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Los 6193

Cologne and London, Verlag M. Dumont Schauberg and Petersburg Press, 1973. Softcover, 15 x 17.5 cm, 38 uncut pp. (with a warning from the artist not to cut them). Offset printed in b/w and colour. German version. Artists' book based on a film by Broodthaers, illustrated with the pairing of a late-nineteenth-century amateur painting of an archetypal European ship and a twentieth-century photograph of a pleasure boat against a modern urban backdrop. Second of three language variations of the trade edition (English, German and French). Light trace of sticker on back cover, otherwise a very good copy.

Los 6209

(1) Richard Tuttle, Kunstraum München (aka 11th Paper Octagonal and Paintings for the Wall), 1973. Leitz cardboard folder, 32 x 24 cm. Contains 46 loose leaves and a multiple (on octagonal shaped piece of paper) in a separate, printed envelope. Artists' book which accompanied Tuttle's first European institutional solo exhibition. Edition of 1000 copies. Light corner bumps to folder, interior and multiple mint. (2) Richard Tuttle, Portland Works 1976. Boston and Cologne, Thomas Segal Gallery and Galerie Karsten Greve, 1988. Handmade paper wraps, 26 x 18 cm, 38 pp. printed in colour. Near mint copy. (total 2)

Los 6210

Stuttgart/London, Hansjörg Mayer, 1978. Edited by J.J. Locher and Mark Boyle. Hardcover, 4.5 x 21 cm, 270 pp., in acetate wrapper. Housed in original black cloth publisher’s slipcase. Early monograph on the conceptual work of Mark Boyle and family, illustrated throughout with colour & b/w photos. This deluxe edition has a loosely inserted original b/w photograph, 23.5 x 21 cm, depicting minute animal life from the electron micro photo series, signed by Boyle in black marker on lower right. Slipcase shows moderate shelf wear, edges of dust jacket with light scuffs, photo in very good state.

Los 6211

(1) Two sheepdogs cross in and out of the passing shadows. The clouds drift over the hill with a storm. London, Lisson Publications, 1971. Softcover, 18.5 x 28 cm, 10 pp. Artists’ book featuring eight b/w photographic images taken on Dartmoor in southern England, with short textual statements. First book published by the Lisson Gallery in London. Light creasing on extremities, fine copy. Rare. (2) Richard Long, A Hundred Stones. One mile between first and last. Cornwall England 1977. Bern, Kunsthalle Bern, 1977. Hardcover, 21 x 15 cm, approx. 100 pp. Artists' book published in conjunction with a show held in Switzerland, featuring full page b/w photographic images of stones found by the artist in Cornwall. Moderate soiling and small corner bump to cover, interior in very good condition.

Los 6213

3 British artists’ publications featuring land art projects. Includes: (1) Richard Long, A Walk Past Standing Stones. London, Coracle Press for Anthony d'Offay, 1980. Leporello folded booklet, 10 x 7 cm, 10 pp. B/w photographs taken on Long’s walk on Penwith Peninsula, Cornwall 1978. Very good condition. Rare. (2) Aggie Weston’s No 2, Spring 1973. Derbyshire, Stuart Mills, 1973. Softcover, 25.5 x 20 cm, 12 pp. Features b/w photographs of Stonypath by Stuart Mills. Slight rubbing along spine, back cover soiled, interior very good. (3) Hamish Fulton: 10 Views of Brockmans Mount. A naturally formed hill near Hythe Kent, England. Amsterdam, Stedelijk Museum, 1973. Catalogue 542. Softcover, 14 x 21 cm, 22 pp. Light dent on back cover, generally a fine clean copy.

Los 6214

Two large format artists’ books. (1) Richard Long, Inca Rock. Campfire Ash. London/Edinburgh, Robert Self/National Gallery of Modern Art, 1974. Softcover, 29 x 44 cm, 28 pp. Illustrated with 12 b/w photographic reproductions and 4 topographic maps. Text and graphic design by Richard Long. Light soiling to covers, fine copy. (2) Hamish Fulton, Skyline Ridge. London, P M J Self & Co Ltd., 1975. Softcover, 26.5 x 35.5 cm, 20 pp. Edition of 1000. B/w photographs and text documenting four connecting walks in southern England taken between 1971 and 1974. Sunning to rear cover, else a mint copy. (total 2)

Los 6217

(1) Hans Haacke Framing and Being Framed: 7 Works 1970-1975. Halifax, The Press of the Nova Scotia College,1975. Softcover, 25.5 x 20.5 cm, 154 pp. Artists' book / monograph documenting seven works by Haacke. Edited by Kasper König, text by Jack Burnham, Howard S. Becker and John Walton. Light wear to extremities of the paper wrapper, name of former owner on first page. Fine copy. (2) Hans Haacke. Pasadena, Baxter Art Gallery /California Institute of Technology, 1978. Artists’ book published to accompany an exhibition held from May 25 - July 2, 1978. Black ringbinder with title sticker, housing 48 pp. featuring works by Haacke and an essay by Nan Rosenthal. Back cover of ringbinder and interior sheets slightly bubbled, generally a fine item. Extremely rare. (total 2)

Los 6221

(1) 20 Règles et Techniques utilisées en 1972 par un enfant de 9 ans décrites par Christian Boltanski. 20 regler og teknikker anvendt i 1972 af et barn pa 9 ar skildret af Christian Boltanski. Copenhagen, Berg, 1975. Softcover, 17 x 11 cm, 48 pp. Danish-French text, with numerous small b/w photo ills. First edition of 600, this copy numbered 89 in handwriting. Light toning on rear cover, else near mint. (2) Souvenirs de jeunesse interpretes par Christian Boltanski. Geneva, Adelina Cüberyan, 1975. First edition. Softcover, 22.5 x 15 cm, 24 pp. With ten full page b/w photographic self-portraits of the artist as a ventriloquist. Text in French. Toning to white cover, else very good. (3) Christian Boltanski, Reconstitution (1978). Karlsruhe/Paris, Badischer Kunstverein, Karlsruhe/Editions du Chène, 1978. Softcover, 24.5 × 20.8 cm, 124 pp. Profusely illustrated with the artist's work in b/w and colour. Text in German by Andreas Franzke and Michael Schwartz. Light toning and rubbing to spine, else very good. (total 3)

Los 6233

(1) Yayo(i) Kusama, Images with food and sex. Loenersloot, Mickery and Orez gallery, 1968. A4 sheet with printed b/w invitation to a Kusama exhibition presenting 1 iron, 8 dresses, 5 shoes, 1 bra, 3 reliefs, 2 serving trays, 3 boxes, 2 paintings and 4 objects. Folded twice for mailing, light creasing along margins, else fine. (2) Yayoi Kusama, Love Forever. TIQ January 1968 No.14, 25.5 x 31 cm. Dutch magazine with a 4 page Kusama special (plus back cover), including an artists' contribution and (colour) images of polka dot performances executed in The Netherlands. Photos and text Harrie Verstappen and J.J. Frericks. Covers creased, interior fine. Both items very rare. (total 2)

Los 6248

(1) Annette Messager Collectionneuse. Paris, Musée d'Art Moderne ARC 2, 1974. Staple-bound, 21 x 15 cm, 24 pp. B/w facsimile printed texts, drawings and photographs organized into scrapbook-type ‘collection albums’. This album centers on Messager’s Paris apartment: the studio (territory of Annette Messager the artist), and the bedroom (Annette Messager collector). Includes a list of album collections from March 1974. Light corner bumps, handwritten date on rear of front cover, otherwise a good copy. 2) Annette Messager, Ma collection de proverbes: annette messager collectionneuse. Milan, Gian Carlo Politi Editore, 1976. Softcover, 12 x 16.5 cm, 110 pp. Edition of 1500. Features a compilation of proverbs consisting of male chauvinist ideas about women, collected by Messager. The proverbs are presented in French, Italian and English. Cover age spotted, with tear in upper left corner. (3) Annette Messager, Die Fortsetzungsromane mit Annette Messager Sammlerin, Annette Messager praktische Hausfrau, Annette Messager trickreiche Frau, Annette Messager Künstlerin. Bonn, Rheinisches Landesmuseum Bonn, 1978. Softcover, 20 x 20 cm, 127 pp. Exhibition catalogue/artists’ book edited by Messager and Klaus Honnef. Features the various persona used by the artist, such as Annette Messager, the Artist, the Collector, the Trickster, the Peddler, the Cheater, and the Practical Woman. Good copy. (total 3)

Los 6251

(1) Joan Jonas Performance, Documenta 6 Kassel, 1977. B/w printed poster, 30 x 21 cm, announcing a performance on June 23 and June 25 1977 at the Orangerie in Kassel. Light creasing on edges, else a very good copy. Super rare. (2) Joan Jonas, The Juniper Tree. Whitechapel Art Gallery London, 1979. Performances and Videotapes. Colour printed poster, 32 x 42 cm, machine-folded twice for mailing. Crisp copy. (3) Joan Jonas. Promotional sheet published by Performing Arts Services Inc. New York, 1978. Recto with b/w portrait of Jonas by Babette Mangolte, verso list of performances 1976-1978, 28 x 21 cm. (total 3)

Los 6253

(1) Marina Abramovic/Ulay, 3 performances. Innsbruck, Galerie Krinzinger, 1978. Softcover, 16.5 x 24.5 cm, 48 pp. Published in conjunction with the International Performance Festival at the Österreichischer Kunstverein in April 1978. Features b/w photo documentation and descriptions of 3 performances from the Relation/Works series, such as 'Performance 8' where the artists are tied together by their hair for 17 hours. Text in English and German. Includes excerpts from a dialogue between Marina Abramovic, Ulay and Heidi Grundmann. Light toning to covers, very good copy. (2) Two Performances and Detour, Adelaide, Experimental Art Foundation, 1979. Softcover, 16 x 24 cm, 50 pp. Features b/w photographic documentation of the performance pieces 21 (The Brink), 22, and Detour which all took place in Australia. Text in English. Light rubbing to covers, else a fine copy. (total 2)

Los 6264

Two rare catalogues by the Austrian artists and feminist icons, published in conjunction with their solo shows at the Venice Biennale of 1980. (1) Valie Export, Austria Biennale di Venezia 1980. Vienna, Austrian Federal Ministry of Education and Art, 1980. Softcover, 26.8 x 20.8 cm, 128 pp. (2) Maria Lassnig. Vienna, Austrian Federal Ministery of Education and Art, 1980. Softcover, 26.6 x 20.8 cm, 78 pp. Both ill. in b/w with text in Italian, German and English. Light toning to covers, otherwise very good copies. (total 2)

Los 6268

Cologne, Monika Sprüth, 1985. Softcover, 40 x 26 cm, 64 pp. First issue of a total of three editions of the magazine 'Eau de Cologne' published between 1985 and 1989 by the gallerist Monika Sprüth, focused on a female discourse on art. Although published in conjunction with an all women group show, the magazine presented ’many more young and older female artists, writers, critics and art-dealers’. Exhibited artists included Ina Barfuss, Jenny Holzer, Barbara Kruger, Cindy Sherman and Rosemarie Trockel. Artists’ contributions and features on Georgia O'Keefe, Edit DeAk, Louise Bourgeois, Annette Messager, Jutta Koether, Maria Lassnig, Susan Hiller, Ulrike Rosenbach, Nancy Spero, Ileana Sonnabend, Ingrid Oppenheim, Helen van der Mey, Iwona Blaswick, Holly Solomon, Marian Goodman, Mary Boone, Pat Hearn, Tanja Grunert, Philomene Magers et al. Light wear to front cover, else very good. Super rare.

Los 6269

Cologne, Galerie Monika Spruth, 1989. Softcover, 30 x 24.5 cm. Third issue of the iconic magazine focused on women in the artworld. Includes text/image featuring Louise Bourgeois, Sophie Calle, Barbara Bloom, Jutta Koether, Barbara Kruger, Elaine Sturtevant, Sherrie Levine, Ina Barfuss, Dominique Gonzalez Foerster, Hanne Darboven et al. Text contributions by Rosalind Krauss, Isabelle Graw, Linda Nochlin et al. in German and English. Light wear to cover and spine, interior good. Very rare.

Los 6301

Edited by Jorge Glusberg. Staplebound booklets with signature design, 22 x 16.5 cm, with text in English and Spanish. (1) Fourth International Open Encounter on Video, Video Alternativo: Oct. 31 - Nov. 14 1975. Buenos Aires, CAyC, 1976, 40 pp. Participants included Burgy, Davidovich, Ehrenberg, Export, Fandangos, Geissler, Grupo CAyC, Levine, Matsuzawa, Muntadas, Paik, Pozzi, Rosler and many others. Mint copy. (2) Japan Video Art Festival: 33 Artists at CAYC. Buenos Aires, CAyC, 1978. Participants included Taka Iimura, Shigeko Kubota, Yutaka Matsuzawa, Yoshio Nakajima et al. 20 pp. Light rubbing on cover, else very good. (total 2) The Argentinian business man, critic, curator, and artist, Jorge Glusberg, founded the interdisciplinary experimental art center CAyC in Buenos Aires in 1968. In the 1970s it became one of the most prominent promoters of video art, mounting exhibitions in Eastern and Western Europe and Latin America, such as the series 'International Open Encounters on Video'.

Los 6304

Works, Propositions and Projects, Writings 1970-1978. Halifax/New York, The Press of the Nova Scotia College of Art & Design / New York University Press, 1979. Softcover, 21.5 x 28 cm, 89 pp. Artists' book featuring writings by Dan Graham on his video works illustrated with drawings and photographs. Edited by Benjamin H.D. Buchloh, contributions by Michael Asher and Dara Birnbaum. Light rubbing to covers, else a crisp copy.

Los 6318

(1) Sound. An exhibition of sound sculpture, instrument building and acoustically tuned spaces. Los Angeles/New York, Los Angeles Institute of Contemporary Art and Project Studios 1, 1979. Softcover, 21.5 x 21.5 cm, 68 pp. Catalogue published in conjunction with the significant 1979 exhibition curated by Robert Smith and Bob Wilhite who travelled from the Los Angeles Institute of Contemporary Art to New York's PS 1. It presented electronic, electro-acoustic, and microtonal instruments in a gallery setting accompanied by music performances. Participants included Terry Fox, Mike Kelley, Alvin Lucier, Tom Marioni, Yoshimasa Wada et al. Light toning to spine, otherwise very good. (2) Stapled set of sheets with scores, annotations and more information about the exhibition at PS1, including a floor plan. (3) Folded poster for the PS1 exhibition, printed in bright orange and red, 61 x 46 cm. Great collection of ephemera with the hard to find catalogue. (total 3)

Los 6322

Paris, Association Française d’Action Artistique, 1985. Comprises a 33 RPM vinyl disc in original printed record sleeve, 26 x 26 cm, with inserted booklet. The album contains audio recordings by the five French participants in the Sao Paulo Biennale of 1985, curated by Michel Nuridsany. Among the sound works is a beautiful contribution by Boltanski, 'Reconstitution de chansons qui ont été chantées à Christian Boltanski entre 1944 et 1946', in which the artist is humming children's songs. The record sleeve is richly illustrated on exterior and interior, with photo portraits of the artists and a contents list. The vinyl disc has an exquisitely designed printed label on both sides. The staple bound booklet, 25.5 x 25.5 cm, 16 pp. features text by Nuridsany in French, English and Portuguese, and colour reproductions. Very light scuffing to corners of the sleeve, else a very good copy. Scarce.

Los 6331

Oak Park MI, Book Beat Gallery, 1997. Softcover, 27.5 x 21.5 cm. This is the 3rd revised edition with a cover printed in silver metallic ink on fluorescent pink stock. Edition of 2000 copies. Artists' book featuring photographs, artworks and images from Destroy All Monsters zines, the band/art collective founded by artists Mike Kelley, Jim Shaw, Niagara and Cary Loren. With inserts, poster, interviews, news-clippings and an original black plastic flexi-disk (Typical Girl & Attack of the Chiggers). Each book contains one original hand-made psychedelic splatter painting. A total of three editions of 'Geisha This' were produced, each version was printed in different colours and collated in a different sequence with varying content. Light bump on lower right corner, else a very crisp copy.

Los 6342

First three issues of the periodical published by the legendary collective Art & Language. Edited in Coventry by Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell, and Joseph Kosuth (from No.2 onwards). Softcover, 21.5 x 13.5 cm, 32/88/36 pp. Comprises: (1) Art-Language, Vol.1 No.1, May 1969. Light spotting on cover, else very good. (2) Vol.1 No.2, February 1970. Brown stain on front cover, seeping unto the first 4 pp., otherwise clean. (3) Vol.1 No.3, June 1970. Light staining on cover, otherwise crisp. Contributions by Sol Lewitt, Lawrence Weiner, Dan Graham, Ian Burn, Mel Ramsden, Stephen McKenna, Roger Cutforth et al. Rare copies. (total 3)

Los 6360

Firenze, Stiav, 1977. Rare catalogue released for the first exhibition dedicated to the artists' book in Italy. curated by Luciano Caruso, Eugenio Miccini, and Maurizio Nannucci, held at Comune di Firenze, Fortezza da Basso in Florence from 7 to 15 January 1978. Edition of 1000 copies. Exquisitely designed booklet in the shape of a Kraft envelope, closed with a red ribbon and two red plastic disks. The front cover has a pocket housing an invitation card for the exhibition. Softcover, 18 x 10.8 cm, 64 pp. printed b/w with numerous ills. Artists presented at the exhibition included Vincenzo Agnetti, Luciano Bartolini, Mirella Bentivoglio, Irma Blank, Ugo Carrega, Giuseppe Chiari, Gianni Kounellis, Ugo La Pietra, Mario Merz, Bruno Munari, Giulio Paolini, Emilio Villa et al. Very light creasing on front cover, generally a very good copy.

Los 6364

Special issue of Reflection Press (No.26) edited by Albrecht D. in Stuttgart. Comprises 12 postcards, 15 x 10.5 cm, printed violet on white recto, titles in black on verso. Also contains one sheet with publisher information. Housed in the original envelope with stamped title. Light corner creases to envelope, the cards are mint.

Los 6379

Zurich, Annemarie Verna, 1979. Signed and numbered copy. Colour ill. portfolio, 30 x 30 cm, 24 pp. Artists' book containing 6 double-page thick plates illustrated with drawings and collages by the artist in b/w. Introduction on the covers in Italian and German. Edition of 500. This copy is from the limited edition of 20, numbered 3/20 and signed in pencil by Paolini in pencil. Faint crease on front cover, light bends to 3 sheets on lower left corner. Fine copy.

Los 6380

(1) Traces. Florence, Zona, 1976. Signed and numbered 105/250 in pencil on last page, with a dedication. Sewn, 22 x 16 cm. No text except for title and publisher's information on covers. Contains 16 pages of recycled kraft paper with 8 sheets featuring applied transparent glue traces. Inserted is a typewritten letter with explanatory text by the artist on stationary of Zona editions. Light foxing to covers, unidentified light pen drawing on front cover, generally very good. (2) Traces d’un rêve élaboré avec des éléments antérieurs. Brussels, Michèle Lachowsky, 1979. Softcover, 23 x 16.5 cm, 32 pp. Artists' book printed on blue paper, containing 1 original white gauze collage by Luigi Bartolini, plus text and photographic images. Light toning to cover, else very good. (3) Sogni, Ombre. Munich, Ottenhausen Verlag, 1979. Softcover, 23 x 16.5 cm, 32 pp. Very good copy. With loose inlaid signed letter by Bartolini, and promotional card for the multiple 'Asterterione', printed gold and black on thick handmade paper. (4) The Pearl Mosque. Cologne, Paul Maenz, 1978. Leporello booklet, 14.5 x 17.5 cm, 16 pp. Edition of 200. Tear on fold of one page, else fine. (5) Arianna. Geneva, Edition Centre d'Art Contemporain / Adelina von Fürstenberg, 1979. Softcover, 23.5 x 17 cm, 32 pp. Photographic images by Bartolini, text by Fulvio Salvadori in Italian and French. Fine copy. (total 5)

Los 6384

Cardboard cover bound with metallic clip, 22 x 20.5 cm. Contains 10 full page original b/w photographs. Signed, numbered and dated by the artist in pencil on interior of back cover, 'Krijn Giezen 5/5/ Jan 1977'. Features a reportage of the creation of a dome shaped structure with straw roofing. No text. With rubber stamp of Stichting Kunst en Bedrijf on verso cover. Minor age spotting to covers, light toning to margins of the first photo, generally in very good condition.

Los 6390

Vernon Fisher/ Keith Haring. Rotterdam, Galerie 't Venster/Rotterdam Arts Council, 1982. Softcover, 20 x 20 cm, 72 pp. The catalogue presents two exhibitions held March 26 - April 28, 1982 (Fisher) and April 30 - June 2, 1982 (Haring) which was the latter's first European solo exhibition. Pages 40-71 are dedicated to Haring. Text by Richard Flood in Dutch and English. Light foxing to cover, good copy. Rare item.

Los 6393

Edinburgh, Fruitmarket Gallery, 1984. Softcover, 29.5 x 22 cm, 48 pp. Rare catalogue for Basquiat's first European solo exhibition which premiered at The Fruitmarket Gallery in Edinburgh (1984), then travelled to ICA London and Museum Boijmans van Beuningen (1985). Light rubbing to spine, else near mint.

Los 6398

Vom Einfachsten nach Hause. Cologne / Munich, Martin Kippenberger / Galerie Dany Keller, 1983. Softcover, 29.7 x 21 cm, with 50 full-page blue on white illustrations. Edition of 600 copies, published on the occasion of Kippenberger’s 30th birthday. Light shelf wear on exterior, generally in good condition.

Los 6405

(1) Jan Schoonhoven retrospectief: tekeningen en reliefs, Jan Schoonhoven Retrospektiv: Zeichnungen und Reliefs. The Hague/Nürnberg, Haags Gemeentemuseum/ Kunsthalle Nürnberg, 1984. Hardcover, 30 x 21 cm, 144 pp. Texts in Dutch and German by Flip Bool, Wim Beeren, Henk Peeters, et al. Overview of drawings and reliefs, profusely ill. in b/w and colour. Some sunning to cover, else very good. (2) Centraal Museum Utrecht Mededelingen No.6, May 1974. Tabloid, 44 x 31 cm, 12 pp. folded twice. This issue designed by Schoonhoven, comprising a grid-drawing on the cover sheet, and a continuous text in typescript, divided in columns all through the magazine. Stunning artists' intervention, in good condition. (3) nul negentienhonderd vijf en zestig, Vol. I: Texts & Vol. II: Photos. Amsterdam, Stedelijk Museum, 1965. Silver wrappers, 27.5 x 18.5 cm, 60 pp. Catalogue published on the occasion of the international ZERO exhibition featuring Schoonhoven, Peeters, Fontana, Kusama, Manzoni and many others. Text in English, French, Italian and Dutch with b/w illustrations. Designed by Wim Crouwel. Light age wear to covers, name of former owner in both volumes, pages are still bound (unusual with this glue binding). (total 3)

Los 6417

Five posters, 58 x 73 cm. Four copies printed with different images and one blank (light blue) as issued. All in very good condition. Felix Gonzalez-Torres (1957 -1996) was a Cuban-born American conceptual artist working in a variety of media. His work addresses issues of identity, desire, originality, loss, and the private versus the public domain. In 1989 Gonzalez-Torres began making his famous stack pieces: blocklike piles of paper printed with content related to his private life, from which the viewer is invited to take a sheet, hence interact with the work. These sheets were hand picked from his exhibition at the Sprengel Museum Hannover held in 1997.

Los 6418

Arnhem, Sonsbeek, 1993. Softcover, 24 x 17 cm, 124 pp., ill. in b/w. Influential catalogue published in conjunction with 'The Uncanny', a now mythical exhibition staged at the Gemeentemuseum Arnhem, as part of Sonsbeek 93. Curated by Kelley, who also edited and provided text for the catalogue. This is the scarce first (and only) edition. Light toning and rubbing to cover edges, else in great shape.

Los 6430

New York, Trans Magazine, 2000. Issue No.8 of Trans, with an original chewing gum multiple by McCarthy. Single sheet of printed edible chewing gum, 25 x 21 x 0.3 cm, with a reproduced drawing of a McCarthy evil Santa on it. Issued as the cover for the magazine. This is an unopened and still plastic wrapped example with publisher’s banner around the journal and the multiple. The gum is very fragile, this copy intact with merely a few light surface cracks.

Los 6432

(1) & Then... Zona Coins. Florence, Zona Archives, 1998. Multiple, features four metallic 'Zona coins' custom-designed by Lawrence Weiner. In cardboard slipcase with titles printed in red, 8 x 21 cm. Edition of 100 copies, numbered and signed in pencil on rear of the slipcase. This copy numbered AP VI/XII. In very good state. (2) Bent & Broken / Shafts of Light. Ostfildern-Ruit, Hatje Cantz, 2000. Exhibition catalogue Kunstmuseum Wolfsburg, hand-signed, dated 2000 and numbered 37 in colophon. Softcover, 32.5 x 21 cm, 82 pp. Essays by Gijs van Tuyl and Lawrence Weiner, text in English and German. Near mint. (3) Fly By Night. Stuttgart, Brigitte March, 1994. Exhibition brochure, edition of 550, 16 pp. (4) Blue Moon Over. New York, Moved Pictures, 2001. Four colour artists’ book with comic-book style panels, edition of 900. (5) Irgendwann / Any Given Time. Pulheim / Cologne, Synagoge Stommeln / Stadt Pulheim / Verlag Buchhandlung Walther König, 2002. Released in conjunction with a commission for the façade of the synagogue in Stommelm, Germany. (6) Cleared from Wall to Wall. Knokke-Zoute, Mulier Mulier Gallery, 2003, 16 pp. (7) Dichtbij. Utrecht, Bak, 2010. Text in English and Dutch, edition of 300, 44 pp. (total 7)

Los 6436

Cologne, Walther König, 2016. Two volume set, including 2 hardcover books titled 'Interior' and 'Exterior', 17 x 11.5 cm, 44/46 pp. Features actual size Polaroids taken by the renowned cinematographer as studies in light and composition, made off-set, strolling through cities or lingering in hotel rooms. Rare first edition published on the occasion of the exhibition ‘Master of Light: Robby Müller' at EYE Amsterdam, June 4 - Sept. 4 2016. Image selection and introduction by Andrea Müller-Schirmer, essays by Bianca Stigter, design Linda van Deursen. In mint condition.

Los 6441

Small flyer, 22 x 15 cm, printed red on off-white stock. Announcement of the program for August 1969 at the important experimental project space (named after its phone number), run by Kasper Koenig. Features events by La Monte Young and Marian Zazeela (a continuous environment in sound and light with singing - from time to time), Addi Koepcke and Tomas Schmit, Robin Page, Ben Vautier (Fluxus concert and '7 ideas of Ben', and Lidlweek, a faux sports event organized by Immendorff and friends, which involved a football match, a balloon trip and cycling training. Rare and exciting document in near mint state.

Los 6443

(1) Invitation card with original etching. Announcement for Jasper Johns Prints, held Oct. 15 to Nov. 12 1977 at Castelli Graphics New York. Single folded white card, 20 x 15.2 cm, 2 pp. Black etched image on front features John's work 'Numbers from 1st Etchings-2nd State 1967–69'. Light dent on lower right corner, top right corner with tiny bump, etching in mint condition. Very rare. (2) Jasper Johns at Leo Castelli, Jan. 8 - Feb. 2 1966. Large folding card printed gold on white. With horizontal fold. (3) Jasper Johns, Lead Reliefs, Castelli Graphics May 1969. Folding card, with unfortunate tear in front sheet. (4) Jasper Johns, Fragments - According to What, Castelli Graphics May 1971. (total 4)

Los 6446

Offset printed black on white, 95 x 64 cm. Designed by Wim Crouwel for Stella's first solo show at the museum from Oct. 3 to Nov. 22 1970. Tiny pinholes in corners, light edge wear on outer margins, generally in fine condition. Scarce.

Los 6451

Bremerhaven, Kabinett fur Aktuelle Kunst, 1974. Exhibition poster, 50 x 48 cm, with title and exhibition information in black silkscreened text. Created by Jürgen Wesseler, founder and curator of Kabinett fur Aktuelle Kunst, an important venue for contemporary art in Germany. Unknown edition size (MoMA mentions approx. 15). Light age wear along the outer edges, left margin with some very small tears (approx. 1 cm), generally a very good copy of this extremely rare item.

Los 6457

Two announcement flyers for a collaborative project between Art & Project and the Brussels based gallery MTL. Includes the third and seventh project in the series. (1) Sol LeWitt, four wall drawings, Nov. 13 - Dec. 8 1975 at MTL Brussels. Single folded sheet, 29.5 x 21 cm, 4 pp. Printed b/w, interior with artwork by Sol LeWitt. Mailed copy, light wrinkles on top right corner, else very good. (2) Hanne Darboven, March 12 - April 6 1974 at MTL Brussels. Single folded sheet, 29.5 x 21 cm, 4 pp. Printed b/w, interior with artwork by Darboven. Folded as issued, unmailed copy in near mint state. (total 2)

Los 6465

London, Whitechapel Art Gallery, 1977. Offset poster, 76 x 51 cm, printed black and red on white stock. Produced in conjunction with Long's exhibition at the Whitechapel Gallery, 25 January - 27 February 1977. Folded three times, light rubbing and creasing along parts of the folds, generally a fine copy.

Los 6474

Richard Serra arbeiten auf papier, Museum Kurhaus Kleve, Ewald Mataré- Sammlung 1999. Extra large offset poster, 84 x 59 cm, printed black on glossy white stock. Signed in black marker in lower right margin. Produced on the occasion of the show held March 28 - June 20 1999. Light rubbing to paper edges, generally in very good condition.

Los 6488

(1) Lawrence Weiner at the Van Abbemuseum Eindhoven, 1976. Poster, 76 x 60 cm, printed black on light yellow stock. Published in conjunction with the show held March 12 – April 26 1976. Features a text work 'With relation to the various manners of use..' and exhibition information in English and Dutch. Folded four times, some creasing around folds, generally a fine copy. (2) Lawrence Weiner at Centre D'art Contemporain Geneva, 1980. Poster, 35 x 20 cm, printed black on matt green sticker sheet, with horizontal perforation line. Announcement for the show held Sept. 16 - Oct. 31 1980. Text work in English and French. Near mint copy.

Los 6490

Lawrence Weiner, An Accumulation of Sufficient / Abrasion to Remove Enough of / an Opaque Surface to Let Light / Through with More Intensity. Off-set litho, glossy silver mirror sheet with text and design in yellow, 61x 61 cm, folded 4 times. Exhibition poster for the show held 14 - 28 Feb. 1981 at Leo Castelli New York. Overall wrinkling, mirror sheet and yellow text still bright.

Los 6496

Turin, Galleria Notizie, 1971. Invitation to Fabro's personal exhibition at the gallery. Folded card, 17 x 17 cm, printed red and black on off-white stock. Contains a fold-out leporello, 6 pp. which opens up to 16.5 x 49 cm. Shown are b/w images of installations and a text by Saverio Vertone in Italian. Light bend to lower left corner, else a very good copy. Ref: G. Maffei, Arte Povera 1966-1980, pag. 84.

Los 6501

from the 1970s to 1990s. Hightlights include: (1) Eight Words from a Reading at Brooklyn College. Artists' booklet published by Galleria Victoria Miro, Florence 1990. Staple bound, 16 x 7.5 cm, letter press printed in silver gilt on thin grey paper, with drawings in black. Mint copy. (2) Centre d'Art Contemporain, Geneve 1980. Small poster illustrated with colour drawing, 28.5 x 35.5 cm, machine folded twice. With 2 pinholes and tiny dog ear, else very good. (3) Poster designed by Tuttle for his show at Yvon Lambert from March 7 to April 10, 1990. Colour offset, 43 x 35 cm, folded 3 times. Light creases on small section, clean and bright copy. (4-7) Four items from the 1970s including announcements from Nigel Greenwood London, CAPC Bordeaux, Edition Heiner Friedrich Munich and Annemarie Verna Zurich. (8-13) Six cards announcing shows in 1980s, including ICA London, ARC Paris, Städtisches Museum Mönchengladbach et al. (14-18) Five cards from the 1990s including Brooke Alexander New York, Annemarie Verna Zurich, Kunstmuseum Winterthur et al. (total 18)

Los 6507

(1) Small poster for a Baldessari show at Monika Sprüth in Cologne held from Sept. 15 to Nov. 4 1995. 29.5 x 21 cm, printed b/w on news sheet, folded for mailing. Features an image from 'Three active persons-with standing persons', 1990. Light paper toning and creasing. (2) Large poster announcing a Baldessari show at Monika Sprüth & Philomene Magers in Cologne held Sept. 11 to Oct. 16 1999. 59 x 42 cm, printed black on news sheet, folded for mailing. Recto features a text work from Baldessari's 'The Commissioned Paintings', 1969. Light paper toning, else in very good condition. (total 2)

Los 6508

Stunning set of three A4 size b/w posters and one large colour printed copy, all folded as isssued. (1) Fieber. Peter Fischli & David Weiss Skulpturen, special opening on May 19 1983. 29.5 x 21 cm, printed black on thick white paper, with hand collaged b/w photographic reproduction showing a detail of a Fieber sculpture. (2) Poster, 29.5 x 21 cm, printed black on news sheet, published in conjunction with the Fischli & Weiss exhibition held from May 5 - July 29 1995. Moderate age toning, else very good. (3) Flughäfen 1988-98. Poster, 29.5 x 21 cm, printed black on news sheet, announcing a show held Jan 28 - April 18 1998 featuring the airport photo series. Light corner creases, else in very good condition. (4) Large colour printed poster, 42.5 x 60 cm. Announces the Fischli & Weiss exhibition held Nov. 6 1998 to Feb. 13 1999. Features a stunning full page close-up of a flower. In very good condition. (total 4)

Los 6515

Offset print on newspaper sheet, 56 x 38 cm, printed both sides. Recto with exquisite design featuring blue text overlaid on a reproduction of Yves Klein's 'Dimanche' newspaper from 1960, which contains his Manifesto and several b/w pictures by Harry Shunk, including the iconic one of Klein jumping into the void. (Le peintre de l'espace se jette dans le vide!). Rear with exhibition information and address and closure sticker. This copy folded for mailing, light toning of the news sheet paper, else in very good condition.

Los 771

Casterman, 1955. 3rd Dutch ed. Right corners of covers reinforced w. tape, overall (light) trace of use. (2) Het Gebroken Oor. Idem, 1956. Later ed. Minor wear, good copy. (3) De Blauwe Lotus. Idem, 1954. Later ed. Cover, edges and corners sl. worn, otherwise a good copy. (total 3)

Los 928

1970s. Nos. 1-5. -and approx. 20 others, mostly counterculture comics, incl. a.o. Light, Mr. Natural (2 issues) and Fritz the Cat (both by R. Crumb), The Collected Adventures of the Fabulous Furry Freak Brothers (2 issues), Zap Comix and Rebel Comics. 1 duplicate. Normal signs of age and wear. (total approx. 25)

Los 8

JOSE MARIA SICILIA (born 1954)La luz que se apaga 2003 Signé et situé Soller au dosAcrylique et cire d'abeille sur boisGetekend en gelokaliseerd Soller op de achterkantAcryl en bijenwas op houtSigned and located Soller on the backAcrylic and beeswax on wood184 x 156 cmFootnotes:Provenance / HerkomstGalerie Noirhomme, Bruxelles Acquis à la galerie par l'actuel propriétaireCollection privée / privécollectie, FranceUn certificat de l'artiste sera remis à l'acquéreurIn 1985 and 1986, Sicilia began a long series entitled Fleur, which he is still working on today, resulting more from an abstract treatment of the motif than from a concern for realism. He then began to reflect on the structure of the painting and the materiality of the brushstroke; the production of a dense material, through additions, washes and scrapings, resulted two years later in paintings that were almost white - but that buried within them other whites and a few coloured residues, lines and shapes. From 1990 onwards, Sicilia chose wax and paper for most of his works.These materials have the singular ability to reveal or blur, to stop or filter light, a new component of the work. The wax, poured in thin layers, sometimes covers the images and printed sheets, sometimes supports immense flowers painted in oil.This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

Los 64

A pair of George V silver corinthian candlesticks with removable sconces, fluted columns on stepped, beaded square bases, hallmarked for Britton, Gould & Co., Birmingham, 1926, each 32 cm H, weighted, both in good condition, light wear from occasional use

Los 60a

A mid-century four-piece silver tea and coffee service (creamer missing) with ebonised handles on a matching two-handled oval silver tray, 47 cm W, all hallmarked for Joseph Gloster, Birmingham, 1957-62, 3361g (5), dent to teapot, light tarnishing

Los 11

An Omega Quartz Day Date Constellation wristwatch with white dial, dot hour marks, gold bezel, stainless steel and 18ct yellow gold bracelet strap, deployment clasp, caliber 1444, model 3961069, case 36mm including crown, with original tag, box and booklet, purchased around 1990, light wear from occasional use

Los 1896

11 BOTTLES BAIJIU AND 1 EAU DE VIEFeicheng Kangwang Liquor Co Liquid King (50cl); China Shanx Xinghua Cun Fenjiu Distilling Co Light Flavour (50cl); Xiaohutuxian Spirits Co R9; Renhuai Xidao Liquor Co Maotai Flavour (50cl); Yushan Kaolaing Liquor 8YO; Beijing Red Star Co Light Flavour (50cl); Ganzhou Qianjiu Liquor Co Maotai Flavour (50cl); Xiaomuduxian Liquor Co Maotai Flavour (50cl); Guitanzunjiu Gold Edition (50cl); Shuzhou Kangjiu Liquor Co Maotai Flavour (50cl); Chan's Manor Jiang Flavour (50cl); Balancal Eau de Vie Banana (50cl)

Los 712

Modern light oak display cabinet with three drawer base

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