 (von 15) Bl., 599 S. - â•”Angebunden: Dies.â•— Der wohl-unterwiesenen Köchinn zufällige Confect-Taffel, Bestehend In Zubereitung allerhand mit Zucker eigenmachten Früchten, Säfften, Weinen, Aquaviten, Brandteweinen, Bieren, Essigen und dergleichen etc. Nun zum andernmahl herausgegeben, mit vielen Stücken vermehret, verbessert und von Druck-fehlern gesäubert. Ebda. 1706. Mit gest. Front. u. 2 Kupfertaf. 4 Bl., 224 S., 5 Bl. Neuer flex. Prgt. mit hs. Rtitel. Weiss 3377 u. 3379. - Umfangreiches Kochbuch mit einer großen Abteilung über das Anrichten und die Folgen der Speisen am Anfang. - I. Ohne das gest. Front. Das fehlende Titelbl. in Hs. eingeb. Tls. leicht wurmspurig u. gering fleckig. II. Front. ob. knapp beschn. - (201) - - I.: Without the engraved frontispiece. The missing title page added by hand. Some light worming and spotting. II.: Frontispiece slightly trimmed at the top.
Signed with monogram and dated `MP. [conjoined] fecit./ 1679 Inv 24 april..`, pen and black ink applied in a stippled technique, unframed 31.5 x 20.5cm. Provenance: Collection of P. von Baldinger-Seidenberg; Collection of Professor John Isaacs; London, Sothebys, January 28th 1965, lot 135. *Condition: Some foxing and light creasing.
Inscribed `To Pam from B 19.July 47`, pencil with sepia and grey washes, a sketch 27 x 15.5cm.; with a pencil and wash sketch of Mevagissey, 1932, attributed to Dugald Sutherland MacColl, 16 x 24cm. (2). *Condition: Dunstan in good condition; MacColl fair, small rubbed damage lower left, needs a light clean.
Signed and dated 1915, bears later inscription verso by another hand (`Kaiser Franz Joseph/ Jubilee/ Opera House`), oil on board This is a view of the Rathaus (City Hall) on the Ringstrasse, Vienna, with the Rathausplatz in front of it.23 x 32.5cm. *Condition: Scattered retouching; a few minor surface grazes; needs a light clean.
Signed and dated `-1 29`, oil on canvas 32 x 42cm. Exhibited: London Artists' Association; London, The Leicester Galleries, `Exhibition of the Collection of the late Sir Hugh Walpole, part 2`, possibly May 1945 Provenance: Hugh Walpole; R. H. Boyd; thence by descent * Hugh Walpole was an eager collector of Grant's work and this subject is typical of the artist's work in the late 1920s and early1930s, executed in this swift and spontaneous manner. The lidded vase is a familiar motif in compositions from this period but this is more probably a London subject or one painted at Vanessa Bell's house in Cassis than at Charleston. We are very grateful to Richard Shone for his assistance with cataloguing this lot. *Condition: Good condition; in need of a light clean.
Quarter length, wearing a pale grey dress with light blue mantle affixed with pearl clasp, also wearing pearl jewellery, within a painted oval, oil on canvas 74.5 x 62.5cm. Provenance: By descent in the family of the sitter. *Condition: Unlined; four patched repairs verso; some flaked losses; some wear; some craquelure and scattered retouching.
Seated half length, wearing a russet dress and ochre mantle, seated upon a sofa, a swag and pillar beyond, distant landscape, oil on panel 34 x 28cm. Provenance: By descent in the family of the sitter. The sitter inherited the estate of Naseby in Northamptonshire and was renowned for her beauty as much as her wealth. She married her cousin John Purcell and, conventionally, took his surname until 1818. In that year, her husband changed his own surname to Fitzgerald whereupon she became Mrs John Fitzgerald. Her son, Edward (1809-1883), who translated `The Rubaiyat of Omar Khayyam` in 1859, disliked it: `I somehow detest my own scrolloping surname`. *Condition: Some slight craquelure; needs a light clean; slight paint separation on sitter's right hip.

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534297 Los(e)/Seite